Microstory 2484: The Renaissance

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If you even tangentially like the Renaissance, this is the dome for you. A lot of people seemingly mistake this as one big Faire that never ends, but it’s more complicated than that. It’s not really even a faire at all. Faires in the past have not only come and gone, but the actors involved are simply playing characters. They know what year it is, and they sometimes forget to take off their smartwatches. This is more like a form of time travel. The droid actors are fully immersed, and will be genuinely confused by any anachronisms that they might encounter. You are allowed to take personal technology in with you, but you are encouraged to keep it concealed as much as possible to protect the integrity of the experience. Unless you’re in the anachronism sector, where advanced tech is not only allowed, but prevalent. Other sectors have their own rules and restrictions, though there’s generally free movement between them. They’re not divided by unscalable walls, or anything, unless that’s the point of the story of that given area. The droids just believe that they are residents of the time periods, and don’t even know that they’re artificial. Do not—I repeat—do not try to disabuse them of their reality. With enough brute force, you can break their software, and force a repair, but that’s so disrespectful and destructive of you. And keep your kids in line, because they will do this. Humanity has a long history of trying to get its actors to break character, and it’s always been incredibly annoying. Just enjoy this place for what it is. There is a sector for everyone. If you want to be very authentic and historically accurate, you can find that. If you want it to lean more into the fantasy aspect, that’s available too. And like I said, there’s an anachronism sector, where people pretend to be alien space travelers, and time travelers, and whatever. I don’t personally care for that, but I’m okay with it existing. Just stay in your lane, so to speak.

This dome spends so many resources basically policing people’s movements. There are some areas you can’t go to if you’re wearing modern garments, because you’re also meant to cosplay as a typical member of society in that time period. Perhaps they should build walls, so you know exactly how far you can stray before you run into a different theme. For the most part, everything is pretty simple here, with the majority of the work going into measures that uphold the illusion of an isolated reality. There are some advanced aspects of it, though. For instance, there are a few dragons, which while fully mythical, are deeply tied to the historical culture and beliefs of the day. These dragons are not genetically engineered, because even though they could absolutely code the genome for something dragon-like, it would not be able to fly, because dragons break the laws of physics. Stop reading if you don’t want to know how the trick is performed. They’re just holograms. Conventional and totally normal aircraft fly around, usually in an array of synced drones, which project a holographic image of whatever flying beast its programmed to be at the time. They can generate heat, but not fire. That would be technologically possible, but also not safe enough, or they would have to require people come in here with certain types of substrates. As it stands, you can walk in as a normal human, and everything be safe enough, and I think they want to maintain that freedom. You shouldn’t want to be breathed on by a dragon, but if that’s you’re thing, I guess look for a VR simulation. This dome doesn’t always stick to pure historical accuracy, but it’s for leisure and education, not adventure, and certainly not danger.

Microstory 2458: Diamond Dome

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Would you believe it, centuries ago, diamonds were considered a precious commodity? They’re still precious, but they’re not nearly as rare and luxurious as they once were. Our ancestors would cut them up into pretty shapes, and fashion them into pretty jewelry. We don’t care about that. We care about function over form. Carbon is one of the most versatile elements in the universe, and as it turns out, its diamond form is actually extremely commonplace. It was hard to find on Earth when people were digging it out of the ground with shovels and pickaxes, but when you have the automation and power to manipulate entire planets, you start to see how abundant things are. We use diamonds because the stuff is durable and reliable. It’s also clear, making it a perfect, semi-natural alternative to glass. There are lab-grown polycarbonates out there that we can use instead, and to be sure, those are here on Castlebourne too, but nothing beats the OG super-material. We could also grow diamonds in a lab, but there’s plenty of it in this world, so why not take what the Lord giveth. Now, what exactly is it used for? Well, it’s the primary material for the domes. Most of the domes here aren’t perfectly smooth. They’re geodesic, which means they’re made up of a skeleton called a space frame. Traditionally, these were metallic, but these days, we use metamaterials; particularly graphene. Between the struts for the space frame, they affix transparent triangular panels, which allow you to see the other side. Why do they do this? Most of the domes use holographic skies anyway, so you’re seeing whatever the image is programmed to be. Well, I don’t really know. The tour didn’t explain that. It wouldn’t really be better if the entire dome were opaque with no hope of seeing the outside for real. Using a framework with clear panels is the most common way to design these things, and I just think they look nicer. You can turn the hologram off, and see the true Castlebournian sky, but if they weren’t made this way, that would not be possible. I guess it just gives us more options. A lot of people are afraid, believing that clear equals unsafe, but obviously that’s ridiculous. They think some meteorite could crash through, and suck out all the air, but that’s not really possible. Like I said, it’s made of diamonds, and even if it weren’t, your concern is unwarranted. Even if one panel does falter, these things are so gigantic that it would take days for all the air to escape, at worst. If it’s only one panel, it would take years. At any rate, there would be plenty of time for a drone team to fly up there and replace the panel, or panels. If there is so much damage that the dome rapidly becomes unbreathable, well, whatever caused that damage probably killed everyone on the surface anyway, so the air would be the least of their worries. Okay, I’ll end this on that happy note. Safe travels!

Microstory 2457: Horseback Mountain

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I love horses, and if you don’t, then we can’t be friends, so don’t @ me. Horseback Mountain is a pretty simple concept. It’s all about horses, and horseback riding. It’s not one mountain, though, which I think is a little weird, but I don’t really care, because I love horses. The first thing I did when I heard about Castlebourne was access the prospectus, and look for a place like this, and it was the first thing to come up. There’s another dome that has ranchland, and a few other horse-inclusive environments, but this is the one where that’s all there is. You can ride horses on a mountain (of course), but there are other areas too. There are plains and prairies, muddy trails, dirt roads, and even beaches. The ocean next to it isn’t real. Curious, a member of one of my riding parties got off, jumped into the water, and started swimming. He was still within yelling distance when he reached the dome’s walls. A hologram makes it look much bigger than it is. This isn’t a complaint, by the way; I really don’t care. The point is to have a place for the horses to run, and the can’t run in deep water anyway. If you want the ocean, go to one of the big ones on the poles. Now for the big question. Are the horses real? The answer is...it’s your choice! There are many real horses available, though they are in limited supply. It takes a long time to grow an animal this large, and they have to be introduced to their environment—and to people—using safe and ethical methods. I much prefer a real horse, but the same can’t be said for everyone, which is why there are other options. There’s more variety, though, than simply organic versus automaton. Your horse can be programmed with whatever temperament or personality you chose. We passed by a group of kids whose horses were fully intelligent. There was only one adult with them. From what we could gather, the horses were the children’s chaperones. They were keeping them in line when they got too rowdy, and teaching them about nature, particularly horses, as you can imagine. I believe the human adult was there in case there was an emergency that required adult hands. I don’t know what kind of intelligence she was, because she didn’t speak while we were passing by. I just think that’s a cool little feature that I wouldn’t have thought of myself. Before you ask, all kinds of equines are here, including donkeys and mules,  zebras, and a few other things. Yes, there are unicorns and pegasuses. You cannot ride either of these things, because if they existed in the real world, they wouldn’t let you, at least according to the Castlebournian interpretation of the mythology. The pegasuses can’t fly. I don’t know how they would without breaking any law of physics, but they have wings, so they look cool. They’re supposed to be rare, but you can go on a particular tour where you’re guaranteed to see what you’re looking for, because they’re either programmed or trained to be in sight. I honestly don’t know if they were mechanical or organic. I didn’t ask, because I don’t care about mythological creatures. I’m a horse girl, and a purist. That’s why I never want to leave. This isn’t a residential dome, but I’ve requested that they make an exception, and build me a home to live in, so I don’t have to take the vactrain here every day. I’m waiting for their response. Wish me luck.

Microstory 2449: Windbourne

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Holy crap, it’s windy here! It’s almost like that’s the point! I’m yelling, because it’s hard to hear with all this wind! Did I mention that it was very windy? Why did they make a dome that’s just super windy? Well, I don’t know, why the hell not? What would you do instead? I’m asking a lot of questions, and I’m not a prolific reviewer on the network, so no one’s going to answer them. The staff certainly didn’t. It’s windy here, because that’s the way they wanted it, and they were technologically capable of it. Before you read on (if you do manage to find this review) you should know that I’m one of the uneducated. By early 21st century standards, I would have been an average student. By today’s standards, with perfections in educational tools, and individualized lesson planning, I’m well-below average. I did this on purpose. I don’t find value in learning beyond a certain point. I’m happy, and I’m content with who I am. So if you’re looking for a scientifically dense explanation for how the wind generation works here, tap on, buddy...tap on. Windbourne. It’s windy. The topography has been moulded to create the perfect conditions for wind, where they want it, when they want it. Air is heated and cooled in very precise configurations to create the wind patterns as planned. Temperature usually flows spontaneously from hot to cold, I remember that. I’m not sure how they’re heated, but I think the process is solar-powered, perhaps by use of mirrors, rather than just solar panels to convert into electricity. They also use gargantuan fans to control the airflow, but I didn’t see them, so the must have cleverly hidden them behind geographic features, or maybe holographic illusions. Some regions are windier than others, of course, and they tell you where these are. The map color-codes the zones by the speed of the wind, so if you just want a light breeze, you can stay there. If you want near tornado-like conditions, baby, you’re gonna wanna go to Gale City. Winds in this area reach up to 400 kilometers per hour. That sounded like a lot to me, but I didn’t have much of a frame of reference until I tried it myself. What you do is enter a tunnel where you can walk through, or stand on people movers. Once you’re on the other side of the Arnett Mountains, you climb up to these towers. There are robot staff here, so they’ll tell you where to go, and how to get there. You get to your platform, which is fully protected by walls, and situate yourself in the waiting station. You have a few options here. You can strap yourself in, hold onto the straps, hold onto a bar, or freehand it. Once you’re ready, they’ll open the flap behind you. At this point, you can hear the wind roaring at your sides, and above you, but you’re still protected. This only lasts for a few moments before the wall opposite you opens up. The wind rushes in, as I said, at 400 km/h. What happens to you next is entirely dependent upon your choices, both leading up to it, and once you hit the point of no return. Did you grab on to something? Can you keep holding onto it? Are you gonna fly over the edge? If you do, will you activate a parachute, or a wingsuit? If not, will you manage to land in one of the scattered foam pits, or plummet to your death? Please note that, due to the obvious dangers, there are certain criteria that you must meet before they let you go to Gale City, such as, do you have a heart condition, and do you have mind-transference on, or are you a suicidal moron? I’ve already gone on the ride several times, and I’m gonna end this here, so I can go back to see if I can beat my own record for the farthest fall without wings. Wild ride, friends, wild ride. Catch the wind, and fly out of control!

The Seventh Stage: Painting Rocks (Part V)

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Echo is standing in front of the blue wall, painting wispy white clouds on it, paying close attention to details. It would look complete to anyone else, but to him, the work is never done. He can always add one more curve...one final flourish.

Clavia walks up to him. “There you are. What are you doing?”

“Painting this wall. It ain’t gonna paint itself,” Echo replies, still watching what he’s doing.

“It’s literally going to paint itself,” she counters.

He smiles. “I know. Sometimes I just need a break to unwind. Like you with your little headplays.”

She nods. “Fair enough.”

“What’s the count?”

“Three thousand, seven hundred and four.”

He drops his elbow, and looks over at her. “Technically at quota. We’re ready for move-in.”

“Like you said, in the technical sense. We still need to figure out how to convince a supermajority to do it, or it’s not really helpful.”

“We also need to figure out how to do it without loading everyone onto a proverbial bus, and driving them here.”

“It’s time to talk to Cedar,” Echo realizes. They have been dreading this day for a long time. They like him, but they don’t know how he’s going to react or respond to this news. There are whispers that the Cloudbearer twins are building something, but no one knows what, and all of their guesses are wrong; though off by varying degrees. Cedar ran his campaign for power on a foundation of intercivilizational unity. He believes that the only way to keep the Reality Wars at bay is if there’s no one to fight against, because everyone is on the same side. The amount of space between people in this universe could tear them apart. It’s the distribution. Cedar is probably gonna have trouble with the distribution.

“Yeah, we have no choice. Do you think he’ll be mad we didn’t read him into the situation earlier?”

“He’s serving as Head Advisor to our parents,” Echo replies. “He was too preoccupied to worry about this. That can be our excuse for keeping it a secret from him.”

“Good idea.” Clavia takes her brother’s hand, and transports them both to what essentially amounts to a holodeck, though on a much grander scale. They’re standing on an island floating in the air. At least, that’s what it looks like to them. It’s just an illusion. The “air” around them is clear purplish water. They can still breathe, of course, and talk just fine. The sky above is much more unambiguously an ocean. It’s upside down. Waves jut down, and spray a sweet misty rain down towards them. Some of it tastes like chocolate, other drops like honey. Their feet are planted firmly on the ground, though they feel like they could float away at any second. All around them are crystalline structures, also purple, since that is the theme. A stream gives way to a waterfall that slips over the edge, and disappears into the oblivion below, though again, it’s just invisible floor. Between them and the sky are giant turtles, swimming around. One of them nods and winked before moving on.

They aren’t alone on this floating island. They summoned Cedar, and are currently patiently waiting for him to get his bearings in this new world. “This breaks the laws of physics,” he notes. “I’m assuming it’s not real?”

“No,” Echo replies. “Our powers do have some limits.”

“You’ve been gone for nearly a month,” Cedar points out.

Clavia smirks. “We’ve been gone longer than that.”

“Framejacking, or temporal acceleration?”

“Both,” Echo answers. Time is moving faster in this universe, so more gets done in a shorter amount of time in comparison to the Sixth Key, but their own minds are also operating at much higher speeds, allowing them to think and act more quickly.

“This is what you’ve been working on?”

Echo laughs. “This took only a few seconds to construct. We got the idea from Castlebourne. Most of the domes on that world are physical, except for the holographic sky. One of them is nearly all holography. You can make it look like anything. We chose this today. Isn’t it cool?”

“Yeah,” Cedar agrees. “What am I doing here, though?”

Echo clears his throat. “What is the number one cause of tension and conflict in the Sixth Key?”

Cedar dismisses his words with a wave of his hand. “Don’t pitch me. Just tell me what you’ve done, and what you want. You’re gonna need to learn this for when you take over in a more meaningful sense. We’re in charge of undecillions of people back home. No one has time to beat around the bush or be polite about it.”

“Very well,” Echo decides. He reaches up and pantomimes pulling a stage curtain open. As he does so, a tear in the hologram appears in the far, far distance. Behind it, they see what looks like regular outerspace, but as the curtains separate even farther, a figure appears. It looks like a big metal statue of a humanoid, or perhaps just a big robot. It’s hard to tell what scale they’re working with here, so Echo has to explain. “Have you ever heard of the matrioshka body?”

“I have,” Cedar confirms. “I went to a sort of school like you did. That’s where the afterlife simulation was housed, before it collapsed, and everyone was transported into Fort Underhill. The Sixth Key shares interdimensional space with them now. I never knew what happened to matrioshka body, though. That it?”

Echo shakes his head. “That. Is MB-3704.”

Cedar laughs. “You made your own? That’s impressive.”

Echo and Clavia exchange a look. “He said it was three-seven-zero-four.”

Cedar is confused, but only for half a second. Then his face drops into a frown. “You made 3700 of these things?”

“Yeah,” Echo says.

Cedar starts to pace around and shake his head, almost in disappointment. “Why? What do they do?”

“Well, they...have people live in them.”

“Who lives in them?”

“No one yet, that’s what we’re asking you for.”

“Asking me for what?” Cedar questions. “I told you, get to the point. Stop trying to be dramatic.”

“We need you to transport everyone from the Sixth Key who wants to live here. Send them all to their new homes...all at once.”

“I can’t do that!” he cries.

“We’re gonna let them consent,” Clavia defends. “We’re not gonna make anyone move, but this will be better, and I think there will be a ton of interest.”

“Think about it,” Echo begins before Cedar can make another argument. “There are hundreds of billions of stars, but we don’t have enough resources for everyone. How is that possible? Because stars radiate a ton of their energy away, even with dyson swarms. Matrioshka brains are more comprehensive, and more efficient. And matrioshka bodies are just stylish and cool.” Honestly, I don’t know why no one ever thought of it before. I thought that was the point of the original matrioshka body, and its successor, Big Papa.” There ought to be far more than two of these in existence. The Parallel was more than capable of doing it, but they chose not to. They still orbited stars. Even the interstellar settlements were quite literally few and far between. Why? Why keep the stars? Aesthetics? Safety? Ethics? Probably all of the above. Or. Echo and Clavia are just that clever.

“That’s not my point. I literally can’t do it. I don’t have that kind of power.”

Echo and Clavia are both confused. “What are you talking about? You already did it. You moved them all from their original realities, to the Sixth Key.”

“No, I didn’t.” He starts to look around on the ground. Guessing at his needs, Echo manifests a chair for him to sit in. Cedar hunches over and stuffs his face in his palms. “That wasn’t me. I didn’t do any of that.”

“What? It had to have happened,” Clavia argues. “Everyone’s there.”

“I’m not saying that it never happened,” Cedar tries to explain. “I’m telling you that I didn’t do it. I have powers, but not like that. That’s insane.”

“Then who did?” Echo asks him.

Cedar looks up to meet Echo’s gaze. “I have no idea. They didn’t tell me. They have to keep it a secret, even from me and my family, even now that it’s done. We were...a misdirect. It’s like sleight of hand. We were the left hand that distracted everyone so no one would see what the right hand was doing. I don’t know if anyone knows who saved everyone during Reconvergence. All I know is that it wasn’t me.” He pauses before adding, “I just took credit, per my instructions.”

Echo and Clavia manifest their own chairs to sit in. They sit there in silence for a good five minutes before Echo decides to speak again. “Time is not linear. If something exists at any moment, it exists in all moments. If you know something about the past, you can change it. Keeping it a secret was smart. Even if someone were to go back and kill you as a child, it wouldn’t stop the creation of the Sixth Key. You’re like a bodyguard, there to take a bullet if one ever comes flying through. That’s how I would have done it if I were there.”

“Maybe you were,” Cedar reasons. “Maybe you two are the ones who created the Sixth Key; you just haven’t done it yet from your own perspectives.”

They exchange another look. Clavia decides to explain. “There’s a small group of people on a planet in the Sixth Key who are aware of what we’ve been up to. Just a few billion people. They were our test group. We’ve already tried to transport them to our new universe. We don’t have that kind of juice either. Stars are easy. Giant metal statues are easy. Moving people? That requires a level of precision that we do not possess; not with hordes anyway. We could probably move them a couple thousand at a time, but that’s all but useless for our needs. That’s a meaningless rounding error compared to the total population.”

“What about Ellie Underhill?” Echo asks after another bout of silence. “I don’t remember how many she transported into Fort Underhill.”

“It was only 120 billion,” Cedar replies. “Not quite a rounding error, but still not good enough. Besides, she gave them all new bodies; it was a whole different animal.”

“So what we’re saying is that we need to find the person who actually did move everyone from the five realities to the Sixth Key. We need them to do it again.” Clavia starts to pace. Finding someone out there in the abstract is not something that she’s ever done before. She always knows who she’s targeting, or roundabouts where they are. This is a mystery individual, who might be in either of two universes—or, hell, maybe neither of them. They could have also done it subconsciously, like how Echo lived before he became self-aware and realized his true potential. Maybe it’s not just one person. Maybe it was a group, or somehow everyone. Maybe through the spirit of survival every single living organism consolidated their untapped collective power into one brilliant miracle. Ugh, Clavia doesn’t know, but you know who would?

“Hey, boys!”

Echo nearly falls out of his chair, but catches himself by spreading his feet apart. He stumbles away from her. “Debra. How did you get out?” She still looks like his sister. She’s still occupying that body, and nothing about it has changed. But Echo knows. He would always know. “What did you do to Clavia?”

“Relax, she’s still in here; on the first stage. She gave me control of the body, because you need me.”

“I need you for what?”

“I can find your mysterious god-being,” Debra spits back like he’s an insignificant little ant on the ground. “I found you, didn’t I? You were alone on a nothing planet in the middle of the universe. I knew exactly where you were. I intuited that you existed in the first place.”

“We can’t trust you,” Echo contends.

“Believe it or not, I’ve changed. Living with those people, doing those plays...it’s changed me. I’m no hero, but I’m not a villain anymore either. Clavia maintains full veto power. She can come back whenever she wants.”

“Prove it. Let me talk to my sister again. And don’t try to trick me, I’ll know.”

“I know.” Debra actually does what is asked of her, and temporarily returns control of the body to Clavia.

“She’s not exactly right,” Clavia says. “She doesn’t need my body, she needs my brain.”

“Can’t you just do it? You have all her power, don’t you?”

“It’s more complicated than that. You would understand if you could be inside my head. You would get it if you could see the construct that I’ve constructed.”

Echo steps forward, and places a hand on each of Clavia’s shoulders. “I bet I can. Show me. I think it’s about time that I meet your little brain buds.”

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Microstory 2440: Heavendome

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No one knows what real heaven is like, or even if it exists. Come to this place recognizing that this is but one specific interpretation. I see these other reviews criticizing it for its Christian-centric roots as if the creators had any obligation to be secular and all-inclusive. If you want to find your own personal idea of heaven, then either build it yourself with your own two hands, or do the same in a virtual environment. I mean, what did you expect, that this would be all for you, or that your concept is the best one, and we should be following that one instead? The point of this dome is to simulate to the best of science’s ability to simulate conditions of a heaven that was purported to be in the clouds. That’s not real, folks. You can’t walk on clouds. I don’t know if real Christians of the past were just dumb enough to not know that clouds aren’t solid objects, or if they thought that God was magic, and he could let you do anything just ‘cause. Still, it’s a powerful image, a cloud city in the sky. How do you even do that? Well, you start with an aerogel matrix that extends the entire area of an upper level of the dome. So it’s solid, but still soft and cushiony, which you would expect a cloud to be if you could somehow walk on it. Below that is a layer of clouds. I’m not sure if they’re real water vapor clinging to the aerogel ceiling, because that would not be out of the realm of possibility. Above the aerogel surface is a dense fog that you wade through. I think that was really important, to suggest that the floor of a magical cloud isn’t just like a bunch of pillows lying next to each other. This fog is supposedly the lighter, whispier cloud “material” (suggesting again, that clouds aren’t condensed water vapor, but some sort of independent stuff that you can grab onto, like cotton). You actually kind of can grab this fog, so I think it’s made of nanites, but you won’t be able to carry it around with you. It sort of melts and drifts away? It’s a funny feeling, you should try it. They really thought it through in a fun way. And to explain, you can push this fog away from you with your hands. And you can push away the lower level of the clouds below you by punching the aerogel surface. That would seem to suggest that the lower level clouds are nanites too, not real. This whole cloud layer is around two kilometers up in the sky, which is where real clouds like this would be. Below that is land. I don’t think it’s a hologram. I think it’s really what the bottom of the dome looks like. I can’t see anyone walking around down there, but I’m wondering if they’ll let people in one day, so there can be two sections. Perhaps you combine Heavendome with two different layers, and the lower one is just regular people who live on “Earth”. Or hey, what about a third layer? The one underground could be a Christo-centric version of Hell. That would be insane. I’m not sure who would go down there, but it could be scary in a fun way, like Bloodbourne. For now, though, we only have Heaven, and that’s good enough. There are other components for ambiance, like rays of light, pearly gates, and “angels” with wings. They’re pretty stunning creatures, and often exhibit traits of a slightly more universal definition of anyone’s heaven...if you know what I mean. They don’t speak, and I don’t think they can really fly, but they really add to the ethereal vibe that they’re trying to evoke here. Overall, I give it a five out of five. It’s not really a place that you live, so you might as well take some time to check it out.

Microstory 2438: Raindome

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Oh, this one is interesting. There are two lakes, one of which is higher than the other. They are appropriately named Upper Lake and Lower Lake. I’m a little disappointed at the lack of creativity, but there’s no mistaking it, and it’s not that big of a deal. The water flows from Upper Lake, into a river. Can you guess what it’s called? You’re close, it’s not just River, but Spiral River. This river flows all along the entire perimeter of the dome, and then some. There are bridges all over, so you can step out to your left any time you need, and head for the nearest exit. They’re hidden behind the dome’s immersive hologram, but will illuminate once you get close enough to the wall, so if you get lost, just find the border. You won’t get trapped, I promise you. I say this because someone on my boat did have an issue, and they were struggling to get out. They probably should give you the instructions ahead of time, so that’s a bit of constructive feedback. Let’s get back to the river. You can take all sorts of leisure boats on this thing. Canoes, kayaks, riverboats. You choose whatever you want. You may be with a group, and they may be humans, or NPCs. It really just depends. The river flows out of Upper Lake, and down a steady slope in a spiral. It isn’t perfectly circular, it still meanders a little bit, but if you look at the drone feed above, it still doesn’t look natural. It’s often raining, which is why this isn’t called Lake-Spiral River-Lake Dome. These aren’t the sprinklers that I think they use in Nordome. This is real rain, powered by the process of evaporation and cloud formation above, supplied by all the water that’s around. Since there’s no sun inside the dome, they use extremely precise heating lamps to trigger this evaporation, but they try to keep visitors from seeing it. I suggested to our captain that they should heat the water from below, but he says the physics doesn’t work out all that well, and they would like to put fish in there at some point. That would be cool, I wish they were already there. I hope they don’t have to transport them all from Earth, or we could be waiting for over a hundred years. Here’s what’s amazing about this. You can request a boat that’s completely sealed up, which has its own holographic display. You collectively decide on the apparent environment. You can make it look like it’s raining when it’s not, or not when it is. That was such a great idea. I never would have thought of it myself. And it really works. Anyway, I think you can guess the rest. The river keeps going down the spiral until it reaches Lower Lake in the very center. Keep in mind that while I said there were all sorts of boats, that doesn’t include all boats, full stop. There are no motorboats or personal watercraft. This is meant to be a relaxing environment, not an invigorating adventure. There are plenty of other places for that. Have you tried Polar Tropica? Like, stop complaining. Sorry, it was annoying that our boat ride was delayed because of a belligerent visitor who was demanding them to give him a water jetpack. They literally didn’t have them. Again, that’s not what this is. This is an amazing feat of engineering, and nothing you could get on Earth. It’s against the law to rupture land like that these days. One last thing so you don’t wonder, but you don’t have to be in a boat, or be on it the whole time. You can just get out and relax, maybe have a picnic under a mini-dome where it’s not raining. Don’t be rowdy, though. Just sit back and enjoy it.

Microstory 2432: Infinity Suite

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Oh, I’ve just discovered that, not only can you review an entire dome, but also individual parts of that dome. So here I am, talking about the Infinity Suite in the Palacium Hotel. If there’s one thing this planet does well, it’s not worrying about how much space people take up. The Infinity Suite is the best example of this. I have no clue how it works, but that’s the right word for it. No matter how far I walk, or how many doors I step through, there’s always somewhere new to be. There’s always a new room to explore. Yet, I can’t get lost in it either. Each room, with no exception, has at least three doors. You can go back the way you came, press forward to explore more, or exit to the hallway. And when you do exit—again, no matter how deep you’ve gone—you’re back where you started. But here’s the thing. Your suite has two entrances from the main hallway. One goes back to the beginning, and the other returns to where you last were. So it’s not just some kind of trick of the mind, or an illusion. Or maybe it still is. It boggles my mind, I can’t figure out how the crazy Escher configurations work. Your last known location is somehow being stored in memory. And don’t you think that I’m just in a new hallway that was designed to look exactly like the original one. I’ve made changes, both inside and out, and tracked my progress. I’ve left little numbered pieces of paper on counters, chairs, and couches to create a map. I’ve matched each number with a photo of the room where I put it in. It matches afterwards. I can go back in through the second door, and retrace my steps, and nothing will have shifted. Those rooms are all in there where they’re supposed to be. That still doesn’t rule out some kind of advanced holographic illusion, but I suppose it doesn’t matter, does it? It’s still the craziest place I’ve ever been. They let me stay here for two nights, but then I had to give it up, so someone else could try it. There were presumably an infinite number of bedrooms, but I barely slept, because I was too busy trying to figure out how it works. If you manage to secure a booking, please write your own review, and provide any answers that you may have. Or, if you have any explanations, or ideas of what other tests that we could possibly run, comment below. I’m so confused and curious. I won’t ever stop thinking about it.

Microstory 2431: Melodome

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Don’t let the name fool ya if you’re interpreting the pun to be mellow + dome. It’s not about melodrama either. It’s the first part of the word melody + dome. This is all about music. Recording studios, concert halls, smaller stages, other interesting venues, and even sports stadiums where no one ever actually plays sports. This dome has it all. You can make music, listen to music, watch music. Every genre, every level of interaction; everything. No place like this exists on Earth. Even the cities known for music, like Havana and New Orleans, still had to leave space for regular living. This is the Music City, no matter what Nashville tries to tell you. There are some things that I’m not entirely sure about, unfortunately. When my great great grandparents were younger, they remember a trend where dead musicians were starting to be resurrected through holograms. This isn’t the kind of volumetric immersion that you’re used to in the present-day. It was very crude, and very obviously fake, even if you didn’t know that the subject wasn’t alive anymore. They recall being quite upset by this, not because it was macabre—which it is—but because it was disrespectful. These were real people who lived their lives, and then those lives ended. Before virtual immortality was invented, that was just what happened. These musical artists were immortal because of their legacy. That was what they were striving for, because they probably didn’t even guess at the future of life extension research. Their flame burned bright, but it was short, and that’s what was special about it. If you missed it, that was sad, but it was sad in a good way. The holograms robbed the industry of these artists’ authenticity, and sadly, that never went away. The technology kept improving, and the industry kept embracing it, despite pushback from the audience. There was evidently enough money in it, probably because of people’s morbid curiosity. Melodome has not shied away from this concept. They’ve brought the dead back to life using realistic androids. Not all of them are even dead, but living performers who just aren’t freaking on Castlebourne. I guess they signed away the rights to their likeness, but that doesn’t make it okay. I’m not going to name real names, but if John Doe can’t be here, then I shouldn’t be able to go to one of his concerts, and watch a convincing facsimile reenact his set from X number of years ago. I get that these are at least historically accurate shows, so they’re not merely contriving something entirely out of thin air. They justify it by saying that it’s like watching a recording, but I don’t consider that the same thing. There’s a lot of great things to see here. If you’re an artist, and you want a venue, they will find you one. I doubt the demand would ever surpass the supply. So if you’re a music fan who wants to discover someone new, you can do that. There’s always something going on, and it’s easy to find new acts on the dome’s prospectus, but there’s also this other side of it. They should really lean into the aspect of originality, because the reenactments are unethical at best. But maybe that’s just my point of view. You have to decide for yourself where your line is.

Microstory 2420: Nordome Network

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Unlike most other themed domes, this is actually a series of domes. I believe the creator wanted to truly make it feel large in scope. While the distance between the “continents” isn’t anywhere near as large as they are on Earth, it still takes some time in those antiquated boats to travel between them. I even think you pass by other, unrelated domes on your way, though you would never know it if you stick to the right heading, because the holographic sky is sensational. It just looks like you’re outside. If you get lost, and sail in the wrong direction, you’re gonna hit the sides. They even have a sprinkler system to simulate rain during your journey, and the sea below you is saltwater, so you get that real oceanic experience. This isn’t the only dome network that works like this. It’s just the one that’s set during the Viking Age. You don’t have to be a Viking yourself—you can choose a simpler life, as a farmer, or a merchant—but you’re at risk of being attacked. You have to protect your settlement as they would have during the 8th, 9th, 10th, and 11th centuries. If you do choose to go on a journey, you have to build or commission your own ship. They aren’t just provided to you. Keep in mind that this is a lifestyle dome experience. You’re meant to stay here for years, and really live the way that these people historically lived. There are no rules, and no planned activities. There’s no anachronistic technology, and you can’t keep leaving and come back. If you have a serious need, they’ll let you go through an emergency exit, and once the issue is resolved, you can go back. So it’s not like a one and done sort of thing, but it’s also not a free-for-all. You can’t spend your days on the boat, then sleep in a nice comfy bed at night. There are no day trips, and they will enforce these rules. I never saw any sort of argument or disagreement, but they were clear. If you really want to get the full experience, it’s probably gonna take you about thirty years. But, I mean, come on, who doesn’t have that kind of time to spare these days? What are you worried about, that you’re gonna die soon? So take a break and learn something. Those who cannot remember the past are condemned to repeat it, if you haven’t heard.

Microstory 2413: Polar Tropica

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I’m at the bottom of the world. If you want to see the biggest known ocean on a habitable planet, go to Earth. I know that they seeded human life on some other planets, so I guess I can’t speak about those, but I’m guessing that Earth still takes the cake, so to speak. The next best thing, however, is on Castlebourne. This planet has two oceans, which are man-made. Have you ever thought about how unusual that word is? My guess is that it’s a holdover from back in the day when things really were constructed by humans. There I go, showing my age. A bunch of quincentenarians are rolling their eyes now. “No, d’uh it’s because we used to have to make everything by hand, you idiot.” Of course, it would be technically unfeasible to try to accomplish something like this with manual labor alone. The land was mostly there, but the automators had to do a lot of digging so the water would be contained to these two spots. The domes here are much more disproportionate, and do not form hemispheres. Still, because of how insanely wide they are, they’re much taller. It says here that they’re 3300 kilometers in diameter and 216 kilometers high at the zenith. When you’re inside, the holographic projections make it look like you’re just outside. Really, you cannot tell the difference between the two environments. If you abducted someone from Earth, transported them here, and let them wake up on the beach, they would assume they were still on Earth. Certainly if you took them from, like, the 21st century, where they didn’t know about alien planets yet. More recent days, who knows? I’m getting off topic, I know. I’m here to discuss Polar Tropica. This is the southern dome. It’s more of a cap, really. Someone else in our orientation group called it a little yarmulke for the world. I had to look that up. It’s a religious thing, LOL. Just run an image search for that, and you’ll get that he was right, though. Okay, enough about the shape. Unlike on Earth, the oceans here are perfectly tailored, and maintained. The temperature always sits between 21 and 27 degrees. It depends on what time of day it is, and precisely where you are. If you recall, it’s a giant environment, so they don’t have to keep it at the same temperature everywhere at once. They control the humidity too, but I don’t have those numbers. Basically, it’s perfect. It’s always comfortable. Some of the water is deep, but not as deep as a natural ocean would be. You can stand in water that’s miles and miles away from any shore in some places, which is just so amazing. Name something you can do in a real ocean, you can do it here. You can even fish, though you’ll be catching animatronic sea creatures, so just remember that, you violent psycho. Anyway, there’s a strip of land that runs the entire perimeter of this thing, and random islands dotting the water. Some of them even float, which you can’t get on Earth either. There’s a giant island in the very center that serves as a sort of hub. There are residential spaces there, and I think that a lot of people are making it their permanent homes. Who could be unhappy in a place like this? To me, if the only habitable region on Castlebourne was Polar Tropica, it would be worth it. But I guess you’ll have to see for yourself...

The Advancement of Mateo Matic: July 9, 2491

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When Team Matic landed on Castlebourne for the second time, they discovered that automators had constructed tens of thousands of dome habitats in Vendelin Blackbourne’s absence. They believed this to be a runaway computer problem, but it turned out that Hrockas was making use of these domes to turn this planet into the number one destination for all vonearthans. Even so, after Ramses halted production in the middle of development, they never restarted building more domes. They decided to focus on the ones that had already been made. After all, 83,838 should be enough to tide over the whole population of the galaxy for decades, if not centuries. That 0.3 dome, which was left unsealed, was the last ever made, and it now served a special purpose. This was now where the Vellani Ambassador landed after each mission. Passengers were unloaded, and moved into a maze of self-contained quarantine habitats. It was here that they remained for a period of forty hours while they were tested for contamination, and to get them acclimated to this world’s surface gravity.

Fortydome was built away from most others, not particularly intentionally, but they were taking advantage of its remoteness to protect the rest of the population. There were only two ways in or out; via the vactrain, or up through the opening of what the refugees were calling The Bowl. Hrockas was considering changing the official name since it indeed resembled a bowl, and wasn’t technically a dome. At the moment, the Bowl was empty. Team Kadiar deliberately made it so by not executing any missions in the days leading up to Team Matic’s return to the timestream. Number one, it was good to have the whole place cleared out for major cleaning and disinfection protocols, and the original crew may need the ship for their own goals while they were around. This appeared to be the case today.

“They didn’t give you a name?” Leona asked.

“They spoke on behalf of their superior officer,” Romana replied. “They were very cagey about it, but it was quite important to them that Mateo be there on this day, and they insisted that their intentions were pure.”

Leona looked over at her husband, who looked intrigued. “You have heard of lying, right?”

Mateo shrugged. “I’ve heard of taking a leap of faith.”

“I’m not going to stop you from going, but I’m not going with you,” Leona said. “There’s a chance that you won’t even make it on time. Ramses and Hogarth have not yet modified the slingdrive to stay out of the fourth dimension.”

“You’re not gonna stop me, though?” Mateo asked, unconcerned about anything else she mentioned.

Leona looked back at Romana. “The VA is theirs now. We have no alternative. A captain without a ship is no captain at all.”

“You have never been the captain of the vessel,” Mateo reasoned. “You’re captain of a crew. We still need a leader.”

“Everyone’s become so capable,” Leona argued. “You don’t need me anymore.”

“I will never believe that,” Mateo tried to explain.

“I appreciate that. At any rate, if you think you should go, I think so too. “You can’t be alone, though. You might as well feed two birds with one worm, and spend some time with your daughter. There...there’s your order from a bona fide captain.” Leona disappeared.

“I suppose we don’t need an engineer anymore either,” Mateo pointed out.

“No, you don’t,” Mirage agreed from her speakers.

“Still...someone should say it,” he decided. “Yalla.”

Mirage engaged the subfractional engines, and launched into space. Once they were clear of the edges of the dome, she activated the teleporter, and jumped right into orbit. She then fired up the reframe engine, and sent them into interstellar space.

“Wait, why are we going so far away?” Mateo asked. “Can’t we use the slingdrive from anywhere?”

Mirage appeared as a hologram. “There’s a lot of quantum interference from Castlebourne, and I want to get away from the other time travelers. We’ve realized how sensitive it is, so this is protocol. It won’t be long now.”

“What about us?” he pressed. “She and I metabolize temporal energy.”

Romana took off her jacket, and plopped it over the back of a chair as she was walking towards a wall. The door of a standing pod slid open on its own, and she stepped up into it as she spun around 540 degrees like a ballerina. She smiled at her father. “That’s why we’re not gonna be here.” She jerked her head over to what looked like another pod. Before Mateo could walk towards it, he witnessed Romana’s door close back up. She quickly disappeared.

“It’s based on Dubravka’s timeslipping power,” Mirage explained. “She’ll be back in five minutes. “You need to get in yours too.”

Mateo did as he was told, entering his pod, and stepping back out of it what felt like seconds later. They were now orbiting an alien planet, evidently 16,000 light years away. Someone intercepted the Ambassador while they were on a rescue mission last week. They relayed a message containing these coordinates, and reportedly fully agreed to let Tertius erase their memories of the meeting from their minds. Mateo watched it through the floor viewscreens. “I think I’ve been here before.”

“The locals call it Ex-18118,” Mirage revealed, now back to her disembodied self.

“Yeah, I left Korali here. She thought she would be dead by now, but...hopefully that’s not true. If I’m not here to reunite with her, I don’t know who it could be.”

“Her child?” Romana suggested.

“Maybe.” He took a deep breath in preparation. “Exact surface coordinates?” They appeared on screen. “Okay.” He spread his arms wide, and wrapped them around Romana. They stood there in the hug for a few moments before he teleported them down to the rendezvous spot.

They found themselves next to a calming clear pond. This was exactly where he left Korali five decades ago. Did she just never leave? “Thanks for coming.”

It was her, still alive after all this time. She looked just as young as she was when he last saw her. To his knowledge these people didn’t have anti-aging technology or powers. They lived and died, just as people on Earth did in the early 21st century, and before. “How are you...?”

“I’m good.”

“That’s great, but I mean...” He trailed off again.

“I know what you wanted to say. How am I still alive? Still young? Still painfully sexy and gorgeous?” She reached behind her back, and came back with one of the standard codexa that stored the central archives from the stellar neighborhood. There was no way to know whether this one was the core compendium, the grand repository, or the aggregate records. Leona gave her a copy of all three, only leaving the virtual stacks out of Korali’s library. “It’s the compendium,” she said as if reading his mind. “This tells me how to stay practically immortal.”

“That’s possible, all the way out here?”

“As it turns out,” Korali began, “the planets in the Goldilocks Corridor were terraformed with the same plant life that you can find on Earth. I have everything I need, right within a few square kilometers. I just needed the information, which you graciously gave me.”

“Is that what you’ve been doing, just living off of the plant life?”

Korali giggled. “No. I’ve been real busy. Once we felt sufficiently powerful, we left this settlement, and returned to civilization. We staged a coup, and literally took over the whole world. They didn’t have weapons, so it wasn’t even hard.”

“That wasn’t our plan for you.”

“I know, but we had to make changes. We read the aggregate records too. Some interesting stuff in there. As it turns out, Oaksent isn’t special. Everything he made he stole from someone smarter. What he’s done here has been done a million times before, just with some extra scifi shit. Same story, different dick.”

“So you’re against him now? Full-on?”

“I probably hate him more than you do,” Korali contended. “You’re just a visitor. I was actually oppressed. I’ll never be able to thank you enough for opening my eyes to the truth. You didn’t have to, you could have just killed me. That’s what he would have done in your shoes.”

“So, this is some sort of resistance base?” Romana asked.

Korali darts her chin to look at Romana like she didn’t realize she was standing there the whole time. “It’s nice to meet you.” She held out her hand. “Korali Stinger.”

They shook hands. “Security Officer Romana Matic of the Vellani Ambassador.”

“Any relation?”

“I’m his daughter.”

Korali took a moment to absorb the new information. “Hm.” She went back into the conversation. Not exactly.”

“How do you keep them from blowing you out of the sky?” Korali asked.

Korali held the core compendium codex back up. “Like I said, we learned things. Thanks again for that,” she said to Mateo.

He nodded politely.

“Anyway,” Korali went on, “no, we’re not a resistance base, we’re a refuge.”

Both Mateo and Romana were surprised, and suddenly uncomfortable, because it felt like maybe this conversation was a little less friendly than it started. “Oh.”

“Hey, it’s okay. Why are you worried?” Korali laughed. “Do you think I feel threatened by Castlebourne’s involvement in our affairs? Do you think I think there’s not room for the both of us in this galaxy?”

“Is there...” Romana asked, “room?”

“Of course!” Korali replied. “I’m here to ask you for help! Those motherfuckers are constantly attacking us. They don’t even know where you are. This was a great idea when I came up with it, but it’s a lot of goddamn work. You seem to have some magical form of faster-than-light travel that the central archives don’t even speculate about. You show up daily, and leave mysteriously. I think it’s time we retire Ex-18118, and just let you handle it. But I wanna be involved. I’m not planning on retiring myself.”

“Well, that’s out of my hands,” Mateo admitted. “I’m not part of the project. I don’t exist.”

“I’m aware of that,” Korali said. “I asked you here because I told you that I didn’t want us to wait 47 years to see each other again. We obviously failed that, but at least it hasn’t been 48, right?”

“So this is just a social visit?” he asked.

“Pretty much. I’m glad you brought her, though. Are you who I need to speak with?” she asked Romana.

“The rest of the crew didn’t come with us,” Romana answered. “None of us would be able to make such a decision unilaterally.”

“It’s urgent, but I wouldn’t call it an emergency,” Korali determined. “When you’re ready to discuss a partnership, you know where I live. I’m guessing you’re not interested in telling me where you do.”

“Not my call either,” Romana told her.

“We’ll be right back.” Mateo took Romana’s hand, and jumped them back to the ship.

“Mirage, why have you been so quiet?”

“She has technology,” Mirage said as a hologram. “She would be able to hear us.”

“Even though our comms work through bone conduction?” Mateo questioned.

“Even with an inducer,” Mirage began, “there is some sound leakage. She has a device that can detect faint sounds, and greatly amplify them.”

“She’s trying to eavesdrop on us,” Romana noted. “That’s not a good sign. It sounds like she was one of them. Are you sure she’s switched sides?”

“I’m not,” Mateo acknowledged.

“Her allegiances have shifted, but not to us,” Mirage said. “This is a resistance base, not a refuge. I mean, I suppose you could argue that it is, but its purpose is to consolidate control into a new empire.”

“She’s Bronach 2.0?” Mateo shook his head.

“Not from what I can gather. She wants power, like him, but she doesn’t want to oppress people. She believes that Earthan technology and knowledge is the best path forward for the Corridor. She’s probably brought you here so we stop taking all of her people away. You see, every single person we escort to Castlebourne is a potential member of her army. They’re expressing dissatisfaction with their lives, and that’s who she’s been trying to target. They’re the ones that she could theoretically fold into her competing society instead.”

“We’re in her way, but at the same time, she needs us, because Castlebourne currently has over 300,000 people.” Romana started to work it out in her head. “So she won’t attack, but she’s trying to play us.”

“I don’t understand how her strategy will ultimately lead to you transporting people to her planet, but maybe I’m not smart enough,” Mateo said.

“No, I don’t know either,” Mirage said. “She may be intending to change her tune after developing a rapport, and arguing that people from the Goldilocks Corridor belong in the Goldilocks Corridor. I don’t think she knows how far away we are, she may just be guessing that we’re near Earth.”

“This is good to know,” Mateo began, “but I meant what I said down there. This isn’t my decision. We have to go back so you can brief your team.”

“You’re right, but we can’t leave without saying goodbye.”

“I’ll handle that,” Mateo glanced over at the local readout for the slingdrive’s coherence gauge. “Just plot a course to safe territory with the reframe engine so we can wait it out until it’s time to make another jump.”

“Aye, Captain,” Mirage joked.

He smirked, and saluted her.

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The Advancement of Mateo Matic: July 8, 2490

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Everything had changed about Castlebourne when the team came back to the timeline in 2490, and it was pretty much what Mateo had predicted years ago. Team Kadiar started going on their rescue missions about three weeks after Team Matic disappeared. They started out slowly and strategically. They spoke with the people of New Welrios to see if they would be interested in relocating yet again. While most of them didn’t want to leave as their new home had since been established, they weren’t combative, and understood what the crew of the Vellani Ambassador was trying to do. Some of them did ask to leave, particularly the older ones who were more used to not getting attached. A few asked to join the operation, and some of them were even taken up on their offers, following some training that Darko, Mirage, and others devised. The core five that made up the executive crew were still running the show, but the new people had their own responsibilities. If nothing else, being able to give their next prospects real evidence that rescue was possible was more valuable than nothing.

Things started out slow as they struggled to convince enough people that this was the right thing to do. One reason for this was that they didn’t know if there was anything to fix. People living in the Goldilocks were oppressed, but that didn’t mean they were unhappy. They were indoctrinated from birth to believe that this was as good as life could get. The Exin Empire didn’t even have to use force to gaslight them into thinking this way. It was how their parents lived, and how their parents’ parents lived, and so on. The whole of society, on each world, and across the worlds, was built around Bronach Oaksent’s vision. Showing them a better way was no easy feat. The pitch was by far the hardest part of each job. Loading them into the ship wasn’t easy either, nor was Tertius’ work controlling everyone’s memories, but they were simple and easy compared to the social aspect. The new pocket dimension that Ramses designed could fit almost 500 without untenable power drain, but they were only ever able to get about 300 to 400 people each time they tried to reach out to a new population. That still added up to around 130,000 people over the course of the last year, accounting for much-needed breaks, and other delays, but they wanted to do more. They wanted to save more.

The pitch speeches and videos were constantly being refined and reworked, however, and the data showed that these changes improved effectiveness. The most recent missions returned with higher capacity than the first ones. By the end of the 25th century, the total population of Castlebourne could number in the millions, even before visitors from the stellar neighborhood were brought in to enjoy the domes. Mateo was so very proud of his daughters, and wished that he could see them in action. Unfortunately, he was still a liability. His solid holograms were not yet powerful, nor reliable, nor understood well enough. And the new emergent suit that Ramses injected into his body added a new variable that Leona surely wouldn’t be pleased with...once they were ready to tell her about it.

As far as those domes went, Hrockas seemed pleased when he walked into the yearly briefing that he always had with Team Matic. “Is it safe to say that gamma testing is going well?” Leona asked.

“Not as well as I had hoped, but I can’t make them do it, even if I wanted to,” Hrockas replied.

“They’re not going to the recreational domes?” Leona pressed.

“They are, but a lot of domes remain untested. The South Pole is the most popular attraction. Apparently, the despot who runs the empire didn’t make oceans on very many of the worlds that he created. Honestly, I can’t blame him for that; it was not easy for me. Still, I would like them to try out some of the other domes, so I get some feedback on them too. I know what the problem is, though. They don’t really have any sense of pop culture, so the scenarios don’t mean much to them.” Hrockas dismissed his own remarks. “But that’s my problem; not yours, and certainly not theirs. I didn’t agree to host them for that. I just thought it would be a nice bonus. They’re all welcome to stay, even if they never leave the residences. I didn’t start this project a hundred years ago thinking that any of this would be easy.”

Before Hrockas could continue on—if that was what he was planning on doing—Aeolia placed a hand on his thigh. She leaned over, and whispered something in his ear. After he nodded, she stood up, and left the room. Before Aeolia’s past and future were erased from the timeline, she did office work for a number of employers. She was using the skills she picked up in those roles now as Hrockas’ personal assistant. Most of what he needed done could be automated, because this was the late 25th century, but he still liked to have another person there to bounce ideas off of. He couldn’t be in two places at once, so she also often served as his eyes and ears.

“What about the central archives?” Mateo suggested. “Have they been granted access to the vonearthan databases, particularly the grand repository of entertainment?”

“They absolutely have,” Lita answered. She was placed in charge of helping the refugees figure out how to live outside of the Exin Empire, which was all they had ever known up until this point. It was her husband, Mario who came up with her title, Director of Transition, acting as head of the Department for Cultural Transition Assistance. “I’m not—” She paused, looking for the right words. “I’m not discouraging them from browsing the repository, but I generally nudge them towards the aggregate records. They’ve never heard of Earth, and I want them to know where they ultimately come from, even if we don’t technically consider them vonearthans. I want them to see that oppressive governments are wrong, and that they all fall...eventually.”

“That’s understandable,” Leona said. “You know what they say about those who cannot remember the past. They’ve been deliberately shielded from theirs as a means of control. They need to see the truth, or they’ll never really be free.”

They moved onto other business, discussing the general state of the planet. The numbers had shifted since they were last here, as they always did. At this point, roughly 30% of the domes were completely unused. They were sealed up, but still nothing but desert. About 45% of the domes were themed to some degree, but still working through alpha testing, which robots performed due to the potential danger. Around 15% were in the beta testing phase. Some of the more enthusiastic refugees signed all the necessary paperwork, and were helping by exploring these recreational and leisure spots. The remaining 10% of domes were currently being gamma tested by the rest of the refugees, some of which were probably ready for delta testing by the early adopters during and after the grand opening.

Aeolia came back in, and whispered something to Hrockas while Samsonite was pitching his idea of a formal educational institution. “Sorry, Mr. Bellamy, I’m gonna have to pause you for a moment. I’m afraid that Team Matic will have to leave us.” He looked up at Aeolia. “You can handle it, right?”

Aeolia nodded.

“All right, go on,” he requested of Samsonite as most of the members of the meeting were exiting.

“What’s goin’ on?” Leona asked.

“An unauthorized visitor appeared in one of the pods,” Aeolia began to explain. “We don’t know how she broke through our firewalls, but she’s asking to speak to you. Specifically, the...uh...”

“The smart ones?” Mateo suggested.

“Great,” Angela said. “I need to get back in there. This presentation is important.” Without waiting for someone to give her permission, or argue, she stepped back into the conference room, followed by her sister and Olimpia.

Mateo shrugged when Aeolia looked at him. “I’m curious. I’m sure I’ll follow the conversation well enough.”

Leona took Aeolia’s hand, and they all teleported to the only operational acclimation room of The Terminal. Hogarth Pudeyonavic was sitting in an armchair. Leona walked over to her. “Madam Pudeyonavic, it’s nice to see you again.” They shook hands after Hogarth stood up.

“You got my message?” Ramses asked.

“I did, but I was not planning on answering. I’m only here now to get some distance from my own problems before I tackle them.”

“What problems are these?” Leona asked with concern.

“Not yours,” Hogarth answered with kindness in her voice, not dismissiveness.

Leona nodded respectfully, then looked back at her engineer. “You asked her about our interference with the slingdrive?”

“I did,” he confirmed. “I can’t crack it. I know The Vellani Ambassador is not our ship anymore. Another team has been using it for longer than we ever did. But I still think it’s something that we should understand. It’s a unique form of space travel, and I want to remain the foremost expert on it, if possible.”

“Take me to it,” Hogarth asked.

They teleported again, right into the engineering section.

“Welcome,” Mirage’s voice said through the intercom.

Hogarth took a brief look around, narrowing in one component in particular. She reached for the coherence gauge, and unscrewed it. After looking into the data port, she said, “give me an hour. But I’ll need a couple of guinea pigs.”

“That’s my job,” Mateo volunteered proudly.

“It would help if you could procure a human too,” Hogarth clarified.

“Jericho?” Ramses suggested.

“His body doesn’t metabolize temporal energy, but he was once exposed to dark particles. Does that matter?” Leona asked.

“Shouldn’t,” Hogarth replied. “Those don’t travel through the qualium realm. Bring him to me.”

“What’s the qualium realm?” Ramses questioned.

“I’ll explain in an hour.” Hogarth was frustrated with having to repeat herself all of one time.

An hour on the dot after Jericho was brought here reluctantly, Hogarth was ready to give her answer. She had extracted a little bit of blood from them, but otherwise left the guinea pigs to just stand around and wait. She spent most of the time taking the slingdrive apart, and putting it back together, as if the task alone was enough to provide her with answers. She didn’t even really seem to examine the parts, or anything. She only needed to go through the motions. They were sitting around the table in Delegation Hall now. Hogarth was twirling some kind of plastic tube between her fingers.

“Is that the issue?” Ramses asked.

“Oh, this? Nah, this is just an erroneous part. I cut it out, because it was slowing down the quintessence transmission function, and making the drive less efficient. It didn’t have to be this long.”

“That was there to prevent bottlenecking,” Ramses tried to explain.

“You already have two redundant regulators in each intake valve. Trust me, you don’t need this.” She carelessly dropped it on the table.

“Is that valuable?” Mateo asked.

“It’s only tubing,” Ramses assured him. “The containment comes from the specialized pocket dimension, which can be housed in just about anything. But it must be housed in something,” he reiterated to Hogarth, “not nothing.”

Hogarth brushed off his claims. “I’m here to tell you that you were right.”

“About us being the problem?” Leona figured.

“There’s a workaround, but it comes with a limitation,” Hogarth went on. “Earlier, you asked about the qualium realm. I’m honestly astonished you’ve never heard of it, because based on the specifications of this ship, and the upgraded substrates you built for yourself and your friends, you’ve been working with it for years.”

“I know what qualia are,” Ramses said, “and I’ve heard of the quantum realm, but I’ve never combined them.”

“You have. You just didn’t know it.” Hogarth threw a hologram into the space over the table. It was a silhouette of a human being. There appeared to be some kind of aura pulsating from it. Animations utilizing this diagram changed by her narration. “Humans are composed of three major components: mind, body, and soul. The body is the physical material that interacts with reality in four dimensions. We’re all looking at each other’s right now. Information is interpreted through the brain, which is of course, also a physical entity, but that’s not where data is processed. That happens in the quantum realm. This was part of a number of related, but competing, hypotheses, regarding the nature of consciousness. It was only after we figured it out that we were able to manipulate the properties of the quantum mind, and allow for technologies such as mind uploading, and memory retrieval. What present-day researchers still don’t understand is that there is a third aspect. The soul, if you will, exists within the qualium realm. It is how we process personal thoughts, emotions. It’s where we come up with original ideas, and our worldviews. More to the point, it’s also how time travelers metabolize temporal energy.

“We are connected to the universe in a way that normal people, like my new friend, Jericho here, aren’t. This is how different flavors of time travelers come about. The nature of an individual’s qualium realm—their connection to the cosmos—dictates what they can do, and what they can’t. You, Ramses, were not born with a qualium realm sufficient for time travel. You replicated it using someone else’s connection. None of you could teleport until you figured out how to adjust your qualia accordingly. I could go on and on about the study of qualium realms, and how to change your perceptions of time by accessing this special dimension, but that’s not what this meeting is about. The issue is that your connection to the qualium realm is indeed interacting with your slingdrive, which necessarily also has access to this realm in order to function. There are two options here; you can manipulate your own connection, and alter how this interdimensional interaction occurs, or you can modify the machine to block it.”

“What’s the downside to the second one?” Leona asked her.

“No more time travel,” Hogarth answered. “The machine is shockingly versatile, but it has its quirks. As it stands, it accesses all four dimensions, and it is the fourth dimension that is getting screwy. You’re interfering with it because of your inherent connection to time, which is nonlinear. You can’t program it to travel through the fourth dimension, but somehow ignore you, because people like us are an extension of time, not simply living in it. You would still be able to go anywhere you want in the universe, but you would have to stay in the present.”

“We don’t really want to travel through time,” Leona determined. “But it’s not our ship anymore. How hard would it be to adjust our qualia, for those situations where we may need to use the ship?”

“Very hard,” Hogarth replied, “and unpredictable. There would be a lot of trial and error, and you would probably end up as regular humans. I don’t know if that’s what you want, or...”

“You mean we could control our own pattern?” Olimpia asked. “We would stop jumping forwards every day?

“I guess,” Hogarth said. “I would have to study you more, and invasively, but technically anything is impossible. With enough time and energy, I could turn anyone into a traveler, or take it away.”

“Thank you, Madam P,” Leona said, standing up. “We will need to discuss our options amongst ourselves. Can you stay a year?”

“I’ll tell you what,” Hogarth said, also standing up, “At the very least, I’ll be back in a year.”

She ended up staying the year.

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