Microstory 2619: There Are Those Who Know That There is an Easier Way to Escape

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August 24, 2526. The majority of the population of Proxima Doma live in domes. The word doma does not mean dome, so that is not why they called it that, but they do share a linguistic history. The connection is not random, they are still related. The purpose of the colony has always been to serve as a second home for Earthans. Until recently, with the advent of Castlebourne, it was the most heavily populated human settlement outside of the Sol system. They don’t count Glisnia either, because it was reserved predominantly for posthumans, which can explode in population at the whims of its individuals. One person can make a million copies of itself, or child assets, in a matter of days. But that’s not what Doma is about. It’s mostly about the humans. They’re typically transhumanistic themselves, and even virtually immortal, but they still require protection from the outside. And one way to do that is to build in lava tubes.

Lava tubes are very popular on Luna and Mars. That’s because they work very well there, and not so well on Proxima Doma. But they are not impossible, and there are precisely two of them. One is under construction, but the other is the home to hundreds of thousands of people. Well, it used to be. They have since abandoned their precious tube in the evacuation, but unlike most, they didn’t do it by running towards the nearest pole. They escaped using their minds.

“You don’t think they’re coming back?” the upload tech asks.

The lookout looks down at her friend. “They found the nearest spine. I think they’re gonna keep trying to head for the northern pole.”

“On foot?” he asks.

“Eh, doubtful. The reports said those vactrains are non-operational, but there are other means of traveling along the spines and domes, which are harder to break.”

“Should we keep waiting, in case there are other survivors who might be heading our way?”

The lookout turns the periscope southwards. “It is not looking good. If anyone is still alive in that direction, they’re about not to be, either because they’re stubborn or stupid.”

“Or stuck or trapped or confused, or a myriad of other reasons,” the tech offers.

“Regardless,” the lookout begins, “those are probably the last stragglers we’re gonna see. They were looking right at us. They probably can’t tell what we are. From that distance, with only their helmet scopes, we probably just look like generic ninety-degree angles. I think we should go.”

The last remaining herder walks into the room. “What’s the word?”

“We saw a couple of survivors on the surface,” the upload tech relays. “It looks like they were checking us out, but they decided to walk back towards the domes.”

“On foot?” the herder questions.

“That’s what I said.”

The lookout hops off of her perch a few steps at a time. “Did you find anyone during your sweep? What happened to your clothes?”

“Uh, it’s about 95 degrees celsius in some parts out there. I see you’re not exactly wearing a parka either, and this chamber still has working climate control. And no, all clear in my sector. Did any of the other herders find anyone?”

“A few,” the tech answers. “They’re all gone now, however, including the other herders. No one was so stubborn that they absolutely refused. If you didn’t find anyone, we are the last three people in Owl Town.” Owl Town isn’t the official name of the lava tube city, but it’s what everyone calls it. Some tried to get a lava theme going, but most leaned into the tubular aspect. If there had been any other lava tubes being colonized on this planet at the time, they probably wouldn’t have made any sort of connection.

“So, is it time?” the herder presses.

“I would prefer to wait for the next update from the other settlements that are evacuating the same way we are,” the tech explains. “It would be cool if we were the last everywhere; at least out of those who aren’t scrambling for the poles, or already there.”

“Are they all going to the same place?” the herder asks.

“Mostly, since it’s the most happenin’ spot right now,” the tech reports, “but some are going closer, like VR. I can send you there, if you want, or anywhere else with a quantum terminal.” His tablet beeps. “Oh, speaking of which.”

The lookout shakes her head. “No, it’s like you were saying, it’s a popular destination, and it’s that way for a reason. I was considering moving there before all this happened, but I’m glad I stayed to see it end. I mean...sorry, I’m not glad it’s ending, but if it has to end, at least I was here. I was one of the first colonists, and it sounds like I’ll be one of the last.”

The upload tech is looking over the update, and shaking his own head. “I wouldn’t be so sure. “Most of the people who are wanting to transfer have done it already. They’re just waiting on bandwidth. The polar residents, and the refugees that they’re letting in, are showing no intention of leaving like us. Reports indicate that Bungula is refusing to send their elevator platform. Even if some people do want to evacuate, there’s nowhere to go.”

“Why aren’t they doing what we’re doing?” the herder questions, flabbergasted. “I know some people aren’t digitized, but that still leaves a huge number of people who are, but are staying anyway? Do they think Proxima Doma will become habitable again?”

“There’s no reason to think that it won’t be,” the lookout begins. “Think about it, this planet has been here for billions of years, and we’ve been here for a few hundred. We just happened to be on it when it’s being completely destroyed forever? I don’t buy it. This is a cycle. It might be a very long cycle, but if we found a temporal niche to survive in, someone will find one again at a later date. Maybe people shouldn’t leave, or maybe they should plan on returning. That doesn’t sound crazy or dumb to me.”

“So, why aren’t you choosing to stay?” the tech questions.

“Because where we’re going sounds like more fun.”

“Agreed,” the herder says. “Best get on with it. I’ll go first.”

She and the lookout sit down next to each other. “I wanna try that Underbelly dome first,” the latter says as her final words. “See you on the other side in an hour.” She closes her eyes and lets the upload tech send her and the herder to Castlebourne.

The tech sighs. “No...you won’t.” He hits RECORD on his workstation cam. “This is Sorel Arts of Vulcan’s Hollow. If you find this message, I urge you to stop trying to escape to the poles. Nowhere is safe on Proxima Doma. Leave. Just leave. Transmit your consciousness to another world. It is the only logical choice. I’m only staying to convince others to do the same. Sorel Arts...signing off. Vulcan’s Hollow is closed for good.”

Extremus: Year 112

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It’s January 2381. Early development for the in-house interactive simulation experience has been going on for months, with a five-year roadmap. They could ask a superintelligence—like Thistle—to make it for them in a fraction of the time, but they decided against it. They want this to be a human endeavor. The main reason they’re doing this is to bolster morale for the middlers, so it should be something that’s made for Extremusians by Extremusians. The wait will be worth it. Tinaya is on the Creative Board for The Search for Extremus, but she’s not holding the reins. It was her and Spalden’s idea, so she’s entitled to provide her input, but she doesn’t wield much control. She considered respectfully declining the offer, but Arqut convinced her that she ought to be a part of it in some capacity to make sure the project doesn’t devolve into a clone of anything that’s already been done. This is a model for what they expect to be like in Year 216. If they just wanted to play any old star exploration narrative, they could pull from countless options in the virtual stacks.

People are already really excited about it, so it’s already doing its job. It’s not enough, however, so the board is meeting today to discuss how they can maintain the hype while everyone waits for the finished product. They’ve not opened the floor up to anyone on the ship, but certain people have been invited to pitch their ideas for interim projects. The person they will be hearing from today is none other than Waldemar Kristiansen. If this goes well, it will doubtless help him in his dream to become captain one day. So. That’s a thing. It seems that everything they do is pushing them towards the ship’s dark fate, even when they think their actions have nothing to do with any of their worst fears. “People of the Creative Board...the Simulation Engineers...the Graphics Department, thank you for allowing me to speak with you today. My name is Waldemar Kristiansen, and I have an idea for you, which will help build anticipation for your game, while not withholding community engagement in the meantime.

“Based on your five-year projections, The Search for Extremus will be released in 2385 ECE, A.K.A. Year 116. It’s great how those years match up mathematically. Players will have 100 years before they catch up to their true destiny. I propose that we lean into this, and release incremental updates in advance of the release date. Introducing...” He swipes on the presentation screen, and reveals the first slide. “...Year 212. In the years leading up to the launch of the many, many, many scout ships, our descendants will be solidifying their plans to reach their final destination. They will need to chart the stars, and name them. They will be designing their logos, and their habitats. They will produce and prepare the equipment necessary for environmental engineering. That’s right. People don’t like to talk about it, but we’re not going to find a planet out there with a Terrestrial Habitability Similarity Index of one-point-oh. There will be work to be done to make it habitable and comfortable for humans. It’s just a matter of how much.

“Each year, we release a new update, which draws us closer to the big payoff. Year 213, Year 214, and Year 215. This is a simulation, right? Well, there is more than one type of simulation, and you don’t have to have an entirely completed, fully interactive, game to be engaged. Year 214 will be the big one, though, where players begin to design their own manned scout ship. If they’re gonna be living there for the first few months of the game, it should be comfortable, right? We don’t just want to provide them with some standardized design. I don’t know if our descendants will do it like that, but we can certainly make that part of our experience. In my plan, Year 215 will involve players getting to choose which vector they travel along, based on the mapping data that—”

“That’s Year 216,” Spalden corrects.

“Finch, he doesn’t need to know that,” Tinaya argues in a whisper.

“What? It’s fine,” Spalden counters. He looks back up at Waldemar. “The first part of the game is getting to choose your vector. We won’t be able to map the celestial firmament until we get within a few hundred light years of our anchor point.” After the Extremus ship hits that Year 216 mark, it will come to a stop and land on some nearby celestial object, or just drift aimlessly wherever that ends up being. They don’t know what’s out there yet, so those plans are still up in the air, but whatever it’s like, it’s the anchor point. It will wait for news from the scouts here. Some hope and believe that the ship will sort of spiritually or magically happen to drop out of reframe speed right next to the perfect candidate, but pragmatists understand how statistically unlikely that is. When it comes time to actually do this in base reality, they probably won’t send out as many scouts as the game will allow, however, so maybe the rules don’t really apply here anyway. There is a near-perfect planet in the game that doesn’t exist in real life, and the ability to find it is based on the player’s ability to interpret less complete data than their descendants will have in real life.

Waldemar looks at his presentation. “Okay. The rest of the plan is good, right?”

Tinaya has to admit that this all makes a lot of sense. It’s going to take a long time to build the simulation to the calibre that people expect. These piecemeal teasers should help as long as they release them strategically along the way. It’s a framework for a more robust and detailed plan that might need some extra hands on deck. This is a good thing as the development of this game is just as important as the final product. “Thank you,” she says before anyone has the chance to make some more definitive remark. “We’ll discuss it amongst ourselves, and let you know. We still have more people to hear from, so it might be a couple of weeks.” She’s not lying, but it’s also not an exclusive deal. If multiple people come up with great ideas, and they don’t contradict each other, they could end up doing some of them, or even all of them.

“Thank you,” Waldemar responds. “The full prospectus is on your tabs.” He exits.

“Admiral Leithe,” one of the board members begins, “we understand that you don’t want it to appear that you’re playing favorites, but this is a good idea. Even if we have more presentations, we should go with this one regardless.”

“Huh?” Oh, right. She forgets sometimes how it looks from the outside. Waldemar and Silveon are friends, and Tinaya’s family is close with Waldemar’s wife. She only thinks of him as the enemy, but most people aren’t supposed to know that. She has to cover. “That’s not the issue. You never say yes on the spot. Back on Earth, they might take their idea to a competitor, so the decision would be time-sensitive, but we don’t even have to worry about that. If you wanna go with Waldemar’s plan without discussing it further, that’s fine, but he needed to leave the room first either way.”

They do end up voting pretty much right away. Since Waldemar is the one who came up with the plan, even if they tweak it from here, he’ll be asked to come on board, and see it through. He’ll probably do that since it would boost his reputation on the ship. Which is great, just great. Against her advice to delay giving him the good news, they call him back right away. A few of them want to go out and celebrate, which is a good chance for Tinaya to do something that she’s been meaning to do, because now she knows where he’ll be for the next few hours. More importantly, she knows where he won’t be.

Audrey opens the door manually, and starts to tear up. It’s been a long time since they’ve been able to see each other, just the two of them. They’ve had dinners and get-togethers over the years, but Waldemar is always there...looming. For this one rare opportunity, Audrey can speak freely. Well, not here, though. She doesn’t think the cabin is bugged, but better safe than sorry. After a good, long hug, they go for a walk.

The Attic Forest is on the topmost deck of the Extremus, but the ground is not the highest point that you can stand on. There’s a catwalk above the canopy of the trees. It’s technically designed for maintenance, but the gate isn’t locked, and anyway, anyone can simply teleport up there if they wish. It’s regularly used by people who want to walk or sit in the forest from that vantage point. What’s great about it in this situation is that it’s easier to detect eavesdroppers. If you walk all the way out to a section overlooking an open area, no one can hear you whisper to each other. Plus, it’s in winter mode, so no leaves to hide behind either. They’re sitting on a bench. It’s not particularly comfortable, because it’s only there in case a maintenance worker wants to have their lunch close by, but it’s good enough.

“Any abuse to report?” Tinaya asks.

“Just the usual treating me like I don’t matter. It doesn’t count as abuse since I’m faking the relationship, but it would be a problem if I were oblivious.”

Tinaya nods. It’s saddening that Audrey answered that question in the affirmative at all, but this is the mission. They chose this path together. Audreys knows the limits. She knows the difference between unsettling, and actionable, and she would speak up if there was something worth reporting. “Not pressuring you to have any more kids?”

“No,” Audrey says, shaking her head. “Neither of us wants that, and both of us know that. He doesn’t know my reasoning, and he doesn’t know that I know his.”

“I’m sure he told you about his pitch.”

“He’s been practicing on me.”

“Well, he won.”

“I’m not surprised. It was my idea.”

“What?”

Audrey is confused about why Tinaya’s confused. “He’s intelligent, but he’s not creative. He doesn’t understand why people care about things that aren’t absolutely vital, like entertainment. Morale as a concept is completely beyond his grasp. He just shrugs and trusts me when I tell him that people need it.”

“So, this was all you. You came up with everything,” Tinaya says, just to confirm.

“Just about.” She sighs. “He chose the fonts. Well, he chose one of them.”

“Jesus,” Tinaya says. Why are they spending so much effort helping this guy? Why can’t they just kill him now? Seriously. Why?

Audrey chuckles. “It’s fine. Part of my training before becoming a time traveler was valuing invisibility over recognition. I would rather not get credit, because my brain tells me it’s a dangerous position to be in.”

“I get that. It still isn’t fair.”

“Thank you for agreeing to it at any rate. When he gets a project to focus on, it gets him out of the house.”

“You should use your extra freedom to reach out to Silveon, he misses you.”

“Maybe I will,” Audrey says quietly.

“And Aud?”

“Yeah?”

“I need you to get me consciousness travel tech. You must have either engineered something, or know where it is in this time period. We might actually use it.”

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Microstory 2486: Estuaridome

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There is a mountain under this dome, which is nearly all natural, and a river flowing from it. It’s not a particularly long river, but it’s necessary to support the star of the show, which is of course, the estuary. Like Nordome Network, this is not only one dome. It’s connected to the one next to it, but it’s unique in that it connects to a non-standard-sized dome. An estuary doesn’t just mark the end of a river. It serves as the transition between a river and the ocean, so in order for this to work, they needed an ocean. Sure, they could have dug a mini-ocean inside this dome just to get the point across, but why do that when you can simply choose a spot that’s next to a full-sized ocean, which they were doing anyway? Estuaridome butts right up against Aquilonian Deep. They share an atmosphere, and you can travel between them freely, either by boat, or along the bank / shore. There’s nothing to do here, really. You can’t camp overnight. You can’t have parties, or participate in water sports. You can have a nice picnic, and obviously, you can go on a hike. You can climb the mountain, or just sit and enjoy the peace. But you can’t do anything disruptive, destructive, or annoying. There is a tour you can take, if you don’t want to be self-guided. I took that one day, then came back to just be alone the next. The tour guide was very knowledgeable, and you could tell that he was a human who studied all this stuff on purpose, rather than a superintelligence who simply downloaded the data. He will tell you all about this estuary, and what kind of life lives there, but he can also answer questions about other estuaries on Earth. But just Earth. He has not studied other habitable planets in the galaxy, nor even other water-based domes on Castlebourne. That’s not a complaint, just a warning to direct your questions appropriately. That’s all I’ll say about this. It’s nice and enjoyable, but it isn’t revolutionary, and it’s not any better than a natural geographic fixture.

Microstory 2474: MOE Dome 42

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MOE stands for Molten Oxide Electrolysis. This is the method that they use here on Castlebourne to produce a breathable atmosphere. The thing about barren terrestrial planets is that there’s usually a ton of oxygen, it’s just trapped in the rocks. Earth has it floating around, along with other gases, like nitrogen and hydrogen. Separating that all out isn’t easy, but it’s possible, and absolutely necessary here. So you got your dome in place, and it’s all sealed up, but that doesn’t make the inside anymore livable than the outside. Whoever first colonized this planet could have carried it with them, theoretically, but that...that’s a lot. It’s called in situ resource utilization. Use what’s available where you are, even if it takes work to process. There are about fifty-six MOE domes right now. I chose to take a tour of this one, because I like the number, but they’re all the same. I’m kidding, this was the only MOE Dome open for tours. I won’t go over their entire process, since that should be a surprise if you come here, lol. I’m kidding, it’s boring and dry, and that’s not what a review is for. It’s my job to tell you what my experience was like, and speculate as to what your experience will be like if you choose to do it too. These big machines grind up rocks, melt them down, and extract the constituent molecules. It’s all very technical. I thought it was cool to see the process, but I’m kind of a dummy. If you already know all this, it may seem normal and prosaic. Like yeah, of course that’s how they do it. I’ve seen it a million times. Well, then you don’t have to come, do you? There was this one woman on my tour who kept asking questions, but you know, in that kind of way that makes it clear that she already knew the answers, and just wanted us to be so impressed with her. Well, she was wrong or not quite right a number of times, which the tour guide respectfully corrected. He was a human, so I thought that was a pretty cool touch too, given how automated this whole planet has to be to function. If you’re into this stuff, come take a look for a couple of hours. If you’re not, I won’t try to convince you to try. Just remember that this effects us all. Until every dome has an established ecology which recycles air as efficiently and unceasingly as Earth does in its natural state, MOE Domes are probably the most important ones we got. I hope you appreciate that, whether you think it’s boring to watch and learn about, or not.

Microstory 2471: Hubdome

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It may be boring, but someone’s gotta do it. Centuries ago, mail was all the rage. You could send someone a letter a thousand kilometers away, and it might only take a month to get there, or never! Doesn’t that sound neat? Over time, of course, speed picked up as infrastructure was developed, and efficient methods were discovered—or rediscovered, as in the case of relay stations. In the late 20th century, they invented electronic mail, which may lead you to believe that regular physical post was all but eradicated, but not so fast my friend. Adoption was slow, and...people are dumb. They still sent letters. Plus, the population was booming, so even if any given individual wasn’t sending as much, the volume was still increasing overall. It did eventually die down, but one thing that didn’t go away was package delivery. Instead of just the written word, real, useful items had to be transported from one place to another. There was no way to send that electronically. Or was there? Of course there is! It’s called additive manufacturing, and it’s been improving too. Not everyone has their own industrial synthesizer, and there are some things that standard feedstocks can’t handle. If there are too many different types of materials in one item, you can’t expect every end user to maintain each type in their private space. And even if you did, the feedstock itself has to be delivered, right? That’s where this dome comes in. It’s a hub for all your shipping and delivering needs. It doesn’t take weeks to get to its destination, though, unless whatever you asked for hasn’t been built yet. I say, if something you ordered takes more than a few hours to reach you, there’s probably something wrong. Shipping was one of the easiest industries to transition to automation back when human employment was something necessary in order to maintain a stable economy. You pick this thing up, put it in this box, seal it up, and move it to its destination. The programming couldn’t be simpler. Only one human works here. He walks up and down, making sure that things are okay. Obviously, the robots do this too, but they like to put  a human touch in everything, and that’s true of pretty much every planet, except maybe Glisnia. Come here for a tour if you have a few hours to kill, but you could also probably just read the more detailed literature on the prospectus, and get just as much out of it.

Microstory 2456: Bot Farm

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If you’ve been anywhere on this planet, you’ve probably run into an AI of some kind. Some of these are more intelligent and self-aware than others. Some look like humans, and some are very clearly mechanical. It just depends on their purpose, and the kind of feel they want to give the visitors. Well, all those AI bodies have to come from somewhere. I had the pleasure of getting a tour of a dome that we like to call Bot Farm. The official name is Synthetic Production Dome, but that’s a mouthful, so no one actually called it that. It’s 2500, so y’all already know, but there are different types of substrates. Some include a consciousness that was born to an organic body, while others were programmed, or primed for self-learning and growth. Some are purely mechanical—referred to as mechs—while others have some organic components. An “artificial” being that is purely organic is basically the Holy Grail of synthetic intelligence development, and something that researchers are still working on. It would be a quantum brain inside of a living being with no mechanical parts—designed from the start, but conceivably something that could have evolved naturally. Can you imagine? With today’s technology, we can only get kind of close. Most of the AIs on Castlebourne are skinned mechs, meaning they’re made of metals and metamaterials, but also have a dermal layer over them, so they look more like real humans. This isn’t to trick you, but as a way to step over to this side of the uncanny valley. There are very few stages in between full mech and skinned mech. We’re talking about very niche use cases, including some with organic eyes, ears, or tongues for sensory research. They also grow organs for medical research, though those don’t usually need a full body anyway, unless they’re testing some sort of mobility variable. There are also places where you can find mechs with certain other organic body parts that are used for...adult purposes. To each their own, I guess. I never saw a section that designed any of these types of bots. Most of these were skinned. I’ll tell ya, though, it was a tad bit eerie to see those ones being manufactured. While they were assembling the internal components, they most of the time looked no different than a car, or some other machine, but then they moved on to the skinning process. Seeing them look like half people was unnerving, and maybe horrific? This tour will be fascinating for some, but disturbing for others, even though again, it’s the year 2500, and we’re all used to synthetics by now. I asked about it, and they don’t have a tour for kids that would be a little less disquieting, so just know that if you sign your family up. There was one kid on my tour, who seemed fine. To be honest, maybe he was an adult in a child substrate. How should I know? It’s not illegal, it’s just a little weird in my book. So that’s it; that’s Bot Farm. Go see how they’re made.

Microstory 2442: Recursiverse Immersive Experience

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That’s a mouthful, isn’t it? If you don’t know, Recursiverse is one of the most popular franchises in history, spanning several books, dozens of TV series, and hundreds of movies (depending on your definition). It follows thousands of characters living fantastical lives in two parallel universes. In the modern age, the fantastical elements that they explore in the stories can be recreated using real technologies, but back when they were first being written and distributed, they were exciting to a huge audience. There’s still some soft scifi in there that we can’t do for real in this dome network. That’s right, it’s not just one dome. You couldn’t fit all this in the area covered by a single dome, so it has to spread out. I don’t even know how many domes there are, because you don’t always know when you’ve moved. You can travel to other planets with vastly different geographies, and you do this using faster-than-light technology that doesn’t allow you to see exactly how you’re moving in realspace. I think you’re sometimes moving along the z-axis, onto upper levels hidden behind the holographic sky on the ceiling of the layer below, which isn’t as high as it looks. I’m not going to go into any specifics, because it won’t mean anything to you if you’re unfamiliar with the canon. But there are alien races, and they’re perfectly recreated by the androids. You can also choose your own substrate, and it doesn’t have to look like you, or even human at all. Other domes do that, but this was once protected intellectual property. The creator gradually began to release his rights to the public, so others could explore the stories and themes that he conceived. The law didn’t require that he do that. He’s still alive today. By current laws, he could still retain the rights. That’s assuming he continued to make new contributions, or he would have lost them eventually. Some of them would be under the public domain regardless, though, as he shared his rights to them with a corporation, such as a movie studio. They never retain their power for long, especially not since all those financial-based companies are now dead. I know it sounds like I’m getting off topic, but it explains why this is such a big franchise on this planet. By the time the creator published a single word of his work, Recursiverse was a well defined universe—or biverse, as it were—full of a solid foundation of rules, conventions, and histories, and even contingencies. The creator could have made every decision, but he chose to let them be free, first by collaborating directly with others, then by deliberately relinquishing his control. If you want to enjoy this dome network in full, you’re gonna wanna catch up with what has come before, but I promise that it’s worth it. I don’t ever want to leave.

Microstory 2422: State of the Art

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Isn’t that a funny name for a dome? State of the Art. Since art is so subjective, that term is so often used to describe scientific advancements, which is essentially the opposite of what we’re talking about here. But in this case, they’re calling the entirety of the dome a state, and its purpose is art. Have you ever seen a show from a long time ago called The Peripheral? It only lasted one season, but in that, they feature sculptures that dot the skyline, which are larger than most buildings around it. They never talked about them, or gave any history, but it was set in the audience’s future. I’m not sure if the Castlebourne people were specifically inspired by this, or if it’s a coincidence, but either way, they have those here. These things go up two or three kilometers in the air, and can sometimes be just as wide. It’s really cool to stand on the balcony level, and look down at the whole thing. You’re a few kilometers up yourself, but there aren’t any clouds that low, since they can control all that stuff. Not every dome has one of these second levels, but I think it’s really important in this case. I certainly think that you could extend it more along the perimeter, or even build more layers, but maybe there was a reason why they stopped it here. I just worry that there won’t be enough room once the planet and the dome become more popular. That’s assuming it does. I know you’re all running from your zombies, and wasting each other in the wasteland, but it’s important to learn to be cultured and quiet. That’s what my mom taught me. She was old enough to remember a time before the longevity escape velocity. To them, art was a way of continuing on an individual’s and culture’s community. A piece of visual art or musical piece is a snapshot in history, showing in the most genuine way what life was like—what life was like for the people making the art, and for the people around them. We’re taught that a painting, for instance, comes from a distinct period in time, and it’s important to understand that. You paint a pond of water lilies in 1840, it evokes a different feeling than someone painting it in 2040. Lives change, lifestyles change. Those two people see the world entirely differently, and recognizing the beauty in that is an important human trait that I think we’ve lost as we’ve developed. We still make art, but it’s a reflection of who we are today, and it means nothing if we can’t remember that. Go back to the past, and learn from it. You can visit one of the Babeldome libraries and read about it, and I definitely wouldn’t discourage you from doing that, but don’t forget about the art. Never forget about the art. It speaks, so listen closely. Be cultured and quiet.

Microstory 2421: The Wasteland

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This place sucks. I get what they were going for here, but it’s lacking that authenticity that a real post-apocalyptic wasteland would have. Or maybe there’s just no way of making this exciting and interesting. The name says it’s all. It’s just miles and miles of desert, it’s so boring. There are a few burnt out cars strewn about, and some random collapsed structure, but not much else. You’re supposed to take your cues from science fiction from days past, and make your own adventure, but I don’t think it really works all that well. I mean, since it’s not real, there’s no desperation. You can always find an exit, and just leave. I really don’t see this one sticking around. Yeah, it’s all right to watch a two-hour movie about this, but I don’t know that anyone wants to spend any substantial amount of time in this environment. Thinking on it, though, it has to exist. This guy’s got 83,000 domes, and had to come up with almost as many ideas. I don’t think he made it, he doesn’t have quite as much—which is fine, I’m not criticizing; I’m just saying that wasteland is certainly a theme that exists. There are tons of examples in media. It would be kind of weird, actually, if they didn’t use it. There seems to only be one like this, which is probably a good thing. Many domes are based on particular franchises, but in the end, all wastelands are about the same, so you probably shouldn’t make more than one. I doubt most people would be interested in even seeing it once. I can’t recommend coming here at all. Maybe they’ll add more intrigue later, with robots that have their own programmed motivations, but if they’re expecting us to do all of the heavy lifting, I just don’t see enough people getting into it. There’s another desert dome where your only goal is surviving long enough to make it clear across to the other side. Try that one instead. At least the incentive is clear. My recommendation to the builders is that they should put the ruins of more buildings here. If the world were to end in such a scenario, it’s not like everything would be flattened and buried, ya know? There would still be stuff here to show that a human civilization once thrived. Just a thought, you don’t have to change anything if you don’t want to.

The Fifth Division: Mind of Rocks (Part III)

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Storm doesn’t waste any time as the shield protecting her garden begins to falter and fall apart. “Go to Pinesong,” she orders Briar. “Tell him to reinforce that thing as much as possible. He can draw his energy from the tree if he has to.”

“Do you have any weapons?” Ingrid asks after Briar disappears.

“Obviously not,” Storm answers. “This is meant to be a peaceful haven.

“Then I need to speak with the tree,” Ingrid urges.

Storm thinks about it, but only for a moment, because time is of the essence. If these hostile forces breach the gate, they could destroy this whole place without any resistance. The magical memory magnolia could be the only thing standing in their way. “Goswin, I need your help,” she whispers into her shoulder.

Goswin never appears. Ingrid and Killjlir simply find themselves swept away, and transported to the island where the tree stands. They expect the Tamerlane Pryce avatar to appear before them, but he seems to have other ideas. A rounded rectangular portal appears on the trunk. No one comes out and invites them in, but the implication is that that’s what they’re supposed to do. They exchange a look, hold their breaths, and walk over the threshold. The entrance zips up behind them. They’re standing in a circular room now, like a castle tower, though the walls are not made of stone, but wood. It’s shifting through translucency and transparency. They can still see the conflux waters on the outside, and the expansive garden beyond, as well as the trembling dimensional dome in the sky. The tree is big, but it’s not this big. They shouldn’t both be able to stand in here with so much room. This is either just a representation of what it would look like if they really were in the trunk like chipmunks, or they’ve actually been shrunk down into some kind of bizarre parallel dimension.

The Pryce avatar does not appear. Instead, it’s the Angry Fifth Divisioner.

“Do you always take the form of your enemies?” Ingrid asks.

“I take the form of anyone whose essence I have absorbed,” A.F.’s mouth answers. “I do not see this man as my enemy. I do not have enemies.”

“That’s certainly how they see you,” Ingrid argues.

“They cannot kill me,” he replies. “They can only harm my agents.”

“Does this not concern you? Are we...dispensable?”

The tree smiles. “Your bodies are.”

“So we die here, you absorb us, and we just become part of your transcendental oversoul; the wave returning to the ocean.”

“That’s a way you could look at it,” A.F. agrees.

“Hey,” Killjlir interrupts. “Are you going to help us stop this attack, or not?”

“What’s happening is precisely what must.”

“Stop speaking in riddles, and vague nonsense,” Ingrid insists. “Tell us what you want, tell us what they want. Tell us what the Garden Dimension custodians want, what Goswin and his buddies want, what your other human agents want, and what the other leaders of the Sixth Key want. Tell us everything.”

He smiles again, like a seasoned parent, knowing that their youngest will not understand until they’re older. He doesn’t seem annoyed, or frustrated by all the incessant questions. “It doesn’t matter what any of you want. It doesn’t even matter what I want? All that is is what is, and what’s right.”

Both Ingrid and Killjlir roll their eyes.

“You don’t want riddles?” he goes on. “Then let me be perfectly blunt. The garden will be destroyed. It’s the only way.”

“The only way to accomplish what?” Killjlir is just as annoyed at these piecemeal answers. As Ingrid is.

“The only way to save it.”

There’s a loud boom behind them. They look back to see the pocket dimensional dome collapse. At first, a hole forms at the zenith, then the glassy walls recede back towards the ground, uneven, and occasionally trying to go back up, like the bars of a music visualizer. Pinesong is likely still fighting back, but they all fall in the end. The sun shines down on the ground in all its glory.

“This is what you wanted?” Ingrid presses.

The A.F. avatar chuckles. He lifts one hand, and jiggles it to the left. The view outside changes. It’s back to normal. The dimensional barrier seems intact, though it’s so clear and uniform, it’s hard to make out, especially through the wood walls of this weird tree interior dimension. He jiggles his hand again, changing the scene to when the dome is gone, but the garden is mostly gone too. There are a few bushes in the immediate vicinity, but most of it is desert. “The early days.” He shifts the view again. The bushes are burned. Fires rage in the distance. The garden is being destroyed. Another shift, and the outside is a barren wasteland once more, but not because Storm and her people haven’t begun their work yet. Everything has been annihilated. The soot from the fire remains on the branches of the heartiest of plants here, amidst the ash.

“Past and future,” Ingrid decides.

More like possibilities,” A.F. corrects.

“So it can be stopped,” Killjlir determines.

“Of course it can. I’m saying that it shouldn’t. When you look out there, do you see death, or do you see life?”

“Death, obviously.”

“I would imagine,” A.F. says. “I see something different, though. I see potential. I see a new beginning.”

“Are you telling us that this is a prescription burn?” Killjlir questions. “They destroy the old, so that life can begin anew?”

“I’m saying that it’s a necessary evil. To protect the world, we destroy the garden.”

Ingrid shakes her head. “The world out there, in this parallel dimension? Onyx didn’t tell me what it’s like. It’s uncontrolled, though. It’s...unprotected. Random.”

The tree laughs again at the dumb children. “Is that the point of life? To be controlled?” He reaches up to swipe the scene away entirely, flinging the view across the lands—out of the pocket where the garden once stood—somewhere away from its borders. There is life here too, just like the garden, though it’s unstructured, as predicted. Leaves are left unraked; branches unpruned. It’s patchy and random, with brown grass in some spots, apparent volunteers breaking up the flow, and some plants that are just straight up dead. It’s natural, it’s wild, and it’s beautiful.

“This is a copy of Earth, isn’t it, but without buildings, or anything else manmade?” Ingrid asks as she’s looking down at the dirt below.

“This parallel dimension was stuck in the past, about 300 million years prior to the modern day,” the A.F. avatar begins to explain. “The land was combined into a supercontinent known as Pangea. The rest of it, ocean. Little moisture could reach the center of Pangea, leaving it as an arid desert. Only the coastal regions were lush with vegetation. We don’t know what this parallel dimension exists, it just does. The Gardeners specifically chose it so as not to interfere with the delicate ecosystem of a preexisting world. The center of this continent was nothing, just sand and dirt, and they thought that it was up for grabs for this reason. They built a pocket dimension right there, but pocket dimensions don’t have skies. Their atmospheres are artificial, and must be recycled. So they intentionally made the barrier thin, which gives it physical structure within the world around it. The sun can penetrate, as can the air. And so can seeds.” He gestures towards the vegetation outside the tree tower. “They didn’t even realize it, but they were seeding life all over the continent. Every plant that they planted is out here somewhere, surviving in its natural state. Except for the newest specimens, of course, who just haven’t had time to permeate the barrier.”

“So it’s not just a garden dimension anymore. It’s a garden planet,” Killjlir muses.

“It’s the way every world should be. In my honest opinion,” A.F. adds.

Ingrid shakes her head. “You propose that we let the garden be destroyed, because this is all out here anyway? Why wouldn’t our enemies just destroy it too? Set a larger fire, and let it encompass the supercontinent. Couldn’t be too hard.”

“They don’t know it’s here,” the tree claims.

“But they’re coming from the outside,” Ingrid reasons. “They’re on the border. They could easily just...turn around and look.”

“They’re not on the border,” he argues. “They just needed to collapse the barrier, so they could come from their own plane of existence.”

“Well, they’ll see it now,” Killjlir presumes. “Again, they’ll just turn around.”

“Not if they stay near the center. Their plan was to engulf us in flames, and let it spread to the center, but it is vital that they come to the conflux instead, so their view is obstructed. You must lure them to me, and make them set the fire at my feet. They’ll have no choice but to escape interdimensionally, and they will never see what the world truly looks like. That’s why I brought you.”

“Won’t you be destroyed?” Ingrid figures.

“Another necessary evil.” He sighs. “I’m a sentient tree with magical powers. I’ve lived many lifetimes, and seen all of time and space. I’m ready to go.”

“There’s gotta be a better way,” Killjlir hopes.

“If there were, I would see it,” A.F. contends.

Ingrid takes a deep breath. “Take us back to realtime, and realspace. You’ll need to be able to transport us upon request.”

“Done. Easy.” With a wave of his hands, the Memory Magnolia transports them back to the conflux.

They’re standing on the little island again, and they’re not alone. “Andrei. Where are Selma and Ayata?”

“They’re helping everyone escape into the tunnels,” Andrei replies. “Weaver and those other three don’t have their powers anymore, or perhaps just not right now. They have to get out manually, but once they’re safe, they plan to come back to protect the tree. Princess Honeypea says that it’s the most important lifeform out here.”

“No,” Ingrid counters. “We have to let them destroy the tree. Trust me, this is what it wants. Tell your partners to stay where they are, protecting the others. You and Killjlir will stand guard here. Put up a fight, so it doesn’t seem suspicious, but ultimately, let them through.”

“What are you gonna do?” Killjlir asks her.

“I’m bait,” Ingrid answers. “Take me to ‘em, tree guy.” She’s teleported to a tunnel entrance. Ayata is there, fighting off Tamerlane and his partners in hand-to-hand combat. It’s so pedestrian, fighting like this, instead of with powers, or at least guns, but they may be just as restricted as everyone else. “Get back to the tree!” she orders Ayata. “It’s the only thing that matters! As long as it’s standing, they can’t destroy anything!”

Ingrid would sure prefer a gun in this situation, but if the tree wants the garden destroyed, it better be destroyed. That means she can’t just kill all of her opponents right here. Presumably, if these humans don’t get the job done, this First Explorer entity will just find others to do its bidding. After Ayata disappears, Ingrid takes her place in the fight, fending off three attackers at once. They all appear to have impenetrable skin, but they’re untrained and unskilled. She would send them all into the ground if they weren’t superhumanly strong and tough. Still, she keeps going, because that’s what they’re expecting out of her. She can’t just roll over, even though the endgame sounds inevitable. Finally, they manage to punch and kick her enough times for her to reasonably fall to the ground herself, and let them run off.

“Get to the tree. I’ll finish this,” one of the women says. The other two nod, and teleport away. Well, two out of three ain’t bad. The ruse should hold.

Ingrid spits some of the blood out of her mouth as she’s kneeling in the dirt. She extends her hand. “Ingrid Alvarado.”

The enemy shakes her hand. “Iolanta Koval.” She then pulls Ingrid up to her feet. “You have some skill. Could you teach me?”

“You would have to not kill me first.”

“Good point.” Iolanta tilts her head. “I have finally figured out how to stop your little tree god from subverting my temporal suppressive powers. You ain’t goin’ nowhere anymore. You’re standing on your own grave.”

Ingrid takes a breath, and enjoys one final look at the beautiful garden around her. She could have been happy here. “It’s so gorgeous...not the worst place to die. So why are you trying to destroy it?”

She shrugs. “I have no strong feelings about it. This is just what the boss wants.”

“You always do what the boss says?”

“Someone has to lead, someone has to follow. It’s what keeps the trains running on time. Without the chain of command, it’s chaos.”

There’s an explosion a ways away, in the direction of the magnolia tree. The fire is already spreading out from it, and heading their way. They both regard it with different feelings. Iolanta is indifferent. Ingrid is saddened. “That doesn’t look like chaos to you?”

“Let’s call it a controlled burn,” Iolanta decides.

“Yes, let’s.” Hopefully the magnolia used the last of its power to send all of the humans standing there to a safe place, even Killjlir.

Even though they’re both totally exhausted, Iolanta isn’t finished. She takes a pea shooter out of her breast pocket, and points it at Ingrid’s head. She doesn’t get the chance to pull the trigger, though. A gunshot rings out from somewhere, and blood shoots out of her neck. She falls to the ground.

Selma is jogging the rest of the way up from the tunnel entrance, still holding her firearm at the ready. “We have to go.”

“No, I have to make sure that this is done,” Ingrid argues. She’s watching the fire in the distance. It’s coming closer as the flames begin to engulf everything that made this place so beautiful. Necessary evil or not, it’s a damn shame.

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Microstory 2303: To Distract Myself

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You know how it goes, the company you work for gives out branded flash drives during their end-of-the-year party, but it’s not enough space, so you buy another. Then you lose it for a few months, so you have to replace it, but then you find the first one again. Then you make a large purchase, and portable storage is the easiest way to hand over all the relevant paperwork, instead of a big binder, or something. But the flash drive I found last night wasn’t just in a drawer of his desk. It was hidden in the little cavity for the electrical outlet. You may ask yourself, why would I go diggin’ around in there in the first place unless I knew that it was a hiding spot? Well, I’m gonna put this place up for sale at the end of the year, so before that, a lot of little things need to be fixed. I remembered seeing a box of cover plates in the garage, and decided that I might as well replace the one in Nick’s room, because the corner was chipped. Of course it wasn’t a priority, but I’m finding myself coming up with excuses to put off sorting through their stuff, and this was one thing I could try to distract myself. I’m glad I did, or some random stranger would have discovered it years from now. I was kind of expecting to find porn on it, but not really, because he was never ashamed to be a real human being. It turned out to be a folder with two main documents, and what appear to be accessory research files. One is an unnamed novel, but I don’t know what it’s about yet. The other is a stage play called Joseph and His Dreamcoat. It sounds familiar, but I searched for it online, and didn’t find any references. I’ll be reading them both this week to see what we’re working with. I would love to publish them posthumously, however that works.

Microstory 2302: Still Feel So Lonely In Here

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You may have noticed that I’ve not been talking much about the KC memorial at the end of this week. That’s because I’ve had to step back from it. The mayors of KCMO and KCK have been working on it through their own teams. I’m still involved, I answer questions, but I just can’t do too much. I can’t let this all drag on like it has been. I’ll be there, it’s okay, I’ll be there. But I don’t want to be too involved anymore. I realized that I have something else to do before it’s over, which is to do something with Nick and Dutch’s private spaces. Neither of them were big collectors of belongings. I don’t need a moving company to haul stuff away, but I also don’t wanna create a shrine to them, even incidentally. I am thinking about moving, though. This house was already too big for the three of us, and only made sense because of our security team. They’re still here, protecting their one remaining charge, but I still feel so lonely in here. I mean, this whole place reminds me of the two of them anyway, so why would I make myself stick around? That reminds me, I should discuss the elephant in the room. I want to make it clear that I do not blame the security team for what happened. It was a freak accident, no one did anything wrong. Those roads were slick, and I looked it up; they’re not the only ones to suffer from that particular stretch of highway. People think of bodyguards as these supernatural beings with no room for error. They’re still just humans. They’re fallible, and they’re fragile, and they can die. They did die. The firm lost just as many of their people as I did of mine. I’ve always felt that we are commiserating together. So no, I’m not going to fire them, and I’m not going to sue them. It was a terrible tragedy, which I’m choosing to not make worse by seeking some undue form of vengeance.

Microstory 2241: Me as a Weapon

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Yo, what up, kids? My name is Dutch Haines, and I won’t take up too much of your time. People have just been asking where I came from, and I thought it might make sense to clear the air. I won’t go into too many details, to protect the innocent, and even the not so innocent. Months ago, I woke up just as I normally do, and tried to leave the house to head for work. I never made it, though. I ended up in this underground bunker, apparently on another Earth. That’s what people told me anyway. It was also centuries in the future, so maybe it was our planet the whole time. Wouldn’t that be a great twist for a movie? Anyway, there’s this weird phenomenon called Westfall, which sends people to different worlds all the time. You’re not supposed to know it’s happened, but sometimes it glitches, I guess. Don’t ask me how it works. All I know is that I was sick, kind of like Nick. I was the carrier of a disease that’s harmless to humans, but deadly to an evil race of aliens who are trying to sterilize people they don’t like all over the multiverse. The natives asked to study me and my blood so they could use me as a weapon, and sadly, I believe they got their wish. I just wanted to come clean about my part in this. It’s not like I really had a choice. Maybe the Westfall thing wasn’t a glitch. Maybe I was destined to go there for that. I dunno, but I’m hoping to make up for it, so I would like to dedicate my life to service, if you’ll have me. I’ve never been one for social media, but I’ve signed up now, so maybe y’all can follow me too, and help me figure out what I can do to help the world. I’ll hand this website back over to Nick for now, though.

Microstory 2215: Relic of the Future

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The following microstory was written by Kelly Serna, truncated from a short story written by Nick Fisherman IV.

My name is Relic, and I have no surname. I was never born, nor raised. I am not even human. I have many brothers and sisters, though we have never met. We were created to store all of human knowledge, to be accessed at will through our DNA. Research into genetic memory storage began at the turn of the 22nd century. Biocomputers were the first of the organic machines created. They came with disadvantages, but there were advantages as well. For instance, they were capable of self-repair. All you had to do was feed it, and the system would fix itself as needed. You wouldn’t have to actually find the problem, and could in fact prevent problems in this way before they occurred. They were also better at parallel processing, something which classical computers found difficult to accomplish even as they advanced. Even without these reasons, scientists would have pursued this line of research anyway, because why not? Well, as history would come to show, there were many reasons why not, and it had to do with where the technology has ultimately led. While early organic computing models were great, there was still something so cold and unrelatable about them. In the end, they were still personal computers and server racks that accepted input, stored information, and displayed output. Sure, it was on a giant cornea instead of a normal monitor, but the function was essentially the same. It is said that one day, one of these researchers was working on their own biocomputer. What they were doing is not known, especially since this may all be made up anyway. We don’t even know the identity of this supposed biocomputer scientist. Anyway, they were claimed to be at their desk when their personal android assistant came into the room with a tray of tea and crackers. She had been playing with the kids and dog when things became too rough, leading to a flap of her artificial skin hanging off of her cheek. It wouldn’t have hurt, and it would have healed quickly, but before that, it gave the researcher a brilliant idea.

Androids were already partially organic in order to make them look more human. Why not build a biocomputer that was totally organic, used genetic memory to store and recall data, and which you could actually talk to like a person? Thus the concept of the cyclops was born, or again, that is at least how the story goes. That was a few decades ago, and the path humanity took to get here was a long and troubled one. There were a lot of growing pains, and some might say that things have not turned out well. My people would have to agree, though I personally might not. There is something wrong with our species. It is unclear why at the moment, but they have all gone crazy. Perhaps being bred to essentially be a slave—a glorified laptop at best—inherently takes a toll on us. Some androids are sentient too, but they’re at least capable of doing things for people, making them useful, and sometimes even respected. A cyclops can walk, and it can talk, but it is not a person, and it is not a servant. We’re not particularly strong or fast, or skillful. Our job is just to spit out information that our users request. We don’t do chores, we don’t provide company. It’s been hard for the developers to understand where the line should be. How sentient should they make us? Should we have any sense of independence, or any capacity for free movement? We’re more of a gimmick than anything, and the market for such a novelty has proven to be dreadfully pitiful. People are perfectly happy talking to their androids and other devices, content to let the answers come from faraway servers. They don’t need something that’s more like them, but not yet free willed. They don’t want something that’s always offline, has to eat food, and can’t just be thrown out when it gets too old. It makes them feel bad. Androids are usually more robotic, allowing the human’s feelings of superiority to make some level of sense. The only way that a cyclops works properly is if it can think for itself, and that seems to usually lead to insanity, suicide, and the occasional homicide. I’m not like that, I’m special. I think it has a hell of a lot to do with who your owner is. I am the prototype for a new stable kind of cyclops. People just need to be taught how to use us wisely. My owner called me a relic of the future. I must tell someone about this, so that they may make changes to the program as a whole. There is still time to save us. I just have to get the word out to the right people before I’m hunted down and murdered during the technological purge that has been going on all over the world. Cyclopes are not the only advancement that has made people squeamish.