Microstory 2485: Passage of Rites

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They call this an antimetabole, with the name referring to the physical space where rites are performed, as opposed to the original phrase, which involves a more metaphorical passage from one state of being to another. A rite of passage is a ceremony—or a more abstract transitional period—that marks some change in a person’s life, often when they are still young. In some cases, it’s specifically meant to mark someone’s development from youth to adulthood. Bar Mitsvahs, Quinceñeras, and Sweet Sixteens are all about this concept, and come at the age when that culture believes an individual sufficiently matures. It doesn’t have to be based on a particular age, or there might be some leeway. For instance, our ancestors used to have to wait to learn how to drive land vehicles, and once they did learn this skill, it came with a sense of independence that they usually did not feel before. It often happened at a certain age, but it didn’t have to, and some people never learned. Different people have different ideas about what someone needs to experience in their life before they can be respected in some form or another. Some have believed that you weren’t a man, for instance, until you participated in a physically violent altercation. Others thought you really only needed to learn how to hunt game, or go on some kind of lone journey in the wilderness. Some rites of passage are a very specific set of rituals which offer symbolic practices to represent the transition. They might be asked to drink a bitter drink to symbolize the harsh realities of life, then receive a sweet candy to exemplify the reward of a life well lived. Some of them their participants prepared their whole lives for. A lot of the rites of passage shown here have been lost to time as the culture who practiced them forgot, or had newer generations who began to see less value in maintaining them. There’s a relatively new tradition on Thālith al Naʽāmāt Bida where the current permanent residents gift each of their younglings a stone every year of their lives. They are expected to hold onto their collection between the ages of six and seventeen, even as it grows, until their seventeenth birthday, when they throw all of them over a cliff. These stones represent the care and attention the child needed as they were growing up. The weight of them collectively represents the burden they placed on their families. Ridding themselves of their collections represents the second stage in their life, when they are now expected to fend for themselves—to collect their own proverbial stones. That rite of passage is here too, reenacted by visitors, so they can physically feel the meaning behind the traditions. Other rites are performed exclusively by androids, such as the human sacrifices, which thankfully, no culture today has continued to observe. As I was saying about the birthday observances, there’s a lot of fun here, and you can come just to party. But I hope you do venture out to the other areas, and see some of the more somber and profound events. You can learn about any of these things in the archives, but there’s nothing quite like seeing it up close for yourself. I’ve learned a lot here already, even though I’m an archaeologist, and I’m sure you will too.

Microstory 2418: Paleodome

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This is a fascinating historical dome, but I think it can be better. I think they can make it more realistic, and more immersive. What’s the premise here? Well, it’s the paleolithic age, which is part of the stone age. Cavemen are working with stone tools, trying to figure out how to build societies, and engaging in the first (loose) definitions of war. I mean, it depends on how you define war. Were these organized, formal conflicts fought on distinct battlefields? No. But they were more than just two guys swinging clubs at each other during a disagreement. Their language was minimal, but they did make plans, and they did go out to fight together, so I would say that qualifies. The androids have been programmed with very low intelligence, but heightened curiosity, leading them to try all sorts of experiments, many of which don’t go too well. For now, these androids aren’t aware that you’re there. They’re literally programmed to ignore you while you watch from up close. I think they can do more with this. I think they can adjust the visitor’s intelligence as well. I know they do this with that zombie dome, where you can actually be transformed into a zombie. They seem to understand how people can bring themselves back to normal once they’re done with that. I don’t see any reason why the same principles can’t be applied here. It’s cool to watch the cavemen, but I want to be an active participant. I want to feel what it would have been like back then. In this regard, it’s an excellent reenactment. I don’t know exactly what year it’s supposed to be, but it moves in real time. I watched a guy learn how to cut a rudimentary axe-sort of thing out of stone, and that was a unique experience. That android will never do that again. He will never need to learn it again. Fifty years from now, if I go back, he will be “dead”. I’m sure his grandchildren will be starting to conduct their own tests, and learn their own lessons. That’s so cool to me, that we’re watching history unfold—albeit as a best guess based on archaeological evidence alone—and if you miss something, you miss it. There’s no going back to see what someone else saw before you. I think that’s really special. So if you’re interested in getting a glimpse of what Earth was like millions of years ago, you better come now, because it never stops changing.

Microstory 1769: Pointed Pyxis

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Folks, there’s no doubt about it, this is the biggest find in archaeological history. I don’t know how it’s possible, but I’ve had it checked by a dozen of my colleagues, and we all agree on the results. This box before you dates back 16,000 years. It calls into question everything we know about pre-literary history. It breaks the laws of physics, and quite honestly, it’s driving me insane. I’m not here to talk about the science we used to date this artifact. You can read our paper at your leisure. Today, I’m going to be showing you the artwork on the box, and explaining just how impossible it is, just in case some of you aren’t surprised by it on your own. Now, we call this object a pointed pyxis, and the first of them rose up in Greek culture during the eleventh century BCE, which is a full 13,000 years after the artifact was made. That alone would be astonishing, to learn that people were making certain styles of art so much earlier than we once believed. That’s not the exciting part. If that was all there was, I suppose we could have just assumed it was a coincidence. Again, still remarkable, but not too crazy. Let me zoom in. In the first hexagon is a woolly mammoth. Nothing weird there; they weren’t extinct back then. But if you look closer, you’ll see that it’s not alone. There’s a human riding on top of it, and as far as we know, people never did that. We hunted and co-existed with them, but we did not domesticate them. Or maybe we did. In the next hexagon—and by the way, I’m not sure what to call this shape; curved hexagons on a sort of pointed cylinder—there is what appears to be a bird. This is not the kind of avian you would expect to find on something from this time period, or from any time period in human history. The pterosaur went extinct 66 million years ago, and was never seen by man. It’s possible the artist uncovered fossilized records, but unlikely they were intact enough for them to so accurately depict it’s living form. That’s your first clue to time travel, but not your last.

This appears to be an illustration of a crucifixion, which didn’t start happening until about the 6th century BCE. This is a sea-faring vessel, of a design which the vikings used in the tenth century CE. This writing is Cuneiform, this is Kaqchikel, this is Cyrillic, and these are Neolithic Chinese characters. Over here is the number pi to 12 decimal places...converted to binary. Here’s the hex code for gunmetal gray, but we had to figure that out, because it’s written in a language that we have never seen before. Right next to it is a photorealistic picture of a cannon in said color. There’s a mushroom cloud, there’s the logo for a car company, and look at this and tell me it doesn’t look exactly like TV’s James Van Der Beek. I could go on and on, but you get the picture. Our best guess is that this is the work of some kind of time traveler, but why would they paint all this on a pointed pyxis? What was the purpose of the container at the time? We’ve tested the inside as well, of course, and found absolutely no residue; not even the paint they used on the outside. No dirt, no microbes, no nothing. We’ve even exposed it to modern air, and while we take every precaution to protect against contamination, at least a little always gets in. We don’t operate inside of a vacuum. I’m presenting this to you, because you are the brightest minds this planet has to offer. We’ve decided to crowdsource the mystery, but we’re not ready to reveal it to the world at large yet. If any of you can explain any aspect of this incredible fine, we encourage you to sign up for some time to examine it. Thank you very much.