Showing posts with label nostalgia. Show all posts
Showing posts with label nostalgia. Show all posts

Saturday, December 6, 2025

Extremus: Year 117

Generated by Google Flow text-to-video AI software, powered by Veo 3.1
It’s over. After some long conversations with Arqut, Silveon, and Audrey, she has decided to divorce herself from the ship’s drama. Her promotion to Admiral Emirta wasn’t just to get her to stop having to work. It was an encouragement to just live the rest of her life in peace. Silveon is not going to update her on his progress with Waldemar, if there is any, or if it backslides. She’s going to be a mother, a wife, and a person from now on. The clone that Sevara supposedly has, and the ones that Regulus claims he can find for her, are just going to have to be a problem for future generations. Back in the stellar neighborhood, the majority of people are set to live until the heat death of the universe. Whether that will actually happen for them or not doesn’t matter. It’s certainly the plan. If they commit to something open-ended or indefinite, they may have to continue on with those responsibilities over the course of many, many lifetimes. It doesn’t work like that on Extremus. Barring The Question—which is really only about being alive to see the new home world, not about living forever—people here are supposed to be able to die. They should do this without any stress or regrets. Tinaya doesn’t know how much time she has left, but she has an idea of how long now, and she wants to spend the rest of her time with her family. Waldemar isn’t a part of that. Most people aren’t.
Today is Silveon’s birthday. He has the day off from both of his jobs. Waldemar has pretended that he wishes that he could be here with him, but he has to work. He isn’t simply allowing Audrey to go, but actively encouraging it, again as a way to purport himself to be a nice guy who wants his friends to be happy. Of course, they celebrate the day every year, but Silveon says that this one is special. He won’t say why, because 29 is not a universal milestone in aging, but Audrey agrees that it’s significant. It clearly has something to do with the old timeline, which they’re not allowed to talk about. Tinaya has told them it’s okay to talk about that specifically—she doesn’t want to just stop hearing about their lives altogether—but they insist on staying silent. And that’s just going to have to be okay.
They’re all wearing conical part hats, and being really cheesy with it. He even asked that they give him gifts. That isn’t a traditional practice in this culture, but they wanna have some fun. They all did research to find out what people used to give their kids on their birthdays on Earth. Audrey gave him a coffee table book that’s just unremarkably photographed images of various landmarks; some manmade, some natural. She put a lot of effort into it, drawing from the central archives, and crafting the layout herself, instead of just having the AI render it. Arqut synthesized a car key, and a box of something called condoms, which is evidently what people used to use to protect themselves from pregnancy or disease when they had sex. According to Arqut’s research, these are the kinds of things dads usually gave their sons, but typically at younger ages, as parts of their rites of passage. Tinaya is about to retrieve her gift when Arqut stops her. “No, it’s not over. You think that key is just a symbol?”
“Are you telling me that you gave me a car?” Silveon asks.
Tinaya glares at her husband.
Arqut smirks. “Join hands.” They hold hands and teleport to an assembly bay. It’s relatively narrow, and very long, with smaller assembly rooms branching off of it. While every part, and every machine, and every piece of equipment they need can be synthesized, someone still has to put all the disparate parts together. These are not engineers, mechanics, or technicians, but they study all of those disciplines. They’re the ones who build everything, instead of just each department performing the assemblies for themselves. The room is mostly empty, except for a large tarp that is obviously draped over a land vehicle of some kind. There is either nothing to assemble at the moment, or he requested the synthwrights to clear out for the occasion.
“Arqut!” Tinaya scolds.
“What, it’s no big deal. I found the model in the archives, and thought it looked cool. I wanted to see it in real life, and I wanted to experience this moment. Every father does this for their kid. Or did, anyway.”
“The synthwrights have jobs to do!” Tinaya argues.
“I didn’t use any current synthwrights for this,” Arqut defends. “They’re all my buddies, and retired. We play cards together.” He does love his old Earthan customs.
“You used resources,” Tinaya presses.
“Oh, stop worrying so much. We’re living on a ship of abundance! Don’t you people wanna see it?” Arqut approaches the vehicle, and takes one corner of the tarp.
Tinaya sighs. “Silvy?”
Silveon laughs. “It’s too much, but yeah, of course I wanna see it.”
“Help me with the other corner, Aud.” Arqut and Audrey take their corners, and pull the tarp up and over. No one knows how to describe what’s underneath. They literally don’t have the vocabulary to differentiate it from any of the other dozens of models that must have existed on ancient Earth. “The archive called it a 2001 Pontiac Aztek.” He smiles proudly.
“Forgive me, but...what’s he supposed to do with this?” Audrey asks.
“Well, he’s supposed to sit in it,” Arqut reasons. “That’s what you did with cars. No one could teleport, and they didn’t have spaceships back then. I mean, some people could teleport in secret, and I think some rich people had a few spaceships, but for most people, this was the only way to get around. Come on!” he says excitedly. “Aud, you sit in the back. Can you figure out how to open the door?”
She rolls her eyes, and opens that hatch in the rear.
“You’re next to me, Silvo,” Arqut says, getting in on the left side, in the front.
Tinaya reluctantly takes the seat right behind Arqut.
“Um...am I supposed to have a seat?” Audrey asks, curled up in the trunk.
Arqut struggles to look over his shoulder. “I meant, the back next to Tinaya, Aud. Jesus.”
“Well, you didn’t say that,” Audrey argues before coming around, and climbing back inside the right way. “This isn’t the back, it’s the middle,” she mutters.
“Okay.” Arqut breathes deeply. “Comfortable, right?” He reaches over Silveon’s knees, and opens a small compartment. “Look at this. Funny mechanism. This tiny little mirror here?” He adjusts it a little. “Notice these other mirrors on the outside. And get this...there’s no display. That’s not a screen. It’s just a window.”
“We studied this in school, dad, I know what these things are,” Silveon explains. “We’re not archaeologists. But anyway, if this is a gift for me, why am I not the one sitting behind what are obviously the controls.”
“You don’t know how to drive yet,” Arqut contends.
“And you do?” Tinaya questions.
Arqut releases an evil smirk as he’s looking at his wife in the small mirror between him and his son. “I’ve been taking VR lessons.” He looks over at Silveon. “The key, my good lad.” He takes it, and sticks it into the slot on the side of the wheel thing. He pauses for dramatic effect before twisting it. The engine roars. Did it have to be that loud, or did people back then like it?
“Okay, that’s enough,” Tinaya warns.
“We haven’t gotten to the best part. You can’t see, but there are big buttons on the floor. You push one to go, and one to stop.”
“Well, we’re not going to go anywhere, so that’s irrelevant,” Tinaya says.
“Ah, we won’t go far, and I won’t go fast. It’s fine.” Arqut depresses the pedal and the car lurches. “Whoops, okay. It’s just a little different when it’s real.” It lurches again, but not quite as much. “Give me a moment to get into a good rhythm.”
Tinaya is really worried now. “We need to stop, this is dangerous.”
“It’s all right, Tiny” Arqut promises. “I know what I’m doing.” The car starts moving forward. It’s not going particularly fast, but it’s smoother than the first two attempts. They’re moving down the bay. Lights flip on in response to them.
“Oh, this is interesting, you can really feel it,” Audrey muses.
“You should feel the bumps on the road in the simulation,” Arqut boasts. “I bet it was a hell of a ride in real life.” He speeds up, probably thinking that Tinaya won’t notice.
She notices. “Slow down. There’s nowhere to go.”
“We have plenty of room.” The bay almost runs the full length of the ship on its level. It’s not infinite, however.
“At least turn on autopilot,” Tinaya demands.
Arqut bursts out laughing. “They didn’t have that back then!” He speeds up. Faster, and faster still. It really is reckless at this point, inarguably so. He had some room to play around before, but now, he could get them all killed.
“Arqut!” Tinaya cries.
“Just relax, I know what I’m doing,” he assures her.
“That’s it. I’m teleporting us all out of here.”
“Suppresed,” Arqut volleys. “You think I don’t know you?”
“We’re about to hit the bulkhead!” Audrey tries to alert him.
The wall is indeed getting closer.
“She’s right, we’re gonna crash!” Silveon shouts.
They all start screaming now, even Arqut, though for different reasons. Just before they collide with the wall, he reaches up, and flips a switch next to the little mirror.
There was a lot of debate when Project Extremus was first being conceived. The design of the vessel was the first—and arguably most important—detail that they had to nail down. One idea proposed was to make it relatively small, and expand the spaces they needed using parallel dimensions. History has forgotten why they decided against this. It wouldn’t have really contradicted their mandate to be a generation ship, or to reach the most extreme region of the galaxy. They just chose not too. Parallel and pocket dimensions are still used here, though at far smaller scales. These prove, however, that they’re possible, and it’s a simple enough task to adapt one such of these generators to something larger.
The world around them has shifted slightly. They’re still on the ship, but everything is a little fuzzy and discolored. They pass right through the bulkhead, and into the corridor on the other side. Arqut continues to drive them around this level, which is so far unoccupied by anyone else. They don’t know whether that means it’s more like a lifeless facsimile, or just everyone is at lunch right now. They get their answer when Arqut lifts a lever, and raises them across the z-axis to the deck above. There are a ton of people here, going about their day, and not paying them any mind. He drives right through this as if they’re not even there, just like the walls.
“Okay, now this really is dangerous,” Tinaya admonishes her husband. “We could slip back into realspace at any moment. One brief disruption in power, or the frequency generator, and you could end up killing several people.”
“Multiple redundancies,” Arqut clarifies. “It’s not gonna happen.” He continues to drive around aimlessly, though with less enthusiasm than before. The moment has passed for them to get into it. As he’s driving, he looks around. No one is having all that much fun. Audrey is nervous, but trying not to show it. Tinaya is irritated, and not hiding it at all. Silveon looks rather bored, and maybe distracted? Arqut stops the car, but doesn’t phase them back. “I just thought that this would be an exciting thing to do before...”
“Before what?” Silveon asks him.
Arqut takes a deep breath and prepares himself. He doesn’t face anyone, though. He’s just staring through the front window. “I’m dying. Cancer. They think my weird shapeshifting power is eating me up from the inside.”
“I thought you weren’t using that,” Audrey says.
“It apparently doesn’t matter,” Arqut replies. “In one...maybe two years, Tinaya and I are going to die. It’s okay. It’s time. We’re both old. But Silvy, we missed out on your childhood. I guess I was just trying to recapture that magic. I’m feeling fear and stress about the future, and I suppose I took my nostalgia for those first couple of years when we just had a growing boy a little too far; back to a time when none of us was even born yet.”
Silvy nods reverently. “I understand the impulse. I miss my childhood too, and I wish I could have given you that. I wish, at the worst, I could have jumped into my younger self’s body when he was nineteen or twenty. But Waldemar couldn’t wait. That’s what I thought anyway. I don’t think I’ve been helping. So all this was a waste of time. You lost your kid, and I lost my chance to die fighting alongside my brothers and sisters in the resistance.”
“You did the right thing coming back here, son,” Tinaya tells him sincerely. She looks over at Audrey. “You both did. You’re our children now, and we love you. When your father and I finally leave, as he said, in a couple years still, I know that you will be all right. I’ll know that...you’ll keep working towards a better future. Just don’t forget to find some happiness for yourself. It’s not all about the mission. I’ve recently learned that. Don’t wait as long as me.”
The four of them start to hold and pat each other’s shoulders, and hug, and kiss, awkwardly in this vehicle. Then Arqut drives them back to the bay, where they schedule it for disassembly and material reclamation. Silveon keeps the key, though.
“Oh, wait. Mom, you had a gift too?”
“Right.” Tinaya reaches behind the couch cushion, and pulls out an envelope. “These are the master codes. I’ve been collecting them over the years, and finally secured the last ones I needed a couple of months ago. They will grant a user control of every system, and override any command. No single person on Extremus has ever had them.” She hands him the envelope. “Until now.”

Wednesday, August 20, 2025

Microstory 2478: Holidome

Generated by Google Gemini Pro text-to-video AI software, powered by Veo 3
Name a holiday; any holiday. Go on, I’ll wait. What did you pick? Now imagine what it’s like to celebrate that holiday. Now, go to Holidome, and you’ll find it there. Ramadan, Diwali, Carnival. It’s around here somewhere. They each live in their own little sectors, but there are some that are a little more spread out. Traditional Christmas in one region of Earth was observed in very different ways than in others, so those are separate. That way, you can be immersed in the version that you’re looking for. Honestly, I’m probably the wrong person to ask about any of this. Not only am I very young, but I was born on Castlebourne. I’m actually kind of a rarity so far. The majority of people who come aren’t here to plan families. They’re here to have fun, so they either come with their families, or they’re putting off procreating until later. My family has a long history of recognizing and appreciating other cultures, so that’s what they came here to do. A lot of that culture is gone from Earth. It wasn’t really anybody’s fault, it just sort of happened. Architecture converged into those megastructure arcologies. Creativity and identity made way for standardization and cross-compatibility. Why design a bunch of oddly-shaped trashcans, when you can design one model, and anyone who needs it knows that that one is perfect for their space, because everyone’s space is pretty much the same? These may seem like small things, and hardly relevant, but they’ve added up to major changes. It doesn’t matter where you’re from, or where your family is from. Your housing unit looks the same. You can decorate it, sure, but when we all live in virtual simulations, what’s the point? You might think, well doesn’t the culture just live on the servers? They can, but it can get drowned out by boundless imagination. In this world, people fart rainbows. Yeah, that’s fun, but there’s no history behind it. I suppose one day, we could end up living next to a community of Rainbow Farters of Erbikejifel, or some shit, but for now, it’s mostly only about novelty. Castlebourne doesn’t work like that. It exists in base reality, and it all has to fit within the limits of physics. You may be nostalgic for the days when you lit the Menorah with your family every year, or maybe you never did it, and you want to learn what it was like. I do get a little worried about cultural appropriation. People seem to think it’s a non-issue since—like I’ve been complaining about—those traditions have largely faded from real life—but I would just like to warn everyone to use caution. Those rituals held and hold great meaning to those who practice(d) them. It’s important that you be mindful of that, and stay respectful of why they participated in them. Nothing was arbitrary. I’m not trying to get you to not have any fun. Holi is a grand old time, for instance. Just don’t forget to learn about how it started, and who originally took part in such traditions. They didn’t just do it for your amusement. Except for Festivus. That really is just for fun.

Monday, August 18, 2025

Microstory 2476: Substrate Development Dome

Generated by Google Gemini Pro text-to-video AI software, powered by Veo 3
It’s the opposite of Bot Farm! While that dome is all about mechs, perhaps with some skinning, this one is all about organic substrates, perhaps with some cybernetic components. This is one of the most important aspects of living on Castlebourne, and really, anywhere in the modern galaxy. Life is dangerous, and we’ve only made it more dangerous, because that’s how we like it. Back in the day, when you died, that was it. As far as we knew, there was nothing after that. Now that we’ve let go of our religious superstitions for the most part, we’re pretty certain that there’s no afterlife. So why let yourself die when there’s a better way? We’ve mastered consciousness transference and uploading, and it has given us so many options. You can backup your mind to a body that looks exactly like your own, but you don’t have to. Or it can look the same, but sport different characteristics. It can be stronger, faster, more resilient. You can fall asleep in seconds whenever you’re ready, and wake up feeling perfectly rested after only an hour. The possibilities truly are endless. You don’t even have to look human. You can become a unicorn, or an alien from your favorite media franchise. You can copy yourself, spread your mind into a hive of codependent insects. Be whatever you want, do whatever you want. Just remember, that whatever substrate you choose to move into next, it was built here. This place is really cool, but that’s probably because I was born in the 1960s. That’s right, it’s not a typo. I was barely young enough to reach the longevity escape velocity. Had I been born a few years earlier, I may have eventually died. So I know how vital it is to be able to get a second chance. A third. An umpteenth. And I think it’s so amazing that we have so many options. I know a guy who’s married to a sort of squid. She was human at one point, but now she identifies as a squid who can walk on land. That was designed and implemented here. You can even design your own, if you’re interested. You can make your new design private, unlisted, or fully open to the public. Bear in mind that every single design change has to be approved by the system, so don’t publish it until your ready. The laws are different here than they are in the stellar neighborhood, but they do have them. You can’t make a body that shoots deadly acid out of its hands, even though, theoretically, a victim could just switch themselves to a new body of their own. Come here, have fun with it. It’s available for all. Just don’t take it for granted. My brother died when he was an old man, and I never saw him again. You kids these days, you don’t know how good you have it.

Friday, July 18, 2025

Microstory 2455: Flumendome

Generated by Google Gemini Pro text-to-video AI software, powered by Veo 3
If you don’t know what a flume is, it’s a waterslide. I mean, it’s a certain type of waterslide, but who am I to get bogged down in the intricacies of linguistics? Oh, that’s right, I’m a linguist. I suppose this rolls off the tongue better than Waterslidedome. Or Waterslidome. Well, hmm. Waterslidome. Yeah, it should be that, but pronounce it like slid. Whatever, it doesn’t matter what the name is, people! Waterslides is the name of the game. I don’t even know how many there are, because I did not read the prospectus. I saw that word, then saw the main picture, and I was hooked. I’ve loved waterslides ever since I was a kid. I remember going to the waterpark every summer, but just once per year. Oh, I would beg my parents to take us more than once, but they wouldn’t do it. It wasn’t about the money, it was about keeping it special, and learning delayed gratification. Parenting is a crapshoot; when I had kids, I learned that myself. I don’t fault them for their line of reasoning. I still wish I could have gone more, but we’re all immortal now, so yay, I have all the time in the universe! Back to Flumendome, this is the best park I’ve ever seen by far. Since it’s contained in this dome, its engineering limitations are a lot farther away from the ground than its Earthan equivalents. So are the slides themselves. The best one starts at the zenith, and goes all the way down to the surface. Again, I didn’t read the prospectus, so I don’t know how long it is, but I know it’s more than 41.5 kilometers. It could be double that, or more. I don’t have any friends so I shared a raft with some lovely, kind strangers. They calculated that it was probably close to 120 kilometers, which is insane to me. I grew up in the 2080s and ’90s; we didn’t have anything anywhere near this scale. It takes just an hour to get all the way down, and there is no escape. You’re moving too fast, and trying to fish you out of there would just be unsafe, for you, and anyone you’re with, or behind you. If you don’t think you can handle it, then absolutely don’t try. Fortunately, you can start small, with some regular waterslides, and work your way up. I told you, we’re immortal, baby, don’t be strict about your time. There is another that starts at the top, and goes all the way down, but it’s not as steep, and not as fast. It takes about four hours to get to the bottom, and if it’s a desperate emergency, a rescue drone can reportedly extract you, but only during lulls, so again, proceed with caution. I don’t think they’ve had to do it before, but I did hear about someone needing to get off this next one, which sounds like that wasn’t hard at all. The slide is the craziest one of all in some respects. It also starts way up there, but it’s even longer. We can’t even begin to estimate its length. It takes a full 24 hours to get down. They can extract you because you’re moving so slowly. It’s like being on a river, except if you climbed over the edge, you would fall off and die. Fortunately, that’s probably impossible, because the sides are so steep and wet, you’d have to be a tree frog, or something. And why would you? I’ve been talking a lot about extremes, but this place has a slide for everyone. Its prospectus is one of the most comprehensive (which is why I didn’t read it), but if you’re unsure, I suggest you take a look at it, and find what you’re looking for. It’s a lot of fun, for people of all ages.

Tuesday, July 15, 2025

Microstory 2452: Coraldome

Generated by Google Gemini Pro text-to-video AI software, powered by Veo 3
This dome is categorized under multiple categories, but you wouldn’t know it by finding it in one of the categories, and opening its prospectus. It’s a little nitpicky, but I just happened to notice that it shows up when you change filters. It’s unclear how many domes are multicategorical, which I guess just bothers me on principle? I know, that’s not really what we’re talking about here, but you can’t provide public feedback on the catalog itself, and I just felt like this was something that other people should know. Okay, I’ll get back to it, and I promise that it won’t be negative moving forward, and that’s because Coraldome is a beautiful place. After looking through all the category filters, I was able to determine that this dome is Residential, Leisure, Ecological, Research & Development, and Institutional. You can live here, if you find an apartment that strikes your fancy, or have a temporary stay at Korallion Hotel. Whether you’re here for long-term exploration, or a one-day visit, there’s a lot to see, and a lot to learn. Life on Earth began through a process known as abiogenesis in the ocean, specifically in hydrothermal vents. It evolved from there, organisms multiplying, taking in energy from their environment, responding to stimuli. They mutated, adapted, filled ecological niches. They transformed into independent species, gained new traits, and eventually left the waters, growing new limbs, and reaching for the sky. But some stayed in the water. Most of them, indeed. Earth’s biosphere is perfectly tailored for the life that evolved there, because any life that wasn’t suited for survival...didn’t. And it still doesn’t. Castlebourne is a different place. You can stick as many domes on it as you want. You can pump air in here, and salt the water with minerals. You can warm it up and cool it down, but it will never be Earth. It will never be our origin. Still, we like life, and our biological imperative demands that we make it. Humans are unique in that we are compelled to make and preserve other species besides our own. Whether it benefits ourselves or not, we want it to live. It’s why we consolidated our population into centralized spaces on Earth, and why we left. It’s why we settled on barren worlds, including Castlebourne; because it didn’t require us to destroy life. When you come to Coraldome, you’ll be met with a community of organisms of all varieties, imported from Earth via digital DNA. They live here now, genetically altered to survive in Castlebourne’s unique ecosystems. We may call it a clownfish, but it’s not the same clownfish that you may find off the coast of Australia. It’s a Castlebourne clownfish, because the composition of the water is different, as is the gravity. The other plants and animals are different too, which impacts how they interact with each other. You could know everything about the biosphere back home, but you’ll have to relearn everything if you come here, and Coraldome is the perfect place to do it. The fish swim all around you, right up to the glass, on multiple levels. It’s my favorite place in the world. This world anyway. Nothing will ever be better than Earth; where it all began. See? I told you that I would start being positive.

Thursday, March 28, 2019

Microstory 1069: Oscar

They call me Oscar the Delightful. I’m not a particular happy person, but I’m also not at all grouchy. It was just really important to my peers that they come up with something pseudo-clever. That’s the way it is with normal people. They like to come up with things, and have inside jokes, and they like to recall what they know; see it return to action in some other way. People are obsessed with the familiar, and despise the unknown. When you’re a child, everything is new, and you accept your new reality, because you’ve been given few reasons not to. But as you grow and mature, you start to become jaded, and the things you liked when you were little solidify themselves as the most important components of your history. If you were raised to be racist or homophobic, for instance, it’s difficult to break free from that notion, because those terrible lessons whoever raised you taught you remind you of a time when you were comfortable, and had everything provided for you. An animal will always return to where it know it’s given food. Lots of people think that those who were dealt a crappy hand are the worst kind of people, but in many cases, they’re the best of us. They lack this inescapable nostalgia, which—yes—can make them irritable, or hard to work with, but it can also make them more flexible, and even empathetic. They’re not tied down by the rules of yesteryear, and can better recognize the needs of the future. If they were quote-unquote cared for by racists homophobes, they’re less likely to maintain those convictions themselves, because it’s not like they feel some closeness to those people, so they can’t trust their beliefs. It is my theory that the hard knocks are the ones who progress society better than anyone. People who feel too comfortable about the way things have always been aren’t going to make much of an effort to change it. But the people whose lives sucked because of the past are going to do anything they can to change the status quo. Sometimes that means staying on the fringes of society, and participating in criminal activity, but it can also mean great things for us. Then there are the idealists, like Viola Woods. She saw how broken the world was, and felt a drive to fix it. She was raised by wealthy parents in a safe town—recent events notwithstanding. She could have lived a very comfortable life until she died an old woman, surrounded by her loved ones. She was killed because she put herself out there, and at risk. She made herself known, and painted a target on her back. That’s not to say any of this is her fault; I mean quite the opposite. She was killed because people don’t like good people, who try to improve the world, because remember what I said about nostalgia? It becomes written in your bones, and Viola threatened that, whether she was in the right, or not, which she was. She died because she was brave, and since I grew up in a similar household, under the same tax bracket, I think I could be doing more to better my world. I am excited to read this full series, because while you may have started it to get to the bottom of her murder, it can also help us understand who Viola was, and perhaps break free from our personal inhibitions.