Showing posts with label accuracy. Show all posts
Showing posts with label accuracy. Show all posts

Thursday, August 28, 2025

Microstory 2484: The Renaissance

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If you even tangentially like the Renaissance, this is the dome for you. A lot of people seemingly mistake this as one big Faire that never ends, but it’s more complicated than that. It’s not really even a faire at all. Faires in the past have not only come and gone, but the actors involved are simply playing characters. They know what year it is, and they sometimes forget to take off their smartwatches. This is more like a form of time travel. The droid actors are fully immersed, and will be genuinely confused by any anachronisms that they might encounter. You are allowed to take personal technology in with you, but you are encouraged to keep it concealed as much as possible to protect the integrity of the experience. Unless you’re in the anachronism sector, where advanced tech is not only allowed, but prevalent. Other sectors have their own rules and restrictions, though there’s generally free movement between them. They’re not divided by unscalable walls, or anything, unless that’s the point of the story of that given area. The droids just believe that they are residents of the time periods, and don’t even know that they’re artificial. Do not—I repeat—do not try to disabuse them of their reality. With enough brute force, you can break their software, and force a repair, but that’s so disrespectful and destructive of you. And keep your kids in line, because they will do this. Humanity has a long history of trying to get its actors to break character, and it’s always been incredibly annoying. Just enjoy this place for what it is. There is a sector for everyone. If you want to be very authentic and historically accurate, you can find that. If you want it to lean more into the fantasy aspect, that’s available too. And like I said, there’s an anachronism sector, where people pretend to be alien space travelers, and time travelers, and whatever. I don’t personally care for that, but I’m okay with it existing. Just stay in your lane, so to speak.

This dome spends so many resources basically policing people’s movements. There are some areas you can’t go to if you’re wearing modern garments, because you’re also meant to cosplay as a typical member of society in that time period. Perhaps they should build walls, so you know exactly how far you can stray before you run into a different theme. For the most part, everything is pretty simple here, with the majority of the work going into measures that uphold the illusion of an isolated reality. There are some advanced aspects of it, though. For instance, there are a few dragons, which while fully mythical, are deeply tied to the historical culture and beliefs of the day. These dragons are not genetically engineered, because even though they could absolutely code the genome for something dragon-like, it would not be able to fly, because dragons break the laws of physics. Stop reading if you don’t want to know how the trick is performed. They’re just holograms. Conventional and totally normal aircraft fly around, usually in an array of synced drones, which project a holographic image of whatever flying beast its programmed to be at the time. They can generate heat, but not fire. That would be technologically possible, but also not safe enough, or they would have to require people come in here with certain types of substrates. As it stands, you can walk in as a normal human, and everything be safe enough, and I think they want to maintain that freedom. You shouldn’t want to be breathed on by a dragon, but if that’s you’re thing, I guess look for a VR simulation. This dome doesn’t always stick to pure historical accuracy, but it’s for leisure and education, not adventure, and certainly not danger.

Thursday, July 17, 2025

Microstory 2454: Elizabeth Victoria

Generated by Google Gemini Pro text-to-video AI software, powered by Veo 3
If you’re looking for something anachronistic and weird, you’ve come to the right place. The Elizabethan Era ran from 1558 to 1603, during Queen Elizabeth’s reign. The Victorian Era started in 1837 and ended in 1901. They are both iconic periods in Great Britain’s history, but vastly different as they were separated by more than 200 years. The technology here is hard to get a grasp of. Not only are we dealing with stuff that they were using nearly a millennium ago, but they’re juxtaposed by each other. When you walk into a building, you never know if it’s going to be lit by gas lamps, or incandescent bulbs. It could be both! Which, I mean, it’s not like they destroyed all the gas lamps when they invented electricity, did they, innit? People walk around in all sorts of different clothes. They all looked alien to me, but I could tell that some of them were really old, and some were really, really old. The architecture is a mix, of course, with wooden cottages and natural stone buildings right next to giant even-stoned factories. Again, I’m sure a lot of the old stuff still existed in the new era, but the way they have it organized so randomly, it seems very forced and intentional. I’m not sure if I was supposed to learn something here, but it was fun to spend an afternoon getting a look around. I don’t think I would want to spend a lot of time there, though. I don’t much care either way, but I went with a historian friend, and they didn’t like it. They would prefer a historical dome to be accurate. Don’t get me wrong, it’s not like they were shocked and appalled. The design was very clear in the prospectus, and you know they read that whole damn thing, because I waited for them to finish it while we were sitting in the vactrain station. They told us that it was intentionally incongruent, and in that goal, they delivered. That’s all you can ask sometimes, innit? (Hey, am I using that word right? I don’t even know.)

PS: Please read my friend’s review. They actually know all the historical and cultural stuff that kind of flew over my head anyway.

Friday, December 20, 2024

Microstory 2305: Not Some Big Scam

Generated by Google Gemini Advanced text-to-image AI software, powered by Imagen 3
I finished this stage script, and that’s what I’m mostly concerned about now. The novel is great so far, but I think that has more to do with Nick’s own imaginative mind. The musical, on the other hand, is a tool. It’s one last gift from him to us, and according to these version logs, he’s been developing it pretty much the whole time he’s been here. There are certain people in the multiverse who can travel to other branes, as he calls them, but there’s no way to contact most of them out of the blue. Could you imagine how difficult that would be? I mean, none of us even knew that the bulk existed until he showed up. But this musical, it’s our one chance. It’s an opportunity to prove that he was right all along, and this was not some big scam. A man by the name of Joseph Jacobson has a magical multicolored coat, which allows him to cross these dimensional barriers. Normally, he goes wherever he wants, whenever he wants. But he can sort of be summoned if you please him with a performance that depicts his life. His story has evidently been altered and adapted so many times, it’s not a hundred percent accurate of what happened, but that’s apparently not an issue. He just wants it to be good, and worthy of his time. This script is the first step in that endeavor. With Nick gone, it will be up to us to put it into production. That’s the next chapter in my life. I’m gonna produce this play, and prove once and for all that Nick was right. So...who’s with me?

Saturday, October 23, 2021

Extremus: Year 15

They were right. By checking serial numbers, Halan was able to confirm that a dozen cryopens were taken from the lab. Now that this one has been returned, Oaksent has ended up with eleven. But that’s not all he took. He managed to steal dozens of unfertilized eggs as well, giving him as much as he would need to sustain an isolated population on a habitable planet indefinitely. There are still a lot of unanswered questions, like where is this planet? How did Oaksent know that it would be habitable? What did Old Man have to do with anything? What happened to Rita and Airlock Karen? Hopefully Omega and Valencia would be able to find the truth during the time travel excursion. It could take them a very long time to pick up the trail, but they should be able to return to the moment they left. According to the Bridger doctor, Dr. Merlo, it was unsafe to return the cryopen to its place in inventory. They’re designed to be tamper proof in that once they’re sealed, any attempt to open them should result in the loss of all samples, but it’s just too risky. If they’re ever needed, they wouldn’t want one kid growing up with five arms, or something. Dr. Merlo took it to dispose of properly. Another potential life lost.
Exactly a year later, it was time to deliver the bad news. Halan gave Omega and Valencia this much time to figure out how to design a temporal illusory cloak that fools not only the naked eye, but sensitive detection equipment. Former ship temporal engineer Raddle desperately wanted to make it work, but Omega was right all along. It just wasn’t possible. It was relatively easy to cut and paste the background into the foreground in order to prevent someone from seeing what you don’t want them to see, even in real time. But the object you’re trying to hide is still there, and still making an impact on the environment. They could turn the ship into a darklurker, sure, which would shield them from such detection, but it would also turn them blind as well. Either no one can see you, including yourself, or everyone can. The illusion is a loophole, but it’s not perfect.
By now, Valencia has resigned herself to the fact that it’s not going to happen. They’re just going to have to be extra careful. She has to agree that it’s probably for the best in the long run, and in a more general sense. Such technology would have a myriad of ways to be abused. They intend to use it with the best of intentions, and they can do all they want to protect it from getting out, but as the old time traveler’s saying goes, “if something ever exists, then it has always existed.”
“Too true,” Omega confirms.
“So this means you two are ready to go?” Halan asks.
“Yes, sir,” Valencia admits.
Something about the way she said that gives him pause. “I want to make it clear that this is a decision we made together. This is not an order. If you want to back out, I’m not going to argue with you about it. I want to find out the truth more than anyone, but not at the expense of two of the most valuable members of my crew.”
“I’m not on the crew anymore,” Valencia points out.
“Retirement is not the same thing as a discharge,” Halan contends. “I still consider you part of the team. You just have a different role, like the one I’ll have when I become an admiral.”
Omega decides to jump in before the pre-argument can continue. “We don’t consider this an order, we want to do this, and we’re ready to go.”
“Okay,” Halan says with a quick nod. “Run a full final dia—”
“We did before you came in.”
“Well, did you—?”
“Yes.”
“What about the—”
“Three times, sir.”
“Very well. Launch when you’re ready,” Halan suggests, but doesn’t order.
“Just so you know,” Omega begins, “when it comes to temporal manipulation, technology is never as accurate as a human with innate ability. We can program the time shuttle to take us back to our destination, but relativistic speeds, and other factors, can potentially throw us off the mark.”
“We were able to send the mining drones accurately,” Halan notes.
“Well...most of them,” Valencia reminds him. “Plus, since they were unmanned, we were okay with a little bit—shall we call it—temporal turbulence.”
“It was a rough ride, sir,” Omega clarified. “Sending people is riskier.”
“So, we’re not doing it,” Halan sort of questions, sort of figures.
“No. No, no, no, no, no, no, no,” Valencia assures him. “We’re just going to use a different tactic. The mining ships needed to leave on a very specific course, so they would have enough time to complete their missions, and return at a specified time. They were better off being unmanned for a number of reasons, the turbulence being one of them, but also because they weren’t capable of improvisation. If they were off target by a given degree, they wouldn’t be able to compensate for it. For us, the timing doesn’t have to be so precise, because we can always try again. What we’re worried about is running into the ship. Or rather, having the ship run into us. It’s much safer for us to jump to the future, to a point when you’re long gone, and only then make our way to the past after we’re safely clear of your flight path.”
“It also means that we won’t necessarily return a second after we leave,” Omega adds. “One might think accuracy is paramount, but for us, it can be dangerous. It’s easier to just get close enough, and teleport the rest of the way.”
“Teleportation is far easier to control,” Valencia finishes.
The Captain nods again. “As long as you both are comfortable with the math, I’m confident in your abilities.”
“Thank you, sir.”
“Thank you.”
Halan’s watch beeps. “Mercer needs me in the mess.”
“You don’t have to see us off, sir. It’s okay.”
“No. It can wait. Take your time.”
Omega and Valencia give each other a look. “There’s nothing left to do. Just a few buttons, and we’re gone.”
Captain Yenant proceeds to the observation room while the two travelers close the hatch, and prepare for launch. Not a minute later, the time shuttle, which they have chosen to call The Suárez, disappears. As warned, it does not return a second later. He waits five minutes to make sure they’re not just a little late, then teleports to a corridor near the mess hall to make up the time he would have spent walking there. He made a point of making himself out to be the kind of person who prefers to use his legs, even though he has full teleportation privileges. He uses this fib to delay making his way to the next crisis, but only when it’s taking him away from the current crisis. He likes to keep people’s expectations low, so he doesn’t set the precedent that he’s a wizard who can make any problem go away with the snap of his fingers.
He walks into the mess hall to find security flanking a passenger, whose hands have been bound behind his back. Others still have food before them, but aren’t eating. “Report.”
Mercer steps forward. “Sir, he won’t leave. He’s been...uncooperative.”
“I have a right to be here!” Yavo Gusorisi is an unremarkable shoemaker who Halan put on a list of staunch supporters of Ovan Teleres for Passenger Chair. While Ovan did win the election, most of his voters are not quite this radical. Yavo is loud and angry, for pretty much no reason at all, and has not been able to make his presence known to the rest of the ship. He’s not as famous as he wishes to be. Halan only knows this much about him because of the list, but had Ovan never existed, Yavo’s passenger file would have made for a quick and uninteresting read. “Segregation is a sin!”
That word. Halan knows what this is. The first of the blind loyalists have started to clang the pots of pans of their unwarranted feelings of disenfranchisement. The Chair has emboldened them to finally take noticeable action against the Teleres administration’s perceived enemies. Once all the crazy ones have shown themselves, Ovan will treat them as misunderstood, and not as radical as the cucks and snowflakes make them out to be. Still, people will remember that they are indeed radicals, and won’t want to become like them. Soon after that, some of these moderates, who believe themselves to be more rational, and immune to radicalization, will begin to institute small protests of their own. They won’t feel as inhibited about it as they were before, because they can see that they’re not as bad as people like Yavo. This is all part of the plan. Ovan’s plan.
The man is an evil genius, and Halan isn’t sure he’ll be able to beat him. How he handles this situation will determine the nature of all political battles in the foreseeable future. As long as Halan is captain, Ovan will be able to paint the crew as the enemy. More than three centuries ago, a country on Earth known as the United States of America was divided. Some people wanted equality, and some didn’t, and during the 1950s, the second side was the clear dominant force. A young woman by the name of Claudette Colvin refused to leave her seat on a public transportation vehicle because of her skin color. Her act of defiance against the establishment was one of many precipitated by those who believed in freedom and justice. They had a right to fight for their rights. Their rights were being violated. They called it segregation, and it was created in order to continue too oppress an entire peoples after centuries of abduction, slavery, abuse, rape, murder, and other forms of much more obvious mistreatment.
Though Halan has been focusing primarily on the True Extremist movement, he has not let the Ovan problem go without maintaining a line of intelligence on the matter. Though not, strictly speaking, legal, Halan managed to get his hands on the manifesto that Ovan has been writing. He cites Claudette Colvin, Rosa Parks, Malcolm X, and many others, essentially claiming that he is presently in the middle of the same war against tyranny. While the situation could not be more different, this was obviously designed to be Yavo’s Claudette Colvin moment. This is meant to illustrate just how unfair and elitist the crew is, and why the civil administration should be making all decisions on The Extremus. This is the mess hall, rather than one of several passenger-run restaurants in the passenger section. It’s meant for the crew to separate themselves from their responsibilities, and relax. No passenger is meant to be here. More is at stake than that, however. There are other places that the crew can go to blow off steam, and complain about their clients. The only way to win the war is to concede this battle before it begins. The separation of passenger and crew sections is not the same thing as segregation, but if that’s the game Ovan wants to play, then he’s going to play it by Halan’s rules.
The Captain looks over at security. He lifts his hand, and cuts the air with his index and middle fingers. A security guard takes out her knife, and snips off Yavo’s zip cuffs. Yavo rubs his wrists as if he had just been detained for the last twenty years. Halan places a hand on the curve that connects Yavo’s shoulder with his neck. He sports his most genuine-looking fake smile. “Come. Let’s get you something to eat. How do you feel about paninis?”