Microstory 2490: Pyradome

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Not gonna lie, this one is dumb. I don’t know why I’m even bothering to review it. People just don’t really understand what it is, and that’s because they think there’s some deeper meaning behind it to understand. The truth, a one-sentence explanation is all you need. These are residential dwellings in the shape of pyramids. There. As long as you can read, you got it. There’s nothing interesting about this place, except for maybe how it looks from above. If you go up far enough, it’s pretty cool to see how the pyramids tessellate. But that’s less of a city, and more of an art piece. I guess the best reason I can think of for them to make this is because Earth has a long history of building pyramids. Multiple ancient cultures did it independently of each other. Maybe I actually don’t get it, and there’s a lot more to it than meets the eye. Maybe it’s some complicated, philosophical statement on overconsumerism, or monotony, or some bullshit like that. I suppose, if you have your own interpretation for these pyramids, that’s fine. I’m not gonna tell you what to think. What I can tell you is that the population here is extremely low, and they do not fill it out with androids. It’s basically Underburg—which is also struggling to promote interest—except with pyramid houses. I mean, that’s really the only difference, except maybe there’s less emphasis on returning to a bygone era, and more of just a niche place to live. When the vonearthan population grows to the trillions, there might be enough people here to call it a real community, just because statistics support it. But if Earth moves forward with their plans to build the World Crescent Tower, or terraforming becomes exponentially faster, Pyradome might be experiencing its heyday right now, as sad as that sounds. If you wanna see a spiking world below your feet, sign up for a helicopter tour. If you want a great place to live, I can’t recommend this over other places, like Overdome or the Palacium Hotel, or hell, even somewhere in the Nordome Network.

Microstory 2475: Fashiondome

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If you’ve ever been to Bot Farm, you know how much work goes into creating all the androids that populate the domes to make them feel real and lived in, even when there aren’t very many visitors. Eventually, I believe the droid population will begin to decrease as more and more people move here, but for now, production does nothing but ramp up. That’s not about the bots themselves, though. It’s about their clothes! It’s also about your clothes. Every garment worn anywhere on the planet—unless you brought it with you—has been manufactured here. We’re talkin’ IMS units. We’re talkin’ themewear. We’re talkin’ bathing suits. If you go to Wild Wild Dome, you’re gonna see a lot of cowboy outfits, won’t you? Well, they made those here, and shipped them off when they were ready. You get it, I don’t need to list any more examples. You know what clothes are. In one sector, there are just rows and rows of industrial printers, fiber class. In another sector, there are rows and rows of racks where the finished products are stored. It’s precisely what you would expect out of a place like this. They don’t only make 3D printed clothes. It’s not even just about the products that need to go out to other domes. You can actually come here to design and fabricate your own clothes, at whatever level of technological advancement you prefer. They have electrical sewing machines, mechanical machines, and even just needle and thread. You can knit a scarf or crochet a hat. It doesn’t even have to be good, it just has to be fun. They also have fashion shows. Some of them are recreations of real shows from the past, while others are entirely original. They’re all produced by visitors like you. Nothing is made by a superintelligence, because that wouldn’t be very interesting, would it? If anything you can think of is even remotely tied to the fashion industry, both past and present, it’s here somewhere. Come here, and find your bliss. Funnily enough, however...clothing optional, just as it is anywhere.

Microstory 2463: Overdome

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You can live here. It’s called Overdome, because everything here is oversized. Not only that, but most of them are habitable. I’m talking gigantic shoes, gigantic bookcases, gigantic whisky bottles. I’m not gonna list every little thing (or every big thing, rather) that serves as some sort of abode. What I’ll tell you is that most of the dome is empty. It’s up to you to request what you want if nothing that you envision already exists. You can be as involved in the process as you would like, or totally stay out of it. One woman I met in The Crystal Ball was only staying there temporarily while she designed her dream home to her exact specifications. It’s a 3D integrated circuit layout, obviously with multiple layers, known as a logic cube. You probably take them for granted, but every classical computer uses them to process and store data, and they’ve been doing it pretty ubiquitously since the mid-21st century. She loves them, and she wants her home to reflect that. I suppose I ought to go back a little and explain The Crystal Ball. It’s a giant crystal ball. That’s it. Lol, obviously it’s more complicated than that. Some of the objects here are just for show. They’re more like art pieces. But this one is a real building. It’s one of the biggest here, which is an important note to remember. These objects are not scaled relative to each other. The bookcase is actually smaller than the Crystal Ball, even though it’s the opposite for their real-world counterparts. The Crystal Ball is located in the very center of the dome, and serves as a central hub. You can book a room on a temporary basis, like the logic cube designer, or for a very temporary stay, like a hotel. Or you could just stay there permanently, if it strikes your fancy. It looks just like it should, except you can see people walking around in it. Don’t worry, if you are in a private room, you can adjust the opacity at will. I saw one guy as I was walking down the corridor who had the opacity at 99% for the outside, but it was fully transparent on the interior, so we could all see him change his clothes. Whatever, man. I would recommend coming to Overdome for a look, but it will be up to you if you want to stay. And then it will be up to you to decide if you want something new all to yourself. The possibilities are virtually endless. I noticed one option on the application form that was just a question mark. Apparently, you can select a mystery home. Someone will choose a design for you, and not tell you what it is for the entire time you’re waiting. They won’t even tell you where exactly your lot is located. You sign a contract that promises to stay there for at least a year, and they have all these stipulations about vacation periods, and whathaveyou. I don’t know if they choose embarrassing things, like maybe an ancient tampon, or what, but it could be kind of fun if you’re bored, or just like to live in the anticipation. Me? I can’t wait for my oversized alarm clock to be done.

Microstory 2454: Elizabeth Victoria

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If you’re looking for something anachronistic and weird, you’ve come to the right place. The Elizabethan Era ran from 1558 to 1603, during Queen Elizabeth’s reign. The Victorian Era started in 1837 and ended in 1901. They are both iconic periods in Great Britain’s history, but vastly different as they were separated by more than 200 years. The technology here is hard to get a grasp of. Not only are we dealing with stuff that they were using nearly a millennium ago, but they’re juxtaposed by each other. When you walk into a building, you never know if it’s going to be lit by gas lamps, or incandescent bulbs. It could be both! Which, I mean, it’s not like they destroyed all the gas lamps when they invented electricity, did they, innit? People walk around in all sorts of different clothes. They all looked alien to me, but I could tell that some of them were really old, and some were really, really old. The architecture is a mix, of course, with wooden cottages and natural stone buildings right next to giant even-stoned factories. Again, I’m sure a lot of the old stuff still existed in the new era, but the way they have it organized so randomly, it seems very forced and intentional. I’m not sure if I was supposed to learn something here, but it was fun to spend an afternoon getting a look around. I don’t think I would want to spend a lot of time there, though. I don’t much care either way, but I went with a historian friend, and they didn’t like it. They would prefer a historical dome to be accurate. Don’t get me wrong, it’s not like they were shocked and appalled. The design was very clear in the prospectus, and you know they read that whole damn thing, because I waited for them to finish it while we were sitting in the vactrain station. They told us that it was intentionally incongruent, and in that goal, they delivered. That’s all you can ask sometimes, innit? (Hey, am I using that word right? I don’t even know.)

PS: Please read my friend’s review. They actually know all the historical and cultural stuff that kind of flew over my head anyway.

Microstory 2423: Oz

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My assumption is that the guy who made this planet was a huge fan of L. Frank Baum, and his works. If you haven’t read the books, you really should. You can see the movies, particularly the first one, but everything here is drawn from the source material. Oz is only one dome, complete with the Emerald City in the center, and the four countries around it. There’s a so-called Impassable Desert along the perimeter, but there’s not much to it before you just hit the wall. Which is fine. I mean, that qualifies as impassable, doesn’t it? Unless you go through a door. I’m overthinking it. The point is that Oz is only one dome, but the world of the Baum books includes many other regions on the planet, and each of them has their own dome too. They’re all on my list, because my father used to read me the books when I was a kid, multiple times. And when I grew up, I read them myself. On my way here, I read them yet again to refresh my memory. Yeah, I could have installed the data into my cybernetic mind, but there’s nothing like reading the words in realtime, is there? The bottom line is that this place is perfect for me. It’s as accurate as it can be given the lack of specifications from the books (which no one could expect from any writer). It exemplifies the spirit of the original story, I should say. They had to make their own decisions, and take some liberties, but they totally nailed it. This. Is. The Land of Oz. Are there some things that I would change if I could? Sure. Do I wish that they would ask me to help them make such changes? Yeah, I do. Could I offer my services? Yeah, I guess I could. I might just do that. They have people work here, right? It’s not all automated. I might wait just a little bit, though. I should take notes, and go through the entire thing. I should also wait until I’ve had time to do the same in the other Baum domes. I wouldn’t dream of telling you what to do, but you really should check it out. It is great and good.

Microstory 2422: State of the Art

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Isn’t that a funny name for a dome? State of the Art. Since art is so subjective, that term is so often used to describe scientific advancements, which is essentially the opposite of what we’re talking about here. But in this case, they’re calling the entirety of the dome a state, and its purpose is art. Have you ever seen a show from a long time ago called The Peripheral? It only lasted one season, but in that, they feature sculptures that dot the skyline, which are larger than most buildings around it. They never talked about them, or gave any history, but it was set in the audience’s future. I’m not sure if the Castlebourne people were specifically inspired by this, or if it’s a coincidence, but either way, they have those here. These things go up two or three kilometers in the air, and can sometimes be just as wide. It’s really cool to stand on the balcony level, and look down at the whole thing. You’re a few kilometers up yourself, but there aren’t any clouds that low, since they can control all that stuff. Not every dome has one of these second levels, but I think it’s really important in this case. I certainly think that you could extend it more along the perimeter, or even build more layers, but maybe there was a reason why they stopped it here. I just worry that there won’t be enough room once the planet and the dome become more popular. That’s assuming it does. I know you’re all running from your zombies, and wasting each other in the wasteland, but it’s important to learn to be cultured and quiet. That’s what my mom taught me. She was old enough to remember a time before the longevity escape velocity. To them, art was a way of continuing on an individual’s and culture’s community. A piece of visual art or musical piece is a snapshot in history, showing in the most genuine way what life was like—what life was like for the people making the art, and for the people around them. We’re taught that a painting, for instance, comes from a distinct period in time, and it’s important to understand that. You paint a pond of water lilies in 1840, it evokes a different feeling than someone painting it in 2040. Lives change, lifestyles change. Those two people see the world entirely differently, and recognizing the beauty in that is an important human trait that I think we’ve lost as we’ve developed. We still make art, but it’s a reflection of who we are today, and it means nothing if we can’t remember that. Go back to the past, and learn from it. You can visit one of the Babeldome libraries and read about it, and I definitely wouldn’t discourage you from doing that, but don’t forget about the art. Never forget about the art. It speaks, so listen closely. Be cultured and quiet.

Microstory 2290: Speak of it No Further

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In movies, when someone writes a great book, or is expected to write one, they’ll usually just go straight to the publisher. In fact, publishers are usually asking them to write something for them, generally if the person is already famous, and they think they can make some serious money off of a book deal about their experiences. In the real world, you really need to get an agent first. Sure, publishers have contacted me, but not under the assumption that they’ll be dealing with me directly. They’re all asking who my agent is, so they can negotiate with them instead, just as they’re used to. I’ve not been thinking about it too much, so I don’t have one of those. That’s what I need to do now. But when I say I, I mean Dutch, because I’ve placed him in charge of all that stuff. He’ll talk to the agents, and find the right fit for me, and once he does, the two of them will coordinate with the publishers, and go through that whole process, if anything comes to fruition anyway. Either way, I’m not going to worry myself about it, because it’s not really my goal. Not only do I not have time, and because it distracts me from the art itself, but because I am not doing this for anyone else. I am writing this for me. I can always throw it up on a new website, and let anyone read it. I don’t need it to be published. So other people can go ahead and deal with it on my behalf. If nothing comes of it, or I end up with a bad deal, then whatever. It’s not like I need the money, or more fame. I just need to focus on my work, and let it speak for itself. No matter what, you will have the opportunity to experience it, one way or another, and I’m not a hundred percent convinced that that should come at a cost. Again, I’m not concerning myself with any of it, so I shall speak of it no further.

Microstory 2142: Least of All Performer

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This is weird, I just got an email from a company that wants to sponsor one of my videos. It’s from a reputable organization, but someone there must have gotten their wires crossed, because I don’t do videos. I don’t like the way I look, and I have no interest in creating that kind of media. According to a personality test that you don’t have on your world, individuals can be sorted into sixteen baseline types, and I exhibit traits from all of them, but most of all Protector, and least of all Performer. I like to write, because I’m all right at it, and my brain processes written language better than any other skill, not because I’m particularly artistic. Anyway, I forwarded the email to my lawyer, who thought it was funny, because he confirmed that it was a legit business inquiry. He says that I can write back if I want, or just let it go. I’m leaning towards sending something, explaining who it is I am, and what I truly do. I think what happened is that word has been spreading about my blog, and someone at this company just wasn’t given all of the pertinent information. You’ll notice that I’ve not said what company we’re talking about. Even though I’ve not signed anything with them, it’s quite obviously not to be advertised until a deal has been made. It will probably be months before anything comes to fruition, assuming that we end up coming to the table to begin with. They may decide that there’s nothing for me to do if I don’t make video content. That would be fine. The blog makes significant money now. It’s not enough to quit my job, not that I have any intention of doing that either way—boss, if you’re reading this—but I don’t mind the extra income. I’m concerned that it will all come crumbling down at some point. Eventually, you’re gonna get sick of hearing about my adventures in jail if they don’t change week to week, and there’s only so much I can tell you about my mental health. When I start to do volunteer work, I’m sure a lot of that will be private, just like my paid job, though maybe not necessarily so much in the legal sense, so I won’t be able to tell you much about that either. For now, I’m just going to keep writing, and keep welcoming new readers, and if it doesn’t last, then that’s okay too.

Microstory 1861: The Tarmides of Tasmania

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In the late sixteenth century, a certain famous playwright wrote what would become perhaps his most obscure works. He was two years from death, and didn’t even get to see his final piece performed on stage. Once Tarmides of Egypt finally did make it to the theatre, opening night was riddled with such bad luck that it ruined the show’s future indefinitely. The lead forgot many of his lines, his co-star had to give birth halfway through, forcing them to switch to an understudy. The man who played the grandfather died of a heart attack near the end, and another was impaled when the stage collapsed due to all the weight of the people who ran up to tend to the old man. The injury resulted in death a day later. It was for these reasons that all further showings were cancelled. Years later, a different troupe tried to put on another production, but it went badly too. No one else died on the night, but set pieces fell apart, multiple actors flubbed their lines, and historians believe this to be the probable ground zero for what came to be known as the relatively shortlived Lurch Plague. The play was cursed, according to the superstitious majority of the time, and no one else so much as attempted to produce it again for at least a century. Since then, rumors of further unfortunate events have spread about more recent attempts, but most of these claims remain unsubstantiated. The fact of the matter is that the play has almost certainly been produced dozens of times without any issue, but that’s not a very good story, so most students are taught the melodramatically stretched truth that the curse always takes them in the end. The mystique of this whole thing is only fueled by the subject matter of the play itself.

Tarmides was born in Greece, but the narrative is about him immigrating to Egypt to escape his past, only to find himself at the center of one disaster after another. The playwright was probably trying to demonstrate the futility of life, having become more nihilistic in his latter years, but this depressing lesson is lost to the more sensational idea that he was a prophet, who wrote it in order to prompt destruction in the real world. When I was a young man, a tyrant rose to power, and waged a war against the rural parts of my country. Villages were demolished under the weight of his superior technology. I probably wasn’t truly the only survivor, but again, that’s not sensational enough, so the media billed it that way. I became famous, and an international effort formed in order to relocate me to a safer region of the world. Most of the time, developed world nations fight over who has to take in refugees, but in my case, they fought for the honor. Tasmania won, so that’s where I moved. Shortly thereafter, an undersea earthquake in the Southern Ocean sent a tidal wave to the island, killing thousands of people, and destroying a great deal of the infrastructure. Once again, in order to sell papers, journalists began drawing connections between my arrival, and the completely unrelated and unpredictable natural disaster. Like most regular people, I hadn’t even heard of the play myself at the time, but I soon came to be known as The Tarmides of Tasmania. This nickname followed me for the rest of my life. Whenever an item fell off of the shelf at the grocery store, or I was around when it began to rain, I was blamed for it. There was always someone around who enjoyed pointing it out, especially if something even moderately inconvenient happened to someone else. I lived the rest of my life with this mark, and as much as I don’t want to die, I won’t miss it.

Microstory 1765: Easel

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I’ve never been good with emotion. I have them, sure, but they don’t ever move far from the middle. When someone does something that I don’t like, I get upset, but I don’t get mad. As the date of an event that I’m interested in attending approaches, I feel enthusiastic, but not excited. I never lash out, or cry, or squee, or anything like that. I don’t have a problem with other people doing all such things; their emotional reactions don’t annoy me, but I bother them with my lack thereof. My first girlfriend deliberately let herself get caught cheating on me with another guy. I wasn’t happy that she did it, but I easily let it go, and didn’t break up with her. Of course, she broke up with me, because I wasn’t passionate enough, and that’s when I realized that I needed to find someone who didn’t need too much attention. I was never able to, and I eventually decided that it wasn’t fair for me to lead my partners on, and make them feel like there was hope for the two of us. It’s mostly been fine, but unfortunately, it became a problem when my last ex-girlfriend reached out, and revealed that I had a nine-year-old daughter. She was with another man shortly after we were together, and the two of them had always assumed that he was the father. The girl even looked a little like him, so it didn’t occur to them to get a DNA test. They only did it recently when there was a medical issue that required some background information that didn’t match up right. So it was no one’s fault, and the mother felt comfortable breaking the news to me, because she knew that I would not take it poorly. The problem was I couldn’t ignore this new child, but I also couldn’t be a good father to her either. More than math and language skills, kids learn emotional intelligence from their caregivers. Even I know that. I decided to seek professional help. It went a little too well. It would even say it broke me.

I tried a few therapists, each one of them deciding that I needed to be referred to someone else. Again, it wasn’t anybody’s fault, but they had to dig a little deeper to find out what my problem was, and the next layer always fell beyond their expertise. I ended up with a world-renowned hypnotist, known for managing to get through even the most steadfast of skeptics. As far as the technique went in general, I wasn’t a skeptic, but hypnotism often involves latching onto some kind of emotional trigger, and as you know by now, there’s not much of that there with me. At least, I didn’t think that there was. It’s like there was a switch in my brain that accidentally got turned off when I was young, and never got turned back on. I saw a TV show about that once—three of them, actually—where it makes vampires worse than they usually are. I didn’t go on a killing spree, but I did go a bit crazy. I destroyed my hypnotist’s office. All of my emotions from the last 29 years of my life came flooding into my mind all at once. Everything I might have felt got locked away without me even realizing it, and now they were unleashed. After the initial shock wore off, and I paid for the damages, the hypnotist referred me to yet another psychologist, who could help me deal with my newfound feelings. She suggested I channel them into art, even though I’ve never been much into it, because I wasn’t capable of seeing the beauty. As it turns out, I’m not half-bad as a painter. I put everything I’m feeling onto the canvas, but it’s not about the fabric, the paint, or even the images. What I’m doing is unloading my burdens onto the easel...to ease my pain. It’s been working well, and I think I have a decent relationship with my daughter now.

Microstory 1733: The ESS Dorado

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When the first of the asteroid miners went up into space, they were looking to make some money. There were tons of resources up there that they hoped would make them rich. It was probably about to, but it wasn’t long before the economy shifted, and no more value was placed in things that once meant everything. Yes, the metals and minerals they mined and processed from the asteroids were still incredibly important for the future of the human race, but everything they could exchange them for was now readily available, and distributed freely. That material was now only useful for making spaceships, and other vacuum structures. Trying to take it all the way down into Earth’s gravity well was a waste of time and energy. Still, their lives weren’t purposeless. Someone would have to build those ships, so it might as well be them. They still weren’t making any money, because it didn’t exist anymore, but people were grateful for their efforts, and the species was quickly becoming a multiplanetary culture. They kept working, kept looking for more, and were surprised about how much gold there was up there. Back in the ancient days, gold was the standard for monetary value. Everything was based upon its worth according to scarcity, measure of work needed to refine the raw material, and an arbitrary love of all that was shiny. Even after gold stopped being the official standard, people placed value on it simply because of how pretty it looked. To this day, it’s used in a number of technological instruments, but in relatively small amounts. As it turns out, the solar system is chock full of the stuff. Scarcity was a component of man’s inability to reach beyond the atmosphere at the time, and that is no longer the case. Still, what are they going to do with all this gold? Sure, some of it can go to those devices, but there will be a lot left over. This gave one of them a crazy idea.

They decided to build a ship. This ship would be composed almost entirely of gold. Propulsion, of course, and wiring systems, required specific materials in order to function, but the basic idea was that if it could exist in gold form, it was to be manufactured out of pure gold. It was the dumbest thing that anyone on Earth had ever heard of, but they too realized they had plenty of gold to satisfy their needs, and they recognized that the asteroid miners earned rightful control over everything they found that wasn’t claimed by someone else. It took them years to gather all the gold they would need, and refine it, but they were essentially immortal now, and most of the business was automated, so what did they care? It wasn’t until they were just about finished when they noticed that no one had thought about what they were going to actually do with the darn thing. Even with their indefinite lifespans, it wasn’t a good way to get to other planets in the solar system, or to other stars. It was more a piece of art; a think piece, a proof of concept...a proof of strength. They didn’t know if there were any aliens flying around out there, but they figured that their big gold ship would be a pretty good message to send anyone looking to see if the Earthans were weak enough to attack. If humans were advanced enough—and bored enough—to construct a literal golden ship, they were probably nothing anyone should want to trifle with. So they placed it in a permanent stable orbit around Earth, and named it The ESS Dorado. People came to visit occasionally, but it was mostly there to be marveled and appreciated from a distance. Aliens never came, and eventually they let it burn up in the atmosphere.

Microstory 1714: Big Dog Ballpoint Pens

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My great great grandfather started this company. The year was 1904, and he was extremely ahead of his time. You may have heard that the first ballpoint pens were sold in the middle of the century, but that is not true. That is just when they became popular, and started on the road to ubiquity. My ancestor was the first to break into the industry after they were invented. He knew that there was something to this new technology. Big Dog was his nickname in the army, on account of how good he was at sniffing out the enemy. He mostly sold to construction companies who wanted to mark the wood they were cutting with something other than pencil, and to left-handed note-takers who were tired of the ink and lead smudging on their hands. Yes, sir, he was a pioneer, and I admire him for that. I never knew the man, but I know what he stood for. He was simple, and easy to please. He never wanted to be the biggest writing utensil company in the world, which is why he never thought to branch out into other instruments, nor did his descendants. We do ballpoints, and we only do ballpoints. Our design has become more sophisticated over time, and we’re on the verge of launching the next generation in our popular funtime series, which features characters from a certain children’s TV show that all you parents out there are familiar with. Still. It’s just ballpoint pens. We don’t make other kinds of pens, or pencils. We don’t sell paper to go along with it, or even pen cases. A single product with multiple series to appeal to an array of customers. My grandfather was adamant about that—I remember—rest in peace. He wanted to keep the tradition, and while I’m no one to scoff at tradition, I also know a business opportunity when I see one. We’re a household name now, and we should start thinking bigger.

When my dad retired two years ago, he gave me one single mandate. He said, “son, this company is yours now. I expect you to treat her as well as your predecessors always did.” Well, that’s what I plan on doing, and I don’t think adding new products interferes with, or contradicts, that mandate. He might have meant to say that I wasn’t allowed to change anything, but that’s not what he said, and that’s not what I’m going to do. It’s the 21st century now, and pens...aren’t as big as they used to be. They’re still great, but kids these days are always on their little devices. It’s time that we get into the little devices business. Introducing the Big Dog Augmented Reality Stylus. Unlike my great great grandfather, we’re not the first to make this product, but we believe we’re the best. With our free phone app, you can view any virtual writing in any space, whether you were the one who first created it, or not. With the handy writing board, you can write or draw in whatever position is most comfortable, and then drag—or even throw—the content over to some other point in space. With our view glasses, you can draw and view the content without even using your hands. We’ve been developing these products for two years now, and we’re just about ready to release them. I know, that sounds insane. How does a ballpoint pen company suddenly pivot to AR? Well, the truth is that I’ve been working on this my whole life. I have a bachelor’s degree in graphic design, and a masters in computer engineering. I also studied art in high school, so I know what creative people want. This is where the future of technology is headed, and we’re ready for it. Believe it or not, the first models are finished and tested. Right now, we’re looking for investors to work with us on distribution and advertising. So wadya say? Who’s in?

Microstory 1688: Unstable Universes

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Perhaps now is a good time to talk about brane stability. Not all universes are created equal. Some are naturally occurring, while c-branes are created in someone’s dreams. Most dreams last for only minutes before they end, and unless something else steps in to maintain the dreamworld, the universe that was born out of it will collapse as well. Even if the dream is strong enough to survive, that doesn’t mean it will last forever. It is only as strong as the people who are responsible for it. What does this mean? Well, if the dreamer continues to deliberately explore the new world, it can last longer. If they create something semipermanent from it, like a written story, or even a painting, that can make it last even longer. If this art reaches some kind of audience, that can make it last indefinitely. The most popular stories make for the most stable universes. They have room to expand, and become more detailed, and most importantly, interesting. They might also be able to survive on their own merits, by the force of will of their inhabitants, but this is fairly rare. I was expecting to give you another story about the universe where zombies take over the world only briefly before dying out, but like Vacuumverse, there is nothing more I can say. The events that occurred here did not follow any level of logic, and the inhabitants weren’t strong enough to hold up their story on their own. History began the moment zombies were first created, and ended centuries later when civilization was all but rebuilt. Little happened in the meantime, and nothing happened afterwards. The whole universe collapsed under its own unstable insignificance, and that’s all you need to know.

Microstory 1500: Introduction to Poems

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I’m not much of a poet. I wrote several of them in college for my Tumblr, and I can only hope that they were taken down at some point, because I lost my account information, no longer have the email address that was attached to it, and don’t even remember the web address. For as much as I call this a short fiction website, it is a creative writing website. I use a variety of formats, many of which one might call experimental. I’ve done all perspectives, most tenses, blocked dialog, nonfiction, fables, adapted dreams, and even fake news stories. A lot of my work can’t even be considered stories. They’re more anecdotal, where I give a run-down of the things that happened, while avoiding a beginning, middle, and end. Some are part of a series, while others stand alone. I have an ongoing series that I’ve posted pretty much every Sunday since 2015, and associated longer-form multiseries and single series that run on Saturdays. I’ve done everything else that fits in a blog format, so of course I have to do poetry. I don’t know how this is going to go, and I’m really nervous about it. If someone doesn’t like my regular fiction, I can generally take the criticism. When they say the flow is choppy, or the climax was anticlimactic, I can see where they’re coming from. But I don’t know what a good poem looks like, and I certainly don’t know how to replicate that magic. I’ve been through a lot of crap in my life—mostly when it comes to education and employment—but I’ve always had food on the table, a good family, and I’ve never experienced true emotional trauma. I also have shockingly bad memory, annoyingly so.

Several months ago, my dad was telling me about some bullies I had in middle school. I knew they existed, but I don’t really remember the things that they did to me; and not because my fragile mind blocked them out, but because that was all two decades ago, and it’s not important anymore. So if I don’t feel so much pain and strife—if I’ve never been a starving artist, or a soldier, or a victim, or a survivor, what can I say? I can absolutely put my feelings into words, but that’s not what poetry is, is it? Poetry is twisting those words until they become new words on the other side, so when someone tries to translate them back, they become less obvious, and more up to interpretation. How can I hope to move you with the poetry of my life if I don’t even think my own life moves me? Well, if everyone felt like Emily Dickinson, or Edgar Allan Poe, then I suppose everyone would be a poet. The only people who do poetry are probably the only people who should be doing it. So where does that leave me? With the compulsion to do it anyway, even if I don’t belong in this world. But again, how could I possibly accomplish this when I don’t really even have anything to say? I’ve realized that I’ve never had much to say before, but that hasn’t stopped me yet. A lot of writers use fiction to express their ideas, but I usually go a different direction. I use fiction to express other people’s ideas, to tell other people’s stories. I don’t see any reason I can’t do that here too. So as you’re reading this poetry, be gentle with your criticisms, because I’m a newbie, and none of these is from my true self anyway.

Microstory 1499: The End of Durus

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Two hundred years after Savitri became the first human on Durus, the eleventh major form of government, the Solar Democratic Republic officially ended. Technically, it should have ended a long time ago, if not once the rogue world left 70 Ophiuchi space, then certainly when nearly the entire population was evacuated through the Nexus. Survivors, called remainders, ultimately agreed that this most recent event was the greater shift than those others, however. The thirteenth remainder in charge of waking up from stasis, and being available to solve any problems, was a woman by the name of Kyra Torosian. Nothing of note happened for the first few months of her shift. A couple of the pods experienced some power irregularities, but these were simple repairs. None of the Dardieti team were awake at the time, for she was not considered a threat to them. She spent her days zipping throughout the bunkers on a scooter that one of the children left there when he evacuated, and carrying on full conversations with her completely unresponsive friends. They had access to entertainment from Durus, Dardius, and even Earth, but she wasn’t much for that kind of art, so she really just wasted the days away. She was the type of person who could sit in a chair for hours, doing nothing else, and not grow bored. Her mind was just too busy with her imagination for it to matter much what her environment was, as long as it wasn’t uncomfortable, or sometimes even if. One day, Kyra was wandering the halls just outside the Nexus room when she thought she heard it start to power up. Of course, she assumed that someone from Dardius was coming to check on them, so she ran inside, and mentally prepared herself to greet them professionally, and in her words, well-spokenly. She never knew exactly what happened, or whether anyone was actually trying to come through, because it all went wrong. The machine exploded, and sent a wave of energy throughout the entire section.

What no one knew at the time was that the explosion was an accident, and happened to all Nexa in this universe. Because they involve time travel, they didn’t explode all at once, and the damages were not irreparable, but this did cause a number of problems for everyone who needed to use them at certain times. The explosion was powerful, but it was pretty contained, so no one else on Durus was affected, or even immediately made aware that it happened. Kyra would later have to start waking them up, so she could let them know. Obviously, the explosion didn’t kill her, which was a universal result. Others experienced superficial injuries, but nothing serious. What set Kyra apart was that she came from a bloodline of paramounts. While there was never enough temporal energy on Durus for her to have exhibited any powers before, she was genetically predisposed to developing them, and the Nexus explosion was enough to do just that. What was unclear was whether she would have developed the same power under different circumstances, or if the explosion also decided what she could do. Evidence suggested the latter. After waking key remainder leadership, along with the team from Dardius, Kyra went about figuring out who she now was. It was like she became a walking Nexus. When someone touched her, they would be transported to one of the other Nexa, and if someone made the appropriate hyperdimensional metamathematical calculations, they could also transport to her. Unlike regular Nexa, Kyra could also transport herself anywhere in the universe that she wanted; it didn’t even have to be tied to the network. Every time she jumped somewhere, it would recharge her temporal energy, like a perpetual motion engine, and the more she did it, the stronger she became. Over time, she would end up with enough power to move entire planets through the network, which she used to move Durus to its new home. Not even the Nexa could do that. It wouldn’t be there forever, though, because her power continued to grow. The remainders would come to use their unique position to fight a great war against a multiversal threat. Until then, the remainders had to decide how they were going to use this advantage, and whether they would be able to convince any former Durune to return to their homeworld. While they worked on that, they figured they ought to shift to yet another form of government. This one would be called the Kyran Nexus Tempocracy. That was not all, though. The remainders would also decide to change the name of the planet to Torosia, in honor of her.

Microstory 1418: Take As Needed

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For a few months, adhocracy in Springfield was successful. Some were responsible for transporting water, while others tended the garden. Some were responsible for preparing the food, which they then handed off to the distributors, to make sure everyone had their fair share, and only that. The families of the future source mages continued to live on the perimeter of the habitable zone, and protected the town from time monsters. They were the only ones exempt from contributing to food production responsibilities. Only a few families chose to isolate themselves from the community. They either already had their own backyard gardens, or built them after the Deathfall, so they wouldn’t have to rely on anyone else. They were allowed to transport as much water from Watershed as they could carry, but they weren’t sent there with a special child for protection. They had only themselves to rely on, but they were still required to follow the basic laws. There was no constitution, and though they figured town probably had a charter written up at some point in its history, it didn’t survive until today. No, the laws they needed to follow were the basic ones that everyone over the age of ten understood. They didn’t have to go out of their way to help people, but they weren’t allowed to harm them either, and the line between these conditions was often thin. Whatever belonged to any given individual was theirs to do with what they wanted, and no one had the right to take that from them. Unfortunately, this didn’t mean there weren’t complications. For instance, not all families treated each other with respect, and they were often found fighting amongst themselves. Inter-family relationships created a new level of complexity that put some ownership into question. Who would handle these internal disputes? The Baby Barrier was there to keep threats out, but there was no one on the inside who was in charge of making sure everyone was safe from each other.

They realized that the adhocracy was a nice idea, but the reason bureaucracy was more common was because it allowed policies to be carried out and enforced. They needed a more formal system, so people knew what was expected of them. The bureau-adhocracy. That was a mouthful, though, so they kept the name as it was. Now there was a police contingency, which settled disputes, and conflicts as an unbiased third party, and actively prevented people from breaking the rules. These modifications to the system changed over time. Month by month, year by year, a real system grew from the simple peace. Leaders began to reemerge, and people started to want someone to tell them what to do. This was working just fine, but society wasn’t going anywhere. Nobody shared art, or ideas. They were still limited to a small perimeter of protection, yet each family was somehow also so isolated from everyone else. There were other considerations too. People weren’t taking showers or baths anymore, because transporting water was such an arduous task. If they wanted to develop a piping system of some kind, well, that was going to take a lot more organization, and an adhocracy wouldn’t cut it. Yes, the Springfielders wanted their town back, and they wanted to thrive. So by the end of the era, the Adhocracy was not really an adhocracy anymore. They elected officials, and drew up a real charter. But they kept the name. They were worried that, if they started calling the government something else—whether accurate or not—dissenting voices would rage against it, just because some people don’t like to be told what to do. That wasn’t to say there weren’t disagreements, or that this would all last forever. By the year 2025, technology advanced enough to make the so-called Baby Barrier obsolete, and this caused Springfield to split in two.

The Advancement of Mateo Matic: Tuesday, May 24, 2078

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Sanaa was looking around the area with her Cassidy cuff. “Love Kansas City.”

“You do?” Leona questioned? “I didn’t think you had ever been there.”

“No, that’s just what the painting says. I mean, I don’t hate Kansas City. I don’t have any strong feelings about it.”

Leona lifted her own cuff. “Oh, the mural. Yeah, this is downtown KC. I’m kind of surprised this building survived the decades.”

“I don’t think it did.” Mateo was down the sidewalk a little, looking through AR mode. “They just left the wall up. The rest of the building is gone. Who painted it?”

“I dunno,” Leona answered, like it was a dumb question.

“At-scribeswalk.” J.B. was pointing his cuff on the corner of the building.

“I don’t think this reality has Twitter,” Mateo presumed.

Leona sighed. “Anyway, the transition is happening over there, at that construction site.”

Everyone turned around to see, and then followed her to get closer to their destination. People in the main sequence were walking down the street, going about their lives. The window was scheduled to open in under a minute, but nothing looked dangerous. No one was standing on top of a roof, or chained to train tracks. This was just a normal day, except that one of these people was going to spontaneously disappear from the world. Mateo tried to find someone he recognized, because so far, they hadn’t encountered a stranger during one of these challenges. Who did he know in 2078? That was back when he thought the Makarion he knew was his own person, and not being possessed by the spirit of Gilbert Boyce. It wouldn’t be long before Mateo would watch inmates from Beaver Haven Correctional fight in the Colosseum replica, and shortly after that, he would go backwards in time to 1945, and then skip a few years on his pattern as a result of the choice he made back then.

The flickering began, revealing their target. Yes, it was just some guy. He looked upset and frazzled, but not like his life was in danger, more like he was just having a bad day. Once he was fully integrated in this reality, and saw that his environment had changed, he was stunned. Natives of the Parallel were well aware of the Bearimy-Matic joint pattern. They were expected to clear the area of every transition window, which they did immediately after the four of them arrived, as if being directed by a film director. So now it was just them, and the refugee.

He looked over at them. “What just happened?”

“It’s okay,” Leona assured him. “No one here is going to hurt you.”

“Where exactly is here?” the man asked.

“This is...you have...”

“It’s Kansas City in a parallel reality,” Sanaa jumped in. “You’ve been transitioned to our world by a powerful frenemy of ours, whose motives are hazy. It’s okay. We just have to get you to your exit window, and you’ll be back home before the day is through.”

“What the hell are you talking about?” the man was getting mad.

J.B. took his shot. “Time travel is real. We don’t know why you were chosen, but it’s completely reversible. You may just miss a few hours of your life.” He consulted his cuff. “We just need to get you to Washington D.C. in...oh, only twenty minutes. You won’t miss much at all.”

“That’s exactly where I wanted to be. I couldn’t get a flight out yesterday, or today. The meeting is in an hour. There is no way we make it.”

Sanaa smirked. “We would have time for a quick breakfast, if we wanted.” She placed her hand on his shoulder, and presented him with the AOC. “That’s our spaceship. It can also teleport.”

“Teleport.” The man narrowed his eyes. “Are you people crazy?”

“Nah, man. We’re just from the future.”

He wasn’t convinced.

“What’s your name?” Leona asked him.

“Jericho Hagen, Esquire.”

“What do you need to do in Washington D.C.?” she continued.

“They’re working on a proposal. They want to completely blow up our judicial system, and replace it with something entirely different. Of course, they’re going to start out slow, but I know their future plans. You won’t recognize the court system twenty-five years from now.”

“Oh my God,” Leona began, “this is the start.”

“What is the proposal?”

Jericho was hesitant to keep talking to them, but if there was even a chance they would be able to get him to where he belonged, he probably figured it was best to be nice. “They want to add, like, a professional jury member. Every jury will have someone who studied law, so they can evidently keep the others on track. That will taint the entire system. Our courts are founded on a jury of peers. If we start contaminating the pool with people who have that kind of education, the process will no longer be fair. It would be like having a lawyer serve on the jury. That’s not technically illegal, but I’ve never heard of an attorney selecting one of their own kind for a jury. We just don’t do it. This is even worse, because they’ll be making it a requirement. And like I said, it’s only the beginning. They’re gonna start making juries smaller by default, and limiting the defending attorney’s ability to vigorously defend their client. I cannot let this pass.”

“That’s interesting,” Leona said. “Just give us one moment to talk.” She started leading the group away. “Just...don’t touch anything.”

“This sounds familiar,” Mateo pointed out.

“This really is the beginning. That bill is a historic moment. The first step should happen in two years, and changes everything about how we handle criminal and civil court. More changes will come later. Instead of having one jury, they’ll have two arbitration panels, who deliberate separately, and aren’t allowed to talk to each other. Attorneys start losing incentives to win at all costs, as priority shifts to finding the truth, and not letting the guilty get away with it. Judges become a completely separate profession. The arbitrator procedures he’s talking about only become stronger as time goes on. What he’s describing lasts for decades, at least, and that’s only because I don’t know what the future looks like beyond 2278.”

“So, he fails to stop it,” J.B. guessed.

“Or maybe he fails to get to the meeting,” Sanaa suggested. She pulled her head from the huddle, and looked back over to Jericho. “Maybe we’re here to stop him.”

“That’s your choice.” Jupiter Fury was standing behind Mateo’s back.

“Where have you been?” Mateo asked him.

“I’ve been working on your pattern, making sure the right people get here, so you can improve their lives.”

“Are we supposed to get him to Washington D.C., or not?” Leona questioned.

Jupiter pursed his lips, and shrugged his shoulders. “That’s up to you. I can tell you that if you send him through the egress transition window, when you return to the main sequence—and I promise, you will one day—the timeline you end up in will be wildly different than the one you left. That man has power. He’ll fight against progress, the jury system will remain, and inequality will reign. His people’s drive to win every case possible will send our country into a downwards spiral, until the very idea that the United States of America was ever a superpower will be laughable for students learning history two hundred years from now. They won’t believe it.”

“That’s bullshit,” Leona argued. “Our system has stayed pretty much the same for centuries already, and our status as a superpower hasn’t been questioned since it became one in 1898.”

“True,” Jupiter agreed, “but nothing lasts forever...unless it changes. He doesn’t know it yet, because he fancies himself a moderate libertarian, but Jericho Hagen becomes synonymous with a major paleoconservative movement that emphasizes maintaining the status quo above all else. He believes the Constitution is perfect, and amendments should be kept to a minimum, and that speaks to a lot of people. I’ve seen this future, and I don’t think you want it. To be honest, I don’t really care. My friends and I thrive in all realities; we just have to adjust our plans accordingly.”

“We have about ten minutes to make a decision,” J.B. alerted them.

Leona shook her head. “We’re not gods. Just because we have the power to change reality, doesn’t mean we should. It was one thing to save my mother from death, or let Elder Caverness go off to fight a war he wanted to fight. It’s another thing to keep this man from his life.”

“Would you do the same for Hitler?” J.B. asked. “If he came through a transition window in, say, 1910, wouldn’t we be obligated to keep him from getting back until after 1945? Or, I dunno, hold him forever?”

The other three looked over at Mateo, who had first hand experience with this scenario, several times. He rolled his eyes. “This is not the same thing. Jericho Hagen is not Adolf Hitler. Believe me, I know. We have to get him back. That’s the job. Like my wife said, it’s different when they don’t want to go back. He does, so we should accommodate that. It’s what we do. I’ve always been against messing with time, and if we come from a reality where Hagen never makes it to D.C., then I imagine that’s the result of time travel, and we would just be undoing that by teleporting him there.”

“You can’t possibly know that,” Sanaa contended.

“Ripples; not waves,” Mateo retorted.

“Ugh.” Now Leona rolled her eyes. “That’s a dumb line. But he’s right. He wants to go back, so let’s take him back. We better hurry. Sanaa and I will go set the coordinates, and prep for a jump. Go get him, and make sure he boards the AOC.”

“Very well.” Jupiter really didn’t seem to care either way. “I gotta go get Ariadna. I’ll see ya when I see ya.” He winked at Sanaa, then disappeared.

“My God, it’s real,” Jericho acknowledged when Mateo and J.B. went back over to retrieve him. “He just blinked away.”

“That’s time travel for you,” J.B. replied. “Or teleportation? Or reality jumping. I’m not sure how his power works. How does he do all this? Doesn’t he make copies of himself? Why does that allow him to switch timelines?”

“We’ll ask Leona later,” Mateo said to him. “I’m sure she knows why it makes sense. Anyway, you wanna get to Washington, we gotta go now.”

“Yes, definitely.” Jericho was all in now. He apparently totally believed that they were there to help him, and he seemed grateful for the opportunity to get back to his mission. Mateo might have even called him giddy. Hopefully this meant they were doing the right thing.

They walked up to the ship, climbed the ladder, and crawled inside. Leona was climbing back up from engineering. “We’re all here, and ready to go. Hey, Thistle! Make the jump.”

The ship powered up, and disappeared, just as it was meant to. Unfortunately, none of the passengers went with it. They were all left behind, and now falling through the air, towards the hard surface below. Leona thought quick, and caught Jericho in the air, so she could land him safely on the ground. Mateo and J.B., on the other hand, fell hard, and suffered painful injuries. Sanaa happened to have stayed down in engineering, so she hadn’t had as high of a fall.

Mateo could feel the pool of blood form underneath his body. “What the hell was that?”

Leona let go of Jericho, and dove down to tend to her husband. “I have no idea. That shouldn’t have happened.”

“I’m sorry.” Sanaa was now standing next to Jericho. She reached up, and slapped Holly Blue’s former Cassidy cuffs on his wrists. “Fortunately, the people in this reality have magical powers. They’ll fix you up, so it’s like you never got hurt at all. In the meantime, this will help with the pain.” She shot J.B. with a jet injector, then went over to do the same for Mateo.

“What did you do?” Leona asked.

“I know more about how spaceships work than you might think,” Sanaa began to explain. “Hokusai taught me a lot during your interim years. I’ve also been experimenting with our cuffs. We’re stuck on this pattern, but these things have other features Jupiter never restricted our access to. All I did was quantum lock them to this position temporarily, so the ship could jump away without us. It’s safe and sound in the Capital, waiting for us.”

“Why?” Mateo asked, wiping the blood from his lips.

“I come from a bloodline of telepaths. Not all of us kept their powers a secret, or kept it well. My family has a long history of being screwed over by small-minded white people who thought we were witches, or demons. The only thing that saved us was a more fair adjudicative system, which this man wants to dismantle before humanity even has a chance to start it. I can’t let that happen. If I had had more time, I could have done something else, but the window before the transition window was just too short. This was my only solution.” She checked her watch. “And now the moment’s pretty much passed.”

They could hear sirens in the distance, drawing nearer.

“The next window is in three years,” Leona nearly shouted at her. “We could have gotten him back then. You didn’t have to slap the cuffs on him. Now our job is really complicated, besides having to make sure these wounds heal.”

The ambulance approached.

Sanaa shook her head. “You were wrong. Jericho Hagen is Hitler. He just doesn’t know it yet. Well...now he never does. When he finally gets back to the main sequence, he’ll see the world he almost destroyed, and he’ll thank us for it.”

Leona stood up, so the medics could start treating Mateo and J.B. “Will I? Will I thank you?”

Sanaa took a half step towards her friend. “I hope so.”

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Microstory 1399: Story

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Seasoned Reporter: This is the interview with Fiore Stern, noted serial killer and terrorist.

Fiore Stern: I am not a terrorist. I’m the one who helped take down the terrorist organization. Get your facts straight.

Seasoned Reporter: You worked for Hemming Fertilizer for three years before you contacted the authorities about their misdealings.

Fiore Stern: That’s right. I was undercover all that time.

Seasoned Reporter: That’s what you said when it happened, but you were later discovered to have personally killed two dozen people. Does that not call your motives regarding the bomb-making company into question?

Fiore Stern: I don’t think it does at all. The two things have nothing to do with each other.

Seasoned Reporter: According to earlier interviews, you knew the entire time what Hemming was in reality. Now, I’m not saying it doesn’t take three years to go undercover, and bring terrorists to justice from the inside. I honestly don’t know how I would do it, let alone how long it would take. But because of these revelations about your private inclinations towards violence, you have to understand that people are going to be suspicious about your role within the company. Some are wondering whether you had always intended to fight against them, or if you simply saw an opportunity, and took it, assuming that no one would scrutinize you about who you really were.

Fiore Stern: I can see where people might start modifying their perception of me. But they have to realize that serial killing and terrorism are two very different ideologies. What I did to those innocent victims was very personal, and I’ve been working with mental health professionals to understand my reasons. It’s a lot more complex than you might think.

Seasoned Reporter: I would never characterize your behavior as simple. No one seems to be arguing that.

Fiore Stern: Yes, but terrorism kind of is simple. These people were angry at the world. The justice they saw, they perceived as injustice. They believed it was their duty to correct society as a whole, and make people afraid to go against them. Now, I’m not at all saying that the terrible things I did were okay. It’s just that Past!Me had very different motivations. He thought he was making art, and subsequently beauty, and he even thought he was creating life. When I put those bodies on display, I surrounded them with plant life, which signified rebirth, and transcendence. Again, I’m completely aware of how wrong that was, but the terrorists couldn’t care less about any of that. I don’t fault people for hating me, or thinking I’m not better than the people who worked for Hemming, but to suggest we fall into the same category is quite negligent, and no psychologist would do that. I just want to make it clear that I didn’t hurt anybody for Hemming. I’ve hurt people, but not for those reasons, and not for them. It’s important to me that the public acknowledges that.

Seasoned Reporter: Okay. You’re both bad, but you’re not the same. Acknowledged.

Fiore Stern: Thank you.

Seasoned Reporter: Let’s move on. Tell me how life in prison has been for you over the course of this last year. Have the other inmates accepted you for what you did to your victims, or do they mistreat you because of what you did to those bomb-makers?

Fiore Stern: I’m actually in protective custody, but a special corner of it. This is where they put the corrupt cops, and snitches, so I interact with people a little, but not much. I’m mostly in solitary confinement.

Seasoned Reporter: And have you found that difficult, being alone all the time?

Fiore Stern: I like it. I don’t much care for people, and I don’t find myself going crazy in there. They gave me a little window, so that’s nice.. I will say this, though, the place could do with a few more plants.