So, I’m driving in the big city—well, the suburbs—when I find myself behind this guy who just won’t drive fast enough. I mean, the dude’s going fifteen miles and hour on a thirty-five. I just can’t stand it, so I finally pass him. It wasn’t technically legal for me to do that, since there was one lane each one, and the street was adjacent to neighborhoods, but I hate driving that slowly. I didn’t have anywhere I needed to be, but he didn’t know that, right? What a jerk. So now I’m in front of him, which pisses him off; enough to make him start tailgating me, and honking his horn nonstop. It’s funny that he couldn’t go over twenty while he was in front of me, but now all the sudden, he wants to go fifty. Well, that sort of thing might have concerned me back when I was driving a little sedan, but I have a gigantic SUV now, so I’m not sure what he think he’s accomplishing. We keep going, and he stops honking long enough to whip out his phone and take a photo of my license plate. Whatever, man. The cops aren’t gonna hunt me down and arrest me for a minor offense they weren’t around to see. They have better things to do, and I don’t even think that’s legal. They have to catch you in the act when it comes to a traffic violation. Anyway, we keep going, and it’s starting to get a little suspicious that he’s still following me. It’s not completely out of the realm of possibility that we’re still heading the same way, but I have to be sure. I make a sudden right turn into a neighborhood. He does too. I make a right turn out of the neighborhood, onto the next main street. He does too. I make yet another right turn; he’s still there, which is insane, because we’re literally going in a circle. I start thinking the guy’s a serial killer, or a CIA assassin, and I’m not meant to know who I’m messing with. But he’s the one who doesn’t know who he’s messing with, because I’m a diagnosed sociopath, and I just don’t give a fuh. I lure him to an abandoned part of town, and pull over. I keep thinking he’ll just drive off, because he don’t want no confrontation, but he’s not that smart. We both get out of our cars; him with a tire iron, and me with nothing. He pulls into a golf backswing, and prepares to knock out my taillights, but his weapon doesn’t make it that far. I take it off his hands, and swipe his chin with it. I’m fully prepared to leave it at that, but then he has the nerve to cough blood onto my new shoes.
One man was there as witness, and I’m thinking I’ll have to take him out too, but he approaches from the darkness with a smile, and I realize it’s none other than Homer Durand. That’s right, Viola didn’t save me; he did. All the way out here I run into a kid I go to high school with. He tells me he appreciates my work, and wants to know if I would be interested in collaborating on a project with him. I have no clue what the hell he’s talking about, but I’m intrigued. When I tell him I’ve never hurt anyone before, he says that’s okay, and he can teach me how to do it better. He likes that I managed to find someone I was motivated to kill, but who I can’t be tied to. He warns me the building we’re parked in front of has a security camera, though, so I need to be more careful next time. Don’t worry, he took care of it, so that’s all over. Why am I telling you all this when I know it could get me in trouble? Why did I not listen to Sidney when he told me you have the ability to make people tell you the truth? Why am I not freaking out that it’s working? Because I know you can’t do anything about it. You wanna hear the truth, Alma? Here’s the truth. Viola interrupted a delicate ritual Homer and we were performing. It’s important, but not irreproducible. We’re going to do it again, and this time, we won’t fail. This interview series you’re working on won’t see the light of day, Alma, because Homer has chosen you. You won’t be in any position to stop us, and once it’s all finished, neither will anyone else. You’ve been wasting your time. This is it for you, Julius is here to escort you away. We just need to find one more victim. Any ideas?
One man was there as witness, and I’m thinking I’ll have to take him out too, but he approaches from the darkness with a smile, and I realize it’s none other than Homer Durand. That’s right, Viola didn’t save me; he did. All the way out here I run into a kid I go to high school with. He tells me he appreciates my work, and wants to know if I would be interested in collaborating on a project with him. I have no clue what the hell he’s talking about, but I’m intrigued. When I tell him I’ve never hurt anyone before, he says that’s okay, and he can teach me how to do it better. He likes that I managed to find someone I was motivated to kill, but who I can’t be tied to. He warns me the building we’re parked in front of has a security camera, though, so I need to be more careful next time. Don’t worry, he took care of it, so that’s all over. Why am I telling you all this when I know it could get me in trouble? Why did I not listen to Sidney when he told me you have the ability to make people tell you the truth? Why am I not freaking out that it’s working? Because I know you can’t do anything about it. You wanna hear the truth, Alma? Here’s the truth. Viola interrupted a delicate ritual Homer and we were performing. It’s important, but not irreproducible. We’re going to do it again, and this time, we won’t fail. This interview series you’re working on won’t see the light of day, Alma, because Homer has chosen you. You won’t be in any position to stop us, and once it’s all finished, neither will anyone else. You’ve been wasting your time. This is it for you, Julius is here to escort you away. We just need to find one more victim. Any ideas?
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