Extremus: Year 125

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Sable Keen opens Audrey’s eyes. She looks over at the chair next to her and sees Audrey opening Sable’s eyes. It was a success, they’ve managed to switch bodies. Now when Waldemar is standing there in his royal pose, it will be Audrey who is painting his portrait. Sable is slated to stay safe and sound somewhere else, the target being the Captain’s Stateroom, playing the part of the dutiful housewife. It’s not to keep her safe, though. She just doesn’t know how to draw. There are some skills that she can’t pick up from others. She doesn’t understand how it works, and doesn’t have anyone to talk to about it. But this is good. This sort of thing makes life more exciting. If there’s one thing she hates more than anything, it’s boredom. She lives for the drama.

Silveon reaches over and takes Sable by the hand. “Slowly. Slowly now,” he encourages softly as he’s helping her get onto Audrey’s feet.

“You know I’m Sable, right, not your girlfriend? I only look like her right now.”

Silveon looks over at Audrey, who Lataran is helping stand. “We’re not together. You do realize that, right? It’s important you know that we’re not a couple in any way shape or form. We work together because we have the same goals, and know what the stakes are.”

Of course Sable knew that, she’s just gauging their reactions. She always felt the chemistry between the two of them. They’re the same age, and they’ve been through a lot. In a perfect world, they would be together. But she knows enough about what that world looks like to know that Sable is not in it. She would not have been born if they hadn’t come back in time to stop the evil man, Waldemar Kristiansen. That name. It’s like his mother wanted him to grow up to become a villain. The way Sable sees it, Calla brought this on herself; her own death, and everything that has happened since. “I’m just messing with you,” she replies, having spent too much time in her head to respond any other way. This ends the follow-up conversation. “I can do it on my own.” She effortlessly steps over to the mirror and tests out her new look. Audrey has been practicing Sable’s mannerism so she can impersonate her. Sable has not been doing the same. At least that’s what she wants them to think. She has her own agenda.

“You are not to do anything as Audrey,” Lataran warns her. “If Waldemar comes to you, you will do as Audrey would do, and say what she would say, but you are not to interfere with their lives. You’re not there to make changes to their relationship, or try to get him to make certain administrative decisions for the ship, its crew, or passengers...”

“I know, mom. He doesn’t listen to Aud any better than he listens to me. It’s not about me becoming her, it’s about her becoming me. Stop going over it.”

“Okay, okay,” Lataran says in that voice she uses when she remembers that Sable is a big girl now. She was the hardest to convince to help Sable join the fight. She loves Sable too much, which is understandable, but that makes her less pliable. The further removed she is from someone, the easier it is for Sable to control them. Unless they have psychic powers, like Waldemar. That’s the biggest reason why Sable pushed for this assignment, because he’s a challenge. He really doesn’t listen to her. Unlike any rando in the hall whose sandwich she wants, he doesn’t have to comply.

Audrey checks Sable’s watch. “Okay. We cut it close, so I have to run.” They only had a short window to complete the body swapping procedure, but Waldemar is expecting to begin the sitting soon. She steps over and gives Sable a hug. She doesn’t struggle at all. That’s how Sable walks. Without hugging anyone else, she disappears.

“That was weird, don’t you think?” Sable asks Silveon and her mother. “We built in a little time for her to practice in my body. But she’s such a natural.”

“She’s transferred her consciousness before,” Silveon reasons. “It gets easier each time you do it.”

“I bet it does.” She turns around and looks back in the mirror, frowning at the boring clothes that Audrey picked out, probably because she knew Sable would end up in them. “Bye.” She jumps to the stateroom, where she has already stashed her backup watch. She switches them so everyone with the ability to track her location thinks that she’s still here when she’s not. They don’t have authorization to teleport directly inside to check on her, and would have no good reason to give the secret service for ringing the doorbell. She finds something sexier in the closet, then heads out with it.

The three agents guarding the door nod at her respectfully. “First Lady of the Vessel,” they each recite.  Yeah, Waldemar is really leaning into the idea that he’s not a captain, but a president. He sees it as a stepping stone towards becoming a king, and then an emperor. He feels the need to ease the people into accepting more and more of his power over them. He’s correct. If the team weren’t here to stop him, it would work.

She’s been studying the agents, and lucked out today. A few of them have expressed a deeper loyalty to Audrey than to Waldemar himself. They can’t say it out loud, but she sees it in their eyes. This particular guy is in love with her, and would do anything she says. She insisted on going about her business without constant protection, but she can request it anytime she wants. Sable looks the right one in the eyes, doing her best to give him the sense that, in another life, they could be together instead. “I would like an escort today. Only one.” Wait, she needs a cherry on top. “Only you.”

“Very good, Madam.” He’s trying to keep it together. He professionally begins to walk with her down the corridor while the others remain at their post.

“Laventry,” she begins to say once they’re out of earshot of the others.

“You know my name, Madam?” he interrupts. “I mean, I’m sorry, that was rude.”

“It’s okay, Lav.”

His face melts at the sound of the nickname. Perfect.

“Yes, I know your name. Lav, there are secrets on this ship, you know that?”

“I do, Madam.”

“Please. Call me Audrey,” Sable insists. Okay, she can see that that’s too much. He’s still been trained to bow before her and show great deference. “Or not. It’s fine.”

“Thank you, Madam First Lady of the Vessel.”

She laughs. “The secrets. There are places on this ship that not everyone has access to. I need you to take me to one of those places, and I need it to stay between us. Now, I understand that you have sworn and oath to preserve the captain’s chair, but there are things that not even my Waldemar needs to know.”

“Ma’am, I’m not sure I feel comfortable doing anyth—”

She interrupts him now to say, “you recall my child.”

She thought he was frowning before, but now he really is. “Yes, ma’am.”

“There is a place here where time tech is stored, are you aware of this place?”

“I am, Madam First Lady. It’s the old Temporal Engineering lab.” Waldemar did away with the position of temporal engineer. He doesn’t seem to care about it one way or another on principle, except when it comes to his pursuit of immortality. He shut it down, however, because it threatens his hold over Extremus. It leaves the possibility open for someone to go back in time to stop him from ascending. It didn’t seem to occur to him that it’s already happened.

She stops walking, and tugs at his upper arm. “There is something in there that can let me see my child.” Here it comes, the tears. She didn’t even have to drop a tearitant into her eyes, which is good, because he would have noticed that. “It’s not...real, but I can see what she would have looked like had she grown up. I just want to see, Lav. I want to know what I missed.”

“Yes, ma’am, I can understand that, ma’am.”

“Will you help me? Will you get me into that room, and tell no one else about it? Can I trust you, Lav?”

He stares at her and breathes deeply through his nose. She can hear the desire echoing off the walls of his full heart. “Yes, I will help you...Audrey.”

She smiles and places a hand upon his cheek. “Thank you,” she whispers.

He gently takes hold of her hand, palm to back. He pulls it away, and puppets her to wipe the tears from her own cheek.

She smiles wider, and turns away shyly. “Sorry.”

Now he touches her chin, directly with his finger, turning it back towards him. “You can show your true feelings around me. I’m very emotionally intelligent.” The members of the secret police are absolute morons. It’s a wonder they manage to put their own shoes on them in the morning. Some of them probably have help. But the secret service agents? They truly are smart. That’s why she had to pick him carefully. She could not have grabbed any one at random. Anyone else would see right through her manipulation. Anyone would reject her control. It’s only working on him because of his connection to Audrey. If Sable had tried to do this as herself, she would have failed miserably, and it could have gotten her found out. “Let’s go.”

They continue through the ship until reaching the sealed off temporal engineering sector. At the door, he looks at her and chuckles. Then he lifts his hand, and smashes the side of his fist against the security panel, breaking it open.

“Oh. Strong.”

Yeah, he liked hearing that. Centuries of gender equality progress, and men are still driven to impress women with their skills and prowess. They’re all peacocks. He chuckles again as he starts to mess with the wires and miniature power crystals.

This is it. Sable is finally going to get what she needs. She can do a lot with what she has now, but she wants more. She has to have more, and she’s willing to go to great lengths to get it. It was not Waldemar’s idea for her to paint his portrait, or even for her to do it. He definitely thinks it was, which is exactly how it should be. Without being able to control another psychic’s mind, she had to use old fashioned conning techniques, and her feminine wiles. Again, het men are all the same. Does she feel bad about treating people like game pieces? No, because she’s not hurting them. Silveon and Audrey weren’t making any progress without her. They’ve been doing this almost literally their entire lives, and were floundering. They never would have let her help if she just let them make their own choices. People are stupid, prideful, and in these cases, protective. So it took a little coaxing. It’s true, that’s what Waldemar would do in the same position, and she has had to accept their similarities. She is more like him than she is willing to let her family and friends know. To be sure, she wants to stop him from destroying the ship, but he’s not crazy. He has some good ideas. It’s more that the ends don’t justify the means. She has better means. It’s her responsibility to use them, starting with this room.

Laventry cracks it. The door swings open, but it’s nothing but darkness. It’s a totally empty void.

She reaches out. As her hand passes over the threshold, it starts to de-resolve, breaking apart into a million pieces. She pulls it back out, watching her hand gradually reassemble itself.

Laventry is just standing there, still proud of himself.

“Did you see that? Did you see what happened?”

“Seems normal to me,” he replies.

“Stick your hand in there,” she orders.

He does as he’s told. He too watches his hand fall apart, then come back together once she pulls at his arm, and brings him fully back into the rendered environment.

“That doesn’t seem weird to you?”

“No. Should it?”

“God...dammit!” She turns around and lets out an incredibly loud scream as she’s beginning to walk away.

He hops up to her and clutches her shoulder. “Tell me what’s wrong. I can help. I told you, I have high emotional intelligence.”

She turns back, scowls at him, and screams again. “Argh! Fuck you!” She pushes the NPC by the chest with both hands, right through the world boundary, killing him instantly. She starts to walk again, foaming at the mouth, utterly incensed at her so-called team. How dare they trick her? It’s a violation. What, did they not trust her? Did they know she would do something like this? Do they know she has powers? If they even know a little bit, that could be a massive problem for her. She screams again. She screams, and she screams, and for a moment after that, she yells, but then she goes back to screaming. She’s out of breath and exhausted, but not actually at all. She can’t feel anything. None of this is real, not even her. She hasn’t been walking for the last several minutes. She’s been sitting in a chair, painting Waldemar’s portrait. Audrey has been in the driver’s seat, and never gave up her own body. Why? Why do it like this? Ugh, she’s not gonna find any answers here. And she’s not going to get out of it by screaming.

She closes her eyes and begins to control her breath. The first step to breaking out of a mind prison is understanding the true orientation of your real body. This is virtual reality 101. Everyone learns that in school so they never become too immersed in the games. Normally, that would be pretty easy. She should be lying down at a 45-degree angle, her arms at her sides, or resting on her chest. But Audrey is making that more complicated, so Sable has to find it. She sits down on a cargo crate. She closes her eyes, and starts by guessing. Audrey is probably sitting like this, with her knees tight together, but her feet wide apart, so she can lean over to see her subject past the canvas. Which hand is dominant? She tries both, pantomining holding a brush. It’s up, it’s down a little, it’s up higher. She keeps moving with these microadjustments, lowering her fake heart rate, and keeping herself calm, breathing like a woman in labor.

The brush materializes in her hand. The real environment resolves, and she’s back. She’s in the art studio, sitting behind the easel. The painting has barely been started, and it may never be finished. The plan has changed. She stands and looks at Waldemar. He’s dressed ridiculously, and posed on a holographic mountain, like he’s nearly at the summit. “I’m not finishing this until you divorce your wife.”

He turns his head slightly to look at her, but maintains his pose. He doesn’t seem the least bit surprised, or annoyed at her. “Consider it done.”

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The Seventh Stage: Rock-Ribbed (Part VI)

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Echo didn’t like the idea of his sister’s body being piloted by an evil transdimensional god-being. Debra knew that he wouldn’t, which was part of her plan all along. They believe that he has the power to conjure entirely new substrates for the six of them to inhabit. He does that—he gives Debra a new body—she’ll do what the rest of them want, and find the person responsible for transporting everyone from the original five realities to their new home in the Sixth Key. She’s not asking for this for her own selfish reasons. She needs it.

Debra is not evil anymore. She’s become a better person, and genuinely wants to help now, which she knows will only make her an even better person. That’s what she learned on the first stage. Diversity and community are the keys to harmony, even though they can lead to conflict. If she doesn’t end up being able to find who the Cloudbearer twins are looking for, it won’t be for lack of trying. Someone that powerful is a master of time and space, and may have the means to shield themselves from being pinpointed, detected, or identified. Still, even with the uncertainty of success, Debra doesn’t think that it’s unreasonable to ask for a new body to call her own. It’s not like they don’t want to give her one. They just don’t know if they can trust her. That’s okay, she’s willing to do whatever it takes to change their minds.

He’s standing there, still weighing their options. “Think of it this way,” she begins.

Echo closes his eyes and holds up a silencing finger. “Shh. Just shh,” he says, shaking his head. He continues to keep his eyes closed while trying to make up his mind for another few minutes. “You don’t have to convince me anymore. I just need to figure out how to do what I’m trying to do.” Though his eyes are still closed, he can sense when she’s about to speak again, and shushes her once more. “I don’t want your help either. I have my own simulations running through my head at the moment.”

Debra sighs louder than she meant to. She quietly says sorry, even though that technically only adds to the ambient noise, and distracts him more. She centers herself mentally, and stands before him patiently and quietly.

After ten more minutes, he opens his eyes, and stares at her with a cold disdain, but also a sense of...determined acceptance, if that makes any sense. “I know what I have to do. Let me talk to Clavia.”life

Clavia passes by Debra on their way to swapping places in their shared mind palace. The former is center stage now. “What do you have to do?”

“Did I ever tell you that I met my mother?”

“What? No. You’re not talking about Judy, right?”

He laughs. “No, I’ve obviously met her. I mean the woman who gave me life. When I put us back to being children, we both collapsed and fell unconscious. We had to sort of reset to factory settings. I don’t know what it was like for you. I guess you and the others were formulating your internal seven stages metaphor. I left my body, and communed with Olimpia Sangster. We actually spent quite a bit of time together before we both decided that it was time to part ways. So I won’t go over everything we discussed, but it was nice to get to know her. Anyway, when I woke up as a kid, I didn’t remember any of it. Judy and Bariq raised us as siblings, doing their best to mould us into well-rounded, productive members of society. It wasn’t until later that I was able to recover those moments with her.”

“I wish I could have been there with you,” Clavia says. “Debra is cognizant of facts about Team Matic, and all that, but they never met. Ingrid and Onyx each knew them only briefly.”

“You might meet them one day,” Echo says with a knowing smile. Perhaps she was there, just at a different point in her own timeline. He goes on, “she comes from a time on Earth when religion had largely faded from society, but it was still around. A lot of factors were at play, of course, but the greatest push towards atheism happened because those who believed in God or gods usually also believed in some kind of life after death. They let themselves die because if they didn’t, they would never have the chance to live in the paradise they were promised. If they had just accepted the longevity escape velocity as a new characteristic of a devout life, superstition might have survived. But these die-hards had children, who watched their loved ones die for nothing, so they switched out, and eventually, belief died alongside the believers themselves.”

“Why are you telling me all this?”

“Because, Clavia, we are the gods. We are those who are believed in. And we’re about to give the two undecillion people of the universe everything they could ever need to be happy. If you think we’re revered now, just wait until we check every box in every religion’s idea of a true living god.”

“What are you saying? We should quit?”

“Absolutely not,” Echo insists. “I’m saying that we should leave. There is nothing for us in this new world. We don’t want them worshiping us.”

Clavia laughs. “You think they’re not going to worship us ‘cause we’re not around? I want you to think about that for a moment.”

“I should rephrase. We don’t want to have to watch them worship us. I agree, they’re gonna do it. I’m worried about a massive resurgence in religious belief, but I don’t think we can stop that. We can’t save them, and save them from themselves, at the same time. We can’t give them something tangible to reach out for.”

“It’s the opposite, Echo. We have to be there. We have to act like normal people. That’s what the Tanadama did, and it’s why those two undecillion people even exist. Almost everyone is from the Parallel. Ramses and Kalea are leaders. They’re accessible. If we too are accessible, it will make it harder for mysticism to take root, not easier.”

Echo looks away with a huge sigh. “I know.”

“Then why are you arguing against it?”

“Because I am going to leave, and there’s nothing we can do to stop it.”

“What are you talking about?”

He turns back. “I can make new bodies for your friends, but I won’t survive it.”

“That seems arbitrary.”

“I ran thousands of simulations in my head. It never works unless I do it that way. I can’t make entire people out of nothing. I have to draw upon my own energy, and that will destroy me. I’m just trying to rationalize it by coming up with a way that that outcome could possibly be better for the universe once it’s done.”

“Even if it is, it won’t be better for me.”

“I know,” he repeats. “In a few different religions, depending on how you define them, there’s a story of the first man. His name was Adam. He was alone until God cut him in half and created a woman named Eve.”

“I’m familiar with Genesis,” Clavia says. “Debra is the First Explorer, remember? She watched all the people who wrote that book.”

“Right. Well, it’s kind of like that. But in my case, I have to split myself in sixths, and the result is that I’m no longer an independent entity. I suppose that my soul may live on in the others, but the simulations don’t have a definite answer on that.”

“No. There must be some other way. And if I’ve learned anything from writing several plays, it’s that when someone says there’s another way, there really always is.”

Echo smiles at her. “I’m not going to argue with you about it, but I am going to split myself apart, and give your friends new bodies. I don’t need to survive.”

“No. We just won’t do that. We don’t need to. They’re perfectly fine in there.”

“Debra says that she won’t help us if we don’t set her free.”

“Well, I’ll talk to her. If she knows that it will kill you, she won’t go through with that demand, and if she does, then we can’t go through with it, because she’s obviously lying to her advantage.”

Clavia’s consciousness suddenly disappears as Debra takes over. “Actually, it’s not a matter of being set free, but of getting my toolbox back. I can’t do what you asked unless I’m back to my old, powerful self. Here’s the metaphor. You’re asking me to shoot a target, but you don’t want to give me my bow and arrow. Recreating my body is like giving me the weapon. It’s non-negotiable. I don’t just want it. I need it.”

Clavia takes back control of the body. “I don’t think she’s lying.”

“I don’t either,” Echo replies.

“Hold on.” Clavia’s eyes glaze over as she recoils into herself to hold an impromptu meeting of the Seven Stages. It’s brief. “Okay. Andrei wants to talk to you.”

“Should I go in your mind?” Echo offers.

“Nah, I’m already here,” Andrei says.

“What’s up?”

“What would happen if you only split once? Just one new person?”

Echo contemplates it. “I’ve never run that scenario specifically, but I did try to generate one substrate at a time, as opposed to all at once, and it seemed to go all right until I got to the third one before I couldn’t continue.”

“Then just do that. Run that scenario for real, but stop yourself on purpose.”

“You want me to create a new body only for Debra?”

Andrei shakes Clavia’s head. “She has powers. She needs someone like you to make the kind of body that she requires. The rest of us can wait. There are other options. They’re just not in the Sixth Key.”

“I’m willing to try that, assuming you can convince everyone else.”

Clavia’s eyes glaze over once more. She comes back to speak for the group. “Will this work? Will you survive this?”

“I believe so,” Echo says sincerely.

Clavia breathes deeply, and looks around. “Couldn’t have picked a more beautiful place. They’re standing in the cold, sterile corridor in the finger of one of the matrioshka bodies. They don’t choose specific places to meet. Every time they’re in separate places, and need to reunite, they just think of each other, and rendezvous at a random location. Time itself seems to choose on their behalf, and it has no apparent preference.

He chuckles and transports them away. They’re now in one of the rotating habitats. It’s a lush garden, densely packed with life. In particular, they’re standing next to a very small, clear pond. It’s barely larger than a bathtub. They didn’t create this with any concentrated intent. They didn’t have the time or energy to conceive of every single blade of grass. They built macros from their powers, and programmed the worlds to basically build themselves, starting with a spark, and iterating from there. It was very effective, if not a bit unsettling. If they didn’t make this watering hole on purpose, did it just create itself, or is there another force at play. Is God indeed real?

“All right, Clavy,” he begins as he’s removing his clothes, and stepping into the water. “I’ll see you on the other side. Best put Debra front and center so it’s easier for me to extract the right consciousness.”

“I’m here,” Debra answers.

“Your residual self-image. Focus on it. Or...I guess if you would rather have the body of a tall black man, I’ll make that for you instead.”

“No one’s called me Airlock Karen in a long time, and I was never racist...” Debra pauses. “But no, I wouldn’t like to be a tall black man, thank you very much. My original form will be fine.”

He nods and closes his eyes, leaning back to float in the water.

“Though, I wouldn’t mind you making me a bit younger than I was before.”

Echo smiles but keeps his eyes shut. Like her, he focuses. He tries to count every atom in his body. Every molecule, every cell, and every organ. Atoms can’t really split, or they’ll explode, so the constituent parts of the new Debra substrate won’t really be coming from him. Instead, they’ll be composed of elementary particles that he sources from across the dimensions, and channels through his body. The energy builds in waves, accumulating in the pockets of space between his atoms. Pulsing, vibrating, firing. He can feel a hot pinprick in his forehead. It drives deep into his skull, and comes out the other side. The two ends travel down through the center of his face, and then further down his body. As the chainsaw of time and space cuts through him, the energy tries to escape, but the fundamental forces hold it all together. The two halves split apart, but they’re both incomplete. As one half morphs and transforms into a female form, new body parts take shape on both halves, replacing the bits that each lost.

When it’s all over, they both turn to face each other. Echo is confused. “Debra, this is not what you looked like, even at a younger age. You did want to appear as someone else.”

“Echo?” she replies. “I’m not Debra. I’m Clavia.” She looks down and away. “I’m alone. There’s no one in my head anymore but me.”

“We’re still in your head.” Someone piloting the original Clavia body remains standing on the bank. “You’re the one who has vacated.”

“Who is that?” Clavia asks from her new body.

“Andrei. I’m in charge now.”

“Why did you do this?”

Andrei frowns. “We can’t trust Debra. We only needed her power, and now...you’re the one who has it.” He lifts his chin in an arbitrary direction. “Go save the universe. We can’t hold you back anymore.”

“Don’t you understand?” Clavia questions. “You six gave me strength. Without you, I’m just...a baby.”

“I wouldn’t be so sure of that,” comes a voice from the other side of the pond. It’s some guy.

“Who are you?”

“Aristotle Al-Amin,” he answers stoically. “I believe you’ve been looking for me?”

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The Seventh Stage: Painting Rocks (Part V)

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Echo is standing in front of the blue wall, painting wispy white clouds on it, paying close attention to details. It would look complete to anyone else, but to him, the work is never done. He can always add one more curve...one final flourish.

Clavia walks up to him. “There you are. What are you doing?”

“Painting this wall. It ain’t gonna paint itself,” Echo replies, still watching what he’s doing.

“It’s literally going to paint itself,” she counters.

He smiles. “I know. Sometimes I just need a break to unwind. Like you with your little headplays.”

She nods. “Fair enough.”

“What’s the count?”

“Three thousand, seven hundred and four.”

He drops his elbow, and looks over at her. “Technically at quota. We’re ready for move-in.”

“Like you said, in the technical sense. We still need to figure out how to convince a supermajority to do it, or it’s not really helpful.”

“We also need to figure out how to do it without loading everyone onto a proverbial bus, and driving them here.”

“It’s time to talk to Cedar,” Echo realizes. They have been dreading this day for a long time. They like him, but they don’t know how he’s going to react or respond to this news. There are whispers that the Cloudbearer twins are building something, but no one knows what, and all of their guesses are wrong; though off by varying degrees. Cedar ran his campaign for power on a foundation of intercivilizational unity. He believes that the only way to keep the Reality Wars at bay is if there’s no one to fight against, because everyone is on the same side. The amount of space between people in this universe could tear them apart. It’s the distribution. Cedar is probably gonna have trouble with the distribution.

“Yeah, we have no choice. Do you think he’ll be mad we didn’t read him into the situation earlier?”

“He’s serving as Head Advisor to our parents,” Echo replies. “He was too preoccupied to worry about this. That can be our excuse for keeping it a secret from him.”

“Good idea.” Clavia takes her brother’s hand, and transports them both to what essentially amounts to a holodeck, though on a much grander scale. They’re standing on an island floating in the air. At least, that’s what it looks like to them. It’s just an illusion. The “air” around them is clear purplish water. They can still breathe, of course, and talk just fine. The sky above is much more unambiguously an ocean. It’s upside down. Waves jut down, and spray a sweet misty rain down towards them. Some of it tastes like chocolate, other drops like honey. Their feet are planted firmly on the ground, though they feel like they could float away at any second. All around them are crystalline structures, also purple, since that is the theme. A stream gives way to a waterfall that slips over the edge, and disappears into the oblivion below, though again, it’s just invisible floor. Between them and the sky are giant turtles, swimming around. One of them nods and winked before moving on.

They aren’t alone on this floating island. They summoned Cedar, and are currently patiently waiting for him to get his bearings in this new world. “This breaks the laws of physics,” he notes. “I’m assuming it’s not real?”

“No,” Echo replies. “Our powers do have some limits.”

“You’ve been gone for nearly a month,” Cedar points out.

Clavia smirks. “We’ve been gone longer than that.”

“Framejacking, or temporal acceleration?”

“Both,” Echo answers. Time is moving faster in this universe, so more gets done in a shorter amount of time in comparison to the Sixth Key, but their own minds are also operating at much higher speeds, allowing them to think and act more quickly.

“This is what you’ve been working on?”

Echo laughs. “This took only a few seconds to construct. We got the idea from Castlebourne. Most of the domes on that world are physical, except for the holographic sky. One of them is nearly all holography. You can make it look like anything. We chose this today. Isn’t it cool?”

“Yeah,” Cedar agrees. “What am I doing here, though?”

Echo clears his throat. “What is the number one cause of tension and conflict in the Sixth Key?”

Cedar dismisses his words with a wave of his hand. “Don’t pitch me. Just tell me what you’ve done, and what you want. You’re gonna need to learn this for when you take over in a more meaningful sense. We’re in charge of undecillions of people back home. No one has time to beat around the bush or be polite about it.”

“Very well,” Echo decides. He reaches up and pantomimes pulling a stage curtain open. As he does so, a tear in the hologram appears in the far, far distance. Behind it, they see what looks like regular outerspace, but as the curtains separate even farther, a figure appears. It looks like a big metal statue of a humanoid, or perhaps just a big robot. It’s hard to tell what scale they’re working with here, so Echo has to explain. “Have you ever heard of the matrioshka body?”

“I have,” Cedar confirms. “I went to a sort of school like you did. That’s where the afterlife simulation was housed, before it collapsed, and everyone was transported into Fort Underhill. The Sixth Key shares interdimensional space with them now. I never knew what happened to matrioshka body, though. That it?”

Echo shakes his head. “That. Is MB-3704.”

Cedar laughs. “You made your own? That’s impressive.”

Echo and Clavia exchange a look. “He said it was three-seven-zero-four.”

Cedar is confused, but only for half a second. Then his face drops into a frown. “You made 3700 of these things?”

“Yeah,” Echo says.

Cedar starts to pace around and shake his head, almost in disappointment. “Why? What do they do?”

“Well, they...have people live in them.”

“Who lives in them?”

“No one yet, that’s what we’re asking you for.”

“Asking me for what?” Cedar questions. “I told you, get to the point. Stop trying to be dramatic.”

“We need you to transport everyone from the Sixth Key who wants to live here. Send them all to their new homes...all at once.”

“I can’t do that!” he cries.

“We’re gonna let them consent,” Clavia defends. “We’re not gonna make anyone move, but this will be better, and I think there will be a ton of interest.”

“Think about it,” Echo begins before Cedar can make another argument. “There are hundreds of billions of stars, but we don’t have enough resources for everyone. How is that possible? Because stars radiate a ton of their energy away, even with dyson swarms. Matrioshka brains are more comprehensive, and more efficient. And matrioshka bodies are just stylish and cool.” Honestly, I don’t know why no one ever thought of it before. I thought that was the point of the original matrioshka body, and its successor, Big Papa.” There ought to be far more than two of these in existence. The Parallel was more than capable of doing it, but they chose not to. They still orbited stars. Even the interstellar settlements were quite literally few and far between. Why? Why keep the stars? Aesthetics? Safety? Ethics? Probably all of the above. Or. Echo and Clavia are just that clever.

“That’s not my point. I literally can’t do it. I don’t have that kind of power.”

Echo and Clavia are both confused. “What are you talking about? You already did it. You moved them all from their original realities, to the Sixth Key.”

“No, I didn’t.” He starts to look around on the ground. Guessing at his needs, Echo manifests a chair for him to sit in. Cedar hunches over and stuffs his face in his palms. “That wasn’t me. I didn’t do any of that.”

“What? It had to have happened,” Clavia argues. “Everyone’s there.”

“I’m not saying that it never happened,” Cedar tries to explain. “I’m telling you that I didn’t do it. I have powers, but not like that. That’s insane.”

“Then who did?” Echo asks him.

Cedar looks up to meet Echo’s gaze. “I have no idea. They didn’t tell me. They have to keep it a secret, even from me and my family, even now that it’s done. We were...a misdirect. It’s like sleight of hand. We were the left hand that distracted everyone so no one would see what the right hand was doing. I don’t know if anyone knows who saved everyone during Reconvergence. All I know is that it wasn’t me.” He pauses before adding, “I just took credit, per my instructions.”

Echo and Clavia manifest their own chairs to sit in. They sit there in silence for a good five minutes before Echo decides to speak again. “Time is not linear. If something exists at any moment, it exists in all moments. If you know something about the past, you can change it. Keeping it a secret was smart. Even if someone were to go back and kill you as a child, it wouldn’t stop the creation of the Sixth Key. You’re like a bodyguard, there to take a bullet if one ever comes flying through. That’s how I would have done it if I were there.”

“Maybe you were,” Cedar reasons. “Maybe you two are the ones who created the Sixth Key; you just haven’t done it yet from your own perspectives.”

They exchange another look. Clavia decides to explain. “There’s a small group of people on a planet in the Sixth Key who are aware of what we’ve been up to. Just a few billion people. They were our test group. We’ve already tried to transport them to our new universe. We don’t have that kind of juice either. Stars are easy. Giant metal statues are easy. Moving people? That requires a level of precision that we do not possess; not with hordes anyway. We could probably move them a couple thousand at a time, but that’s all but useless for our needs. That’s a meaningless rounding error compared to the total population.”

“What about Ellie Underhill?” Echo asks after another bout of silence. “I don’t remember how many she transported into Fort Underhill.”

“It was only 120 billion,” Cedar replies. “Not quite a rounding error, but still not good enough. Besides, she gave them all new bodies; it was a whole different animal.”

“So what we’re saying is that we need to find the person who actually did move everyone from the five realities to the Sixth Key. We need them to do it again.” Clavia starts to pace. Finding someone out there in the abstract is not something that she’s ever done before. She always knows who she’s targeting, or roundabouts where they are. This is a mystery individual, who might be in either of two universes—or, hell, maybe neither of them. They could have also done it subconsciously, like how Echo lived before he became self-aware and realized his true potential. Maybe it’s not just one person. Maybe it was a group, or somehow everyone. Maybe through the spirit of survival every single living organism consolidated their untapped collective power into one brilliant miracle. Ugh, Clavia doesn’t know, but you know who would?

“Hey, boys!”

Echo nearly falls out of his chair, but catches himself by spreading his feet apart. He stumbles away from her. “Debra. How did you get out?” She still looks like his sister. She’s still occupying that body, and nothing about it has changed. But Echo knows. He would always know. “What did you do to Clavia?”

“Relax, she’s still in here; on the first stage. She gave me control of the body, because you need me.”

“I need you for what?”

“I can find your mysterious god-being,” Debra spits back like he’s an insignificant little ant on the ground. “I found you, didn’t I? You were alone on a nothing planet in the middle of the universe. I knew exactly where you were. I intuited that you existed in the first place.”

“We can’t trust you,” Echo contends.

“Believe it or not, I’ve changed. Living with those people, doing those plays...it’s changed me. I’m no hero, but I’m not a villain anymore either. Clavia maintains full veto power. She can come back whenever she wants.”

“Prove it. Let me talk to my sister again. And don’t try to trick me, I’ll know.”

“I know.” Debra actually does what is asked of her, and temporarily returns control of the body to Clavia.

“She’s not exactly right,” Clavia says. “She doesn’t need my body, she needs my brain.”

“Can’t you just do it? You have all her power, don’t you?”

“It’s more complicated than that. You would understand if you could be inside my head. You would get it if you could see the construct that I’ve constructed.”

Echo steps forward, and places a hand on each of Clavia’s shoulders. “I bet I can. Show me. I think it’s about time that I meet your little brain buds.”

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The Seventh Stage: Rocking the Boat (Part IV)

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Clavia is taking a break to meditate. It’s not just for her mental health in the abstract sense. In her case, it’s non-negotiable. She has to do it or parts of her will overwhelm the others; usually the not-so-great part. One of her constituent personalities was told a story once. It’s not so much a story as a brief metaphorical anecdote. Well, it can be boiled down to that anyway. The gist of it is that everyone supposedly has two wolves inside of them. One of them is good, and the other is evil. The one who wins is the one you feed. It’s not so simple with Clavia, though. She actually has six wolves inside of her. Debra, a.k.a. The First Explorer is definitely the alpha. She’s the strongest, and the one who had initial total control over this body. When Echo Cloudberry regressed her back to youth, and tried to erase her memories, the balance of power shifted. Clavia became more of an amalgamation of all six identities. Yet those six original people are still technically in here, and in order to maintain the balance, she has to sort of commune with them every once in a while. She has to assure them that the choices she’s making are righteous, and that she won’t let Debra take over again. It brings a whole new meaning to being greater than the sum of one’s parts. Because if “Clavia” can talk to the seven people that she’s composed of, who even is Clavia at all? Is she a seventh person, or what?

“I would like to call this Meeting of the Seven Stages to order,” Clavia says from her perch on the topmost stage. She could have created a mind palace that looked like anything, but this seemed fitting. The stage area is in the shape of a hexagon, with the six lower stages surrounding the central stage. Curtains divide the six audiences from each other, and can be pulled further up so that each audience can only witness what’s happening on their particular stage. As it is situated much higher, however, the seventh stage is always visible to all audiences. Of course, there is no audience; it’s only a metaphor, but it works for their needs. Right now, the curtains are all pulled back, so everyone can see each other, including the one underneath the seventh stage, allowing the others to see each other. Clavia herself stands in the middle. Around, in clockwise order, we have Ingrid Alvarado, whose body Clavia is occupying; Ingrid’s love interest, Onyx Wembley of The Garden Dimension; Ingrid’s rival before the Reconvergence, when they lived in the Fifth Division parallel reality, Killjlir Pike; Ayata Seegers of the Third Rail; the dangerous one, Debra Lovelace; and finally, Andrei Orlov of The Fourth Quadrant.

The play that they would be performing this year—if any of this were real—is about a prisoner transport ship on the high seas of a planet called Earth. Clavia is obviously the captain, with Debra as their one prisoner. Andrei and Ayata are her guards. Ingrid, Onyx, and Killjlir serve as helmsman, navigator and quartermaster, and boatswain respectively. Again, the acting troupe is just the premise of the scenario, but Clavia felt that it was necessary to come up with some sort of fictional background to stimulate their minds. Their old lives are over, and there is no going back. They don’t even have bodies anymore, so it’s best to have something new to look forward to every day. They didn’t have to pretend to be stage actors—it could have been anything—but the name of their pocket universe made the concept essentially inevitable. They rehearse a new play every year. This one is called Rocking the Boat. These meetings allow Clavia to regain the memories that Echo took away from her, but before that happened, she had the mind of a child, so you can’t expect anything too complex or cerebral, even now that she’s older. Though, this one is indeed a little bit more mature. It still has that classic Clavia tinge of humor as Debra is playing the notorious evil pirate, Karen the Unappeasable.

“Can I get out of these chains?” Debra requests.

“I didn’t put you in those today,” Clavia answers.

“We did a dress rehearsal without you,” Ayata explains. She steps onto Debra’s stage, and unlocks her manacles.

Clavia tears up. “Without me?”

“Wait, look over here,” Ingrid requests. She goes on when her double turns to face her, “you did it. You cried on command.”

“I’ve been practicing in the real world,” Clavia explains proudly.

“I hope that doesn’t mean you’re using it to manipulate people,” Onyx warns.

“No people, just stars,” Clavia responds. “They are unmoved by my tears.”

“So the project is going well?” Killjlir assumes.

“Quite,” Clavia confirms. “We’re ahead of schedule. We’re more powerful than even we realized.”

“I knew your parents were keeping you restrained,” Debra says with disgust. “You had to get away from them to reach your potential.”

“We don’t know that they were doing anything,” Onyx reasons. “She’s older now—it’s natural for her to come into her own. Maybe it’s like a stage of puberty.”

“I chose them as my surrogate parents as a reason,” Clavia speaks up for herself. “I love them both. Echo and I are doing this in honor of them, not in spite of them.”

“Whatever,” Debra says.

“Aww, is someone a sad panda because I took away her solo?” Clavia asks.

Don’t get her started. “The story is about how we’re all feeling about our place on the boat, and how we’re dealing with those emotions without telling anyone about it. I have to sing, or my story’s not getting told.”

“No, the story is about how prisoners are silenced, and how the general public doesn’t want to hear what they have to say. That’s the whole point. The way your character keeps being interrupted and dismissed should be shocking and annoying to the audience. Karen lives in the subtext, and the negative space.”

“That’s another thing, I don’t like her name,” Debra says. “It’s what people actually used to call me.”

“Well, I admit, that one came from a place of pettiness,” Clavia tells her. “I kind of like it now, though. I can’t imagine calling her anything else.”

“I won’t say another word about it if I can play the hero in the next one.” Debra pitches this every year, and she has been denied every time except for the third year. In it, she did portray the protagonist, and she absolutely sucked at it. She’s the main character in her own story. Everyone feels that way, but she really feels it, and that came out in her performance. The rest of the cast may as well have not even been there the way she was chewing up scenery. If an audience really had seen it, they would have closed down on opening night.

“That’s what I wanted to talk to you about,” Clavia says. She’s switching between smiling and frowning, because she doesn’t know whether she should even bring this up. They contemplated doing it a long time ago, but the technology is too unreliable and messy. Consciousness transference is very good about moving a digital mind from one substrate to another. It works by scanning an entire brain all at once. It doesn’t understand the concept of an amalgamated mind. Why would it? That doesn’t exist in nature. If two people are occupying the same body, they’ve probably been allocated entire independent partitions in the brain. The Seven Stagers are too entangled with each other. When they’re on these platforms, it’s very easy to distinguish them, but the mind uploader can’t enter this memory palace. It has no way of recognizing them as multiple units, which should be uploaded separately. The other concern is Clavia herself. They still don’t know how much she relies on the six of them to even be her own person. Perhaps she only thinks that she’s her own entity. Perhaps if they were to leave, she would cease to exist.

“Did you decide what the next play is going to be about?” Ayata asks.

“It’s not about the play at all,” Clavia begins to clarify. “There may not be one. There may not need to be one.”

The others look at each other across their stages. “Did you figure out how to transfer us out of your avatar?” Killjlir guesses.

“I think I did.”

“Technology doesn’t advance that fast,” Onyx decides. “Not even the Parallelers can do it.”

“To be fair,” she didn’t talk to any of them,” Ayata says to him. “She couldn’t, or it would give us away. Maybe she found someone to trust who has a new idea.”

“I already have someone to trust,” Clavia explains before anyone can come up with their own theories on what’s going on. She takes a breath before continuing, though. “I think that Echo can do it.”

Everyone has their own way of reacting to this, but some common threads are groans, throwing up their hands, and shaking their heads. It’s not that they don’t like Echo. They love him. They just don’t think that he can do this. He’s conjured little critters out of nothing before, but that was back when he wasn’t consciously aware that he was doing anything, or had any power. He’s proven himself to be too in his head since he wiped his own mind, full of self doubt and fear. As far as they know, unlike Clavia, he never got his old memories back, and he may never have been strong enough to create human bodies.

“Now, why do you think he can’t do it? We’re starscaping out there. We’re building an entire universe out of dark matter and elementary particles. You think he can’t build a few puny human bodies for you? With his help, I could guide each of you out of my brain, and into your new ones. That’s what the conventional technology is missing. It was designed to dump everything in all at once, but Echo will have the context and intuition that it lacks.”

“You’re missing something too,” Onyx begins to use his experience and expertise from the Garden Dimension. “Stars are somewhat uniform balls of plasma, composed of hydrogen, helium, and metals. You can just toss in all the ingredients, and the laws of physics will take over, particularly gravity. I’m not saying what you and Echo are doing isn’t incredibly impressive, but the complexity will come out of the imagination you have for how your new universe is arranged, not by the inherent nature of the individual celestial bodies. Human bodies, on the other hand, are extremely precise entities, with complexities on a smaller scale. But just because it’s smaller, doesn’t mean it’s easier. Sure, it requires vastly fewer resources, but one tiny mistake could lead to catastrophe. You’re talking about creating something that took billions of years to evolve naturally, and unlike stars, it only happened once.”

“Wait,” Killjlir interrupts. “He doesn’t need to conjure the bodies. Those can be bioengineered using the normal techniques. We would just need a way to transfer us into them from Clavia’s head.”

“He wouldn’t be transferring them,” Clavia contends. “He doesn’t have the power to upload digitized minds. These would be true organic bodies, imbued with your respective consciousnesses through interdimensional pathways.”

“I don’t understand,” Ayata confesses.

“When you bioengineer a human body,” Onyx begins again, “there are only two ways to do it. Either it’s an empty substrate waiting for a mind to be uploaded into it, or it’s a regular person. An empty substrate is inherently digital in regards to consciousness transference. Even if it’s organic, it’s encoded with neural formatting compatibility. It can read a mind from another digitized brain, or a computer server. A normal body can’t do that. Back in the old days in the main sequence and the Parallel, they had to first figure out how to convert people’s brains into the right format since they didn’t evolve that ability.”

“So let’s do it like that,” Killjlir offers.

“We can’t,” Ingrid counters. “Like he was saying, that would be a regular person. It would have its own mind already, right?”

“Right,” Clavia agrees. “However smart or dumb that person is, or how competent they are to learn new things, the body would be ocupado, just like someone born from a mommy and a daddy. You would be stealing their body. Only Echo can make something both undigitized and empty.”

“Then why can’t we just use the digitized kind?” Ayata questions.

“Because you’re not digitized,” Clavia answers. “Our minds came together through completely different means, using a rare if not unique metaphysical process, catalyzed by the magnolia tree fruit that Ingrid ate just as you were all about to die. And digitizing us can’t be done as an aftermarket retrofit, because like we’ve been struggling with, the computer can’t differentiate between our seven discrete consciousnesses.”

Ayata nods, getting it, then looks over at her love. “Andrei, you’ve been quiet this whole time. Thoughts?”

Andrei takes a long time to respond, but by his body language, it’s clear that he’s going to, so no one else speaks instead. “I don’t wanna leave. It’s too risky. We would likely only get one shot at trying something like that, and if it fails, our minds could become totally decorporealized, or we might just die. I think we should revisit the idea of rotating control of the Clavia body.” He looks up at her. “I wanna stand on the seventh stage.”

“Same,” Debra concurs.

She obviously just wants all her power back, but does Andrei have the same aspirations?

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Microstory 2407: Zombie Dome

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Generated by Google Gemini Advanced text-to-video AI software, powered by Veo 2

Zombies! Get your zombies here! We got fast zombies, slow zombies, zombies who are still a little bit intelligent, zombies who mindlessly continue on with the jobs that they supposedly had when they were still alive. You choose your environment, and you choose your level of difficulty, and then you just try to survive. They have some pretty crazy scenarios. I love zombies, so I’m biased, but I think you could have an entire planet just designated for this, and it would be great. Here’s what’s interesting about it, and the kind of unique thing about Castlebourne over all. They really lean into the fact that human bodies are completely expendable these days. They put a lot of work into building them for us. They have some fancy new technology that can grow a clone of you in a matter of minutes, I don’t understand it. Or you can choose your own creative avatar—like a bunny, or an iron giant—though that’s not really allowed in Zombie Dome. You’re supposed to be a human running from humanoid zombies. That’s the thing. But here’s a choice I never thought I would get to make. You can turn into a zombie in certain variations. When they bite you, if you don’t die, you continue as one of the undead. They’ll pump you full of drugs, and impair your brain processing. You’ll start walking around trying to bite other people. It’s a trip. I wanted to see what it was like, so I intentionally got bitten. Don’t worry, there are fail-safes in place. No matter how stunted your mind is, there’s always this part of you that is aware that none of this is real, and that you can break out of it if you need to. You can force your real consciousness back to the surface, and start being a normal person again. You’re dead, so you can’t keep playing like that, but you can make your way to an emergency exit, and quit playing. At that point, you can request a respawn into a normal body again, and start all over. I never felt unsafe in there even though that’s the point. It’s true, as I said, I love this stuff, so I kind of went into it really prepared. You might have a different level of preparation, but they’ll take care of you. They won’t let things go too far. Even when you’re still alive, you can put a stop to a zombie attack by uttering your safeword, which you will choose ahead of time. It can’t be too obvious, like, help, or no, stop! but I’ve seen it work. I had a bunch of buddies who were there specifically to test these systems. They chose different safewords at different times, and they always worked. We were there to test the boundaries, and make sure that the safeguards were sufficient, and never faltered. Highly recommended, but bear in mind this is not for everyone. It takes a certain kind of constitution, and most people should know whether it will be good for them or not, and again, if it’s not, you can just leave.

Microstory 2401: The Terminal

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You know what? This place is big. They call it the Terminal because everyone who quantum casts their consciousness to this planet runs through here. It’s mind-boggling how large it is. I think I heard someone say that every cast-capable individual could upload their mind to a new substrate here at pretty much the same time, and there would be enough room for everyone. I don’t know about that, but I saw this thing from the outside, and I think I believe it. But in the end, the principle remains the same. You get in an egress pod wherever you’re coming from, hook yourself up to the machine, and zip across the interstellar void. You wake up about an hour later, and start moving around in your new body. You’re a little shaky at first, because I admit, it was a new experience. The technology they use to transfer your consciousness is a little different. They have to worry more about things like interference and signal degradation. Don’t get me wrong, I wasn’t afraid, and I don’t regret it. I just mean, the end result may be a bit different than what you’re used to. It’s just a little harder to acclimate, even if you’re a seasoned caster. Fortunately, they were prepared. They have nearby acclimation rooms that are designed to help you figure things out. They have bars to hold onto and treadmills; basically everything you would find in a physical therapy gym. I was told that they do offer mech subs, if you want that instead of an organic. I’ve never personally used one of those kinds of bodies, so I can’t speak to that experience, but if you choose that route, you may be able to move around just fine right away. Anyway, I didn’t need to use any of the equipment. It was helpful just to have a place to sit and relax. They also had an orientation theatre. Some of it was in person, surely from an android of some kind, while other parts were on the holo-screen. There are way too many domes for them to go through them all, but they do teach you how to search through the catalog, so you can find the exact experience that you’re looking for. But I won’t get into specifics here. I’m sure once I start going to the domes, I’ll review those too. This is just about The Terminal. You should know, they do have medical facilities here, and hygiene stations. I didn’t use any of those, but they’re there if you need them, and they looked nice. I set my trip up ahead of time, so I pretty much received my orientation packet, and bounced. It looked like some people were hanging out there for a little while, though there are plenty of domes that offer relaxation options.