Microstory 2480: Archidome

< > Table of Contents

Generated by Google Gemini Pro text-to-video AI software, powered by Veo 3

I recently read a review on the prospectus for another dome. They were talking about how a lot of culture has faded from vonearthan society because of how standardized everything has become. And I must say that I agree. I understand why it happened. The basic design of the arcologies on Earth are perfect for what they’re intended to be. Each unit is a small and efficient living space, and they’re connected in such a way that allows modularization for shifting needs. You can open a door to grant a neighbor’s access to your units, or close them when you’re a teenager who needs to exert more independence. Everyone has a window, yet the structure is sound, because the spokes distribute the weight evenly, and over a sufficiently wide area. They’re nice, but they’re best for people who don’t care about what their homes look like, probably because they spend most of their time in simulations, or at least on the network. What your dwelling looked like, and how it was arranged, used to be profoundly important. I cannot stress to you enough how crucial it was for people to get to decide what their homes were like. That is what made it a home in the first place. There were multiple channels on linear television with dozens of programs about people finding, building, remodeling, or selling homes. And that’s before you include all the innumerable web content. It was a subculture of our society, and it went away due to a number of factors, which I’ve already touched upon. But the biggest moves happened in tandem with the shift to a post-scarcity economy. The government couldn’t put effort into building something to your specifications, or with any sort of flair or whimsy. Even before megastructures, they came up with a few models, and everyone got the same thing, because it was the most fair. Castlebourne gives us the opportunity to go back to the creativity of yesterday, in many respects, and in this respect, Archidome is the place for original architecture. It was empty at first—I really wish I had been here to see that. If you come here, you’re supposed to design your own building. It doesn’t have to be a single-family home. It can be an apartment complex, or a museum, or even a cathedral. The only restriction, really, is that you have to hold the rights to the intellectual property. I’ve heard a number of stories about visitors hoping to recreate some structure from their favorite movie, and that’s just not what this is for. Again, you get to decide what you build, and what it’s used for. It may never be used for its intended purpose, or anything at all. It’s up to you to promote it, and try to get visitors. I’m sure, over time, as the population of this planet in general increases, the chances that someone comes to see what you’ve created will go up. Until then, you might just have to be satisfied with the completion of the project itself. I’m proud of my columbarium, even though people don’t really die anymore. I’m proud of it because its mine, and it’s real. What will you create?

Microstory 2431: Melodome

< > Table of Contents

Generated by Google Gemini Pro text-to-video AI software, powered by Veo 3

Don’t let the name fool ya if you’re interpreting the pun to be mellow + dome. It’s not about melodrama either. It’s the first part of the word melody + dome. This is all about music. Recording studios, concert halls, smaller stages, other interesting venues, and even sports stadiums where no one ever actually plays sports. This dome has it all. You can make music, listen to music, watch music. Every genre, every level of interaction; everything. No place like this exists on Earth. Even the cities known for music, like Havana and New Orleans, still had to leave space for regular living. This is the Music City, no matter what Nashville tries to tell you. There are some things that I’m not entirely sure about, unfortunately. When my great great grandparents were younger, they remember a trend where dead musicians were starting to be resurrected through holograms. This isn’t the kind of volumetric immersion that you’re used to in the present-day. It was very crude, and very obviously fake, even if you didn’t know that the subject wasn’t alive anymore. They recall being quite upset by this, not because it was macabre—which it is—but because it was disrespectful. These were real people who lived their lives, and then those lives ended. Before virtual immortality was invented, that was just what happened. These musical artists were immortal because of their legacy. That was what they were striving for, because they probably didn’t even guess at the future of life extension research. Their flame burned bright, but it was short, and that’s what was special about it. If you missed it, that was sad, but it was sad in a good way. The holograms robbed the industry of these artists’ authenticity, and sadly, that never went away. The technology kept improving, and the industry kept embracing it, despite pushback from the audience. There was evidently enough money in it, probably because of people’s morbid curiosity. Melodome has not shied away from this concept. They’ve brought the dead back to life using realistic androids. Not all of them are even dead, but living performers who just aren’t freaking on Castlebourne. I guess they signed away the rights to their likeness, but that doesn’t make it okay. I’m not going to name real names, but if John Doe can’t be here, then I shouldn’t be able to go to one of his concerts, and watch a convincing facsimile reenact his set from X number of years ago. I get that these are at least historically accurate shows, so they’re not merely contriving something entirely out of thin air. They justify it by saying that it’s like watching a recording, but I don’t consider that the same thing. There’s a lot of great things to see here. If you’re an artist, and you want a venue, they will find you one. I doubt the demand would ever surpass the supply. So if you’re a music fan who wants to discover someone new, you can do that. There’s always something going on, and it’s easy to find new acts on the dome’s prospectus, but there’s also this other side of it. They should really lean into the aspect of originality, because the reenactments are unethical at best. But maybe that’s just my point of view. You have to decide for yourself where your line is.

Microstory 1907: Introduction to Conversations

< > Table of Contents

Generated by Canva text-to-image AI software

Nick Fisherman: Guess who’s back with an off-brand old bag of tricks?

Tavis Highfill: What’s that now?

Nick: I’ll be the one asking the questions!

Tavis: ...were you gonna—

Nick: That sounds like the start of a question!

Tavis: It’s you. You’re back with an old bag of tricks. What does—I mean, I wonder what bag you’re referring to.

Nick: Do you remember a few years ago when we did the Interview Transcripts microfiction series, involving all kinds of different interview types?

Tavis: Yes, I recall.

Nick: We’re doing that again, except not as interviews. These are just general conversations.

Tavis and Nick: *salute* General Conversations.

Tavis: Why do you salute with your middle finger, fourth finger, and pinky?

Nick: Because no one else does.

Tavis: Fair enough. Tell me about these conversations. Are they going to be real conversations that you’ve had with real people?

Nick: Absolutely not. I could not, and would not, betray someone’s privacy like that. Hey, wait a minute. First of all, I thought I told you that I was the one asking questions, and also, I seem to remember saying something like this last time.

Tavis: You probably did. You’re not very original or creative.

Nick: Well you’re me, so...

Tavis: So, great. A new series. It’s been a long time since we’ve done one of those.

Nick: Yes, it’s very exciting, and also very stressful. I’m worried that I don’t remember how to start a story anymore.

Tavis: I’m sure you’ll figure it out.

Nick: Thanks.

Tavis: I wonder if these will take place in the same universe as the interview transcripts, or in some other specific universe, or whether you won’t think much about it while you’re writing them.

Nick: They will actually take place in a new universe.

Tavis: Does that mean it’s completely new, or you’ve just not mentioned it before?

Nick: Not tellin’.

Tavis: *laughs* Very well, then.

My Parole Officer: Hey, usually when you do a fake conversation in one of your nanofiction tweets, I’m involved. Am I going to be a part of this too?

Nick: Yes.

Tavis: Really? Wow. Okay, that’s weird. I can’t wait for tomorrow.