Extremus: Year 103

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Silvia and one of the Audreys are gone. Thistle is the only one who may know whether the original, or the clone, is the one who ended up heading off to the planet. He reportedly deleted his own memories of the event, but it really doesn’t matter. For all practical purposes, it’s the same consciousness, just with a different body. He restored her to perfect health to further conceal the truth, but a deep enough medical examination could produce an answer, if anyone were so inclined to try. Extremus!Audrey is choosing to be positive about the situation, taking comfort in knowing that she is raising her baby, even though she will never have any memories of it, or be able to make any decisions on the child’s behalf. There was a ton of philosophical debate about this during the time when consciousness manipulation technology was being developed. In the end, most can agree that you are unique, and even a copy is not really you. They’re just someone who looks like you, and thinks they are you. That’s why programs like Project Theseus and neurosponging were created. They maintain continuity of thought during the digitization and transfer process. There is no copy; it’s you over here, and then over there. Audrey is ignoring that, because it’s not the point. Silvia is being cared for by her mother, and that’s as good as it’s going to get until the Waldemar problem is solved, or at least comes to some kind of conclusion.

Tinaya’s duties to the population have subsided. There doesn’t really seem to be a need for anyone to be directly in charge of promoting growth. They don’t really want there to be someone doing that job permanently. It’s too close to totalitarianism. If you want kids, have kids. If you don’t, don’t. If you can’t care for them, please don’t try. In the end, it’s the public’s responsibility, and if they want the human race on this side of the galaxy to eventually die out, then so be it. Philosophically, it’s not a real problem. A problem is something which has a negative impact on those involved. If no one is alive anymore, there’s no one to feel the negative effects. No one gets hurt. The human race is not inherently entitled to persisting. The fact that they exist does not, on its own, provide any transcendent benefit to the universe. This is a hard lesson to learn, and few have learned it. In an ideal world, they shouldn’t have to. If they do want to live, they should be able to. The only real boundary separates what one person wants from what another does. Everyone deserves the right to decide what they want, even if what they want is to not exist at all.

Oceanus had started to rely less on Tinaya, and more on Lataran, and that hasn’t stopped even as Tinaya’s time begins to open up. So she’s kind of gone back to not having that much to do. At this point, it doesn’t bother her as much. Her son claims that he doesn’t need parenting, because he’s so old, but that’s all changed. The thing with Audrey and Waldemar has really messed him up. It’s affecting his work negatively. The whole point of coming back in time was to help Waldemar, not hurt him. That’s why Silveon didn’t just straight up murder him the first chance he got. He’s having a hard time rectifying this mission with the monster he knows Waldemar to be inside. Audrey put herself in a position to get pregnant, but Waldemar took that opportunity. A decent guy would not have done that. How can Silveon continue trying to make this future tyrant a better person when nothing seems to be working?

While Silveon is questioning his commitment to the cause, Audrey herself has picked up the slack. She’s still with Waldemar because she has to be, and Waldemar is still with her because it helps his reputation. Everyone sees him as the hero who stuck by the mother of his child even though that child didn’t survive. This wasn’t just about population growth, or because she’s hot and young. It’s true love, and they’re in a real relationship. At least that’s how the public sees it. Only a few people know what’s really going on, though even such people are each looking at it from different angles.

Silveon bursts into Tinaya and Arqut’s room. He’s huffy, pacing around in a tight circle. “I need you two to stop me.”

“Stop you from what, honey?” Arqut asks. The two of them are in bed, but just reading.

“Waldemar. He’s still raping her,” Silveon replies. “I wanna hurt him.”

“Careful with that word,” Tinaya warns. “I’ve spoken with Audrey. It’s consensual.”

“We all know it’s more complicated than that,” Silveon argues.

“Yes,” Tinaya agrees. “What we know is that her birthday was two weeks ago, which makes her an adult in the eyes of the law, and even if she weren’t a time traveler, she would be considered capable of making her own decisions about who she shares her body and time with. What we know that the public doesn’t is that she’s far older than that, so even if you subscribe to the idea that humans are not sufficiently mature until their mid-twenties, she’s well past that. So if anyone has the advantage in this relationship, it’s her. So who are you angry with?”

“Well, not her.”

“Then it shouldn’t be with anyone,” Arqut determines.

Silveon scoffs. “Oh, believe me. I have plenty reason to be angry with Double-U.” He’s been having a hard time saying Waldemar’s name lately, like it’s cursed. “It’s not just about this.”

“Yeah, you’ve told us all the stories,” Tinaya reminds him. “We don’t need to rehash his fate, or lack thereof.”

“I haven’t told you everything.” Silveon shakes his head.

“Silvy, why don’t you have a seat on the ottoman?” Tinaya offers.

To their surprise, he does it. It doesn’t alleviate his stress right away, but it’s harder for him to be so tense when his own weight is distributed a little more comfortably.

His parents slide down the bed to join him on either side. “I’m only going to ask you this one more time, and then never again. I will believe you this time.” Tinaya pauses a moment. “I’m not downplaying your fundamental disapproval of their...unconventional relationship. But I think it’s important to establish once and for all if even a small part of you is so upset because you have feelings for Audrey?”

Silveon shoots right back up to his feet, and spins around to face them. “Are you kidding me? Of course I have feelings for her! Have you seen her? She looks no less beautiful as an old woman than she does now. I still see her like that, though; the wrinkles in her face. The way her skin sags. The...experience and heartache in her eyes. I’ve always been in love with her.” He steps over to sit in the armchair. “But I set that all aside, because I thought I would never see that Audrey again. Not the real her. When I came back to the past, she was just this little girl. She would always be far too young for me. Mom, dad, everyone is too young for me. Except, as it turns out, her. I can’t believe I’m telling you this, but I’ve not slept with anyone myself, and I will never be able to. Unless...”

“Unless something changes between her and Waldemar,” Arqut acknowledges. “She’s your only peer. She’s your only hope for love. Even if you met an old person who was closer to your real age, they would see you as a child.”

Silveon takes a deep breath. “Yeah.” They sit in silence for a few moments before Silveon continues, “don’t take me for a fool, though. I wasn’t surprised by that fact. I obviously knew what I was getting into. She’s the variable that I wasn’t expecting. Understanding that I would be alone in this new timeline was one thing, but having one possibility just out of reach? No one prepared me for that. They knew she was coming back with me. She knew too. They could have told me, and maybe I would have handled everything differently. Maybe we could have brainstormed ways to give Waldemar the bump in the polls he would need without a prop family.”

Tinaya has been patiently waiting for her son to get to a point where she could interject, and this is the right place. “There’s a very old song I love from Earth, which was written centuries ago. It goes, when I was a young boy // My mama said to me // ‘There's only one girl in the world for you // And she probably lives in Tahiti. For reference, the singer did not live very close to Tahiti, and might never venture there. The song is about him going all around the world to look for this one girl, because maybe it’s not really Tahiti. That was just one example. She could have been anywhere, and the lyrics never reach a resolution, because the singer missed the point that I am interpreting his mother to be making, which is that you’ll never find the perfect one for you. She doesn’t live in Tahiti, Silveon. She doesn’t live anywhere, because she doesn’t exist. Maybe Audrey would have been great for you in the other timeline, but as you said, she’s out of reach. If you pursue her, Waldemar will never accept it. I can almost guarantee you that he will be worse than what you experienced under his reign before. You may see her as your one shot, but I see her as the only person you can’t be with.

“I probably shouldn’t recommend this, but maybe you’re looking at this all wrong. Don’t think of yourself as an old man in a young man’s body. Think of yourself as a young man with special knowledge. Only the four of us know where you’re from. Find a partner. Recognize your age difference initially, but then ignore it. Put it in a lockbox, and never open it up again. They don’t ever have to find out about it, and neither does anyone else. You’re not a time traveler, Silveon. You’re a seer. There are tons of seers on Earth, and no one thinks of them as older than they look. Just pretend to be a seer.”

“You want me to start a relationship with some innocent girl with a lie?”

“I’m going to let you in on a little secret,” Tinaya goes on, “which I’m surprised you never grew up to learn yourself. All relationships start out on a foundation of lies. People are disgusting, and we never let others see our true selves. It wouldn’t be any different for you than for anyone else. Convince yourself that you are a seer. Forget your past life. Treat it as the gift of foresight. Find a way to be happy, and forgive yourself.”

“Or,” Arqut jumps in, “alternatively, accept your role in this life, and avoid all romantic entanglements. You wouldn’t be the first. Hell, you wouldn’t even be the first time traveler to face this choice. How do you think Lincoln Rutherford and Dalton Hawk got through it?”

“That’s a good point,” Silveon realizes. “I should ask those two how they dealt with their consciousness travel shenanigans.”

“How would you do that?” Tinaya asks. “They live or lived on Earth.”

“You need to get me into the Bridger Section,” Silveon decides. “They have a secret time mirror there.”

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Microstory 2480: Archidome

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I recently read a review on the prospectus for another dome. They were talking about how a lot of culture has faded from vonearthan society because of how standardized everything has become. And I must say that I agree. I understand why it happened. The basic design of the arcologies on Earth are perfect for what they’re intended to be. Each unit is a small and efficient living space, and they’re connected in such a way that allows modularization for shifting needs. You can open a door to grant a neighbor’s access to your units, or close them when you’re a teenager who needs to exert more independence. Everyone has a window, yet the structure is sound, because the spokes distribute the weight evenly, and over a sufficiently wide area. They’re nice, but they’re best for people who don’t care about what their homes look like, probably because they spend most of their time in simulations, or at least on the network. What your dwelling looked like, and how it was arranged, used to be profoundly important. I cannot stress to you enough how crucial it was for people to get to decide what their homes were like. That is what made it a home in the first place. There were multiple channels on linear television with dozens of programs about people finding, building, remodeling, or selling homes. And that’s before you include all the innumerable web content. It was a subculture of our society, and it went away due to a number of factors, which I’ve already touched upon. But the biggest moves happened in tandem with the shift to a post-scarcity economy. The government couldn’t put effort into building something to your specifications, or with any sort of flair or whimsy. Even before megastructures, they came up with a few models, and everyone got the same thing, because it was the most fair. Castlebourne gives us the opportunity to go back to the creativity of yesterday, in many respects, and in this respect, Archidome is the place for original architecture. It was empty at first—I really wish I had been here to see that. If you come here, you’re supposed to design your own building. It doesn’t have to be a single-family home. It can be an apartment complex, or a museum, or even a cathedral. The only restriction, really, is that you have to hold the rights to the intellectual property. I’ve heard a number of stories about visitors hoping to recreate some structure from their favorite movie, and that’s just not what this is for. Again, you get to decide what you build, and what it’s used for. It may never be used for its intended purpose, or anything at all. It’s up to you to promote it, and try to get visitors. I’m sure, over time, as the population of this planet in general increases, the chances that someone comes to see what you’ve created will go up. Until then, you might just have to be satisfied with the completion of the project itself. I’m proud of my columbarium, even though people don’t really die anymore. I’m proud of it because its mine, and it’s real. What will you create?

Microstory 2476: Substrate Development Dome

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It’s the opposite of Bot Farm! While that dome is all about mechs, perhaps with some skinning, this one is all about organic substrates, perhaps with some cybernetic components. This is one of the most important aspects of living on Castlebourne, and really, anywhere in the modern galaxy. Life is dangerous, and we’ve only made it more dangerous, because that’s how we like it. Back in the day, when you died, that was it. As far as we knew, there was nothing after that. Now that we’ve let go of our religious superstitions for the most part, we’re pretty certain that there’s no afterlife. So why let yourself die when there’s a better way? We’ve mastered consciousness transference and uploading, and it has given us so many options. You can backup your mind to a body that looks exactly like your own, but you don’t have to. Or it can look the same, but sport different characteristics. It can be stronger, faster, more resilient. You can fall asleep in seconds whenever you’re ready, and wake up feeling perfectly rested after only an hour. The possibilities truly are endless. You don’t even have to look human. You can become a unicorn, or an alien from your favorite media franchise. You can copy yourself, spread your mind into a hive of codependent insects. Be whatever you want, do whatever you want. Just remember, that whatever substrate you choose to move into next, it was built here. This place is really cool, but that’s probably because I was born in the 1960s. That’s right, it’s not a typo. I was barely young enough to reach the longevity escape velocity. Had I been born a few years earlier, I may have eventually died. So I know how vital it is to be able to get a second chance. A third. An umpteenth. And I think it’s so amazing that we have so many options. I know a guy who’s married to a sort of squid. She was human at one point, but now she identifies as a squid who can walk on land. That was designed and implemented here. You can even design your own, if you’re interested. You can make your new design private, unlisted, or fully open to the public. Bear in mind that every single design change has to be approved by the system, so don’t publish it until your ready. The laws are different here than they are in the stellar neighborhood, but they do have them. You can’t make a body that shoots deadly acid out of its hands, even though, theoretically, a victim could just switch themselves to a new body of their own. Come here, have fun with it. It’s available for all. Just don’t take it for granted. My brother died when he was an old man, and I never saw him again. You kids these days, you don’t know how good you have it.

The Seventh Stage: Rock-Ribbed (Part VI)

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Echo didn’t like the idea of his sister’s body being piloted by an evil transdimensional god-being. Debra knew that he wouldn’t, which was part of her plan all along. They believe that he has the power to conjure entirely new substrates for the six of them to inhabit. He does that—he gives Debra a new body—she’ll do what the rest of them want, and find the person responsible for transporting everyone from the original five realities to their new home in the Sixth Key. She’s not asking for this for her own selfish reasons. She needs it.

Debra is not evil anymore. She’s become a better person, and genuinely wants to help now, which she knows will only make her an even better person. That’s what she learned on the first stage. Diversity and community are the keys to harmony, even though they can lead to conflict. If she doesn’t end up being able to find who the Cloudbearer twins are looking for, it won’t be for lack of trying. Someone that powerful is a master of time and space, and may have the means to shield themselves from being pinpointed, detected, or identified. Still, even with the uncertainty of success, Debra doesn’t think that it’s unreasonable to ask for a new body to call her own. It’s not like they don’t want to give her one. They just don’t know if they can trust her. That’s okay, she’s willing to do whatever it takes to change their minds.

He’s standing there, still weighing their options. “Think of it this way,” she begins.

Echo closes his eyes and holds up a silencing finger. “Shh. Just shh,” he says, shaking his head. He continues to keep his eyes closed while trying to make up his mind for another few minutes. “You don’t have to convince me anymore. I just need to figure out how to do what I’m trying to do.” Though his eyes are still closed, he can sense when she’s about to speak again, and shushes her once more. “I don’t want your help either. I have my own simulations running through my head at the moment.”

Debra sighs louder than she meant to. She quietly says sorry, even though that technically only adds to the ambient noise, and distracts him more. She centers herself mentally, and stands before him patiently and quietly.

After ten more minutes, he opens his eyes, and stares at her with a cold disdain, but also a sense of...determined acceptance, if that makes any sense. “I know what I have to do. Let me talk to Clavia.”life

Clavia passes by Debra on their way to swapping places in their shared mind palace. The former is center stage now. “What do you have to do?”

“Did I ever tell you that I met my mother?”

“What? No. You’re not talking about Judy, right?”

He laughs. “No, I’ve obviously met her. I mean the woman who gave me life. When I put us back to being children, we both collapsed and fell unconscious. We had to sort of reset to factory settings. I don’t know what it was like for you. I guess you and the others were formulating your internal seven stages metaphor. I left my body, and communed with Olimpia Sangster. We actually spent quite a bit of time together before we both decided that it was time to part ways. So I won’t go over everything we discussed, but it was nice to get to know her. Anyway, when I woke up as a kid, I didn’t remember any of it. Judy and Bariq raised us as siblings, doing their best to mould us into well-rounded, productive members of society. It wasn’t until later that I was able to recover those moments with her.”

“I wish I could have been there with you,” Clavia says. “Debra is cognizant of facts about Team Matic, and all that, but they never met. Ingrid and Onyx each knew them only briefly.”

“You might meet them one day,” Echo says with a knowing smile. Perhaps she was there, just at a different point in her own timeline. He goes on, “she comes from a time on Earth when religion had largely faded from society, but it was still around. A lot of factors were at play, of course, but the greatest push towards atheism happened because those who believed in God or gods usually also believed in some kind of life after death. They let themselves die because if they didn’t, they would never have the chance to live in the paradise they were promised. If they had just accepted the longevity escape velocity as a new characteristic of a devout life, superstition might have survived. But these die-hards had children, who watched their loved ones die for nothing, so they switched out, and eventually, belief died alongside the believers themselves.”

“Why are you telling me all this?”

“Because, Clavia, we are the gods. We are those who are believed in. And we’re about to give the two undecillion people of the universe everything they could ever need to be happy. If you think we’re revered now, just wait until we check every box in every religion’s idea of a true living god.”

“What are you saying? We should quit?”

“Absolutely not,” Echo insists. “I’m saying that we should leave. There is nothing for us in this new world. We don’t want them worshiping us.”

Clavia laughs. “You think they’re not going to worship us ‘cause we’re not around? I want you to think about that for a moment.”

“I should rephrase. We don’t want to have to watch them worship us. I agree, they’re gonna do it. I’m worried about a massive resurgence in religious belief, but I don’t think we can stop that. We can’t save them, and save them from themselves, at the same time. We can’t give them something tangible to reach out for.”

“It’s the opposite, Echo. We have to be there. We have to act like normal people. That’s what the Tanadama did, and it’s why those two undecillion people even exist. Almost everyone is from the Parallel. Ramses and Kalea are leaders. They’re accessible. If we too are accessible, it will make it harder for mysticism to take root, not easier.”

Echo looks away with a huge sigh. “I know.”

“Then why are you arguing against it?”

“Because I am going to leave, and there’s nothing we can do to stop it.”

“What are you talking about?”

He turns back. “I can make new bodies for your friends, but I won’t survive it.”

“That seems arbitrary.”

“I ran thousands of simulations in my head. It never works unless I do it that way. I can’t make entire people out of nothing. I have to draw upon my own energy, and that will destroy me. I’m just trying to rationalize it by coming up with a way that that outcome could possibly be better for the universe once it’s done.”

“Even if it is, it won’t be better for me.”

“I know,” he repeats. “In a few different religions, depending on how you define them, there’s a story of the first man. His name was Adam. He was alone until God cut him in half and created a woman named Eve.”

“I’m familiar with Genesis,” Clavia says. “Debra is the First Explorer, remember? She watched all the people who wrote that book.”

“Right. Well, it’s kind of like that. But in my case, I have to split myself in sixths, and the result is that I’m no longer an independent entity. I suppose that my soul may live on in the others, but the simulations don’t have a definite answer on that.”

“No. There must be some other way. And if I’ve learned anything from writing several plays, it’s that when someone says there’s another way, there really always is.”

Echo smiles at her. “I’m not going to argue with you about it, but I am going to split myself apart, and give your friends new bodies. I don’t need to survive.”

“No. We just won’t do that. We don’t need to. They’re perfectly fine in there.”

“Debra says that she won’t help us if we don’t set her free.”

“Well, I’ll talk to her. If she knows that it will kill you, she won’t go through with that demand, and if she does, then we can’t go through with it, because she’s obviously lying to her advantage.”

Clavia’s consciousness suddenly disappears as Debra takes over. “Actually, it’s not a matter of being set free, but of getting my toolbox back. I can’t do what you asked unless I’m back to my old, powerful self. Here’s the metaphor. You’re asking me to shoot a target, but you don’t want to give me my bow and arrow. Recreating my body is like giving me the weapon. It’s non-negotiable. I don’t just want it. I need it.”

Clavia takes back control of the body. “I don’t think she’s lying.”

“I don’t either,” Echo replies.

“Hold on.” Clavia’s eyes glaze over as she recoils into herself to hold an impromptu meeting of the Seven Stages. It’s brief. “Okay. Andrei wants to talk to you.”

“Should I go in your mind?” Echo offers.

“Nah, I’m already here,” Andrei says.

“What’s up?”

“What would happen if you only split once? Just one new person?”

Echo contemplates it. “I’ve never run that scenario specifically, but I did try to generate one substrate at a time, as opposed to all at once, and it seemed to go all right until I got to the third one before I couldn’t continue.”

“Then just do that. Run that scenario for real, but stop yourself on purpose.”

“You want me to create a new body only for Debra?”

Andrei shakes Clavia’s head. “She has powers. She needs someone like you to make the kind of body that she requires. The rest of us can wait. There are other options. They’re just not in the Sixth Key.”

“I’m willing to try that, assuming you can convince everyone else.”

Clavia’s eyes glaze over once more. She comes back to speak for the group. “Will this work? Will you survive this?”

“I believe so,” Echo says sincerely.

Clavia breathes deeply, and looks around. “Couldn’t have picked a more beautiful place. They’re standing in the cold, sterile corridor in the finger of one of the matrioshka bodies. They don’t choose specific places to meet. Every time they’re in separate places, and need to reunite, they just think of each other, and rendezvous at a random location. Time itself seems to choose on their behalf, and it has no apparent preference.

He chuckles and transports them away. They’re now in one of the rotating habitats. It’s a lush garden, densely packed with life. In particular, they’re standing next to a very small, clear pond. It’s barely larger than a bathtub. They didn’t create this with any concentrated intent. They didn’t have the time or energy to conceive of every single blade of grass. They built macros from their powers, and programmed the worlds to basically build themselves, starting with a spark, and iterating from there. It was very effective, if not a bit unsettling. If they didn’t make this watering hole on purpose, did it just create itself, or is there another force at play. Is God indeed real?

“All right, Clavy,” he begins as he’s removing his clothes, and stepping into the water. “I’ll see you on the other side. Best put Debra front and center so it’s easier for me to extract the right consciousness.”

“I’m here,” Debra answers.

“Your residual self-image. Focus on it. Or...I guess if you would rather have the body of a tall black man, I’ll make that for you instead.”

“No one’s called me Airlock Karen in a long time, and I was never racist...” Debra pauses. “But no, I wouldn’t like to be a tall black man, thank you very much. My original form will be fine.”

He nods and closes his eyes, leaning back to float in the water.

“Though, I wouldn’t mind you making me a bit younger than I was before.”

Echo smiles but keeps his eyes shut. Like her, he focuses. He tries to count every atom in his body. Every molecule, every cell, and every organ. Atoms can’t really split, or they’ll explode, so the constituent parts of the new Debra substrate won’t really be coming from him. Instead, they’ll be composed of elementary particles that he sources from across the dimensions, and channels through his body. The energy builds in waves, accumulating in the pockets of space between his atoms. Pulsing, vibrating, firing. He can feel a hot pinprick in his forehead. It drives deep into his skull, and comes out the other side. The two ends travel down through the center of his face, and then further down his body. As the chainsaw of time and space cuts through him, the energy tries to escape, but the fundamental forces hold it all together. The two halves split apart, but they’re both incomplete. As one half morphs and transforms into a female form, new body parts take shape on both halves, replacing the bits that each lost.

When it’s all over, they both turn to face each other. Echo is confused. “Debra, this is not what you looked like, even at a younger age. You did want to appear as someone else.”

“Echo?” she replies. “I’m not Debra. I’m Clavia.” She looks down and away. “I’m alone. There’s no one in my head anymore but me.”

“We’re still in your head.” Someone piloting the original Clavia body remains standing on the bank. “You’re the one who has vacated.”

“Who is that?” Clavia asks from her new body.

“Andrei. I’m in charge now.”

“Why did you do this?”

Andrei frowns. “We can’t trust Debra. We only needed her power, and now...you’re the one who has it.” He lifts his chin in an arbitrary direction. “Go save the universe. We can’t hold you back anymore.”

“Don’t you understand?” Clavia questions. “You six gave me strength. Without you, I’m just...a baby.”

“I wouldn’t be so sure of that,” comes a voice from the other side of the pond. It’s some guy.

“Who are you?”

“Aristotle Al-Amin,” he answers stoically. “I believe you’ve been looking for me?”

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The Seventh Stage: Painting Rocks (Part V)

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Echo is standing in front of the blue wall, painting wispy white clouds on it, paying close attention to details. It would look complete to anyone else, but to him, the work is never done. He can always add one more curve...one final flourish.

Clavia walks up to him. “There you are. What are you doing?”

“Painting this wall. It ain’t gonna paint itself,” Echo replies, still watching what he’s doing.

“It’s literally going to paint itself,” she counters.

He smiles. “I know. Sometimes I just need a break to unwind. Like you with your little headplays.”

She nods. “Fair enough.”

“What’s the count?”

“Three thousand, seven hundred and four.”

He drops his elbow, and looks over at her. “Technically at quota. We’re ready for move-in.”

“Like you said, in the technical sense. We still need to figure out how to convince a supermajority to do it, or it’s not really helpful.”

“We also need to figure out how to do it without loading everyone onto a proverbial bus, and driving them here.”

“It’s time to talk to Cedar,” Echo realizes. They have been dreading this day for a long time. They like him, but they don’t know how he’s going to react or respond to this news. There are whispers that the Cloudbearer twins are building something, but no one knows what, and all of their guesses are wrong; though off by varying degrees. Cedar ran his campaign for power on a foundation of intercivilizational unity. He believes that the only way to keep the Reality Wars at bay is if there’s no one to fight against, because everyone is on the same side. The amount of space between people in this universe could tear them apart. It’s the distribution. Cedar is probably gonna have trouble with the distribution.

“Yeah, we have no choice. Do you think he’ll be mad we didn’t read him into the situation earlier?”

“He’s serving as Head Advisor to our parents,” Echo replies. “He was too preoccupied to worry about this. That can be our excuse for keeping it a secret from him.”

“Good idea.” Clavia takes her brother’s hand, and transports them both to what essentially amounts to a holodeck, though on a much grander scale. They’re standing on an island floating in the air. At least, that’s what it looks like to them. It’s just an illusion. The “air” around them is clear purplish water. They can still breathe, of course, and talk just fine. The sky above is much more unambiguously an ocean. It’s upside down. Waves jut down, and spray a sweet misty rain down towards them. Some of it tastes like chocolate, other drops like honey. Their feet are planted firmly on the ground, though they feel like they could float away at any second. All around them are crystalline structures, also purple, since that is the theme. A stream gives way to a waterfall that slips over the edge, and disappears into the oblivion below, though again, it’s just invisible floor. Between them and the sky are giant turtles, swimming around. One of them nods and winked before moving on.

They aren’t alone on this floating island. They summoned Cedar, and are currently patiently waiting for him to get his bearings in this new world. “This breaks the laws of physics,” he notes. “I’m assuming it’s not real?”

“No,” Echo replies. “Our powers do have some limits.”

“You’ve been gone for nearly a month,” Cedar points out.

Clavia smirks. “We’ve been gone longer than that.”

“Framejacking, or temporal acceleration?”

“Both,” Echo answers. Time is moving faster in this universe, so more gets done in a shorter amount of time in comparison to the Sixth Key, but their own minds are also operating at much higher speeds, allowing them to think and act more quickly.

“This is what you’ve been working on?”

Echo laughs. “This took only a few seconds to construct. We got the idea from Castlebourne. Most of the domes on that world are physical, except for the holographic sky. One of them is nearly all holography. You can make it look like anything. We chose this today. Isn’t it cool?”

“Yeah,” Cedar agrees. “What am I doing here, though?”

Echo clears his throat. “What is the number one cause of tension and conflict in the Sixth Key?”

Cedar dismisses his words with a wave of his hand. “Don’t pitch me. Just tell me what you’ve done, and what you want. You’re gonna need to learn this for when you take over in a more meaningful sense. We’re in charge of undecillions of people back home. No one has time to beat around the bush or be polite about it.”

“Very well,” Echo decides. He reaches up and pantomimes pulling a stage curtain open. As he does so, a tear in the hologram appears in the far, far distance. Behind it, they see what looks like regular outerspace, but as the curtains separate even farther, a figure appears. It looks like a big metal statue of a humanoid, or perhaps just a big robot. It’s hard to tell what scale they’re working with here, so Echo has to explain. “Have you ever heard of the matrioshka body?”

“I have,” Cedar confirms. “I went to a sort of school like you did. That’s where the afterlife simulation was housed, before it collapsed, and everyone was transported into Fort Underhill. The Sixth Key shares interdimensional space with them now. I never knew what happened to matrioshka body, though. That it?”

Echo shakes his head. “That. Is MB-3704.”

Cedar laughs. “You made your own? That’s impressive.”

Echo and Clavia exchange a look. “He said it was three-seven-zero-four.”

Cedar is confused, but only for half a second. Then his face drops into a frown. “You made 3700 of these things?”

“Yeah,” Echo says.

Cedar starts to pace around and shake his head, almost in disappointment. “Why? What do they do?”

“Well, they...have people live in them.”

“Who lives in them?”

“No one yet, that’s what we’re asking you for.”

“Asking me for what?” Cedar questions. “I told you, get to the point. Stop trying to be dramatic.”

“We need you to transport everyone from the Sixth Key who wants to live here. Send them all to their new homes...all at once.”

“I can’t do that!” he cries.

“We’re gonna let them consent,” Clavia defends. “We’re not gonna make anyone move, but this will be better, and I think there will be a ton of interest.”

“Think about it,” Echo begins before Cedar can make another argument. “There are hundreds of billions of stars, but we don’t have enough resources for everyone. How is that possible? Because stars radiate a ton of their energy away, even with dyson swarms. Matrioshka brains are more comprehensive, and more efficient. And matrioshka bodies are just stylish and cool.” Honestly, I don’t know why no one ever thought of it before. I thought that was the point of the original matrioshka body, and its successor, Big Papa.” There ought to be far more than two of these in existence. The Parallel was more than capable of doing it, but they chose not to. They still orbited stars. Even the interstellar settlements were quite literally few and far between. Why? Why keep the stars? Aesthetics? Safety? Ethics? Probably all of the above. Or. Echo and Clavia are just that clever.

“That’s not my point. I literally can’t do it. I don’t have that kind of power.”

Echo and Clavia are both confused. “What are you talking about? You already did it. You moved them all from their original realities, to the Sixth Key.”

“No, I didn’t.” He starts to look around on the ground. Guessing at his needs, Echo manifests a chair for him to sit in. Cedar hunches over and stuffs his face in his palms. “That wasn’t me. I didn’t do any of that.”

“What? It had to have happened,” Clavia argues. “Everyone’s there.”

“I’m not saying that it never happened,” Cedar tries to explain. “I’m telling you that I didn’t do it. I have powers, but not like that. That’s insane.”

“Then who did?” Echo asks him.

Cedar looks up to meet Echo’s gaze. “I have no idea. They didn’t tell me. They have to keep it a secret, even from me and my family, even now that it’s done. We were...a misdirect. It’s like sleight of hand. We were the left hand that distracted everyone so no one would see what the right hand was doing. I don’t know if anyone knows who saved everyone during Reconvergence. All I know is that it wasn’t me.” He pauses before adding, “I just took credit, per my instructions.”

Echo and Clavia manifest their own chairs to sit in. They sit there in silence for a good five minutes before Echo decides to speak again. “Time is not linear. If something exists at any moment, it exists in all moments. If you know something about the past, you can change it. Keeping it a secret was smart. Even if someone were to go back and kill you as a child, it wouldn’t stop the creation of the Sixth Key. You’re like a bodyguard, there to take a bullet if one ever comes flying through. That’s how I would have done it if I were there.”

“Maybe you were,” Cedar reasons. “Maybe you two are the ones who created the Sixth Key; you just haven’t done it yet from your own perspectives.”

They exchange another look. Clavia decides to explain. “There’s a small group of people on a planet in the Sixth Key who are aware of what we’ve been up to. Just a few billion people. They were our test group. We’ve already tried to transport them to our new universe. We don’t have that kind of juice either. Stars are easy. Giant metal statues are easy. Moving people? That requires a level of precision that we do not possess; not with hordes anyway. We could probably move them a couple thousand at a time, but that’s all but useless for our needs. That’s a meaningless rounding error compared to the total population.”

“What about Ellie Underhill?” Echo asks after another bout of silence. “I don’t remember how many she transported into Fort Underhill.”

“It was only 120 billion,” Cedar replies. “Not quite a rounding error, but still not good enough. Besides, she gave them all new bodies; it was a whole different animal.”

“So what we’re saying is that we need to find the person who actually did move everyone from the five realities to the Sixth Key. We need them to do it again.” Clavia starts to pace. Finding someone out there in the abstract is not something that she’s ever done before. She always knows who she’s targeting, or roundabouts where they are. This is a mystery individual, who might be in either of two universes—or, hell, maybe neither of them. They could have also done it subconsciously, like how Echo lived before he became self-aware and realized his true potential. Maybe it’s not just one person. Maybe it was a group, or somehow everyone. Maybe through the spirit of survival every single living organism consolidated their untapped collective power into one brilliant miracle. Ugh, Clavia doesn’t know, but you know who would?

“Hey, boys!”

Echo nearly falls out of his chair, but catches himself by spreading his feet apart. He stumbles away from her. “Debra. How did you get out?” She still looks like his sister. She’s still occupying that body, and nothing about it has changed. But Echo knows. He would always know. “What did you do to Clavia?”

“Relax, she’s still in here; on the first stage. She gave me control of the body, because you need me.”

“I need you for what?”

“I can find your mysterious god-being,” Debra spits back like he’s an insignificant little ant on the ground. “I found you, didn’t I? You were alone on a nothing planet in the middle of the universe. I knew exactly where you were. I intuited that you existed in the first place.”

“We can’t trust you,” Echo contends.

“Believe it or not, I’ve changed. Living with those people, doing those plays...it’s changed me. I’m no hero, but I’m not a villain anymore either. Clavia maintains full veto power. She can come back whenever she wants.”

“Prove it. Let me talk to my sister again. And don’t try to trick me, I’ll know.”

“I know.” Debra actually does what is asked of her, and temporarily returns control of the body to Clavia.

“She’s not exactly right,” Clavia says. “She doesn’t need my body, she needs my brain.”

“Can’t you just do it? You have all her power, don’t you?”

“It’s more complicated than that. You would understand if you could be inside my head. You would get it if you could see the construct that I’ve constructed.”

Echo steps forward, and places a hand on each of Clavia’s shoulders. “I bet I can. Show me. I think it’s about time that I meet your little brain buds.”

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The Seventh Stage: Rocking the Boat (Part IV)

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Clavia is taking a break to meditate. It’s not just for her mental health in the abstract sense. In her case, it’s non-negotiable. She has to do it or parts of her will overwhelm the others; usually the not-so-great part. One of her constituent personalities was told a story once. It’s not so much a story as a brief metaphorical anecdote. Well, it can be boiled down to that anyway. The gist of it is that everyone supposedly has two wolves inside of them. One of them is good, and the other is evil. The one who wins is the one you feed. It’s not so simple with Clavia, though. She actually has six wolves inside of her. Debra, a.k.a. The First Explorer is definitely the alpha. She’s the strongest, and the one who had initial total control over this body. When Echo Cloudberry regressed her back to youth, and tried to erase her memories, the balance of power shifted. Clavia became more of an amalgamation of all six identities. Yet those six original people are still technically in here, and in order to maintain the balance, she has to sort of commune with them every once in a while. She has to assure them that the choices she’s making are righteous, and that she won’t let Debra take over again. It brings a whole new meaning to being greater than the sum of one’s parts. Because if “Clavia” can talk to the seven people that she’s composed of, who even is Clavia at all? Is she a seventh person, or what?

“I would like to call this Meeting of the Seven Stages to order,” Clavia says from her perch on the topmost stage. She could have created a mind palace that looked like anything, but this seemed fitting. The stage area is in the shape of a hexagon, with the six lower stages surrounding the central stage. Curtains divide the six audiences from each other, and can be pulled further up so that each audience can only witness what’s happening on their particular stage. As it is situated much higher, however, the seventh stage is always visible to all audiences. Of course, there is no audience; it’s only a metaphor, but it works for their needs. Right now, the curtains are all pulled back, so everyone can see each other, including the one underneath the seventh stage, allowing the others to see each other. Clavia herself stands in the middle. Around, in clockwise order, we have Ingrid Alvarado, whose body Clavia is occupying; Ingrid’s love interest, Onyx Wembley of The Garden Dimension; Ingrid’s rival before the Reconvergence, when they lived in the Fifth Division parallel reality, Killjlir Pike; Ayata Seegers of the Third Rail; the dangerous one, Debra Lovelace; and finally, Andrei Orlov of The Fourth Quadrant.

The play that they would be performing this year—if any of this were real—is about a prisoner transport ship on the high seas of a planet called Earth. Clavia is obviously the captain, with Debra as their one prisoner. Andrei and Ayata are her guards. Ingrid, Onyx, and Killjlir serve as helmsman, navigator and quartermaster, and boatswain respectively. Again, the acting troupe is just the premise of the scenario, but Clavia felt that it was necessary to come up with some sort of fictional background to stimulate their minds. Their old lives are over, and there is no going back. They don’t even have bodies anymore, so it’s best to have something new to look forward to every day. They didn’t have to pretend to be stage actors—it could have been anything—but the name of their pocket universe made the concept essentially inevitable. They rehearse a new play every year. This one is called Rocking the Boat. These meetings allow Clavia to regain the memories that Echo took away from her, but before that happened, she had the mind of a child, so you can’t expect anything too complex or cerebral, even now that she’s older. Though, this one is indeed a little bit more mature. It still has that classic Clavia tinge of humor as Debra is playing the notorious evil pirate, Karen the Unappeasable.

“Can I get out of these chains?” Debra requests.

“I didn’t put you in those today,” Clavia answers.

“We did a dress rehearsal without you,” Ayata explains. She steps onto Debra’s stage, and unlocks her manacles.

Clavia tears up. “Without me?”

“Wait, look over here,” Ingrid requests. She goes on when her double turns to face her, “you did it. You cried on command.”

“I’ve been practicing in the real world,” Clavia explains proudly.

“I hope that doesn’t mean you’re using it to manipulate people,” Onyx warns.

“No people, just stars,” Clavia responds. “They are unmoved by my tears.”

“So the project is going well?” Killjlir assumes.

“Quite,” Clavia confirms. “We’re ahead of schedule. We’re more powerful than even we realized.”

“I knew your parents were keeping you restrained,” Debra says with disgust. “You had to get away from them to reach your potential.”

“We don’t know that they were doing anything,” Onyx reasons. “She’s older now—it’s natural for her to come into her own. Maybe it’s like a stage of puberty.”

“I chose them as my surrogate parents as a reason,” Clavia speaks up for herself. “I love them both. Echo and I are doing this in honor of them, not in spite of them.”

“Whatever,” Debra says.

“Aww, is someone a sad panda because I took away her solo?” Clavia asks.

Don’t get her started. “The story is about how we’re all feeling about our place on the boat, and how we’re dealing with those emotions without telling anyone about it. I have to sing, or my story’s not getting told.”

“No, the story is about how prisoners are silenced, and how the general public doesn’t want to hear what they have to say. That’s the whole point. The way your character keeps being interrupted and dismissed should be shocking and annoying to the audience. Karen lives in the subtext, and the negative space.”

“That’s another thing, I don’t like her name,” Debra says. “It’s what people actually used to call me.”

“Well, I admit, that one came from a place of pettiness,” Clavia tells her. “I kind of like it now, though. I can’t imagine calling her anything else.”

“I won’t say another word about it if I can play the hero in the next one.” Debra pitches this every year, and she has been denied every time except for the third year. In it, she did portray the protagonist, and she absolutely sucked at it. She’s the main character in her own story. Everyone feels that way, but she really feels it, and that came out in her performance. The rest of the cast may as well have not even been there the way she was chewing up scenery. If an audience really had seen it, they would have closed down on opening night.

“That’s what I wanted to talk to you about,” Clavia says. She’s switching between smiling and frowning, because she doesn’t know whether she should even bring this up. They contemplated doing it a long time ago, but the technology is too unreliable and messy. Consciousness transference is very good about moving a digital mind from one substrate to another. It works by scanning an entire brain all at once. It doesn’t understand the concept of an amalgamated mind. Why would it? That doesn’t exist in nature. If two people are occupying the same body, they’ve probably been allocated entire independent partitions in the brain. The Seven Stagers are too entangled with each other. When they’re on these platforms, it’s very easy to distinguish them, but the mind uploader can’t enter this memory palace. It has no way of recognizing them as multiple units, which should be uploaded separately. The other concern is Clavia herself. They still don’t know how much she relies on the six of them to even be her own person. Perhaps she only thinks that she’s her own entity. Perhaps if they were to leave, she would cease to exist.

“Did you decide what the next play is going to be about?” Ayata asks.

“It’s not about the play at all,” Clavia begins to clarify. “There may not be one. There may not need to be one.”

The others look at each other across their stages. “Did you figure out how to transfer us out of your avatar?” Killjlir guesses.

“I think I did.”

“Technology doesn’t advance that fast,” Onyx decides. “Not even the Parallelers can do it.”

“To be fair,” she didn’t talk to any of them,” Ayata says to him. “She couldn’t, or it would give us away. Maybe she found someone to trust who has a new idea.”

“I already have someone to trust,” Clavia explains before anyone can come up with their own theories on what’s going on. She takes a breath before continuing, though. “I think that Echo can do it.”

Everyone has their own way of reacting to this, but some common threads are groans, throwing up their hands, and shaking their heads. It’s not that they don’t like Echo. They love him. They just don’t think that he can do this. He’s conjured little critters out of nothing before, but that was back when he wasn’t consciously aware that he was doing anything, or had any power. He’s proven himself to be too in his head since he wiped his own mind, full of self doubt and fear. As far as they know, unlike Clavia, he never got his old memories back, and he may never have been strong enough to create human bodies.

“Now, why do you think he can’t do it? We’re starscaping out there. We’re building an entire universe out of dark matter and elementary particles. You think he can’t build a few puny human bodies for you? With his help, I could guide each of you out of my brain, and into your new ones. That’s what the conventional technology is missing. It was designed to dump everything in all at once, but Echo will have the context and intuition that it lacks.”

“You’re missing something too,” Onyx begins to use his experience and expertise from the Garden Dimension. “Stars are somewhat uniform balls of plasma, composed of hydrogen, helium, and metals. You can just toss in all the ingredients, and the laws of physics will take over, particularly gravity. I’m not saying what you and Echo are doing isn’t incredibly impressive, but the complexity will come out of the imagination you have for how your new universe is arranged, not by the inherent nature of the individual celestial bodies. Human bodies, on the other hand, are extremely precise entities, with complexities on a smaller scale. But just because it’s smaller, doesn’t mean it’s easier. Sure, it requires vastly fewer resources, but one tiny mistake could lead to catastrophe. You’re talking about creating something that took billions of years to evolve naturally, and unlike stars, it only happened once.”

“Wait,” Killjlir interrupts. “He doesn’t need to conjure the bodies. Those can be bioengineered using the normal techniques. We would just need a way to transfer us into them from Clavia’s head.”

“He wouldn’t be transferring them,” Clavia contends. “He doesn’t have the power to upload digitized minds. These would be true organic bodies, imbued with your respective consciousnesses through interdimensional pathways.”

“I don’t understand,” Ayata confesses.

“When you bioengineer a human body,” Onyx begins again, “there are only two ways to do it. Either it’s an empty substrate waiting for a mind to be uploaded into it, or it’s a regular person. An empty substrate is inherently digital in regards to consciousness transference. Even if it’s organic, it’s encoded with neural formatting compatibility. It can read a mind from another digitized brain, or a computer server. A normal body can’t do that. Back in the old days in the main sequence and the Parallel, they had to first figure out how to convert people’s brains into the right format since they didn’t evolve that ability.”

“So let’s do it like that,” Killjlir offers.

“We can’t,” Ingrid counters. “Like he was saying, that would be a regular person. It would have its own mind already, right?”

“Right,” Clavia agrees. “However smart or dumb that person is, or how competent they are to learn new things, the body would be ocupado, just like someone born from a mommy and a daddy. You would be stealing their body. Only Echo can make something both undigitized and empty.”

“Then why can’t we just use the digitized kind?” Ayata questions.

“Because you’re not digitized,” Clavia answers. “Our minds came together through completely different means, using a rare if not unique metaphysical process, catalyzed by the magnolia tree fruit that Ingrid ate just as you were all about to die. And digitizing us can’t be done as an aftermarket retrofit, because like we’ve been struggling with, the computer can’t differentiate between our seven discrete consciousnesses.”

Ayata nods, getting it, then looks over at her love. “Andrei, you’ve been quiet this whole time. Thoughts?”

Andrei takes a long time to respond, but by his body language, it’s clear that he’s going to, so no one else speaks instead. “I don’t wanna leave. It’s too risky. We would likely only get one shot at trying something like that, and if it fails, our minds could become totally decorporealized, or we might just die. I think we should revisit the idea of rotating control of the Clavia body.” He looks up at her. “I wanna stand on the seventh stage.”

“Same,” Debra concurs.

She obviously just wants all her power back, but does Andrei have the same aspirations?

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The Advancement of Mateo Matic: July 21, 2503

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Mateo and Ramses didn’t leave the scene of the crime because they didn’t want to get caught, but because they didn’t want to get caught yet. They still needed to give their friends enough time to conduct their more precise experiments and examinations. As far as the two of them were concerned, though, they had enough proof. Nobody looked over the edge of the ravine to see if they were okay. That was how a lot of video games were, once you passed out of a certain area, you were free, even if any pursuers should still be able to follow you. NPCs were programmed to stay within a particular radius, because it was easier to code them with specific context than as individuals with freedom of movement. Of course, that didn’t make much sense here. The simulation was so incredibly sophisticated that they were all fooled for years before getting the hint that something was off, so why would there be such limitations? They still didn’t understand how any of this worked. It just seemed so inconsistent.

“What did you mean back there?” Ramses asked as they were back up onto the road. “You didn’t think that this was a simulation?”

“No, I said that I didn’t think that we were in a computer,” Mateo corrected.

“Okay, and why’s that?”

“I dunno.”

“You don’t?”

“My memory has been erased, remember? I think I remembered something just before we hit the wall, but now it’s gone again.”

They continued to walk a ways in silence. They ended up in a sort of downtown area, situated on the opposite side of where they lived from where they worked. Mateo had never been here before, but a new memory was coming in. This wasn’t mission hills, or the area surrounding it. In the real world, it was very suburban. It wasn’t located between two urban centers like this. This was wrong. Everything was wrong. More evidence, which they managed to ignore all this time until they had no choice. Someone left their skateboard on the sidewalk. Mateo picked it up, and sent it through the window of a clothing shop. No one was hurt, it just landed in the display case. The shopkeeper came out, and started waving his hands, just like the construction workers. He didn’t say anything, though, probably because there was no reason to program these particular NPCs to speak.

Ramses kicked the sideview mirror off of a car as they were passing by. The driver got out, and said, “hey!” but that was it. He didn’t try to stop them, or anything. It did look like he was calling the cops, though, so that was a minor improvement. They jaywalked across the street, blocking traffic, and forcing drivers to honk their horns. There was a small restaurant here with outdoor seating. Mateo grabbed a burger off of someone’s plate while Ramses took a drink right out of their hands. “Ugh,” he said. “I hate this flavor.” He just dropped the glass on the ground. They were becoming a real nuisance, but still, no one tried to do anything to stop them. It was getting dark now, perhaps a little earlier than it should for May? Or was it September? It was impossible to know, since none of this was real.

They turned into an alley, and opened a random door. It took them through a kitchen, and into what appeared to be a dance hall. They could see a woman in a white dress, and a man in a tuxedo. Classic wedding reception. Mateo grabbed the microphone from the DJ, who wasn’t even playing anything. He was just bouncing to an imaginary beat, and pretending to scratch at the records. “I’m really happy for you, Imma let you finish, but Kanye had one of the worst videos of all time!”

“Who?” one of the bridesmaids asked.

“I dunno,” Mateo said. The rapper didn’t seem to exist in this reality, though he was rattling around in Mateo’s brain somewhere. “Love is a joke, and none of you are real, I mean it!”

Ramses grabbed the mic, and put it up to his own lips. “Is real.”

Mateo took it back. “What? What does Israel have to do with anything?”

“No, none of you is real,” Ramses tried to explain.

“That’s what I said.”

“You said are real. That’s wrong.”

“No, it’s not wrong, they’re not real. Look at ‘em!” Mateo pointed to the crowd. They were watching and listening intently, smiley as ever, like this was a usual reception, and nothing strange was going on. They weren’t engaging at all. He could say anything, and they would still just stare up at him like he was making sense. “Whatever. I’m outtie...five thousand!” He reached down, and tipped the DJ’s table over. The DJ just kept bouncing to the music that wasn’t playing, and pantomiming his job.

On their way out through the front, both of them grabbed a handful of wedding cake, and started stuffing their mouths. That was when Mateo’s phone rang. “What up?”

“It’s Boyd. You crashed my car. Now the cops are talking to me at the station.”

“How’d it go with the grass?” Mateo asked him.

“They’re all unique,” Boyd answered. “The grass is real. Everything is real.”

“All right. We’ll be there when we can, but as you said, we crashed the car, so we’re movin’ a little slow.” He barely got the word out before they opened the door to find themselves surrounded by cops themselves, all pointing guns at them, like they were criminal masterminds, or something.

They just stood there for a moment, frozen, not out of fear, but apathy. These cops weren’t real either. They may have thought they were, but it was a lie. The world was a total lie. Ramses reached out towards them to offer them, “cake?”

“Gun!” one of the cops cried. They all started shooting.

It was comical how they unloaded their bullets into Mateo and Ramses’ bodies. They were shaking uncontrollably with each shot, but never did fall down. They didn’t have to. The bullets weren’t real! Finally, someone managed to shout, “hold your fire!”

They all stopped, except for one guy. He just kept firing, slowly but steadily. He wasn’t even hitting either of his targets. They were good shots, though. Mateo and Ramses looked over to the wall a meter away from them. Dust blew out of the bullet hole each time, and it really was just the one bullet hole. He managed to hit the exact same point every single time. Definitely a computer program. Definitely.

Once one of his mates managed to stop him, it was he who placed the handcuffs on the suspects, and drove them off towards the station. Some of the other cruisers followed with their lights blaring, and their sirens going off. The others dispersed, and continued to police a world that didn’t need their help, since everyone could simply be programmed to follow the law at all times.

“I stole his car, let him go,” Mateo demanded. They were sitting in the interrogation room now; all three of them. A piece of plastic from Boyd’s car was sitting in a baggie on the table, presumably to intimidate them into confessing.

“You don’t make the demands here,” the detective argued.

“You don’t make the demand here!” Mateo yelled back.

“Yes, I do!”

“Yes, I do!”

“Stop copying me!”

“Stop copying me!”

“Detective Sanchez, he won’t stop copying me!”

“Detective Sanchez, he won’t stop copying me!”

“All right, all right,” Sanchez interrupted. “Why did you steal his car?”

“Seemed like fun,” Mateo replied.

“All right, all right. Why did you steal his car?”

“You got them both in a loop,” Ramses said with a laugh.

“All right, all right. Why did you steal his car?”

“Why didn’t you?” Mateo asked her accusatorily.

“What?”

“Oh, give it up, Sanchez,” Mateo began. “They know you’re dirty, and working with us. They’re trying to catch you in a lie.”

“I’m not dirty, I take a shower every night!” she contended, slamming her hand on the table. She darted her eyes only to one side, thinking about her own comment.

“Prove it!” Ramses shouted.

“Maybe I will,” she returned

“All right, all right,” the dude detective interrupted. “Why did you steal his car?”

“I didn’t steal anything,” Mateo defended. “You’re the one who stole it.”

“Is this true?” the detective’s eyes teared up as he was looking over at his partner.

“No, they’re joking,” she insisted. She looked back over at Mateo. “You are, aren’t you?” She sighed, and went over to sit in a chair against the back wall.

“Where were you last night?” the guy went on to ask.

Sanchez came back over, and pointed at Mateo. “You know where I was!”

“Don’t you lie to me!” the other guy urged.

She mouthed his words as he was saying them, then grabbed the evidence bag from the table to take it back over to her little wall chair. Meanwhile, the man nodded with a smirk on his face. “We got you. Your partner confessed. He’s in the other room right now, giving you up.”

“My partner,” Mateo asked, “who’s sitting right next to me?”

“That’s the one,” the detective corroborated, still smug.

“Well, I’m giving him up,” Mateo decided. “He stole my pencil in first grade.”

Both of the detectives’ eyes widened. “He is?” they asked, perfectly in sync. They scowled at Ramses. “We’ve been looking for you for years, you..son of a bitch!”

Mateo just remembered something else, from a movie that didn’t exist in this reality, but did in the real one. “I think there’s been some kind of mistake. We’re actually supposed to be getting out of jail today, not going into it.” Could this even work?

“Ugh,” Sanchez said. “You idiots.” She started to undo their handcuffs. “Come on.” She led them out of the room, and to the exit without any further issue.

“Need a ride?” a voice asked from the wall as they were passing by. It was Pacey. “My company specializes in that. I’m kind of a big deal.”

“Your computer simulation is breaking down,” Ramses gloated at him.

Pacey chuckled once. “It’s not a computer simulation, and it’s breaking because I let go of the wheel.”

“So it was you,” Mateo accused, “this whole time.”

“Depends on what you mean by it,” Pacey reasoned. “Some things were real, some things were scripted.”

“Who am I?” Mateo asked. “Who are we? What did you take from us?”

“I didn’t take who you were,” Pacey started to explain. “You’re in love with Leona, and Olimpia. Romana is your daughter, and Ramses is your friend, as are the Waltons...though, they’re not exactly twins; it’s more complicated than that.”

“Marie is four years older than Angela,” Mateo recalled.

“Heh. Yeah. Time, right?”

“What did you do?” Boyd pressed.

“I held them accountable for their actions,” Pacey said. “And you? You’re just a dick. I consider bringing you in here to be a public service. A bonus.”

“Let us out,” Mateo ordered.

“Yeah, I will,” Pacey agreed. “This dome was broken as soon as you went on your joyride. If I had let the scenario play out, you would have ended up in jail, and that’s not really what I want. I could have reset the premise, but it’s clear that Underburg just isn’t working. I’ll be moving you somewhere else, however, I’m not sure where yet.”

“The dome,” Mateo said out loud. That triggered something in his mind. His memories weren’t flooding back in, but a few of them were squeezing through the barrier. Dome. Dome, dome, dome, dome, dome. “Castlebourne. We never left.”

Pacey was surprised, but not shocked. “Oh. I need to tweak my memory suppressing machine yet again. Your brains; I can’t figure them out. Your stronger than you should be. But to clarify, you’re not technically on Castlebourne, so don’t expect Hrockas or Bran to swoop in and save the day. Ain’t nobody here but us chickens. And the androids,” he added.

“So, it really isn’t a virtual construct,” Ramses determined. “We were wrong. This is base reality.”

“It’s a reality,” Pacey corrected. “There’s no such thing as base reality. It’s all about your perspective. Are you but ones and zeros on a chip? No. Never were. Never crossed my mind to do it like that. Probably wouldn’t work very well because of your patterns.”

“So our patterns are intact?” Mateo was remembering more about their real lives.

Pacey nodded. “You jump forward in time every day. But I mess with your memories on an as-needed basis. Sometimes you think it’s been a day, and sometimes a few weeks. It just depends on what I need, and how much I’m willing to fill in to account for the extra time that never really happened.”

“Why are you doing this?” Boyd asked, basically the same question as before, just worded a little differently.

“Half-punishment, half-reward. You’ve all done enough. Buddy, you’ve done enough bad. I took you out of the timeline in my own way, because while the rest of you have done some good, you’ve also been meddlesome. Just stay here, and no harm will come to you. Just accept your new reality, and live your life.”

Mateo listened to Pacey’s words carefully, all the while also remembering where they knew him from in the first place. But if this guy knew the first thing about them, he wouldn’t be asking such a dumb thing of them. None of them was the type to roll over, and let someone dictate their lives. “No.”

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