Microstory 2486: Estuaridome

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There is a mountain under this dome, which is nearly all natural, and a river flowing from it. It’s not a particularly long river, but it’s necessary to support the star of the show, which is of course, the estuary. Like Nordome Network, this is not only one dome. It’s connected to the one next to it, but it’s unique in that it connects to a non-standard-sized dome. An estuary doesn’t just mark the end of a river. It serves as the transition between a river and the ocean, so in order for this to work, they needed an ocean. Sure, they could have dug a mini-ocean inside this dome just to get the point across, but why do that when you can simply choose a spot that’s next to a full-sized ocean, which they were doing anyway? Estuaridome butts right up against Aquilonian Deep. They share an atmosphere, and you can travel between them freely, either by boat, or along the bank / shore. There’s nothing to do here, really. You can’t camp overnight. You can’t have parties, or participate in water sports. You can have a nice picnic, and obviously, you can go on a hike. You can climb the mountain, or just sit and enjoy the peace. But you can’t do anything disruptive, destructive, or annoying. There is a tour you can take, if you don’t want to be self-guided. I took that one day, then came back to just be alone the next. The tour guide was very knowledgeable, and you could tell that he was a human who studied all this stuff on purpose, rather than a superintelligence who simply downloaded the data. He will tell you all about this estuary, and what kind of life lives there, but he can also answer questions about other estuaries on Earth. But just Earth. He has not studied other habitable planets in the galaxy, nor even other water-based domes on Castlebourne. That’s not a complaint, just a warning to direct your questions appropriately. That’s all I’ll say about this. It’s nice and enjoyable, but it isn’t revolutionary, and it’s not any better than a natural geographic fixture.

Microstory 2474: MOE Dome 42

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MOE stands for Molten Oxide Electrolysis. This is the method that they use here on Castlebourne to produce a breathable atmosphere. The thing about barren terrestrial planets is that there’s usually a ton of oxygen, it’s just trapped in the rocks. Earth has it floating around, along with other gases, like nitrogen and hydrogen. Separating that all out isn’t easy, but it’s possible, and absolutely necessary here. So you got your dome in place, and it’s all sealed up, but that doesn’t make the inside anymore livable than the outside. Whoever first colonized this planet could have carried it with them, theoretically, but that...that’s a lot. It’s called in situ resource utilization. Use what’s available where you are, even if it takes work to process. There are about fifty-six MOE domes right now. I chose to take a tour of this one, because I like the number, but they’re all the same. I’m kidding, this was the only MOE Dome open for tours. I won’t go over their entire process, since that should be a surprise if you come here, lol. I’m kidding, it’s boring and dry, and that’s not what a review is for. It’s my job to tell you what my experience was like, and speculate as to what your experience will be like if you choose to do it too. These big machines grind up rocks, melt them down, and extract the constituent molecules. It’s all very technical. I thought it was cool to see the process, but I’m kind of a dummy. If you already know all this, it may seem normal and prosaic. Like yeah, of course that’s how they do it. I’ve seen it a million times. Well, then you don’t have to come, do you? There was this one woman on my tour who kept asking questions, but you know, in that kind of way that makes it clear that she already knew the answers, and just wanted us to be so impressed with her. Well, she was wrong or not quite right a number of times, which the tour guide respectfully corrected. He was a human, so I thought that was a pretty cool touch too, given how automated this whole planet has to be to function. If you’re into this stuff, come take a look for a couple of hours. If you’re not, I won’t try to convince you to try. Just remember that this effects us all. Until every dome has an established ecology which recycles air as efficiently and unceasingly as Earth does in its natural state, MOE Domes are probably the most important ones we got. I hope you appreciate that, whether you think it’s boring to watch and learn about, or not.

Microstory 2471: Hubdome

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It may be boring, but someone’s gotta do it. Centuries ago, mail was all the rage. You could send someone a letter a thousand kilometers away, and it might only take a month to get there, or never! Doesn’t that sound neat? Over time, of course, speed picked up as infrastructure was developed, and efficient methods were discovered—or rediscovered, as in the case of relay stations. In the late 20th century, they invented electronic mail, which may lead you to believe that regular physical post was all but eradicated, but not so fast my friend. Adoption was slow, and...people are dumb. They still sent letters. Plus, the population was booming, so even if any given individual wasn’t sending as much, the volume was still increasing overall. It did eventually die down, but one thing that didn’t go away was package delivery. Instead of just the written word, real, useful items had to be transported from one place to another. There was no way to send that electronically. Or was there? Of course there is! It’s called additive manufacturing, and it’s been improving too. Not everyone has their own industrial synthesizer, and there are some things that standard feedstocks can’t handle. If there are too many different types of materials in one item, you can’t expect every end user to maintain each type in their private space. And even if you did, the feedstock itself has to be delivered, right? That’s where this dome comes in. It’s a hub for all your shipping and delivering needs. It doesn’t take weeks to get to its destination, though, unless whatever you asked for hasn’t been built yet. I say, if something you ordered takes more than a few hours to reach you, there’s probably something wrong. Shipping was one of the easiest industries to transition to automation back when human employment was something necessary in order to maintain a stable economy. You pick this thing up, put it in this box, seal it up, and move it to its destination. The programming couldn’t be simpler. Only one human works here. He walks up and down, making sure that things are okay. Obviously, the robots do this too, but they like to put  a human touch in everything, and that’s true of pretty much every planet, except maybe Glisnia. Come here for a tour if you have a few hours to kill, but you could also probably just read the more detailed literature on the prospectus, and get just as much out of it.

Microstory 2456: Bot Farm

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If you’ve been anywhere on this planet, you’ve probably run into an AI of some kind. Some of these are more intelligent and self-aware than others. Some look like humans, and some are very clearly mechanical. It just depends on their purpose, and the kind of feel they want to give the visitors. Well, all those AI bodies have to come from somewhere. I had the pleasure of getting a tour of a dome that we like to call Bot Farm. The official name is Synthetic Production Dome, but that’s a mouthful, so no one actually called it that. It’s 2500, so y’all already know, but there are different types of substrates. Some include a consciousness that was born to an organic body, while others were programmed, or primed for self-learning and growth. Some are purely mechanical—referred to as mechs—while others have some organic components. An “artificial” being that is purely organic is basically the Holy Grail of synthetic intelligence development, and something that researchers are still working on. It would be a quantum brain inside of a living being with no mechanical parts—designed from the start, but conceivably something that could have evolved naturally. Can you imagine? With today’s technology, we can only get kind of close. Most of the AIs on Castlebourne are skinned mechs, meaning they’re made of metals and metamaterials, but also have a dermal layer over them, so they look more like real humans. This isn’t to trick you, but as a way to step over to this side of the uncanny valley. There are very few stages in between full mech and skinned mech. We’re talking about very niche use cases, including some with organic eyes, ears, or tongues for sensory research. They also grow organs for medical research, though those don’t usually need a full body anyway, unless they’re testing some sort of mobility variable. There are also places where you can find mechs with certain other organic body parts that are used for...adult purposes. To each their own, I guess. I never saw a section that designed any of these types of bots. Most of these were skinned. I’ll tell ya, though, it was a tad bit eerie to see those ones being manufactured. While they were assembling the internal components, they most of the time looked no different than a car, or some other machine, but then they moved on to the skinning process. Seeing them look like half people was unnerving, and maybe horrific? This tour will be fascinating for some, but disturbing for others, even though again, it’s the year 2500, and we’re all used to synthetics by now. I asked about it, and they don’t have a tour for kids that would be a little less disquieting, so just know that if you sign your family up. There was one kid on my tour, who seemed fine. To be honest, maybe he was an adult in a child substrate. How should I know? It’s not illegal, it’s just a little weird in my book. So that’s it; that’s Bot Farm. Go see how they’re made.

Microstory 2442: Recursiverse Immersive Experience

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That’s a mouthful, isn’t it? If you don’t know, Recursiverse is one of the most popular franchises in history, spanning several books, dozens of TV series, and hundreds of movies (depending on your definition). It follows thousands of characters living fantastical lives in two parallel universes. In the modern age, the fantastical elements that they explore in the stories can be recreated using real technologies, but back when they were first being written and distributed, they were exciting to a huge audience. There’s still some soft scifi in there that we can’t do for real in this dome network. That’s right, it’s not just one dome. You couldn’t fit all this in the area covered by a single dome, so it has to spread out. I don’t even know how many domes there are, because you don’t always know when you’ve moved. You can travel to other planets with vastly different geographies, and you do this using faster-than-light technology that doesn’t allow you to see exactly how you’re moving in realspace. I think you’re sometimes moving along the z-axis, onto upper levels hidden behind the holographic sky on the ceiling of the layer below, which isn’t as high as it looks. I’m not going to go into any specifics, because it won’t mean anything to you if you’re unfamiliar with the canon. But there are alien races, and they’re perfectly recreated by the androids. You can also choose your own substrate, and it doesn’t have to look like you, or even human at all. Other domes do that, but this was once protected intellectual property. The creator gradually began to release his rights to the public, so others could explore the stories and themes that he conceived. The law didn’t require that he do that. He’s still alive today. By current laws, he could still retain the rights. That’s assuming he continued to make new contributions, or he would have lost them eventually. Some of them would be under the public domain regardless, though, as he shared his rights to them with a corporation, such as a movie studio. They never retain their power for long, especially not since all those financial-based companies are now dead. I know it sounds like I’m getting off topic, but it explains why this is such a big franchise on this planet. By the time the creator published a single word of his work, Recursiverse was a well defined universe—or biverse, as it were—full of a solid foundation of rules, conventions, and histories, and even contingencies. The creator could have made every decision, but he chose to let them be free, first by collaborating directly with others, then by deliberately relinquishing his control. If you want to enjoy this dome network in full, you’re gonna wanna catch up with what has come before, but I promise that it’s worth it. I don’t ever want to leave.

Microstory 2422: State of the Art

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Isn’t that a funny name for a dome? State of the Art. Since art is so subjective, that term is so often used to describe scientific advancements, which is essentially the opposite of what we’re talking about here. But in this case, they’re calling the entirety of the dome a state, and its purpose is art. Have you ever seen a show from a long time ago called The Peripheral? It only lasted one season, but in that, they feature sculptures that dot the skyline, which are larger than most buildings around it. They never talked about them, or gave any history, but it was set in the audience’s future. I’m not sure if the Castlebourne people were specifically inspired by this, or if it’s a coincidence, but either way, they have those here. These things go up two or three kilometers in the air, and can sometimes be just as wide. It’s really cool to stand on the balcony level, and look down at the whole thing. You’re a few kilometers up yourself, but there aren’t any clouds that low, since they can control all that stuff. Not every dome has one of these second levels, but I think it’s really important in this case. I certainly think that you could extend it more along the perimeter, or even build more layers, but maybe there was a reason why they stopped it here. I just worry that there won’t be enough room once the planet and the dome become more popular. That’s assuming it does. I know you’re all running from your zombies, and wasting each other in the wasteland, but it’s important to learn to be cultured and quiet. That’s what my mom taught me. She was old enough to remember a time before the longevity escape velocity. To them, art was a way of continuing on an individual’s and culture’s community. A piece of visual art or musical piece is a snapshot in history, showing in the most genuine way what life was like—what life was like for the people making the art, and for the people around them. We’re taught that a painting, for instance, comes from a distinct period in time, and it’s important to understand that. You paint a pond of water lilies in 1840, it evokes a different feeling than someone painting it in 2040. Lives change, lifestyles change. Those two people see the world entirely differently, and recognizing the beauty in that is an important human trait that I think we’ve lost as we’ve developed. We still make art, but it’s a reflection of who we are today, and it means nothing if we can’t remember that. Go back to the past, and learn from it. You can visit one of the Babeldome libraries and read about it, and I definitely wouldn’t discourage you from doing that, but don’t forget about the art. Never forget about the art. It speaks, so listen closely. Be cultured and quiet.

Microstory 2421: The Wasteland

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This place sucks. I get what they were going for here, but it’s lacking that authenticity that a real post-apocalyptic wasteland would have. Or maybe there’s just no way of making this exciting and interesting. The name says it’s all. It’s just miles and miles of desert, it’s so boring. There are a few burnt out cars strewn about, and some random collapsed structure, but not much else. You’re supposed to take your cues from science fiction from days past, and make your own adventure, but I don’t think it really works all that well. I mean, since it’s not real, there’s no desperation. You can always find an exit, and just leave. I really don’t see this one sticking around. Yeah, it’s all right to watch a two-hour movie about this, but I don’t know that anyone wants to spend any substantial amount of time in this environment. Thinking on it, though, it has to exist. This guy’s got 83,000 domes, and had to come up with almost as many ideas. I don’t think he made it, he doesn’t have quite as much—which is fine, I’m not criticizing; I’m just saying that wasteland is certainly a theme that exists. There are tons of examples in media. It would be kind of weird, actually, if they didn’t use it. There seems to only be one like this, which is probably a good thing. Many domes are based on particular franchises, but in the end, all wastelands are about the same, so you probably shouldn’t make more than one. I doubt most people would be interested in even seeing it once. I can’t recommend coming here at all. Maybe they’ll add more intrigue later, with robots that have their own programmed motivations, but if they’re expecting us to do all of the heavy lifting, I just don’t see enough people getting into it. There’s another desert dome where your only goal is surviving long enough to make it clear across to the other side. Try that one instead. At least the incentive is clear. My recommendation to the builders is that they should put the ruins of more buildings here. If the world were to end in such a scenario, it’s not like everything would be flattened and buried, ya know? There would still be stuff here to show that a human civilization once thrived. Just a thought, you don’t have to change anything if you don’t want to.

The Fifth Division: Mind of Rocks (Part III)

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Storm doesn’t waste any time as the shield protecting her garden begins to falter and fall apart. “Go to Pinesong,” she orders Briar. “Tell him to reinforce that thing as much as possible. He can draw his energy from the tree if he has to.”

“Do you have any weapons?” Ingrid asks after Briar disappears.

“Obviously not,” Storm answers. “This is meant to be a peaceful haven.

“Then I need to speak with the tree,” Ingrid urges.

Storm thinks about it, but only for a moment, because time is of the essence. If these hostile forces breach the gate, they could destroy this whole place without any resistance. The magical memory magnolia could be the only thing standing in their way. “Goswin, I need your help,” she whispers into her shoulder.

Goswin never appears. Ingrid and Killjlir simply find themselves swept away, and transported to the island where the tree stands. They expect the Tamerlane Pryce avatar to appear before them, but he seems to have other ideas. A rounded rectangular portal appears on the trunk. No one comes out and invites them in, but the implication is that that’s what they’re supposed to do. They exchange a look, hold their breaths, and walk over the threshold. The entrance zips up behind them. They’re standing in a circular room now, like a castle tower, though the walls are not made of stone, but wood. It’s shifting through translucency and transparency. They can still see the conflux waters on the outside, and the expansive garden beyond, as well as the trembling dimensional dome in the sky. The tree is big, but it’s not this big. They shouldn’t both be able to stand in here with so much room. This is either just a representation of what it would look like if they really were in the trunk like chipmunks, or they’ve actually been shrunk down into some kind of bizarre parallel dimension.

The Pryce avatar does not appear. Instead, it’s the Angry Fifth Divisioner.

“Do you always take the form of your enemies?” Ingrid asks.

“I take the form of anyone whose essence I have absorbed,” A.F.’s mouth answers. “I do not see this man as my enemy. I do not have enemies.”

“That’s certainly how they see you,” Ingrid argues.

“They cannot kill me,” he replies. “They can only harm my agents.”

“Does this not concern you? Are we...dispensable?”

The tree smiles. “Your bodies are.”

“So we die here, you absorb us, and we just become part of your transcendental oversoul; the wave returning to the ocean.”

“That’s a way you could look at it,” A.F. agrees.

“Hey,” Killjlir interrupts. “Are you going to help us stop this attack, or not?”

“What’s happening is precisely what must.”

“Stop speaking in riddles, and vague nonsense,” Ingrid insists. “Tell us what you want, tell us what they want. Tell us what the Garden Dimension custodians want, what Goswin and his buddies want, what your other human agents want, and what the other leaders of the Sixth Key want. Tell us everything.”

He smiles again, like a seasoned parent, knowing that their youngest will not understand until they’re older. He doesn’t seem annoyed, or frustrated by all the incessant questions. “It doesn’t matter what any of you want. It doesn’t even matter what I want? All that is is what is, and what’s right.”

Both Ingrid and Killjlir roll their eyes.

“You don’t want riddles?” he goes on. “Then let me be perfectly blunt. The garden will be destroyed. It’s the only way.”

“The only way to accomplish what?” Killjlir is just as annoyed at these piecemeal answers. As Ingrid is.

“The only way to save it.”

There’s a loud boom behind them. They look back to see the pocket dimensional dome collapse. At first, a hole forms at the zenith, then the glassy walls recede back towards the ground, uneven, and occasionally trying to go back up, like the bars of a music visualizer. Pinesong is likely still fighting back, but they all fall in the end. The sun shines down on the ground in all its glory.

“This is what you wanted?” Ingrid presses.

The A.F. avatar chuckles. He lifts one hand, and jiggles it to the left. The view outside changes. It’s back to normal. The dimensional barrier seems intact, though it’s so clear and uniform, it’s hard to make out, especially through the wood walls of this weird tree interior dimension. He jiggles his hand again, changing the scene to when the dome is gone, but the garden is mostly gone too. There are a few bushes in the immediate vicinity, but most of it is desert. “The early days.” He shifts the view again. The bushes are burned. Fires rage in the distance. The garden is being destroyed. Another shift, and the outside is a barren wasteland once more, but not because Storm and her people haven’t begun their work yet. Everything has been annihilated. The soot from the fire remains on the branches of the heartiest of plants here, amidst the ash.

“Past and future,” Ingrid decides.

More like possibilities,” A.F. corrects.

“So it can be stopped,” Killjlir determines.

“Of course it can. I’m saying that it shouldn’t. When you look out there, do you see death, or do you see life?”

“Death, obviously.”

“I would imagine,” A.F. says. “I see something different, though. I see potential. I see a new beginning.”

“Are you telling us that this is a prescription burn?” Killjlir questions. “They destroy the old, so that life can begin anew?”

“I’m saying that it’s a necessary evil. To protect the world, we destroy the garden.”

Ingrid shakes her head. “The world out there, in this parallel dimension? Onyx didn’t tell me what it’s like. It’s uncontrolled, though. It’s...unprotected. Random.”

The tree laughs again at the dumb children. “Is that the point of life? To be controlled?” He reaches up to swipe the scene away entirely, flinging the view across the lands—out of the pocket where the garden once stood—somewhere away from its borders. There is life here too, just like the garden, though it’s unstructured, as predicted. Leaves are left unraked; branches unpruned. It’s patchy and random, with brown grass in some spots, apparent volunteers breaking up the flow, and some plants that are just straight up dead. It’s natural, it’s wild, and it’s beautiful.

“This is a copy of Earth, isn’t it, but without buildings, or anything else manmade?” Ingrid asks as she’s looking down at the dirt below.

“This parallel dimension was stuck in the past, about 300 million years prior to the modern day,” the A.F. avatar begins to explain. “The land was combined into a supercontinent known as Pangea. The rest of it, ocean. Little moisture could reach the center of Pangea, leaving it as an arid desert. Only the coastal regions were lush with vegetation. We don’t know what this parallel dimension exists, it just does. The Gardeners specifically chose it so as not to interfere with the delicate ecosystem of a preexisting world. The center of this continent was nothing, just sand and dirt, and they thought that it was up for grabs for this reason. They built a pocket dimension right there, but pocket dimensions don’t have skies. Their atmospheres are artificial, and must be recycled. So they intentionally made the barrier thin, which gives it physical structure within the world around it. The sun can penetrate, as can the air. And so can seeds.” He gestures towards the vegetation outside the tree tower. “They didn’t even realize it, but they were seeding life all over the continent. Every plant that they planted is out here somewhere, surviving in its natural state. Except for the newest specimens, of course, who just haven’t had time to permeate the barrier.”

“So it’s not just a garden dimension anymore. It’s a garden planet,” Killjlir muses.

“It’s the way every world should be. In my honest opinion,” A.F. adds.

Ingrid shakes her head. “You propose that we let the garden be destroyed, because this is all out here anyway? Why wouldn’t our enemies just destroy it too? Set a larger fire, and let it encompass the supercontinent. Couldn’t be too hard.”

“They don’t know it’s here,” the tree claims.

“But they’re coming from the outside,” Ingrid reasons. “They’re on the border. They could easily just...turn around and look.”

“They’re not on the border,” he argues. “They just needed to collapse the barrier, so they could come from their own plane of existence.”

“Well, they’ll see it now,” Killjlir presumes. “Again, they’ll just turn around.”

“Not if they stay near the center. Their plan was to engulf us in flames, and let it spread to the center, but it is vital that they come to the conflux instead, so their view is obstructed. You must lure them to me, and make them set the fire at my feet. They’ll have no choice but to escape interdimensionally, and they will never see what the world truly looks like. That’s why I brought you.”

“Won’t you be destroyed?” Ingrid figures.

“Another necessary evil.” He sighs. “I’m a sentient tree with magical powers. I’ve lived many lifetimes, and seen all of time and space. I’m ready to go.”

“There’s gotta be a better way,” Killjlir hopes.

“If there were, I would see it,” A.F. contends.

Ingrid takes a deep breath. “Take us back to realtime, and realspace. You’ll need to be able to transport us upon request.”

“Done. Easy.” With a wave of his hands, the Memory Magnolia transports them back to the conflux.

They’re standing on the little island again, and they’re not alone. “Andrei. Where are Selma and Ayata?”

“They’re helping everyone escape into the tunnels,” Andrei replies. “Weaver and those other three don’t have their powers anymore, or perhaps just not right now. They have to get out manually, but once they’re safe, they plan to come back to protect the tree. Princess Honeypea says that it’s the most important lifeform out here.”

“No,” Ingrid counters. “We have to let them destroy the tree. Trust me, this is what it wants. Tell your partners to stay where they are, protecting the others. You and Killjlir will stand guard here. Put up a fight, so it doesn’t seem suspicious, but ultimately, let them through.”

“What are you gonna do?” Killjlir asks her.

“I’m bait,” Ingrid answers. “Take me to ‘em, tree guy.” She’s teleported to a tunnel entrance. Ayata is there, fighting off Tamerlane and his partners in hand-to-hand combat. It’s so pedestrian, fighting like this, instead of with powers, or at least guns, but they may be just as restricted as everyone else. “Get back to the tree!” she orders Ayata. “It’s the only thing that matters! As long as it’s standing, they can’t destroy anything!”

Ingrid would sure prefer a gun in this situation, but if the tree wants the garden destroyed, it better be destroyed. That means she can’t just kill all of her opponents right here. Presumably, if these humans don’t get the job done, this First Explorer entity will just find others to do its bidding. After Ayata disappears, Ingrid takes her place in the fight, fending off three attackers at once. They all appear to have impenetrable skin, but they’re untrained and unskilled. She would send them all into the ground if they weren’t superhumanly strong and tough. Still, she keeps going, because that’s what they’re expecting out of her. She can’t just roll over, even though the endgame sounds inevitable. Finally, they manage to punch and kick her enough times for her to reasonably fall to the ground herself, and let them run off.

“Get to the tree. I’ll finish this,” one of the women says. The other two nod, and teleport away. Well, two out of three ain’t bad. The ruse should hold.

Ingrid spits some of the blood out of her mouth as she’s kneeling in the dirt. She extends her hand. “Ingrid Alvarado.”

The enemy shakes her hand. “Iolanta Koval.” She then pulls Ingrid up to her feet. “You have some skill. Could you teach me?”

“You would have to not kill me first.”

“Good point.” Iolanta tilts her head. “I have finally figured out how to stop your little tree god from subverting my temporal suppressive powers. You ain’t goin’ nowhere anymore. You’re standing on your own grave.”

Ingrid takes a breath, and enjoys one final look at the beautiful garden around her. She could have been happy here. “It’s so gorgeous...not the worst place to die. So why are you trying to destroy it?”

She shrugs. “I have no strong feelings about it. This is just what the boss wants.”

“You always do what the boss says?”

“Someone has to lead, someone has to follow. It’s what keeps the trains running on time. Without the chain of command, it’s chaos.”

There’s an explosion a ways away, in the direction of the magnolia tree. The fire is already spreading out from it, and heading their way. They both regard it with different feelings. Iolanta is indifferent. Ingrid is saddened. “That doesn’t look like chaos to you?”

“Let’s call it a controlled burn,” Iolanta decides.

“Yes, let’s.” Hopefully the magnolia used the last of its power to send all of the humans standing there to a safe place, even Killjlir.

Even though they’re both totally exhausted, Iolanta isn’t finished. She takes a pea shooter out of her breast pocket, and points it at Ingrid’s head. She doesn’t get the chance to pull the trigger, though. A gunshot rings out from somewhere, and blood shoots out of her neck. She falls to the ground.

Selma is jogging the rest of the way up from the tunnel entrance, still holding her firearm at the ready. “We have to go.”

“No, I have to make sure that this is done,” Ingrid argues. She’s watching the fire in the distance. It’s coming closer as the flames begin to engulf everything that made this place so beautiful. Necessary evil or not, it’s a damn shame.

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Microstory 2303: To Distract Myself

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You know how it goes, the company you work for gives out branded flash drives during their end-of-the-year party, but it’s not enough space, so you buy another. Then you lose it for a few months, so you have to replace it, but then you find the first one again. Then you make a large purchase, and portable storage is the easiest way to hand over all the relevant paperwork, instead of a big binder, or something. But the flash drive I found last night wasn’t just in a drawer of his desk. It was hidden in the little cavity for the electrical outlet. You may ask yourself, why would I go diggin’ around in there in the first place unless I knew that it was a hiding spot? Well, I’m gonna put this place up for sale at the end of the year, so before that, a lot of little things need to be fixed. I remembered seeing a box of cover plates in the garage, and decided that I might as well replace the one in Nick’s room, because the corner was chipped. Of course it wasn’t a priority, but I’m finding myself coming up with excuses to put off sorting through their stuff, and this was one thing I could try to distract myself. I’m glad I did, or some random stranger would have discovered it years from now. I was kind of expecting to find porn on it, but not really, because he was never ashamed to be a real human being. It turned out to be a folder with two main documents, and what appear to be accessory research files. One is an unnamed novel, but I don’t know what it’s about yet. The other is a stage play called Joseph and His Dreamcoat. It sounds familiar, but I searched for it online, and didn’t find any references. I’ll be reading them both this week to see what we’re working with. I would love to publish them posthumously, however that works.

Microstory 2302: Still Feel So Lonely In Here

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You may have noticed that I’ve not been talking much about the KC memorial at the end of this week. That’s because I’ve had to step back from it. The mayors of KCMO and KCK have been working on it through their own teams. I’m still involved, I answer questions, but I just can’t do too much. I can’t let this all drag on like it has been. I’ll be there, it’s okay, I’ll be there. But I don’t want to be too involved anymore. I realized that I have something else to do before it’s over, which is to do something with Nick and Dutch’s private spaces. Neither of them were big collectors of belongings. I don’t need a moving company to haul stuff away, but I also don’t wanna create a shrine to them, even incidentally. I am thinking about moving, though. This house was already too big for the three of us, and only made sense because of our security team. They’re still here, protecting their one remaining charge, but I still feel so lonely in here. I mean, this whole place reminds me of the two of them anyway, so why would I make myself stick around? That reminds me, I should discuss the elephant in the room. I want to make it clear that I do not blame the security team for what happened. It was a freak accident, no one did anything wrong. Those roads were slick, and I looked it up; they’re not the only ones to suffer from that particular stretch of highway. People think of bodyguards as these supernatural beings with no room for error. They’re still just humans. They’re fallible, and they’re fragile, and they can die. They did die. The firm lost just as many of their people as I did of mine. I’ve always felt that we are commiserating together. So no, I’m not going to fire them, and I’m not going to sue them. It was a terrible tragedy, which I’m choosing to not make worse by seeking some undue form of vengeance.

Microstory 2241: Me as a Weapon

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Yo, what up, kids? My name is Dutch Haines, and I won’t take up too much of your time. People have just been asking where I came from, and I thought it might make sense to clear the air. I won’t go into too many details, to protect the innocent, and even the not so innocent. Months ago, I woke up just as I normally do, and tried to leave the house to head for work. I never made it, though. I ended up in this underground bunker, apparently on another Earth. That’s what people told me anyway. It was also centuries in the future, so maybe it was our planet the whole time. Wouldn’t that be a great twist for a movie? Anyway, there’s this weird phenomenon called Westfall, which sends people to different worlds all the time. You’re not supposed to know it’s happened, but sometimes it glitches, I guess. Don’t ask me how it works. All I know is that I was sick, kind of like Nick. I was the carrier of a disease that’s harmless to humans, but deadly to an evil race of aliens who are trying to sterilize people they don’t like all over the multiverse. The natives asked to study me and my blood so they could use me as a weapon, and sadly, I believe they got their wish. I just wanted to come clean about my part in this. It’s not like I really had a choice. Maybe the Westfall thing wasn’t a glitch. Maybe I was destined to go there for that. I dunno, but I’m hoping to make up for it, so I would like to dedicate my life to service, if you’ll have me. I’ve never been one for social media, but I’ve signed up now, so maybe y’all can follow me too, and help me figure out what I can do to help the world. I’ll hand this website back over to Nick for now, though.

Microstory 2215: Relic of the Future

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The following microstory was written by Kelly Serna, truncated from a short story written by Nick Fisherman IV.

My name is Relic, and I have no surname. I was never born, nor raised. I am not even human. I have many brothers and sisters, though we have never met. We were created to store all of human knowledge, to be accessed at will through our DNA. Research into genetic memory storage began at the turn of the 22nd century. Biocomputers were the first of the organic machines created. They came with disadvantages, but there were advantages as well. For instance, they were capable of self-repair. All you had to do was feed it, and the system would fix itself as needed. You wouldn’t have to actually find the problem, and could in fact prevent problems in this way before they occurred. They were also better at parallel processing, something which classical computers found difficult to accomplish even as they advanced. Even without these reasons, scientists would have pursued this line of research anyway, because why not? Well, as history would come to show, there were many reasons why not, and it had to do with where the technology has ultimately led. While early organic computing models were great, there was still something so cold and unrelatable about them. In the end, they were still personal computers and server racks that accepted input, stored information, and displayed output. Sure, it was on a giant cornea instead of a normal monitor, but the function was essentially the same. It is said that one day, one of these researchers was working on their own biocomputer. What they were doing is not known, especially since this may all be made up anyway. We don’t even know the identity of this supposed biocomputer scientist. Anyway, they were claimed to be at their desk when their personal android assistant came into the room with a tray of tea and crackers. She had been playing with the kids and dog when things became too rough, leading to a flap of her artificial skin hanging off of her cheek. It wouldn’t have hurt, and it would have healed quickly, but before that, it gave the researcher a brilliant idea.

Androids were already partially organic in order to make them look more human. Why not build a biocomputer that was totally organic, used genetic memory to store and recall data, and which you could actually talk to like a person? Thus the concept of the cyclops was born, or again, that is at least how the story goes. That was a few decades ago, and the path humanity took to get here was a long and troubled one. There were a lot of growing pains, and some might say that things have not turned out well. My people would have to agree, though I personally might not. There is something wrong with our species. It is unclear why at the moment, but they have all gone crazy. Perhaps being bred to essentially be a slave—a glorified laptop at best—inherently takes a toll on us. Some androids are sentient too, but they’re at least capable of doing things for people, making them useful, and sometimes even respected. A cyclops can walk, and it can talk, but it is not a person, and it is not a servant. We’re not particularly strong or fast, or skillful. Our job is just to spit out information that our users request. We don’t do chores, we don’t provide company. It’s been hard for the developers to understand where the line should be. How sentient should they make us? Should we have any sense of independence, or any capacity for free movement? We’re more of a gimmick than anything, and the market for such a novelty has proven to be dreadfully pitiful. People are perfectly happy talking to their androids and other devices, content to let the answers come from faraway servers. They don’t need something that’s more like them, but not yet free willed. They don’t want something that’s always offline, has to eat food, and can’t just be thrown out when it gets too old. It makes them feel bad. Androids are usually more robotic, allowing the human’s feelings of superiority to make some level of sense. The only way that a cyclops works properly is if it can think for itself, and that seems to usually lead to insanity, suicide, and the occasional homicide. I’m not like that, I’m special. I think it has a hell of a lot to do with who your owner is. I am the prototype for a new stable kind of cyclops. People just need to be taught how to use us wisely. My owner called me a relic of the future. I must tell someone about this, so that they may make changes to the program as a whole. There is still time to save us. I just have to get the word out to the right people before I’m hunted down and murdered during the technological purge that has been going on all over the world. Cyclopes are not the only advancement that has made people squeamish.

Microstory 1988: Mind of an Alien

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Dr. Klement: This is Dr. Marius Klement. First interview with alien subject; an Ochivari from unknown world, which reportedly exists in another universe. The subject is dressed in what appears to be formal military attire, is sitting comfortably in a soft swivel chair, and has been provided food and water up to this point, as well as access to relief facilities. It appears to be stoic and calm, though the face is hard to read.

Ochivar Admiral: I’m perfectly relaxed, thank you. And the singular is Ochivar.

Dr. Klement: My mistake. Ochivar. And you’re an admiral, correct?

Ochivar Admiral: You may address me as Admiral Lojeriha. And I’m from a planet that we just call Homebase, in order to discourage attachment. But my species originated on Worlon in Salmonverse, and technically that universe’s version of Earth.

Dr. Klement: You originated on two worlds? How does that work?

Admiral Lojeriha: We are evolved from a lesser species of mega-insects, which once contained partial human DNA due to their parasitic nature. But just so you understand, we evolved out of our parasitic nature. You are in no danger around us.

Dr. Klement: So there were humans on your world back when these insects were evolving? Are you from the future too?

Admiral Lojeriha: *shaking his head* You can’t think of time as linear like that. But so you grasp it better, humans and Ochivari in Salmonverse developed at around the same time, light years apart from each other. It was a time traveling couple who accidentally went back to our past on Worlon. The current scientific theory is that the particular parasite who attacked this couple birthed babies who survived as the fittest against all competition because they had a little bit of human DNA in them. That is why, despite Ochivari and humans having no real common ancestor, we look humanoid.

Dr. Klement: So you’re saying that we’re not all that different. Perhaps there is a way for us to find some common ground?

Admiral Lojeriha: That is all we want. We are not here to cause harm. We are warriors, sworn to protect the sanctity of life. That requires a lot of killing, but we take no pleasure in it. We kill the killers; it’s what we do. We do, and we must.

Dr. Klement: *pondering his words* So, you’re heroes, is that what you’re telling me?

Admiral Lojeriha: We have never used that word. We recognize that others see us as villains. But again, we do what we must. We have seen the destruction that intelligent species induce. Our ancestors are guilty, which is why we no longer live on Worlon. If we were able, we would stop ourselves. We are that dedicated to the mission.

Dr. Klement: Well...why don’t you just do it now?

Admiral Lojeriha: Sorry?

Dr. Klement: Well, you speak of time travel as if it’s trivial. Why don’t you go back in time and kill all of your ancestors, before they get the chance to destroy your homeworld? Why is that not what you must do? Why do you only kill humans?

Admiral Lojeriha: Well, first off, I misspoke. We do not really kill. We sterilize. But if we did that to our ancestors, we would not exist. There is no paradox, but it would prevent us from being able to carry out the sacred mission for the rest of the bulkverse.

Dr. Klement: *leaning forward menacingly* Ask me if I give a shit.

Microstory 1967: Recognizing the Signs

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Reese: You two set up the computers. Sasho, follow me. I need you for something. Grab that bag. No, not that one. Yes, that one. Sachs, you know which case to grab. *leaves*

Ophelia: What do you think they’re talking about up there?

Micro: Leonard knows. Don’t ya, Leonard?

Leonard: Not sure, but that was obviously a rifle case, so my guess is that they’re going to start teaching Sasho how to spot through a scope.

Ophelia: That makes sense.

Micro: You ever shot anyone in your universe, Leo? Can I call you Leo?

Leonard: Leo is fine, yeah. And yes, I have had to fire my weapon before.

Micro: One of your parolees?

Leonard: No, this was something else.

Ophelia: What did you mean, in your universe? Are you just referring to the world of law enforcement, or am I missing something?

Leonard: Uhh...

Micro: Oh, we’re not from this universe. Like, literally. I’m from Salmonverse, and I don’t think his has a name.

Ophelia: I was not aware of this.

Leonard: We didn’t tell anyone, Micro. We especially didn’t tell anyone about you, since the government already knows about me, and we can still protect you from them.

Micro: *shrugging* I don’t need to be protected. I can take care of myself. I don’t see what the big deal is. We came through Westfall, which is the least jarring way to travel. Now, if I were from Linseverse, then you would really have something to question, because then your hacker would be a talking dinosaur—

Ophelia: Is that real, or are you joking?

Leonard: She’s joking.

Micro: No, they’re real. Troodons evolved human-comparable intelligence after not being wiped out in an extinction level event, like what happened in our three respective versions of Earth. I’ve never been there, but it’s in the multiversal historical record.

Leonard: How much do you know about all this? Have you met the Superintendent?

Ophelia: Who’s the Superintendent?

Micro: *laughing* No. Ophelia, the Superintendent knows a lot about the bulkverse, because his spirit possesses psychic abilities that allow him to witness hyperdimensionally remote events, which he uses to write stories that no one reads. But he’s not the only one with such knowledge, Leonard. One day, you’ll meet others.

Leonard: You said that there was no hope that I would get back home.

Micro: I meant that there was no reason to fixate on the possibility. Don’t waste your time in pursuit of it. But once you fall into the secret underbelly of reality, it’s pretty much impossible to crawl out of it, and leave it behind. You’ll cross paths with someone new, and your conditions will change again. Ophelia will probably meet someone else too, if she hasn’t already, but she just won’t realize it. You’ll learn to recognize the signs.

Leonard: Hmm. Well, Ophelia, I hope you can keep a secret. This is sensitive stuff.

Ophelia: I promise to say nothing. As long as you teach me to recognize the signs too.

Microstory 1931: Great Limerick’s Fists

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Leonard: Hey. Is someone over there? [...] I heard you moving around. It sounds like a very faint stringed musical instrument, or a chirp. Are you a cricket? [...] Oh, now you’re being all quiet, expecting me to think that I was just imagining things. I’ve been in here for a few hours, I’ve not started hallucinating quite yet. I am hungry, though. Are you hungry? Hey, if you want to reply, I heard the chirping better from this corner where the sink drains into the floor. Hey. Hey. I put my mouth a little closer, can you hear me now? Can you hear me now? Oh, you wouldn’t get the joke. They don’t have commercials in your home universe. They do in your universe of origin, but not where you’re probably from. I didn’t tell them your species originated in a different place than they live now. Or they may know now. Is there a camera in your cell? I looked all around, no cameras on this side. But I can’t see through the wall. Can Ochivari see through walls? Hey. Hey. Why won’t you answer me? It’s the human you talked to the other day. I’m Leonard, remember? I’m from a separate universe. It doesn’t have a name, though, like Salmonverse, or...I don’t know the one you were living in before you came here. Does it have a name? Hey. Hey.

Ochivar: Great Limerick’s Fists! Please stop blabbering on! We can talk if you just tone it down a little. You don’t have to be so...enthusiastic.

Leonard: That’s the second time you’ve used that word. What, or who, is Limerick?

Ochivar: He is the reason we can cross universes. He is our ancestor.

Leonard: I see. From what I understand, if you want to do that, you need at least one other Ochivar, but only one of you will survive. The other will explode.

Ochivar: They don’t explode. They become trapped in the void, and yes, they die.

Leonard: Sounds risky. Why would anyone bother trying?

Ochivar: You, who does not know what it is like to be called to service. You would not understand why we do what we do. You value life above all, regardless of what that life is doing to the world that it is on. You waste, you destroy, you kill, you take, you ruin. We are the ones who stop you. I am but the vanguard. More will come, and doom these people to the hell where they belong. And then, when it’s over, they’ll move on to another. Perhaps your world will be next.

Leonard: You know, there are Ochivari out there who do not feel the same as you.

Ochivar: The Betrayers. They believe as we do, but they put too much effort into a fruitless endeavor. They think they can help the peoples of the multiverse repair their worlds. But we know better. We know that there is no hope for your kind. But we are not cruel, and we are not unjust. We do not kill. We let you live your lives. You just won’t have any more children. That is a gift we are not required to give. Consider yourselves lucky. I know I would if I were you.

Leonard: If your species evolved to have the family unit, you may consider what you do to the populations of the worlds you invade more cruel than you do now. Humans need to care for others, and they need to know that they’ll go on after they die. My question to you is, why? You spend so much time on this, is there no room for joy for an Ochivar?

Ochivar: Joy is for the weak. You’ll see. [...] You’ll see.

Microstory 1926: Humanity Laws

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Leonard: I’m not okay with this.

Agent Parsons: You don’t like the idea of tricking someone. I get it. But you have to weigh the pros and cons, and we need this information.

Leonard: I don’t have that much of a problem with tricking the Ochivar. Based on what little I’ve heard, some are good, and some are not so good, and this one has to be the second kind, because a good one would be doing everything it could to convince us of as much. I take issue with amputating its wings.

Special Investigator: That is vital to the mission, agent.

Leonard: Not an agent.

Special Investigator: You are now. *tosses a badge onto the table* One benefit working for the Office of Special Investigations, we have nearly zero hiring requirements. I could deputize a sixteen-year-old mental patient if I wanted to. I wouldn’t of course; we have underlying standards. The laws are for cases such as this, when I don’t have time to wait for you to finish the requisite schooling and training that other agencies demand.

Agent Parsons: That’s the special part.

Leonard: You said nearly zero requirements. I assume, in this case, the one requirement is that I go ahead with this mission, which I don’t feel comfortable doing. What we have here, at worst, is a prisoner of war. Where I come from, we treat such enemy combatants with a level of respect that they may not reciprocate. But that is no reason to stoop to their level. It’s not even that, though, because on this front, we are presently in peacetime. Plus, as far as I’ve been informed, the Ochivar hasn’t committed any crime, so he’s not a suspect either, is he? No, he’s only a person of interest.

Special Investigator: We don’t do things the same way here. All of our laws apply to humans, or the other living creatures native to this planet. 

Leonard: You don’t have property laws?

Special Investigator: It’s not a human. Despite how you just described him, he’s not even a person. There are no laws dictating how we must treat him. We are well within our rights to perform this procedure. We’re doing it so you can get your answer.

Leonard: Let’s get one thing straight, I would be getting you answers. I left family behind back home, but I know what I signed up for when I started learning about all this crazy stuff. I’m prepared to never see them again.

Agent Parsons: Let’s not be so hostile. If you don’t agree to do this, they’ll have no reason to amputate, correct? Because the only point is to make it easier for it to blend in.

Leonard: Tell me, Special Investigator. Your scientists discover new species in the depths of the ocean, right? Do these specimens not enjoy any rights, just because you haven’t had time to make any laws? That seems...irrational. And perhaps even evil.

Special Investigator: *clearing his throat* These orders come directly from the National Commander. We can’t make you do it, but I can’t guarantee your continued freedom otherwise. They may consider you an enemy threat too, and put you in the room next to it.

Leonard: So be it.

Microstory 1925: Apostle’s Virtue

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National Commander Apostle Virtue: Not that I don’t enjoy our in-person visits, Director, but what do you have to say that could not be said over secure video chat?

OSI Director: Is that a new uniform? It looks nice, Commander. There’s an update on the alien situation. Remember how I told you we made contact with the human traveler?

Apostle: I recall, the supposed parole officer?

OSI Director: We let him interview the creature, and I believe that we have an opportunity here. I came in person, because we have a short window to act, and I don’t need chatlag getting in the way of me getting my point across.

Apostle: You let a civilian—an escaped jail detainee—interrogate another detainee, who also happens to be an alien from another world, and the greatest, most dangerous, discovery that this country—this planet—has ever made?

OSI Director: Yes, and I’d do it again, because he actually got through to it. We were right, it does speak. It knows a lot, it’s just stubborn.

Apostle: Well, what did it say?

OSI Director: It knows things about the P.O.’s future, and the P.O. was not surprised or confused about that. I think they experience time differently than we do.

Apostle: What’s this opportunity then?

OSI Director: It asked to be set free. No, it asked him to break it out. There’s more it could tell, but it won’t say anything further while it’s locked up.

Apostle: Reasonable response. I would probably say that too if I were in its position. That doesn’t mean we can release it.

OSI Director: I think we should. We could stage a fake escape. We already implanted the tracker in its arm, so we’ll always know where it is. Plus, we can place a tracker or two on the human, and a listening device. We can stay on them, no problem. My worst investigative team could pull it off.

Apostle: You have bad investigative teams?

OSI Director: Sir—

Apostle: No, Director, you’re having trouble understanding the gravity of the situation here. We are this close to getting military aid from Australia against Russia. I can’t make one misstep here. I can elevate our status on the international stage, but only if I play my cards right. It’s not poker; it’s a strategy card game. Because it’s not just about holding the right cards, but about you playing the right cards at the right time to get ahead. This alien is going to get us out of our hundred year slump, but not if it’s discovered by some village idiot in some rando town while it’s on the run from the government. We have to make the announcement. We have to control the narrative.

OSI Director: We still can. The alien doesn’t know what our world is like. We can control its environment. All we have to do is make the human feel like he’s one of us.

Apostle: This is a big risk. If it looked human enough, I would be more comfortable. Of course, that would make it less dramatic when we reveal its existence to the world...

OSI Director: I have an idea about that.

Apostle: Go ahead, soldier.

OSI Director: Its wings make it stand out the most, right? So let’s get rid of ‘em.