Microstory 2659: Nightmare Fuel

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Zombiedome is obviously full of zombies, but Malika has been here before, and it was never this bad. It feels like every square meter of the surface has a zombie in it, though it probably tapers off in the distance. A player would not be able to move around, let alone have any hope for survival. There also aren’t any buildings, which Malika says isn’t right either. It would obviously be a ridiculous setup. If there’s nowhere to run to or hide behind, it’s not really a game. There’s something very wrong here. If Jiminy spent a third of his time in this dome, how could he have dismantled all of the infrastructure without the Custodians, or the executive administrative authority, noticing? It really doesn’t matter, though. The undigitized organic humans are in trouble.

“What do the residences look like?” Mandica questions. “All we can do is split up and check every one in order. When you find the right one, holler.”

“No, that’s a poor use of time. When there are this many of them, the zombies aren’t enemies; they’re the weather,” Reagan argues. “We could never kill them all. Many of my people are posthumans. They will protect the others. We have to find a way to close the portals. Look at all of them. Something is keeping them open and stable.”

“Do you have some way of finding the power source, or the controls, or something that can help us put an end to this?” Jaidia asks him.

“Oh yeah, let me just take out my transdimensional window detector. Shit, I think I left it in my pure gold airplane.”

No one responds. They just keep hovering, watching the horror.

“I’m sorry. I’m just trying to think of how to fix this,” Reagan says.

“Can y—ear me?” Elysia asks. She’s speaking through comms, but it’s garbled.

“Yes, but barely,” Jaidia replies. “Are you still in Seagate? We’re in Zombiedome.”

“I see you, I’m on my way,” Elysia says. She starts out as a flying dot over the ground before getting bigger and bigger as she draws nearer. “Report.”

“We’re hoping to find the source of all this,” Mandica says. “It has to be some kind of machine. Maybe it’s integrated into the dome’s own power systems—”

“This isn’t Zombiedome,” Elysia interrupts.

“What? What other dome could have been filled up this much already?”

“Well, it is, but it’s not our Zombiedome. That’s why I could hardly reach you when I was near the portal, and why we can’t talk to the EAA from here. We’re in a...different reality, or something. That’s why Jiminy was able to accomplish all this without anyone noticing. It’s a different world, parallel to our own. Which means our only priority is shutting it down. Once we close the portals, the military will only have to deal with the attackers that are already on the other side. But there’s a problem.”

“That’s not the problem?” Malika questions.

“They’re not just coming from here. There are also portals linking to an alternate Bloodbourne, and even an alternate Botfarm full of crazed androids, as well as a number of simulations which were originally privately held intellectual property. We have to close every one of them. All nightmares have descended upon the real Castlebourne.”

“But bottom line,” Reagan begins, “the military has been deployed.”

“Yes,” Elysia confirms. “They’re prioritizing domes which have the most UDOs in them, like State of the Art, and the residences. Your people are being cared for. We are not alone in this. The villain opened portals in our domes first to keep us busy, but he underestimated how fiercely non-superheroes would protect the innocent. We mostly designed our bodies with the best powers, but transhumanism is perfectly legal anywhere else. So let go of your anxiety, and focus on our task. We’ve been given this assignment because of how fast we can move. Any ideas of where it would be?”

“I don’t think it would be here. It’s too random,” Jaidia decides. “If they’re drawing from multiple domes, and there is a central command center, we have to think like Jiminy, or maybe even Morgana. Would he be in this dimension, or the real one?”

“We have to understand what he wants,” Malika says. “If he just wants to destroy the world, as bad as this is, it’s not a good permanent solution. Most people will survive it. If you truly didn’t want them to, you would go after the backup terminals, and all consciousness maintenance infrastructure. You would do it quietly and meticulously. You wouldn’t just throw monsters at as many people as possible.”

“They’re only a distraction,” Jaidia agrees. “He’s banking on our drive to fight back. That’s why we all entered Underbelly in the first place. He obviously has a thing for Pinocchio. I say we look for him in Collodidome.”

“No, there’s a reason he dressed himself up as Morgana, and did it in two domes. He’s either in Ravensgate or Loegria,” Malika counters.

“He only did that to get under Mandica’s skin,” Jaidia argues.

“Why would he need to get under her skin?” Elysia jumps in. “He hasn’t gotten anything from her. I think he was just playing a part. I think that was a distraction too.”

“Well, he can’t be in Loegria anyway, because that’s where he died,” Jaidia adds.

Malika shakes her head. “That’s exactly why he would be there, because we left.”

“We left to go to Ravensgate, and you thought he could be there instead!”

Reagan flies between Malika and Jaidia. “Guys, he’s not in either of those places, or Collodidome, or if he is, then he’s on this side. It’s the safest place for him. There’s no authority, he controls everything, he can draw an ungodly amount of power. The portals are coming from here, so it stands to reason they’re being controlled from here too.”

“I’m the key,” Mandica utters quietly.

“What?” Elysia asks.

“When you were all dead, it was just me, Vanore, and Jiminy. He said that I was the key. He said it like that, he emphasized the word. He needs me to open something. I don’t know what, or why it has to be me, but he’s been keeping me alive for a reason.”

“He stabbed you with a sword in the jewelry store,” Elysia tries to remind her.

“Right next to the Philosopher’s Stone,” Mandica reminds her right back. “He knew it was real. He probably put it there. And that sword? That was a special sword too. He used it once, and then never again. None of this makes any sense unless you frame me as being the ultimate target. But why? What’s so special about me?”

“You were a UDO,” Reagan answers. “That’s pretty special these days.”

“You said it yourself,” Mandica responds. “There are others like me in the residences; your people who chose not to back themselves up. They were closer.”

“We’re not vonearthans,” Reagan explains solemnly. “We are descended from a generation of ancestors created in a lab under vastly different conditions. We all received special shots when we came to this region of space. Our biology is different. They’re not even sure if we can procreate together. They consider it unethical to test it.”

Mandica stares at him for a moment. Without saying a word, she leans backwards and dives towards the ground. She pushes herself to supersonic speeds, which is incredibly dangerous inside of a dome, but she needs to break away quickly. Her friends can’t know where he’s going. She doesn’t know where he’s going. It just needs to be away from here; away from this whole mess. Before she’s reached the ground, she collapses her wings into her body. She shuts her mouth and plugs her nose, then slams herself into a bunch of zombies as hard as she can, absolutely pulverizing their bodies, and leaving her covered in their undead viscera. Now that she smells like the other zombies, they begin to leave her alone. She blends in with them, making her way through the crowd to a more distant portal. It can’t be the one she landed near, because that is where they’re going to look for her. It takes hours to meander through, like a neutrino in a star.

After she walks through the portal, she doesn’t know where she is right away, but it’s a good thing she didn’t wait even one second longer, because it closes right behind her. In her absence, her friends managed to figure out how to shut them down. They may have found the controls for the interdimensional technology, but they didn’t likely find Jiminy, nor what he’s truly after. He’s not going to make it easy on them. She’s going to take a page out of his book, and do the same. She’s going to rob him of the one she does know he wants. She’s depriving him of her.

She discovers she’s in Party Central, which is a great target to send a bunch of zombies and monsters. It was on Trilby’s green dome list so she was free to come here back when she was just a boring and delicate human. She still needed to be careful of falling disco balls and spiked punch, but she has had to be worried about freak accidents her whole life. She finds a fur coat on the ground. It’s covered in blood and guts, but that’s okay, because she fits right in with all the party-goers who were just attacked. People with guns and other weapons are here, cleaning up the last of the monsters. They’re not dressed in military garb, but some of them match. Her guess is that they’re from Mêléedome or Shmupdome. Those were on the red list because their only point is violence. She ignores them, doesn’t talk to anyone, and goes on her way.

She finds a public water closet where she takes the opportunity to clean up, throwing all of her clothes into the trashbot, which she pats on the head in remembrance of the one who got her here. After the shower, she grabs one of the robes, and walks back out. No one is paying any attention to her. They’re all still reeling from the assault. She continues to walk until she finds a remote building that is currently under construction. There’s an incinerator here to dispose of unrecyclable materials, so she switches it on, sets a timer, then dives in. It’s agonizing, but she needs answers.

Unlike the other times she’s died, she comes back to life this time with some memory of what happened to her. She doesn’t have many details, but she knows enough to get by. Jiminy was the lieutenant for a dangerous man named Pinocchio, who was once in charge of wherever Mandica goes when she dies. After being stripped of power, he eventually downloaded himself into base reality, where he continued to carry out his nefarious plans, predominately in the Spydome Network, until he was caught and locked away. Mandica is sure that Jiminy wants to break his boss free, and this stone and Mandica are collectively the way he does that. She can’t let that happen. She has to stop fighting, and start hiding. So she crawls out of the furnace, gets cleaned up again, and then simply attends the nearest party. This is where she lives for the next five years.

Microstory 2658: Full Roster

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Azad reaches down and scoops Jiminy’s gun up, so he now has both the fully operational model, and Reagan’s prototype, which isn’t as powerful. He looks down at Vanore, who is starting to do some breathing exercises. “Let me have her so I can take her to get medical attention.”

Mandica stands with Vanore in her arms. “No, take me and her both.”

He shakes his head. “You need to make sure this never happens again. That man has waged war on the living, and he’s prepared to overtake multiple domes in order to get it done. The Seagate Savior is rallying her people, and I need you to do the same for Ravensgate. I promise, she will receive the best care this side of Gatewood.”

“I brought her back to life,” Mandica explains, “with this stone.” She twists her shoulders demonstratively, but not enough to actually show the Philosopher’s Stone. “But probably only this one copy of her. Her backups are still likely dead, so don’t let anything else happen to her.” She hands her over to him. “What’s happening?”

“Underbelly is under attack,” Azad answers as he’s accepting Vanore. “Unlike in most cases, we can’t turn this off. They’re coming from other domes, since I don’t have time to explain how, let’s just say, they’re not using the door. You saw how I got here, and you’ll see me leave. There is more to this universe than you know, and whoever this person is, he has the same power. Real power.” He magically disappears with Vanore.

Mandica pulls her earpiece out of her pocket, and calls Elysia. “What’s going on over there? Are you being attacked?”

“Yes!” Elysia replies as she’s grunting. “Zombies!”

“Zombies?” Mandica questions. Zombies were played out centuries ago.

“Hordes of them! We think they’re coming from Zombiedome! There’s, like, a portal. A real portal. We don’t know how they’re doing it!”

“We need to get back to the vactrain,” Malika offers.

“That will take too long. Do you have any guns?” Mandica asks Reagan.

“Just this.” He holds his arm out. His own nanobots crawl out from his sleeve. They shape themselves into a simple tube, with a handle for him to grip, before exacting details and texture onto the cylinder as they bond together into a more solid shape.

“Yeah, that’ll do.” She just points, and lets him blast a hole in the tower wall.

“Don’t be mad, but I think we should go supersonic,” Mandica tells them both.

“We have definitely not tested that,” Reagan warns.

“Underbelly is, what, about 2,000 kilometers away? So if we just go—”

“No, no, it’s not happening. I won’t allow it,” Reagan insists.

Two minutes later, they have reached the opposite side of the Loegria dome. Malika is carrying Reagan by the waist. He blasts a hole in one of the dome’s panes so they can fly right through it. Now they’re flying over the real Castlebourne, no longer protected from the thin and unbreathable atmosphere. Fortunately, all three of them can survive this without even dying once. It’s not particularly comfortable at these speeds, but they only have to manage for half an hour, moving at roughly Mach 3. It’s actually better for them to go this fast now that they’re so exposed. They slow down to cruising speeds, and crash through the Ravensgate pane, but much lower this time since there’s a greater risk of diamond falling down on someone’s head.

They continue to fly at cruising speed until they’ve reached the heart of the city. It too has been overrun by zombies. Some of the other superheroes are fighting them off, along with some supervillains. Everyone else is running for their life. This is a black swan event for them. They were not programmed for this eventuality.

“Why would this Jiminy guy do this?” Mandica questions. “What’s the point? Everyone is either an NPC or using a temporary substrate. Yeah, it might hurt if you die, but they knew what they were signing up for. Does he just want to cause chaos?”

“It’s not just here,” Reagan is looking at his wrist device. “There are zombies in the residences too. Some people there are like you were before that stone. I have to go.”

“Wait!” Mandica urges when he tries to break away.

“I can’t wait! People are going to die!”

“We all saw what Azad did. He has real powers; ones that go against what we all learned about physics. Elysia said the zombie portal is real. But she’s in Seagate. They’re using two different portals, and if they’re all coming from the same place...”

Reagan nods. “Then that’s how they’re getting into the residences too. We have to get to that portal, but first, we need to make one stop.”

The three of them return to the lair.

Jaidia is there in a fresh new body. She’s naked, putting on her original wings since her upgraded ones are still back in Loegria. They have to go on before her costume.

“That was a quick turnaround,” Malika points out.

“Azad knows what’s at stake. I blew past reentry procedures,” Jaidia explains.

Reagan heads for his private lab. He has never let anyone into it before, but he leaves the door wide open this time while he makes a beeline for a raised black cabinet. He inputs his code and biometrics, opening the doors and extending a set of two stairs. Inside is an outfit that none of them has seen before. It’s mostly brown, embellished with some white and silver. It’s not simply a wing apparatus that attaches to the back, but an entire suit which he steps backwards into. The wings are feathered, the rest is piped and painted to be reminiscent of feathers. “Meet my new character...The Harrier.”

“And we’re married to that name?” Malika asks him awkwardly.

“Absolutely,” he replies. He steps out of the cabinet, and walks back down the steps. He’s a little off-balance, but at little risk of tipping over. “Let’s go join the circus.” His visor snaps shut, concealing his identity entirely. He leads the flock out of the lair.

The portal is probably 40 or 50 meters wide, but only a couple of meters tall. Zombies are knocking each other over as they shamble in. The team won’t be able to slip through without encountering them. To protect their wings, they land as close as possible, and start fighting their way through, bashing zombies’ skulls in, and tearing off their heads. It’s a bloodbath, but necessary, and the point of Zombiedome. They were designed to be threatening and deadly, and to die for it so visitors can have their fun. Their teeth are sharp, but not enough to pierce their skin, which is good, because according to Malika, you actually can become a zombie yourself, and either exit the game, or have your brain dumbed down. They are not interested in that here. They keep punching, kicking, and tearing until they’ve reached the portal together, and then they have to keep fighting on the other side to break free. They take flight again to get some rest. They scan the immediate area to find the paths to Seagate and the Residences. It’s not going to be so easy. There aren’t only two more portals, but dozens of them.

Microstory 2422: State of the Art

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Isn’t that a funny name for a dome? State of the Art. Since art is so subjective, that term is so often used to describe scientific advancements, which is essentially the opposite of what we’re talking about here. But in this case, they’re calling the entirety of the dome a state, and its purpose is art. Have you ever seen a show from a long time ago called The Peripheral? It only lasted one season, but in that, they feature sculptures that dot the skyline, which are larger than most buildings around it. They never talked about them, or gave any history, but it was set in the audience’s future. I’m not sure if the Castlebourne people were specifically inspired by this, or if it’s a coincidence, but either way, they have those here. These things go up two or three kilometers in the air, and can sometimes be just as wide. It’s really cool to stand on the balcony level, and look down at the whole thing. You’re a few kilometers up yourself, but there aren’t any clouds that low, since they can control all that stuff. Not every dome has one of these second levels, but I think it’s really important in this case. I certainly think that you could extend it more along the perimeter, or even build more layers, but maybe there was a reason why they stopped it here. I just worry that there won’t be enough room once the planet and the dome become more popular. That’s assuming it does. I know you’re all running from your zombies, and wasting each other in the wasteland, but it’s important to learn to be cultured and quiet. That’s what my mom taught me. She was old enough to remember a time before the longevity escape velocity. To them, art was a way of continuing on an individual’s and culture’s community. A piece of visual art or musical piece is a snapshot in history, showing in the most genuine way what life was like—what life was like for the people making the art, and for the people around them. We’re taught that a painting, for instance, comes from a distinct period in time, and it’s important to understand that. You paint a pond of water lilies in 1840, it evokes a different feeling than someone painting it in 2040. Lives change, lifestyles change. Those two people see the world entirely differently, and recognizing the beauty in that is an important human trait that I think we’ve lost as we’ve developed. We still make art, but it’s a reflection of who we are today, and it means nothing if we can’t remember that. Go back to the past, and learn from it. You can visit one of the Babeldome libraries and read about it, and I definitely wouldn’t discourage you from doing that, but don’t forget about the art. Never forget about the art. It speaks, so listen closely. Be cultured and quiet.

Microstory 2418: Paleodome

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This is a fascinating historical dome, but I think it can be better. I think they can make it more realistic, and more immersive. What’s the premise here? Well, it’s the paleolithic age, which is part of the stone age. Cavemen are working with stone tools, trying to figure out how to build societies, and engaging in the first (loose) definitions of war. I mean, it depends on how you define war. Were these organized, formal conflicts fought on distinct battlefields? No. But they were more than just two guys swinging clubs at each other during a disagreement. Their language was minimal, but they did make plans, and they did go out to fight together, so I would say that qualifies. The androids have been programmed with very low intelligence, but heightened curiosity, leading them to try all sorts of experiments, many of which don’t go too well. For now, these androids aren’t aware that you’re there. They’re literally programmed to ignore you while you watch from up close. I think they can do more with this. I think they can adjust the visitor’s intelligence as well. I know they do this with that zombie dome, where you can actually be transformed into a zombie. They seem to understand how people can bring themselves back to normal once they’re done with that. I don’t see any reason why the same principles can’t be applied here. It’s cool to watch the cavemen, but I want to be an active participant. I want to feel what it would have been like back then. In this regard, it’s an excellent reenactment. I don’t know exactly what year it’s supposed to be, but it moves in real time. I watched a guy learn how to cut a rudimentary axe-sort of thing out of stone, and that was a unique experience. That android will never do that again. He will never need to learn it again. Fifty years from now, if I go back, he will be “dead”. I’m sure his grandchildren will be starting to conduct their own tests, and learn their own lessons. That’s so cool to me, that we’re watching history unfold—albeit as a best guess based on archaeological evidence alone—and if you miss something, you miss it. There’s no going back to see what someone else saw before you. I think that’s really special. So if you’re interested in getting a glimpse of what Earth was like millions of years ago, you better come now, because it never stops changing.

Microstory 2407: Zombie Dome

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Zombies! Get your zombies here! We got fast zombies, slow zombies, zombies who are still a little bit intelligent, zombies who mindlessly continue on with the jobs that they supposedly had when they were still alive. You choose your environment, and you choose your level of difficulty, and then you just try to survive. They have some pretty crazy scenarios. I love zombies, so I’m biased, but I think you could have an entire planet just designated for this, and it would be great. Here’s what’s interesting about it, and the kind of unique thing about Castlebourne over all. They really lean into the fact that human bodies are completely expendable these days. They put a lot of work into building them for us. They have some fancy new technology that can grow a clone of you in a matter of minutes, I don’t understand it. Or you can choose your own creative avatar—like a bunny, or an iron giant—though that’s not really allowed in Zombie Dome. You’re supposed to be a human running from humanoid zombies. That’s the thing. But here’s a choice I never thought I would get to make. You can turn into a zombie in certain variations. When they bite you, if you don’t die, you continue as one of the undead. They’ll pump you full of drugs, and impair your brain processing. You’ll start walking around trying to bite other people. It’s a trip. I wanted to see what it was like, so I intentionally got bitten. Don’t worry, there are fail-safes in place. No matter how stunted your mind is, there’s always this part of you that is aware that none of this is real, and that you can break out of it if you need to. You can force your real consciousness back to the surface, and start being a normal person again. You’re dead, so you can’t keep playing like that, but you can make your way to an emergency exit, and quit playing. At that point, you can request a respawn into a normal body again, and start all over. I never felt unsafe in there even though that’s the point. It’s true, as I said, I love this stuff, so I kind of went into it really prepared. You might have a different level of preparation, but they’ll take care of you. They won’t let things go too far. Even when you’re still alive, you can put a stop to a zombie attack by uttering your safeword, which you will choose ahead of time. It can’t be too obvious, like, help, or no, stop! but I’ve seen it work. I had a bunch of buddies who were there specifically to test these systems. They chose different safewords at different times, and they always worked. We were there to test the boundaries, and make sure that the safeguards were sufficient, and never faltered. Highly recommended, but bear in mind this is not for everyone. It takes a certain kind of constitution, and most people should know whether it will be good for them or not, and again, if it’s not, you can just leave.

Microstory 2405: Ancient Thebes

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Sorry for my poor writing. It’s just not a skill that I ever picked up. I’m more into history. I’m really interested in history. I don’t have that much interest in going to one of the adventure domes, or whatever. I feel no want to run from zombies, or even relax by the ocean. I like to see what real places looked like at different times in history. Today is all about Ancient Thebes, Egypt. I could go on and on about this place, because it was amazing, but I’m sure it would be boring for you. Words just can’t describe how it feels to feel like you’re really there. As I was saying, I’m just not good at writing. That might have been too repetitive. The great thing about a planet like this is that you can make these places. It all looks so real and authentic. Ancient Thebes is gone. It was all modernized by the time people started taking photographs of the area, and now it’s been entirely removed in order to make room for the wilderness. I’m not saying that I don’t like plants and animals, but at one point, there was a plan to make wildlife refuges on rotating cylinders in orbit. What happened to that plan? I think that they were worried about us using it as an excuse to blanket the whole surface of Earth in a giant city. I wouldn’t have wanted that either, I think we just should have preserved historical architecture. I mean come on, there’s a middle ground, you know? I’m getting off track, but you really should be more cultured, and visit Ancient Thebes. They can’t build this sort of thing on Earth because of the whole animal thing, and it’s their territory, or whatever, but it works here. It really works. It’s like you’re really there. Just, if you come to this planet, don’t spend all your time having fun. Try to learn something. You can get a robot guide here who will tell you everything about Thebes and Ancient Egypt. You might find you like it more than you thought. Oh, and don’t ask if there are any attacking mummies. Those movies weren’t real. Okay? Had this guy on my tour kept asking about that shit. It’s like, shut the hell up.

Microstory 2327: Earth, November 25, 2178

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Dear Corinthia,

Yeah, I think it would be a great idea to be able to send quick acknowledgements to each other after each message. It does need to be more than just an automated read receipt. My friend is a coder, and he’s written us a quick program for that, if you’re interested. It’s nothing crazy. It just integrates with the messaging application, and lets you pull from a list of canned responses. You can have one that says, got it, I’ll get back to you soon, and another that says, it will be a few days before I can respond. You can even write one that goes, I’m being attacked by a horde of sad zombie aliens from the future of a parallel dimension. I can’t believe this isn’t already a feature, but we have it now. The file is attached for you to download, or tell me no, if that’s the case. In other news, my dad is coming home soon. My next letter to you should be a recap of what we end up discussing. He’s been fumfering when I’ve managed to get him on a call, so I know that he wasn’t innocent. We’ll finally get some answers, Corinthia. I’m sure I’ll have a lot to say in that letter, so I’ll cut this one short here.

Sharpening my zombie alien weapons,

Condor

Microstory 1688: Unstable Universes

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Perhaps now is a good time to talk about brane stability. Not all universes are created equal. Some are naturally occurring, while c-branes are created in someone’s dreams. Most dreams last for only minutes before they end, and unless something else steps in to maintain the dreamworld, the universe that was born out of it will collapse as well. Even if the dream is strong enough to survive, that doesn’t mean it will last forever. It is only as strong as the people who are responsible for it. What does this mean? Well, if the dreamer continues to deliberately explore the new world, it can last longer. If they create something semipermanent from it, like a written story, or even a painting, that can make it last even longer. If this art reaches some kind of audience, that can make it last indefinitely. The most popular stories make for the most stable universes. They have room to expand, and become more detailed, and most importantly, interesting. They might also be able to survive on their own merits, by the force of will of their inhabitants, but this is fairly rare. I was expecting to give you another story about the universe where zombies take over the world only briefly before dying out, but like Vacuumverse, there is nothing more I can say. The events that occurred here did not follow any level of logic, and the inhabitants weren’t strong enough to hold up their story on their own. History began the moment zombies were first created, and ended centuries later when civilization was all but rebuilt. Little happened in the meantime, and nothing happened afterwards. The whole universe collapsed under its own unstable insignificance, and that’s all you need to know.

Microstory 1646: Symbiosis

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Nearly all evolved life is human, or at least based on human DNA, if only a little. There are variants of humans, some of which are created through genetic engineering, but they can also be brought about by minute changes in a given environment across the bulkverse. They actually evolve to be slightly different. They’re still human, but they’re probably genetically incompatible with other humans, and they sometimes have noticeable differences. There’s one noteworthy example I won’t spell out for you, but basically the males of the species keep something inside their bodies, which are usually kept on the outside. They’re able to do this because a component of their blood allows them to regulate temperature more efficiently, and keep different parts of their bodies at different temperatures. It’s a survival trait that appeared as a response to wild external temperature fluctuations, which forced the evolutionary line to prioritize vital organs over extremities. Anyway, that’s not what this story is about. It’s about an entirely different population in an entirely separate universe. First, let me give you a quick overview of symbiosis. A symbiotic relationship happens when two specimens of two unrelated species will live together in some way. This can be as simple as a bird making its nest in a tree without harming the tree, or as horrifying as a parasite that burrows into an insect’s brain, and turns into a zombie. Some forms of symbiosis are good, some are bad, some are necessary, and some are just not a problem. Every human carries with it trillions of bacteria in their microbiome, a lot of which are critical to survival. Without these particular bacteria, the human would die. They process food, and protect the skin. But Nevilereverse takes that a step further, and evolved a version of humans that are host to a much more complex species, which are called the nevileres.

A nevilere is a medium-sized rodent that will live in a hump on the back of the human, just under the neck. The evolutionary road that brought the two species to this point was a long and windy one, but the gist of it is that the nevilere started living in the hump for obvious reasons; as protection against predators, but it also does the same for the human. It can send an electrical signal through the human’s nervous system, which alerts it to nearby danger. Some say this warning is more than just the result of hypervigilance, and is actually prescience, but the science doesn’t fully support that. It doesn’t rule it out either, though. In the modern day, such danger is less of a problem. There are generally no predators lurking in the city streets, waiting to pounce. It does happen, of course, and the would-be victim still benefits from the warning, but for the most part, the relationship has become commensalistic, in that it’s beneficial to one, and not harmful to the other. The relationship remains tight, however. When two people come together to procreate, their respective nevileres will procreate as well, and not long after the human baby is born, the nevilere offspring will be placed inside the baby’s hump. This is interesting, because the baby nevilere will always be the same sex as the human baby, and this will remain true forever, even if the human turns out to be transgender. It will actually spontaneously switch sexes as a response to the change in hormones that the human is producing. This was how the Nevilereversals evolved, and it makes perfect sense to them. A healthy human will love their nevilere. It’s like a pet to them, but the bond can be even stronger, because it will not die until the host dies.

Microstory 1638: Global Reconstruction

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If you’ve ever seen or read a zombie apocalypse story, you’ll notice that they rarely ever really fix the problem. They may come up with some deus ex machina at the end, but in order to leave the door open for a sequel, it won’t ever truly work. Or they’ll tease salvation at the very end, but never really show what life would be like in a post-zombie world. This Earth of this universe had their own version of zombies, and they attacked people, and some survived, and the zombies died out. They could only keep moving as long as they ate the dying or dead flesh from a human, so eventually, they ran out of food. The most resilient human survivors managed to protect themselves in bunkers, and behind walls, leaving the zombies to wander around aimlessly until they died completely. Well, they didn’t die completely, but they weren’t zombies anymore either. They essentially transformed into ghosts, able to interact moderately with the corporeal world, but no longer a real threat to humanity. They were now mostly just scary, and irritating. Not every zombie turned into a ghost; just the ones who weren’t super great people while they were alive, and there were ways to defeat them. The living human species, meanwhile, went on. They began to rebuild civilization, though not out of the ruins of the old world. They had to stay away from cities that were still falling apart from the war, which meant they were basically starting over. This was a slow process, and the survivors were in no rush to return to the way things were before. They didn’t outlaw technology, but they ignored it, deciding to return to the way things were in earlier days. As the original cities crumbled and sank, new towns popped up where once there was wilderness. Progress came gradually, about as fast as it had before. This time, however, they knew of the dangers that came with advancement. They retained stories of where their ancestors went wrong, and while some was lost in translation, the morals lived on. They focused on preserving the wild, and using only as many resources as they needed. They were aware of renewable energy long before they were capable of wielding it, and they knew there was no point in fossil fuels. Centuries after the fall, humanity was pretty much back on track.