Microstory 2640: Breaking Character

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After the fight is over, and the good guys have won, men in black emerge to clean up. Mandica gets on the back of Blue Umbra’s motorcycle, and holds on for dear life. They still have these kinds of death machines back on Earth, but she’s never ridden one before, because they are not safe enough. While they’re dashing through a tunnel, she sees both Blue Umbra and Wave Function’s outfits change, as does the coloring on their bikes. Their masks disappear too until they just look like regular people. They continue zipping down the streets until they reach their underground lair. An oldish man is waiting for them at the bottom of the ramp. “Any cleaning to do today?” he asks them.

“Just need a recharge on these.” Wave Function carelessly tosses the apparent servant his sonic weapon cartridges as he’s walking by.

“Rybold is an NPC,” Blue Umbra says to Mandica as Wave Function is plopping down on the recliner, and beginning to play a video game like a typical bro. “He’s been programmed to ignore all mentions of the real world. He thinks he’s our butler, and always does our chores with a smile on his face.”

“A little bit derivative, don’t you think?” That’s the rude, socially awkward Mandica talking again. She doesn’t want to be like that, especially not since she needs something from these people. “Sorry. I don’t spend a lot of time around others anymore. I was a nomad, and my only regular companion was an android, like Rybold.”

“Will the Miss be joining us for dinner?” Rybold asks after he’s placed the cartridges on the charger. “Will she be needing her own room, or sharing one of yours?”

“Undecided,” Blue Umbra answers. She goes over to Wave Function and kicks his legs. “Off the coffee table. We’ve talked about this.”

He blows a raspberry at her.

“He’s not as immature as he’s acting right now,” Blue Umbra explains. “He’s just trying to cool down. It takes him a moment to step out of character, and become more like his real self.” She sits down on the couch, and pats the other side invitingly for Mandica. “So. How long have you been on Castlebourne?”

“About two weeks,” Mandica answers.

“Oh, fresh fish,” Blue Umbra muses.

“I should tell you something else,” Mandica begins nervously. “I wasn’t going to tell anyone, but this is a red dome—”

“I don’t—what is that?” Blue Umbra questions. “Did they institute a color-coding system? I’ve been in-game for fourteen years.”

“Twenty,” Wave Function boasts, hand raised, but still focusing on his game.

“No, that’s just something my friend came up with.” Mandica keeps on hesitating. “I needed that because...I’m human. I mean, I’m a regular human. I’m not enhanced, and I’m not digitized. I die in the Matrix, I die in real life.”

Now Wave Function drops his controller, and looks at her. His character dies and waits for him to trigger respawn. “You shouldn’t be here. Do you know how many times I’ve died? This is my fifth persona. This world has consequences. If someone sees your body die, you have to come back as someone else, if you choose to come back at all.”

“That’s not the point,” Blue Umbra argues. “If she dies, she can’t even come back. She can’t come back anywhere.” She turns back to Mandica. “Why are you here? I didn’t even know people like you could even come to this planet. You would need a ship.”

“I took a ship, yes,” Mandica confirms. “I wanted a real life. I wanted adventure.” She looks around at their lair. “I didn’t want to be having this particular adventure, but as soon as I arrived, I discovered that the choice to travel here wasn’t entirely my own, and I am looking for the person who first piqued my interest about it. I was told that she was here. I don’t know if you ever use real names, but hers is Vanore.”

Blue Umbra and Wave Function exchange a look again. “We’ve never heard of her, but that doesn’t mean she isn’t around here somewhere. It’s a big city.”

Wave Function stands up, and walks towards the other side of the lair.

“Blue Umbra goes on, “we are a duo, and don’t interact much with the others. We don’t dislike each other, but we each walk our own beats, like police officers.”

Wave Function comes back and drops what looks like a photo album on the coffee table in front of Mandica. “These are the heroes.” He drops another album. “These are the villains. We try to stay on separate sides in our personal lives to maintain some level of integrity in the game, so we couldn’t tell you if any villain is a real person.”

Mandica opens both albums at the same time. The first page in each is a collage while the rest are dedicated to each character individually, giving a rundown of their powers and abilities, what’s known of their origin stories, and other basic information.

Blue Umbra points to one of the villains in the collage. “I know her. She’s originally from Proxima Doma. She goes by Cardinal Sin when in costume, but she carried her real name over for her secret identity, which is Jaidia Robbins. I know where she works during the day. She’s tapped in, so she might know who you’re looking for.”

Mandica winces. “Why would anyone pretend to be a bad guy? Don’t they feel bad? I mean, I know most people are NPCs, and any who aren’t will just transfer back to their real bodies, but it just seems so...”

“Pathological?” Blue Umbra guesses. “To each their own. We try not to judge.”

“Have you ever fought her?” Mandica presses, but is that important right now?

“A few times, during team-ups. Her main rival is the Ravensgate Rescuer.” She points to a woman wearing a revealing black outfit in the heroes album. “They’re both at the top of the food chain in this city. They programmed themselves with the best powers. They really wanted to be the stars.”

“They’re new,” Wave Function says like he doesn’t respect them. “They’ve been here for, what has it been, nine or ten years? They only came to this planet because theirs got blowed up.”

“Wait, for real?” Mandica questions. That doesn’t happen in real life. It never has.

“Yeah,” Blue Umbra agrees. “Tragic. Millions died when Proxima Centauri’s sun flipped poles, and sent a massive CME towards Doma. You were probably on your relativistic trip. They escaped through the quantum network.” She looks over at her partner. “And they got to be where they are because they understand the biotech better than anyone. If you wanted a better body, you should have learned how to build one.”

Wave Function scoffs, and dismisses it with a wave of his hand.

“Anyway,” Blue Umbra continues, “Jaidia tends bar on Tenth, at a place called Merry Wonderment.” She consults her watch. “It’s just about to open, so she’s probably there right now. Rybold can drive you.”

“Certainly, Miss,” Rybold sustains. “We can take the Starburst, if you would like.”

“Thanks. Thanks for everything. It was nice meeting you two,” Mandica says.

Microstory 2639: Round One Goes To

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One lesson Mandica learned from getting into Mythodome is that she doesn’t have to go in through the main entrance, and probably shouldn’t. People can still see her, and might notice if she doesn’t follow procedure. She is not wearing an official worker’s uniform, but she’s dressed in a loose-fitting jumpsuit to make it look more like it makes sense for her to walk down the perimeter plaza to some other door. Instead of a long, dark stone corridor, the walls are tiled and maintained, though to be fair, the one under Mythodome probably looked rustic for the aesthetic. She doesn’t have to walk down this one, which is good, because it’s longer. On one side is what looks like a chairlift, except it only goes forward. Once she climbs into it and fastens her seatbelt, it moves automatically, and takes her a couple of kilometers down. At the end of the line, she gets out and steps into an elevator that was already open and waiting for her.

When the sliding doors reopen, she’s faced with a regular hinged door; metal and painted a grayish dark green. She opens that, and finds herself on the platform of a subway. It’s dirty, with trash all over the place, especially down on the tracks. The passengers are an eclectic bunch. It’s scary to her. There’s not even a glass partition preventing people from getting on the tracks. Someone could fall right in and get hit by a train. Had she been born on Earth when it looked more like this, and someone told her that she could take a pill to become invincible, she probably would. The members of her family chose a single lifetime lifespan for themselves because they always expected to live about that long. Death is easier to avoid in the modern day. Then again, if Mandica really ever felt that way, why is mountain hiking her favorite activity, and why did she ever want to come to a place as dangerous as this? She wants the thrill, and she might die young. It just hopefully won’t be from falling onto the subway tracks.

She walks up the steps, shedding the itchy jumpsuit as she goes, and stuffing it into her bag. She has other clothes in there, and food, because she might be here for a while, and just like in the real world, she doesn’t have an identity. Out there, it’s fine. She’s entitled to food. Anyone can grab a dayfruit or operate a synthesizer without logging in. Survival is a basic human right. But in here, for the gritty Gothamesque story to work, they have to use money. They have to have their own microcosmic economy. And yes, she’s heard of Gotham. She’s never been a fan of superhero movies, but she is moderately familiar with the most common tropes. She won’t love it in this fake city, but she’ll find Vanore, ask her to explain what the hell is going on, and then get out.

The thing about this dome is that there may or may not be AI-generated supervillains, but no such superheroes. If you see a villain, they could be a visitor playing a character, but if you see a hero, they definitely are. That’s what the prospectus says. So when a woman wearing a costume suddenly flies through the air and crashlands right behind Mandica as she’s walking, the latter knows that she is a player. She has to be, because it is up to the players to defend the city by whatever means they feel are necessary, and if that means no one comes here to do that, then the story could devolve into misery and chaos, and that will simply be how it is. Of course, a lot of people do enjoy superhero stories, so there are probably plenty of them acting out their fantasies of being revered and beloved. She is assuming that this woman wearing silver and blue spent years wishing she could be this. Before Castlebourne, she probably did it in virtual reality. Her character could predate this base reality simulation by centuries.

The superhero catches eyes with Mandica. She winks. “Sup, gorgeous.” It’s then that the rock monster barrels into her. The blue hero is knocked over, but still smiling. She designed her substrate to be as invincible as real world physics allows. She kicks and punches the monster with a few grunts, and some “hiya”s. The monster is slow...because it’s made of rocks, but doesn’t seem to feel pain, and isn’t budging. Still, the hero is unfazed. It looks like she’s working up to something. “Clear the area!” she orders. “Go!”

The NPCs continue to scream and run away. Mandica moves back a little, to the side of the subway steps, but doesn’t go as far back as she should. It’s too exciting, and she’s annoyed with herself for being excited. Does she actually like the genre, and she’s just been a pretentious asshole about it her whole life?

The hero starts to swing on the monster like it’s a gymnastics bar. She makes it all the way up until she’s standing on its shoulders. She crouches, and starts poking at its eyes, which do appear to be its weak spot. It can’t lift its thick, stony arms high enough over its head to swat her away, but it keeps trying. “Now!” she screams.

Only then does Mandica see a guy in a purple, green, and yellow cloaky outfit standing several meters away. There’s a sort of trident looking symbol on his chest. He’s holding an absolutely gargantuan compensation gun, aiming it at the blue hero and the monster. Perfectly timed, the blue hero does an impossibly high back flip off of the monster’s shoulders. If this were a movie, it would probably be shown in slow motion. A rippling, but otherwise invisible, force emanates from the green guy’s gun. The monster is blasted with it. This is what really stops him. It falls to its approximation of knees, and rests on its fists as green guy continues to pummel him with the sonic weapon. Meanwhile, blue girl has landed safely out of the blast zone, and is watching it happen. After enough of the sound waves, the rock monster completely falls apart. It doesn’t explode, the rocks just lose adherence to each other, and crumble to the ground.

“Hey, girl. How you livin’? I’m Blue Umbra.”

“I don’t have a name,” Mandica lies poorly. She forgot to decide if she’s going to use her real name, or come up with a secret identity. She has absolutely no plans to become a superhero too, and clearly lacks the requisite skills compared to these two.

Blue Umbra giggles. “Well, I can work with that. I don’t exactly go by my Christian name.” What was Christian again? Was that the one with the candles?

Green guy removes some kind of cartridge from his gun, lets it magnetize to his thigh, and replaces it with a new one from his other thigh. “Locked and loaded for round two,” he says with a certain affectation. “Who’s this chick?”

“Wave Function, meet...a ghost,” Blue Umbra jokes.

“She didn’t run,” Wave Function points out.

“I don’t like to run,” Mandica says. Now that is not a lie.

“You should probably walk away quickly then,” Blue Umbra warns. “His wave blasts aren’t powerful enough to take Grayrock down permanently.”

“Hey, I get it done,” Wave Function defends. “Trust me, I hear no complaints.”

Blue Umbra rolls her eyes and starts to walk towards the recoalescing monster.

“Castlebourne,” Mandica cries desperately.

They both stop. “We’re not supposed to talk about the outside world,” she says.

“I have to,” Mandica explains. “I’m looking for someone.”

Blue Umbra sighs. “Hide in that building over there. We’ll talk after the fight.”

Microstory 2637: The Ghost of Castlebourne

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Mandica has become a ghost. She sat in a cool-looking chair where a helmet read her brainwaves, and generated an authority profile for her. Now she can go anywhere she fancies, and the automated systems won’t register her as an at-risk organic human. That doesn’t mean she’s going to run head first into danger, but it gives her that option. The other normal humans are limited here, and she doesn’t want that. She wants to be free. That’s why she risked everything just to come to this planet. Trilby is gone now, so she is alone. He said that he had to get back to where he belonged, and kind of made it seem like wherever that was, it was a secret. She doesn’t know much about his backstory, just that he’s been all over, and since they first met, he has spent a lot of time on and around Bungula and Proxima Doma, which are Earth’s nearest neighbors.

She’s looking over the modified prospectus that he compiled for her, and finding herself gravitating towards the red zones, which he said were way too dangerous for someone with only one life to live. The green ones sound boring. In one of them, you pretend to be a pioneer. Like, okay, she likes period pieces, but that’s way too much work for no gain. The reason real pioneers did all that was because they had to. Why are you trying to go back? Anyway, like she’s one to talk. She has an unhealthy obsession with medieval times, particularly the legend of King Arthur. She should have explored this information while she was still on Earth, but it looks like there was nothing to worry about. She searches for the keyword Mordred, and finds a dome called Loegria, which is the realm where Arthur lived, as well as Merlin, Guinevere, and the Knights of the Round Table. It looks fascinating. She’s been cosplaying as Mordred’s lover for years, but that was only one companion. This is a whole immersive world for her to explore.

She’s about to tap on the link to map and schedule her vactrain trip, but then she notices something. At the bottom of the page is a carousel showing other similar domes that she might be interested in. The main dome here is literally called Castlebourne. It’s not Camelot, and is in fact, not an adventure dome at all. It’s where the big boss lives and works, along with his staff. No, thank you. If she’s ever gonna get caught, it’s going to be by running into a bona fide administrator who knows that she’s a fraud because she wasn’t at the end of the year party last year. But the third recommendation. It’s called Mythodome. She taps on it, and starts reading about it. This place sounds insane. It doesn’t limit itself to only one Earthan mythology, but just about all of them. All these gods and creatures coexist in the same environment, and have evidently figured out how to reconcile their contradictions naturally. The NPCs genuinely believe that this is all real, and there is no world beyond the walls. She has to see what that’s like.

She taps on the VISIT NOW link...and it takes her to a pre-registration form. Oh, no, this is a problem. She can physically enter any dome, and pass through their internal security systems, but she doesn’t actually have a genuine identity. She can’t input her name, and she doesn’t even have a Castlebourne Visitor ID number. Trilby said nothing about this, but this isn’t the right route. The way she gets into Mythodome is to schedule the vactrain herself and walk in without warning. She knows that she can do that. That’s how they got to Capital yesterday. It takes longer than making a schedule ahead of time, but when you’re potentially traveling to the other side of a whole terrestrial planet, it’s not that big of a deal, and it’s her only choice. Is she ready, though? Is she ready for this? Perhaps not quite yet. The prospectus gives an overview of what being in the dome entails, but another link leads to this whole subnetwork of pages, talking about all of the mythological beings. It tells her how the stories unfold in the real world, and how these contradictory entities intermingle and adapt to a shared universe. The AI, Thistle can prepare her for what she’s about to face.

She taps on that, and asks it to generate a syllabus. She spends the next two weeks taking a self-directed crash course on the subject. She absolutely does not learn everything there is to know. Scholars could spend years studying this environment. She believes that some academics actually visit Mythodome specifically for that purpose, with the intention of publishing papers and-or teaching classes that have never existed before. This is enough for now. If she doesn’t place a boundary here, she may never, and she will never actually get to go on her first adventure. So she shuts off the tablet, drops it on Trilby’s bed, and leaves.

To her surprise, a vactrain pulls up for her as soon as she taps on the wall interface. Usually, someone going on an impromptu trip would have to wait longer for the right train and right route to be available, but it zooms up like it knew what she was going to ask for. There is no train schedule. It’s based purely on need and interest, and a version of Thistle is constantly shifting it to account for more information. Others, in fact, are waiting on the platform because theirs have not arrived yet. But the transit token on the pod’s display matches the one that the system assigned her. It’s an express train, though, which is very weird. Maybe admins always get those? But no, because she and Trilby didn’t have that the other day. They still had to change to connecting trains. As she enters the private pod alone, she looks back awkwardly at the waiting legion, but none of them seems bothered by her skipping the line. Immortals—they have no sense of urgency. She will never understand it, and honestly does not want to.

The pod takes her directly to Mythodome, instead of via a hub first. She’s in the intake plaza now, and about to head for the main entrance when something catches her eye. That transit token should have only been relevant to her trip here, but she sees it on a hologram on the wall, along with an arrow pointing to the left. She’s hesitant to respond to it. But for the briefest of moments, the hologram changes. The words THIS WAY, MANDY flicker just long enough for her to see, but hopefully not long enough for anyone else to notice. She follows the directions away from the main entrance. She has to. If she’s already been caught, then walking in the opposite direction isn’t going to insulate her from the consequences that they have in store for her. It’s going to delay them at best. The lights take her to a different door, which leads to a set of stairs, which leads down to a tunnel, which leads her to a second set of stairs, and a second door, but this one is horizontal. She walks back up and opens the trapdoor to find herself on the edge of a forest clearing. It is incredibly beautiful here. It reminds her of her favorite spots on Earth; the ones away from all the crowds.

Suddenly something races overhead, from one side of the trees to the other. It comes back, but is higher in the sky this time, and barely visible. There are a number of things it could be, like a Fury, a Roc, or even a Cherub. Is this it? Not even a month into her trip, and she’s already about to die? When it swoops back down, she starts to see that it’s a man, and the wings look almost artificial. He lands gracefully on the ground before her. “Mandica Kolar, thank you for accepting my invitation. I’m Daedalus.”

Microstory 2636: Don’t Forget To Bring a Towel

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Trilby throws a silky towel at her. “I hope you understand that I removed your clothes to provide you with medical treatment. I would have been waiting for you on the landing pad, but you showed up way too early. Why didn’t you go down on a slower trip, with the animals? That would have been a lot safer for your fragile human body.”

“They would have caught me,” Mandica explains briefly. “What is this?”

“Temporary,” he says. “I call it the cloak of invisibility. You will be perfectly visible to the naked eye while we’re out there, but the identity sensors won’t spot you. You will appear as an infrared aberration, caused normally by too many people beaming data to each other’s devices at the same time. We will take a particular route to where we’re going so that sort of thing doesn’t stand out.”

She frowns at the towel. Yeah, it isn’t a cloak, it is a towel. No hood, no draw string. It is see-through, but still just a big cloth square. “Will I not look a little odd, walking around with this thing over my head?”

Trilby laughs heartily. “Odd? Sweetheart, you’re on Castlebourne now. My next door neighbor is a giant beetle, and is probably smarter than me. They might as well call this world Substrate City. You’re not going to stand out. There is no way to stand out on this planet. Everyone is here to formulate their unique identity, and they change by their whims all the time. Now. Functionally, you’re rare. There are a few communities here who are just as unenhanced—less unenhanced, in fact—and they are not insignificant, but most people change bodies like you might change your hairstyle. But don’t worry, you can’t tell, and people are careful around each other, because there’s no way to know. No one’s gonna shoot you with a gun under the assumption that you’ll survive.” He taps his middle finger on a screen. “I took the liberty of building you your own modified prospectus. The green domes are fine. You’ll be safe in any of those. I’m talkin’ your residential areas, your museums, your educational historical recreations.

“Yellow, a little more dangerous. They have ways of protecting visitors. If they’re a normal human, the Custodians will make accommodations. They might even separate the unenhanced from the enhanced so there’s never any question. Red are no-go zones. Most of them are specifically designed for people who have disposable substrates. A visitor might even end up getting a whole fleet of bodies to switch to one by one. If someone like you without the spoof lenses were to try to sneak in, the sensors would flag them so fast, their head would spin off. Apparently, there was one guy years ago who got stuck in a dangerous game and nearly died because the people who were trying to murder him hacked the system. They won’t let that happen again. They installed new sensors all around the world, and are constantly checking. You will be walking around basically as an admin. They’ll let you in anywhere, but that’s why I made this list for you, so you can decide what you’re willing to risk. You need to understand your options.”

“You said something about spoof lenses?”

“Yes, it’s not just those. They have multiple ways of tracking identities, the most common of which is an eye scan. They also—”

“Wait, wait, wait,” Mandica interrupts. “If people are changing bodies, and your neighbor is an insect, how would a retinal scan even be possible in a place like this?”

“It’s not only a retinal scan. The retinal scan is a second stage identifier that the system will only perform if the first stage scan turns up blank. Everyone capable of transferring their consciousness is given a unique watermark, placed upon their optic nerves. I don’t know if you know this, but humans have a natural blindspot in their eyes due to where the optic nerves connect to the eyes. Your brain fills in the blanks, but you can’t see light that hits that spot. Fortunately for optic void scanners, though, light does still hit that spot. They shoot an invisible laser into it to read someone’s watermark, to know who they are. They don’t even have to keep their eyes open. It can pass through eyelids, and many other materials. For a normal person, if it doesn’t detect that watermark, it will default to the retinal scan, and register your preferences and restrictions.” He points at the invisibility towel. “The scanner can’t pass through that, so it will see infrared interference, and not see your unregistered eyes.”

“Why do I need the towel if I have these spoof lenses?”

“You don’t have the spoof lenses yet. The woman who’s getting them for me is on the other side of the planet. We have to travel to her first. Before you ask, she can’t come to us, because she’s also protecting you from brainwave scanners. That’s another thing you need in order to be a ghost. They’re becoming more common. They’ll never do away with the optic void scanning system, but spoofing an authorized watermark is easier than fooling a brain scan. Don’t tell anyone, but about zero-point-zero-zero-one percent of the time, a cloned or bioprinted body doesn’t produce the watermark correctly, and it has to be fixed, either with a new replacement, or a visit to the optomeger.”

“This woman with the brain scanner—”

“The baseline imager. A brain scanner verifies your brainwaves. The baseline imager is the thing that inputs in the data. It’s highly regulated. There are only a few of them in the world. People would notice if she borrowed it and took it on a vactrain.”

“I see. The baseline imager woman; can she be trusted?”

“She’s already done for me what she’s about to do for you,” Trilby explains. “She holds a special office in a special government for a special community. They were refugees fleeing oppression, and live here permanently, not simply as visitors. Apparently, her now-husband initially refused to be enhanced, so she’s sympathetic to that sentiment, even though he’s now just like her, and I am too. The only reason she’s keeping him out of it is so that he can have plausible deniability, but I told her about you, and she thinks you and the Superintendent would get along.”

“Okay, I think I have all the information I need. I should say, I trust you. Let’s go out there and walk around like ghosts, me moreso than you.”

“I appreciate the vote of confidence.”

And so the two of them leave the apartment. Trilby already has his spoof lenses on, but Mandica has to stay under the towel the whole time. He seems to have been right. People don’t even just ignore her. They smile and greet her as if she is just another regular person on this bizarrely accepting planet. She doesn’t see any giant beetle people, but a few who look decidedly unhuman. A lot of animals, but also alien-like beings that don’t match to something that ever existed on Earth. She’s starting to feel more comfortable here, like she can actually breathe and live a life. 

After only a few hours, they have made it to a dome that’s just called Capital. They enter a gorgeous woman’s office, who holds her hand out, sporting a very kind smile. “Hi. I’m Deputy Superintendent Yunil Tereth. I hear you would like to stay unregistered. Why don’t you have a seat?”

Microstory 2619: There Are Those Who Know That There is an Easier Way to Escape

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August 24, 2526. The majority of the population of Proxima Doma live in domes. The word doma does not mean dome, so that is not why they called it that, but they do share a linguistic history. The connection is not random, they are still related. The purpose of the colony has always been to serve as a second home for Earthans. Until recently, with the advent of Castlebourne, it was the most heavily populated human settlement outside of the Sol system. They don’t count Glisnia either, because it was reserved predominantly for posthumans, which can explode in population at the whims of its individuals. One person can make a million copies of itself, or child assets, in a matter of days. But that’s not what Doma is about. It’s mostly about the humans. They’re typically transhumanistic themselves, and even virtually immortal, but they still require protection from the outside. And one way to do that is to build in lava tubes.

Lava tubes are very popular on Luna and Mars. That’s because they work very well there, and not so well on Proxima Doma. But they are not impossible, and there are precisely two of them. One is under construction, but the other is the home to hundreds of thousands of people. Well, it used to be. They have since abandoned their precious tube in the evacuation, but unlike most, they didn’t do it by running towards the nearest pole. They escaped using their minds.

“You don’t think they’re coming back?” the upload tech asks.

The lookout looks down at her friend. “They found the nearest spine. I think they’re gonna keep trying to head for the northern pole.”

“On foot?” he asks.

“Eh, doubtful. The reports said those vactrains are non-operational, but there are other means of traveling along the spines and domes, which are harder to break.”

“Should we keep waiting, in case there are other survivors who might be heading our way?”

The lookout turns the periscope southwards. “It is not looking good. If anyone is still alive in that direction, they’re about not to be, either because they’re stubborn or stupid.”

“Or stuck or trapped or confused, or a myriad of other reasons,” the tech offers.

“Regardless,” the lookout begins, “those are probably the last stragglers we’re gonna see. They were looking right at us. They probably can’t tell what we are. From that distance, with only their helmet scopes, we probably just look like generic ninety-degree angles. I think we should go.”

The last remaining herder walks into the room. “What’s the word?”

“We saw a couple of survivors on the surface,” the upload tech relays. “It looks like they were checking us out, but they decided to walk back towards the domes.”

“On foot?” the herder questions.

“That’s what I said.”

The lookout hops off of her perch a few steps at a time. “Did you find anyone during your sweep? What happened to your clothes?”

“Uh, it’s about 95 degrees celsius in some parts out there. I see you’re not exactly wearing a parka either, and this chamber still has working climate control. And no, all clear in my sector. Did any of the other herders find anyone?”

“A few,” the tech answers. “They’re all gone now, however, including the other herders. No one was so stubborn that they absolutely refused. If you didn’t find anyone, we are the last three people in Owl Town.” Owl Town isn’t the official name of the lava tube city, but it’s what everyone calls it. Some tried to get a lava theme going, but most leaned into the tubular aspect. If there had been any other lava tubes being colonized on this planet at the time, they probably wouldn’t have made any sort of connection.

“So, is it time?” the herder presses.

“I would prefer to wait for the next update from the other settlements that are evacuating the same way we are,” the tech explains. “It would be cool if we were the last everywhere; at least out of those who aren’t scrambling for the poles, or already there.”

“Are they all going to the same place?” the herder asks.

“Mostly, since it’s the most happenin’ spot right now,” the tech reports, “but some are going closer, like VR. I can send you there, if you want, or anywhere else with a quantum terminal.” His tablet beeps. “Oh, speaking of which.”

The lookout shakes her head. “No, it’s like you were saying, it’s a popular destination, and it’s that way for a reason. I was considering moving there before all this happened, but I’m glad I stayed to see it end. I mean...sorry, I’m not glad it’s ending, but if it has to end, at least I was here. I was one of the first colonists, and it sounds like I’ll be one of the last.”

The upload tech is looking over the update, and shaking his own head. “I wouldn’t be so sure. “Most of the people who are wanting to transfer have done it already. They’re just waiting on bandwidth. The polar residents, and the refugees that they’re letting in, are showing no intention of leaving like us. Reports indicate that Bungula is refusing to send their elevator platform. Even if some people do want to evacuate, there’s nowhere to go.”

“Why aren’t they doing what we’re doing?” the herder questions, flabbergasted. “I know some people aren’t digitized, but that still leaves a huge number of people who are, but are staying anyway? Do they think Proxima Doma will become habitable again?”

“There’s no reason to think that it won’t be,” the lookout begins. “Think about it, this planet has been here for billions of years, and we’ve been here for a few hundred. We just happened to be on it when it’s being completely destroyed forever? I don’t buy it. This is a cycle. It might be a very long cycle, but if we found a temporal niche to survive in, someone will find one again at a later date. Maybe people shouldn’t leave, or maybe they should plan on returning. That doesn’t sound crazy or dumb to me.”

“So, why aren’t you choosing to stay?” the tech questions.

“Because where we’re going sounds like more fun.”

“Agreed,” the herder says. “Best get on with it. I’ll go first.”

She and the lookout sit down next to each other. “I wanna try that Underbelly dome first,” the latter says as her final words. “See you on the other side in an hour.” She closes her eyes and lets the upload tech send her and the herder to Castlebourne.

The tech sighs. “No...you won’t.” He hits RECORD on his workstation cam. “This is Sorel Arts of Vulcan’s Hollow. If you find this message, I urge you to stop trying to escape to the poles. Nowhere is safe on Proxima Doma. Leave. Just leave. Transmit your consciousness to another world. It is the only logical choice. I’m only staying to convince others to do the same. Sorel Arts...signing off. Vulcan’s Hollow is closed for good.”

Extremus: Year 112

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It’s January 2381. Early development for the in-house interactive simulation experience has been going on for months, with a five-year roadmap. They could ask a superintelligence—like Thistle—to make it for them in a fraction of the time, but they decided against it. They want this to be a human endeavor. The main reason they’re doing this is to bolster morale for the middlers, so it should be something that’s made for Extremusians by Extremusians. The wait will be worth it. Tinaya is on the Creative Board for The Search for Extremus, but she’s not holding the reins. It was her and Spalden’s idea, so she’s entitled to provide her input, but she doesn’t wield much control. She considered respectfully declining the offer, but Arqut convinced her that she ought to be a part of it in some capacity to make sure the project doesn’t devolve into a clone of anything that’s already been done. This is a model for what they expect to be like in Year 216. If they just wanted to play any old star exploration narrative, they could pull from countless options in the virtual stacks.

People are already really excited about it, so it’s already doing its job. It’s not enough, however, so the board is meeting today to discuss how they can maintain the hype while everyone waits for the finished product. They’ve not opened the floor up to anyone on the ship, but certain people have been invited to pitch their ideas for interim projects. The person they will be hearing from today is none other than Waldemar Kristiansen. If this goes well, it will doubtless help him in his dream to become captain one day. So. That’s a thing. It seems that everything they do is pushing them towards the ship’s dark fate, even when they think their actions have nothing to do with any of their worst fears. “People of the Creative Board...the Simulation Engineers...the Graphics Department, thank you for allowing me to speak with you today. My name is Waldemar Kristiansen, and I have an idea for you, which will help build anticipation for your game, while not withholding community engagement in the meantime.

“Based on your five-year projections, The Search for Extremus will be released in 2385 ECE, A.K.A. Year 116. It’s great how those years match up mathematically. Players will have 100 years before they catch up to their true destiny. I propose that we lean into this, and release incremental updates in advance of the release date. Introducing...” He swipes on the presentation screen, and reveals the first slide. “...Year 212. In the years leading up to the launch of the many, many, many scout ships, our descendants will be solidifying their plans to reach their final destination. They will need to chart the stars, and name them. They will be designing their logos, and their habitats. They will produce and prepare the equipment necessary for environmental engineering. That’s right. People don’t like to talk about it, but we’re not going to find a planet out there with a Terrestrial Habitability Similarity Index of one-point-oh. There will be work to be done to make it habitable and comfortable for humans. It’s just a matter of how much.

“Each year, we release a new update, which draws us closer to the big payoff. Year 213, Year 214, and Year 215. This is a simulation, right? Well, there is more than one type of simulation, and you don’t have to have an entirely completed, fully interactive, game to be engaged. Year 214 will be the big one, though, where players begin to design their own manned scout ship. If they’re gonna be living there for the first few months of the game, it should be comfortable, right? We don’t just want to provide them with some standardized design. I don’t know if our descendants will do it like that, but we can certainly make that part of our experience. In my plan, Year 215 will involve players getting to choose which vector they travel along, based on the mapping data that—”

“That’s Year 216,” Spalden corrects.

“Finch, he doesn’t need to know that,” Tinaya argues in a whisper.

“What? It’s fine,” Spalden counters. He looks back up at Waldemar. “The first part of the game is getting to choose your vector. We won’t be able to map the celestial firmament until we get within a few hundred light years of our anchor point.” After the Extremus ship hits that Year 216 mark, it will come to a stop and land on some nearby celestial object, or just drift aimlessly wherever that ends up being. They don’t know what’s out there yet, so those plans are still up in the air, but whatever it’s like, it’s the anchor point. It will wait for news from the scouts here. Some hope and believe that the ship will sort of spiritually or magically happen to drop out of reframe speed right next to the perfect candidate, but pragmatists understand how statistically unlikely that is. When it comes time to actually do this in base reality, they probably won’t send out as many scouts as the game will allow, however, so maybe the rules don’t really apply here anyway. There is a near-perfect planet in the game that doesn’t exist in real life, and the ability to find it is based on the player’s ability to interpret less complete data than their descendants will have in real life.

Waldemar looks at his presentation. “Okay. The rest of the plan is good, right?”

Tinaya has to admit that this all makes a lot of sense. It’s going to take a long time to build the simulation to the calibre that people expect. These piecemeal teasers should help as long as they release them strategically along the way. It’s a framework for a more robust and detailed plan that might need some extra hands on deck. This is a good thing as the development of this game is just as important as the final product. “Thank you,” she says before anyone has the chance to make some more definitive remark. “We’ll discuss it amongst ourselves, and let you know. We still have more people to hear from, so it might be a couple of weeks.” She’s not lying, but it’s also not an exclusive deal. If multiple people come up with great ideas, and they don’t contradict each other, they could end up doing some of them, or even all of them.

“Thank you,” Waldemar responds. “The full prospectus is on your tabs.” He exits.

“Admiral Leithe,” one of the board members begins, “we understand that you don’t want it to appear that you’re playing favorites, but this is a good idea. Even if we have more presentations, we should go with this one regardless.”

“Huh?” Oh, right. She forgets sometimes how it looks from the outside. Waldemar and Silveon are friends, and Tinaya’s family is close with Waldemar’s wife. She only thinks of him as the enemy, but most people aren’t supposed to know that. She has to cover. “That’s not the issue. You never say yes on the spot. Back on Earth, they might take their idea to a competitor, so the decision would be time-sensitive, but we don’t even have to worry about that. If you wanna go with Waldemar’s plan without discussing it further, that’s fine, but he needed to leave the room first either way.”

They do end up voting pretty much right away. Since Waldemar is the one who came up with the plan, even if they tweak it from here, he’ll be asked to come on board, and see it through. He’ll probably do that since it would boost his reputation on the ship. Which is great, just great. Against her advice to delay giving him the good news, they call him back right away. A few of them want to go out and celebrate, which is a good chance for Tinaya to do something that she’s been meaning to do, because now she knows where he’ll be for the next few hours. More importantly, she knows where he won’t be.

Audrey opens the door manually, and starts to tear up. It’s been a long time since they’ve been able to see each other, just the two of them. They’ve had dinners and get-togethers over the years, but Waldemar is always there...looming. For this one rare opportunity, Audrey can speak freely. Well, not here, though. She doesn’t think the cabin is bugged, but better safe than sorry. After a good, long hug, they go for a walk.

The Attic Forest is on the topmost deck of the Extremus, but the ground is not the highest point that you can stand on. There’s a catwalk above the canopy of the trees. It’s technically designed for maintenance, but the gate isn’t locked, and anyway, anyone can simply teleport up there if they wish. It’s regularly used by people who want to walk or sit in the forest from that vantage point. What’s great about it in this situation is that it’s easier to detect eavesdroppers. If you walk all the way out to a section overlooking an open area, no one can hear you whisper to each other. Plus, it’s in winter mode, so no leaves to hide behind either. They’re sitting on a bench. It’s not particularly comfortable, because it’s only there in case a maintenance worker wants to have their lunch close by, but it’s good enough.

“Any abuse to report?” Tinaya asks.

“Just the usual treating me like I don’t matter. It doesn’t count as abuse since I’m faking the relationship, but it would be a problem if I were oblivious.”

Tinaya nods. It’s saddening that Audrey answered that question in the affirmative at all, but this is the mission. They chose this path together. Audreys knows the limits. She knows the difference between unsettling, and actionable, and she would speak up if there was something worth reporting. “Not pressuring you to have any more kids?”

“No,” Audrey says, shaking her head. “Neither of us wants that, and both of us know that. He doesn’t know my reasoning, and he doesn’t know that I know his.”

“I’m sure he told you about his pitch.”

“He’s been practicing on me.”

“Well, he won.”

“I’m not surprised. It was my idea.”

“What?”

Audrey is confused about why Tinaya’s confused. “He’s intelligent, but he’s not creative. He doesn’t understand why people care about things that aren’t absolutely vital, like entertainment. Morale as a concept is completely beyond his grasp. He just shrugs and trusts me when I tell him that people need it.”

“So, this was all you. You came up with everything,” Tinaya says, just to confirm.

“Just about.” She sighs. “He chose the fonts. Well, he chose one of them.”

“Jesus,” Tinaya says. Why are they spending so much effort helping this guy? Why can’t they just kill him now? Seriously. Why?

Audrey chuckles. “It’s fine. Part of my training before becoming a time traveler was valuing invisibility over recognition. I would rather not get credit, because my brain tells me it’s a dangerous position to be in.”

“I get that. It still isn’t fair.”

“Thank you for agreeing to it at any rate. When he gets a project to focus on, it gets him out of the house.”

“You should use your extra freedom to reach out to Silveon, he misses you.”

“Maybe I will,” Audrey says quietly.

“And Aud?”

“Yeah?”

“I need you to get me consciousness travel tech. You must have either engineered something, or know where it is in this time period. We might actually use it.”

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Microstory 2486: Estuaridome

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There is a mountain under this dome, which is nearly all natural, and a river flowing from it. It’s not a particularly long river, but it’s necessary to support the star of the show, which is of course, the estuary. Like Nordome Network, this is not only one dome. It’s connected to the one next to it, but it’s unique in that it connects to a non-standard-sized dome. An estuary doesn’t just mark the end of a river. It serves as the transition between a river and the ocean, so in order for this to work, they needed an ocean. Sure, they could have dug a mini-ocean inside this dome just to get the point across, but why do that when you can simply choose a spot that’s next to a full-sized ocean, which they were doing anyway? Estuaridome butts right up against Aquilonian Deep. They share an atmosphere, and you can travel between them freely, either by boat, or along the bank / shore. There’s nothing to do here, really. You can’t camp overnight. You can’t have parties, or participate in water sports. You can have a nice picnic, and obviously, you can go on a hike. You can climb the mountain, or just sit and enjoy the peace. But you can’t do anything disruptive, destructive, or annoying. There is a tour you can take, if you don’t want to be self-guided. I took that one day, then came back to just be alone the next. The tour guide was very knowledgeable, and you could tell that he was a human who studied all this stuff on purpose, rather than a superintelligence who simply downloaded the data. He will tell you all about this estuary, and what kind of life lives there, but he can also answer questions about other estuaries on Earth. But just Earth. He has not studied other habitable planets in the galaxy, nor even other water-based domes on Castlebourne. That’s not a complaint, just a warning to direct your questions appropriately. That’s all I’ll say about this. It’s nice and enjoyable, but it isn’t revolutionary, and it’s not any better than a natural geographic fixture.

Microstory 2474: MOE Dome 42

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MOE stands for Molten Oxide Electrolysis. This is the method that they use here on Castlebourne to produce a breathable atmosphere. The thing about barren terrestrial planets is that there’s usually a ton of oxygen, it’s just trapped in the rocks. Earth has it floating around, along with other gases, like nitrogen and hydrogen. Separating that all out isn’t easy, but it’s possible, and absolutely necessary here. So you got your dome in place, and it’s all sealed up, but that doesn’t make the inside anymore livable than the outside. Whoever first colonized this planet could have carried it with them, theoretically, but that...that’s a lot. It’s called in situ resource utilization. Use what’s available where you are, even if it takes work to process. There are about fifty-six MOE domes right now. I chose to take a tour of this one, because I like the number, but they’re all the same. I’m kidding, this was the only MOE Dome open for tours. I won’t go over their entire process, since that should be a surprise if you come here, lol. I’m kidding, it’s boring and dry, and that’s not what a review is for. It’s my job to tell you what my experience was like, and speculate as to what your experience will be like if you choose to do it too. These big machines grind up rocks, melt them down, and extract the constituent molecules. It’s all very technical. I thought it was cool to see the process, but I’m kind of a dummy. If you already know all this, it may seem normal and prosaic. Like yeah, of course that’s how they do it. I’ve seen it a million times. Well, then you don’t have to come, do you? There was this one woman on my tour who kept asking questions, but you know, in that kind of way that makes it clear that she already knew the answers, and just wanted us to be so impressed with her. Well, she was wrong or not quite right a number of times, which the tour guide respectfully corrected. He was a human, so I thought that was a pretty cool touch too, given how automated this whole planet has to be to function. If you’re into this stuff, come take a look for a couple of hours. If you’re not, I won’t try to convince you to try. Just remember that this effects us all. Until every dome has an established ecology which recycles air as efficiently and unceasingly as Earth does in its natural state, MOE Domes are probably the most important ones we got. I hope you appreciate that, whether you think it’s boring to watch and learn about, or not.

Microstory 2471: Hubdome

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It may be boring, but someone’s gotta do it. Centuries ago, mail was all the rage. You could send someone a letter a thousand kilometers away, and it might only take a month to get there, or never! Doesn’t that sound neat? Over time, of course, speed picked up as infrastructure was developed, and efficient methods were discovered—or rediscovered, as in the case of relay stations. In the late 20th century, they invented electronic mail, which may lead you to believe that regular physical post was all but eradicated, but not so fast my friend. Adoption was slow, and...people are dumb. They still sent letters. Plus, the population was booming, so even if any given individual wasn’t sending as much, the volume was still increasing overall. It did eventually die down, but one thing that didn’t go away was package delivery. Instead of just the written word, real, useful items had to be transported from one place to another. There was no way to send that electronically. Or was there? Of course there is! It’s called additive manufacturing, and it’s been improving too. Not everyone has their own industrial synthesizer, and there are some things that standard feedstocks can’t handle. If there are too many different types of materials in one item, you can’t expect every end user to maintain each type in their private space. And even if you did, the feedstock itself has to be delivered, right? That’s where this dome comes in. It’s a hub for all your shipping and delivering needs. It doesn’t take weeks to get to its destination, though, unless whatever you asked for hasn’t been built yet. I say, if something you ordered takes more than a few hours to reach you, there’s probably something wrong. Shipping was one of the easiest industries to transition to automation back when human employment was something necessary in order to maintain a stable economy. You pick this thing up, put it in this box, seal it up, and move it to its destination. The programming couldn’t be simpler. Only one human works here. He walks up and down, making sure that things are okay. Obviously, the robots do this too, but they like to put  a human touch in everything, and that’s true of pretty much every planet, except maybe Glisnia. Come here for a tour if you have a few hours to kill, but you could also probably just read the more detailed literature on the prospectus, and get just as much out of it.

Microstory 2456: Bot Farm

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If you’ve been anywhere on this planet, you’ve probably run into an AI of some kind. Some of these are more intelligent and self-aware than others. Some look like humans, and some are very clearly mechanical. It just depends on their purpose, and the kind of feel they want to give the visitors. Well, all those AI bodies have to come from somewhere. I had the pleasure of getting a tour of a dome that we like to call Bot Farm. The official name is Synthetic Production Dome, but that’s a mouthful, so no one actually called it that. It’s 2500, so y’all already know, but there are different types of substrates. Some include a consciousness that was born to an organic body, while others were programmed, or primed for self-learning and growth. Some are purely mechanical—referred to as mechs—while others have some organic components. An “artificial” being that is purely organic is basically the Holy Grail of synthetic intelligence development, and something that researchers are still working on. It would be a quantum brain inside of a living being with no mechanical parts—designed from the start, but conceivably something that could have evolved naturally. Can you imagine? With today’s technology, we can only get kind of close. Most of the AIs on Castlebourne are skinned mechs, meaning they’re made of metals and metamaterials, but also have a dermal layer over them, so they look more like real humans. This isn’t to trick you, but as a way to step over to this side of the uncanny valley. There are very few stages in between full mech and skinned mech. We’re talking about very niche use cases, including some with organic eyes, ears, or tongues for sensory research. They also grow organs for medical research, though those don’t usually need a full body anyway, unless they’re testing some sort of mobility variable. There are also places where you can find mechs with certain other organic body parts that are used for...adult purposes. To each their own, I guess. I never saw a section that designed any of these types of bots. Most of these were skinned. I’ll tell ya, though, it was a tad bit eerie to see those ones being manufactured. While they were assembling the internal components, they most of the time looked no different than a car, or some other machine, but then they moved on to the skinning process. Seeing them look like half people was unnerving, and maybe horrific? This tour will be fascinating for some, but disturbing for others, even though again, it’s the year 2500, and we’re all used to synthetics by now. I asked about it, and they don’t have a tour for kids that would be a little less disquieting, so just know that if you sign your family up. There was one kid on my tour, who seemed fine. To be honest, maybe he was an adult in a child substrate. How should I know? It’s not illegal, it’s just a little weird in my book. So that’s it; that’s Bot Farm. Go see how they’re made.

Microstory 2442: Recursiverse Immersive Experience

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That’s a mouthful, isn’t it? If you don’t know, Recursiverse is one of the most popular franchises in history, spanning several books, dozens of TV series, and hundreds of movies (depending on your definition). It follows thousands of characters living fantastical lives in two parallel universes. In the modern age, the fantastical elements that they explore in the stories can be recreated using real technologies, but back when they were first being written and distributed, they were exciting to a huge audience. There’s still some soft scifi in there that we can’t do for real in this dome network. That’s right, it’s not just one dome. You couldn’t fit all this in the area covered by a single dome, so it has to spread out. I don’t even know how many domes there are, because you don’t always know when you’ve moved. You can travel to other planets with vastly different geographies, and you do this using faster-than-light technology that doesn’t allow you to see exactly how you’re moving in realspace. I think you’re sometimes moving along the z-axis, onto upper levels hidden behind the holographic sky on the ceiling of the layer below, which isn’t as high as it looks. I’m not going to go into any specifics, because it won’t mean anything to you if you’re unfamiliar with the canon. But there are alien races, and they’re perfectly recreated by the androids. You can also choose your own substrate, and it doesn’t have to look like you, or even human at all. Other domes do that, but this was once protected intellectual property. The creator gradually began to release his rights to the public, so others could explore the stories and themes that he conceived. The law didn’t require that he do that. He’s still alive today. By current laws, he could still retain the rights. That’s assuming he continued to make new contributions, or he would have lost them eventually. Some of them would be under the public domain regardless, though, as he shared his rights to them with a corporation, such as a movie studio. They never retain their power for long, especially not since all those financial-based companies are now dead. I know it sounds like I’m getting off topic, but it explains why this is such a big franchise on this planet. By the time the creator published a single word of his work, Recursiverse was a well defined universe—or biverse, as it were—full of a solid foundation of rules, conventions, and histories, and even contingencies. The creator could have made every decision, but he chose to let them be free, first by collaborating directly with others, then by deliberately relinquishing his control. If you want to enjoy this dome network in full, you’re gonna wanna catch up with what has come before, but I promise that it’s worth it. I don’t ever want to leave.

Microstory 2422: State of the Art

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Isn’t that a funny name for a dome? State of the Art. Since art is so subjective, that term is so often used to describe scientific advancements, which is essentially the opposite of what we’re talking about here. But in this case, they’re calling the entirety of the dome a state, and its purpose is art. Have you ever seen a show from a long time ago called The Peripheral? It only lasted one season, but in that, they feature sculptures that dot the skyline, which are larger than most buildings around it. They never talked about them, or gave any history, but it was set in the audience’s future. I’m not sure if the Castlebourne people were specifically inspired by this, or if it’s a coincidence, but either way, they have those here. These things go up two or three kilometers in the air, and can sometimes be just as wide. It’s really cool to stand on the balcony level, and look down at the whole thing. You’re a few kilometers up yourself, but there aren’t any clouds that low, since they can control all that stuff. Not every dome has one of these second levels, but I think it’s really important in this case. I certainly think that you could extend it more along the perimeter, or even build more layers, but maybe there was a reason why they stopped it here. I just worry that there won’t be enough room once the planet and the dome become more popular. That’s assuming it does. I know you’re all running from your zombies, and wasting each other in the wasteland, but it’s important to learn to be cultured and quiet. That’s what my mom taught me. She was old enough to remember a time before the longevity escape velocity. To them, art was a way of continuing on an individual’s and culture’s community. A piece of visual art or musical piece is a snapshot in history, showing in the most genuine way what life was like—what life was like for the people making the art, and for the people around them. We’re taught that a painting, for instance, comes from a distinct period in time, and it’s important to understand that. You paint a pond of water lilies in 1840, it evokes a different feeling than someone painting it in 2040. Lives change, lifestyles change. Those two people see the world entirely differently, and recognizing the beauty in that is an important human trait that I think we’ve lost as we’ve developed. We still make art, but it’s a reflection of who we are today, and it means nothing if we can’t remember that. Go back to the past, and learn from it. You can visit one of the Babeldome libraries and read about it, and I definitely wouldn’t discourage you from doing that, but don’t forget about the art. Never forget about the art. It speaks, so listen closely. Be cultured and quiet.