Not everyone who participates in the City Frenzy event is a runner, or has any plans to win the race. Gabriella Perez is one of these people who has other ways of entertaining the viewers. Technically, the Frenzy is not the place to showcase one’s other talents. A kid isn’t allowed to sign up, and then just perform a cooking show in front of the cameras at their starting line. There is a time and place for such things, and this isn’t it. Gabriella and Celestine are kind of exceptions, but there are some rules they have to follow. First, they have to satisfy all the physical requirements for entry, which they are always able to do, because they’re very athletic people. They also have to pretend like they plan on racing this time, even though everyone knows they won’t. They also can’t remain right at the starting point the entire time. They have to at least gradually move closer to their respective destinations, but like any race, there’s no minimum speed, so they can dawdle. Still, they don’t fight this restriction, and instead consider it a challenge to figure out how to work it into their routines. As with all racers, the two of them don’t necessarily start at the same place, and in fact, because of the nature of their acts, the Frenzy council makes a point of keeping them separate, even though the routes are meant to be randomized. They generally stay within two hundred meters of the starting lines. They dance non-stop for what’s usually just under two hours, until they’re given word that the winner of the race has finished. This demonstrates their talent as dancers, and their stamina. As the time grows, so too hopefully do their audiences. Viewers will watch remotely with split screens, deciding which one they like best. At some point, a fan will leave the television, and head for one of the dancers, to watch them in person. Agent Nanny Cam even worked closely with engineers to design a drone projector screen, so people in the back can still see what’s going on. Yeah, they patented a new technology, just for these two faux racers. Throughout, and at the end of, the competition within a competition, artificial intelligence within Agent’s drones will count the number of people who showed up to each dancer. Full statistics are monitored, such as audience engagement, and particularly well-received moments during the performance, but the last figure is what matters. The dancer with the largest following when that real racer breaks the finish line is a winner in her own right. While it sounds like something like this wouldn’t be allowed, because it remains separate from the rest of the event, it makes a hell of a lot of money for Kansas City, so the council, along with the local government, are perfectly happy with to make that concession. Without it, viewers may tire of watching the runners themselves, who are, most of the time, just going forward at a steady pace. Since they began this subevent, each of them has one twice, and the ninth City Frenzy will be the last for both of them.
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The Advancement of Mateo Matic
Now that the lineup has been irreversibly established, and their reliance upon the direction of any external force removed from the equation, Team Matic must decide for themselves what missions to take. As they approach the year that changes everything, they may find themselves on a long detour.
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Mateo Daily
Daily installments of The Advancement of Mateo Matic have temporarily replaced all weekday stories.
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Mateo Daily
Daily installments of The Advancement of Mateo Matic have temporarily replaced all Saturday stories.
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My name is Nick Fisherman III. It's not my real name, but that's not because I'm trying to hide from my former agency, or something. I named myself after someone I've known for most of my life, and he chose it in honor of his late best friend. I took up writing when I found myself failing 8th grade science, and realized I might never reach my dream of becoming a biochemist, a meteorologist, and a quantum physicist. I started developing my canon after a scouting trip to an island inspired what I thought would be my first novel. I founded this website upon the advice of many people, who told me I needed to get my work out there, and not wait for an agent to accept my manuscript. You can expect one new story every day. Weekdays are for microstories, which are one or two paragraphs long. They're usually only thematically linked, so you won't have to read one to understand another, but they do sometimes tell a combined story. Sundays are for my continuous longer story, The Advancement of Mateo Matic, which I started in the beginning, and won't end until 2066. Saturdays are for long series, most of which take place in the same universe as Mateo, and add to the larger mythology.
Thursday, September 12, 2019
Microstory 1189: Gabriella Perez
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money
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race
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running
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