Microstory 2486: Estuaridome

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There is a mountain under this dome, which is nearly all natural, and a river flowing from it. It’s not a particularly long river, but it’s necessary to support the star of the show, which is of course, the estuary. Like Nordome Network, this is not only one dome. It’s connected to the one next to it, but it’s unique in that it connects to a non-standard-sized dome. An estuary doesn’t just mark the end of a river. It serves as the transition between a river and the ocean, so in order for this to work, they needed an ocean. Sure, they could have dug a mini-ocean inside this dome just to get the point across, but why do that when you can simply choose a spot that’s next to a full-sized ocean, which they were doing anyway? Estuaridome butts right up against Aquilonian Deep. They share an atmosphere, and you can travel between them freely, either by boat, or along the bank / shore. There’s nothing to do here, really. You can’t camp overnight. You can’t have parties, or participate in water sports. You can have a nice picnic, and obviously, you can go on a hike. You can climb the mountain, or just sit and enjoy the peace. But you can’t do anything disruptive, destructive, or annoying. There is a tour you can take, if you don’t want to be self-guided. I took that one day, then came back to just be alone the next. The tour guide was very knowledgeable, and you could tell that he was a human who studied all this stuff on purpose, rather than a superintelligence who simply downloaded the data. He will tell you all about this estuary, and what kind of life lives there, but he can also answer questions about other estuaries on Earth. But just Earth. He has not studied other habitable planets in the galaxy, nor even other water-based domes on Castlebourne. That’s not a complaint, just a warning to direct your questions appropriately. That’s all I’ll say about this. It’s nice and enjoyable, but it isn’t revolutionary, and it’s not any better than a natural geographic fixture.

The Advancement of Mateo Matic: August 2, 2515

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The team was sitting around their table. It was the end of the engagement party, and only a few people were still around. Darko was in the middle of a seemingly flirtatious conversation with one of the android waitresses whose self-awareness and agency were in question. Mateo was about to ask if there was any way of determining whether she could provide consent when a black hole suddenly appeared on the opposite wall. A woman stepped out who looked moderately familiar. The first words out of her mouth were, “okay, I’ll do it, but I want something in return.”

“What?” Leona questioned. “Were we in the middle of a conversation? You’ll do what for us? Who are you again?”

“I’m Magnolia Quintana?” she reminded them. “The Overseer?”

“Oh, right, yeah, we met,” Leona remembered. “Is there an operation here, or something? This is just Party Central.”

“Yes, if this is where you’re gonna have the wedding,” Magnolia said. She looked around the room. “Little small.”

Leona did her best impression of Mr. Spock’s eyebrows. “We’re gonna have it outdoors, and not tonight, and...this is only one room in an entire city of party venues.”

Magnolia pulled out an old fashioned pen and notepad set. She took notes out loud. “Okay. Outdoors. Party Central. At least one year to plan.”

“Are you offering to be our wedding planner?” Olimpia questioned.

“Not offering,” Magnolia said. “Got the job. Very excited. Already have some great ideas rolling around up here.” She tapped her head with her pen.

“Madam Quintana,” Mateo began. “We were just gonna plan this ourselves. It’s not gonna be as big as our last wedding. Only family and close friends.”

Magnolia dropped her hands in disappointment, and sighed. “I need your help.” She was very uncomfortable. “I obviously need you more than you need me.”

“Well, we might be able to just help you,” Leona offered. “You don’t have to do anything for us. What do you need?”

“I need you to find my son,” Magnolia requested, averting her gaze awkwardly. “I can find anyone in the world, but he shares the same gift, which makes him a blindspot. I know he’s in this time period, but I don’t know where. Honestly, because so many planets have become habitable now, the Great Pyramid Shimmer actually serves a meaningful purpose, so he might not even be on Earth anymore.”

“Is he in trouble?” Romana asked.

Magnolia hesitated to answer. “He’s...mad at me. I just want the chance to apologize. I think he’ll be receptive if I say the right thing, but I have to find him first.”

“Well we can’t really find people,” Leona tried to explain. “I’m sure you’re asking us because you have been made aware of our slingdrives, but they don’t operate on magic. We have to know where we’re going. We’re no better equipped than you with your, uhh...”

“Hither-thithers,” Magnolia finished for her. “That’s what our dark portals are called. And I didn’t come for your slingdrives. I can harness Shimmer myself, and go anywhere he might be. I need his dark particle power to track his location.”

“Not that I won’t agree to that,” Mateo started, “but you just used a special word. Have you not reached out to a genuine Tracker, like Vidar Wolfe?”

“They have the same limitation as me. We can conceal ourselves from such people. I believe that you are the only person in the universe who can see through the shroud.”

“All right.” Mateo wiped his lips with his napkin, then dropped it down on the table. “I’ll see what I can find.” He leaned over and kissed his wife, then leaned over the other direction to kiss his bride.”

“Wait, we have your bachelor party after this,” Ramses reminded him. They decided to get all the traditions out of the way, so the separate celebratory events are falling on the same day as the engagement party, instead of being spread out across 12 to 18 months. Leona will have her doe party, and Olimpia will have a separate bachelorette party. They’ll then reconvene for a bridal shower. A bit out of order, but who cares? “Or no, we’re calling it a bull party.”

“Come with us,” Mateo suggested. “Hey, Darko!” This was Mateo’s chance to not worry about what an encounter with the android would mean, ethically speaking. “Time traveling bull party!”

“I’m in!” his once-brother exclaimed. He turned back to the waitress. “Catch you later, gorgeous.”

“I shouldn’t go with you,” Magnolia decided. “I have some initial work to do to plan your wedding, and Garland may still want me to stay away. I don’t wanna ambush him, so if you could, please tell him that I’m sorry, and ask him if he wants to see me. If he doesn’t, I’ll understand, and I’ll trust that you did find him, and are telling me the truth either way.”

Mateo nodded. “Don’t break your back planning, though. It’s gonna be intimate and low-key. Thanks!”

“No. Thank you.” She was a little too mousy and contrite for someone called The Overseer. This whole thing with her son must really be messing her up. And that wasn’t how she came across a few minutes ago when she first arrived. Maybe she didn’t realize how receptive to her request they would be, and decided to rein in her energy after the deal was done.

The three men stood next to each other in a vague line, and regarded the women still sitting at the table. “Three to beam up.” Dark particles swarmed around them, and sent them away to unknown lands.

As the darkness faded away, the nature of their destination twisted into focus. “Oh, not again,” Ramses groaned. They appeared to be in the middle of a tundra. It wasn’t Tundradome, though. It couldn’t have been. They were standing in what must have been a park, or a town square. There were buildings on all sides of them in the middle distance. This was some kind of city. People were milling about, enjoying the day. No one seemed to have noticed their arrival until they turned all the way around to see a young man sitting on a bench.

He did not have a look of shock on his face, but minor annoyance. “I put a time block on this world,” he said. Still nettled, he closed the cover over his e-reader, and set it down next to him. “No one else should be able to come through. Now I have to check the wards.”

“That won’t be necessary,” Mateo tried to explain. “My power is a bit of an exception. I doubt anyone else can come here if you did anything to prevent them.”

“Who would want to?” Ramses jabbed.

“For that.” The young man looked up towards the sky with his eyes as he pointed with a finger.

It took them a moment to possibly figure out what was going on. Scale was a bit hard to determine with this out-of-context problem. It looked like a ceiling of ice that stretched all the way across in every direction, down to the horizon. The fractures and imperfections glimmered in the light from the ground, and maybe even from above as well? Vaguely-shaped circular blobs were hanging in the background, perhaps pulsating, or perhaps they were only illusions. This whole thing might have been a hologram, but it was a good one; reminiscent of something they might find on Castlebourne. Had this frustrated stranger not claimed to be somehow preventing others from traveling here, they might have guessed that it was indeed one of the domes on Castlebourne, which they just so happened to have never heard of before.

“Wait, wait,” Darko began. “I think I’ve heard of this. Epsi...Epson...”

“Epsilon Eridani,” Ramses said. “Roughly eleven light years from Earth. No habitable planet, but a gas giant like Juputer, and a couple of ice giants, similar to Neptune.”

“We’re orbiting the gas giant, AEgir,” the stranger added. “This moon is called Kólga. The surface is inhospitable, so they built a giant hanging city-structure, attached to the ice. What you’re seeing up there is several hundred meters of ice, followed by the daytime sky, in which we can currently see both AEgir and E-E.”

“Where are our manners?” Mateo extended his hand. “Mateo Matic, Darko Matic, and Ramses Abdulrashid.”

“Married or related?”

“Brothers across different timelines,” Darko clarified. “You’ve never heard of us? You’ve never heard of Team Matic?”

“I try to stay out of the whole time travel industry. That’s why I came here. People keep to themselves. They’re as immortal as anyone, but they don’t want to explore. They don’t want to learn. They don’t want to build worlds. They just want to live their lives day by day, century by century. They don’t ask questions, and without them even knowing it, I protect them from the likes of you. I try anyway.”

“We’re not here to cause trouble. We’re just looking for our friend’s son, who we are guessing is you?” Mateo asked.

He nodded. “Garland Dressler. She sent you to take me back to her?”

“No pressure,” Mateo said to him. “She says she wants to apologize. I don’t know what for. I don’t need to know. You don’t have to come with us. If you want us to leave, we will.”

Garland sighed. “You might as well stay a while. You look like you’re in the party mood, and there’s one down the street tonight.”

The three of them looked at each other, narrowing in on Darko, who was wearing a glow necklace that was inert when they came here, but was now twinkling, probably triggered by the time travel event. They were supposed to be partying.

“I’ll think about whether I wanna go back or not,” Garland went on.

“Let’s go get chocolate wasted!” Ramses suggested. He literally started running towards the street.

“Other direction!” Garland called up to him.

Ramses didn’t stop running. He just teleported to the other side of them, and started moving that way instead.

“Do you have a jacket?” Darko asked as the rest of them followed Ramses at a normal pace.

“It’ll be warmer inside,” Garland promised.

They had to call Ramses back again when he passed the entrance to the party venue, but once inside, they had a lot of fun. The other residents took no issue with shifting focus of the festivities to being more about Mateo and his upcoming nuptials. They didn’t go there with a particular reason to party in the first place, so it wasn’t like they were stealing attention from someone else. Garland had been a little inaccurate about why he came here, and didn’t let anyone else. He didn’t only want to protect the Kólgans from time travel, but also to have them all to himself. He was the life of the party, opening up hither-thithers left and right. He helped party-goers throw sports balls at their own asses as fast as possible. He let one guy fall down an endless loop of portals on the ceiling and the floor. Mateo wowed them with a swarm of dark particles before he and Ramses entertained with a holographic lightshow. Darko met a man with combat training, so they sparred in the middle of the floor as the crowd cheered.

They would find out later that the chocolate they were eating was laced with some kind of local drug, which Garland didn’t even know about. They reawoke at some point later with no memory of how the night ended up, but they had some clues to work with. First, they were not likely on Kólga anymore as it was pretty hot here. Secondly, Darko was missing. And finally, passed out next to them was the last person they expected to find. He actually looked rather peaceful there, and they didn’t get the sense that there was any lasting animosity between them. It was Bronach Oaksent.

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Microstory 2473: Empty Planet

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Are you ready for an adventure? What about an adventure mystery? I don’t wanna say too much about this place, because finding out what’s going on is the entire point of it. I’m sure that if I did give away the ending, the system would autoreject it, so you wouldn’t see it anyway. Instead, I’ll just say that it’s a gorgeous, eerie setting. The premise is that you wake up on an alien world, and you’re all alone. This was obviously once a civilized and populated planet, but they’re all missing, and it’s up to you to figure what happened to them. Sometimes you’re outside, and sometimes you’re locked in a room. They don’t erase your memories (because they don’t have to) but they come up with a backstory for your character, and part of the mystery is also unraveling how you ended up here. If you play the game right, you get those memories (or for the in-universe explanation, you get them back). There’s a waiting list for this dome, and it’s only getting bigger. Without going into detail, it is possible to run into another player, but they do try to keep you pretty far apart. Unlike Threshold, if you wanna figure out how to hotwire an alien vehicle, and drive to the other side of the dome, you can do that, and you might encounter others while you’re there. So if you want some help solving the puzzles, that’s always technically an option. What they don’t want is to have thousands upon thousands of visitors stepping over each other. It would kind of undermine the concept of an empty planet, even though it’s mostly about finding the truth about the alien race that once lived here. There are multiple levels, so the sky above you is closer than it appears, and that keeps people more separate, but there’s obviously a limit to that, and I don’t know how many levels there are. It doesn’t specify on the prospectus, or during the very brief orientation. Speaking of orientation, there’s not much to it. They ask you a few questions, they give you a little bit of info about how to exit the game if you wanna quit in the middle of it, and then they give you a sedative so you can wake up at the starting point. That’s about all I can say. As I said, the design is magnificent. It really does feel alien. As for the story? Eh, I think it could be better, but your mileage may vary. You’ll just have to see for yourself, and test your reasoning skills.

Microstory 2447: Terminator Track

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This isn’t a dome. It might be, in fact, the only thing that you can do on this rock that isn’t. It’s basically this big wide train that goes around and around the circumference at a certain latitude. They told me exactly how far from the North Pole and equator we were, but I can’t remember. The point is that the time never changes when you’re on the terminator track. It might be sunrise, sunset, magic hour, or twilight, and as long as you stay put, it will remain as such until the solar system collapses, or the track goes out of commission....whichever comes first. I’ve only seen sunrise and sunset, but I heard that magic hour isn’t that great since the atmosphere is so thin. I think they’re planning on adding more trains in between these, so it can always be night, or always be day. I’m not sure why you would want that exactly, but to each their own, right? This is a cool concept that they’ve tried on a few other planets. Varkas Reflex has something very similar, but the train is of a very different layout, and I think the capacity is a lot smaller, because it’s an older design, and the megastructural engineering capabilities weren’t quite there yet. Or the size of the one here on Castlebourne is the result of natural advancement. They made it bigger very deliberately because they wanted it to be bigger. If the Varkas one had been built to this scale, this one would be even bigger. Anyway, you get the gist. You sit on the train, and watch the sunrise. And watch it. And watch it. The show never ends. Again, it’s a cool concept, but if you stare at it long enough—even though you’re going, like, a thousand kilometers per hour—it starts to look like a painting. Well, I can go look at a painting of a sunset whenever I want. Do you have any idea how many paintings there are of sunsets? I couldn’t tell you, but look it up, and then multiply it by several times, because some people will paint a sunset, and then not show it to anyone else, so whatever’s in the records is probably an underestimation. As you can see, I’m a bit of a tangentist. There’s just not much I can say about Terminator Track. I don’t think it’s any better than just setting your smartwindow to show a hologram of a sunset at will. Actually, it’s worse, because again, Castlebourne has such a thin, dusty atmosphere, so just remember that before you board. When you think about it, it doesn’t make much sense, even if they thickened the atmosphere, and created some of that Rayleigh scattering. Part of the beauty of a sunrise or sunset is watching it change from one state to the other. Yeah, they’re pretty colors, but seeing them appear and disappear is part of what made humans like them in the first place. This is just static...like a painting. That’s the way I see it anyway. I’m not gonna tell you not to come here. I’ve not gotten into any specifics, but they have a restaurant, and several lounges. You can watch the domes fly by too if you go to the side viewports, so that’s another thing. I see this spot as a one-time destination, not something you frequent, except maybe if you’re on a romantic date, or something. Or, like I said, you could just tell your nearest smartwindow to show whatever you want. In fact, I bet the trains have cameras, which you can tap into, allowing you to watch it remotely anyway.

Microstory 2446: Caverndome

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I have no idea how big this place is, or how many corridors and chambers this dome has, but it seems pretty complex and expansive to me. According to the literature, this was a natural cave system that survey satellites and drones discovered while they were mapping the topography of the planet during this project’s early days. Seeing the opportunity, they built one of the domes on top of it. I saw the satellite view myself, and there aren’t any other domes very close to the rocky formations to the northeast of Caverndome, which makes me wonder whether the caves extend far beyond its borders, so they just decided to cut it off, and call it good enough. It certainly is. You could probably spend a whole standard lifetime here, and not see everything. The prospectus hints at the possibility of there being secret passageways and hidden chambers, and given the scope of the network, that’s probably true. I wouldn’t know how to find or access one of them, though. It could be mechanical or electronic, where a wall will part after inputting some kind of code, or it’s a tight squeeze with a big payoff, or it’s just so hard to see through an optical illusion. Some of the walls may straight up be holographic. A lot of people were running their hands along them in case the apparent solid surface gave way to empty space instead. We’re not allowed to bring in our own surveying equipment, which makes sense, because unlocking all the secrets all at once would go against the spirit of the dome. At its heart, this is an ecological dome, which means there aren’t any planned activities. You’re only supposed to come here if you wanna explore and see some cool caves. There is opportunity for spelunking and cave diving, but through the lens of this goal of exploration, not so you can test your mettle, bump your heart rate up, or get your rocks off, so to speak. Don’t come here and be disruptive or annoying. There’s literally a chamber that is specifically designated for echoing. It’s called Olimpia Hall. I would have called it the Echo Chamber, but maybe there’s some significance in the name that I am not cognizant of. If you wanna do that, go there, don’t disturb or undermine other people’s experiences because you were freakin’ born yesterday, and you’ve never heard an echo before. Yeah, it’s cool because of how powerful Olimpia Hall’s echoes are, but it doesn’t have the same effect elsewhere, so stop looking for alternatives. Sorry, I’m complaining about other visitors, when I’m just here to review the dome, but staffing is an issue. I guess it’s not their fault, because like I said, the network is so deep and intricate that they can’t station bots everywhere, but people are taking advantage of that freedom, and it’s making it a frustrating experience, so maybe they can try to find a solution? I dunno, I’ll shut up now.

Microstory 2445: Dune Buggy Paradise

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This is the largest habitable desert in the world. Now, you may be asking yourself, how could it be any bigger than any other? Every dome is the same size as all the others, isn’t it? True, but this one makes better use of that space, because it operates in three dimensions. We’re talking about multiple layers here. It’s quite ingenious, really. I don’t mean that you can wander about on the bottom layer, and then take an elevator to a higher ones. You have to walk or drive up ramps to get to other levels, and you don’t just multiply the area of one by the number of layers to get the total area. The upper layers are nowhere near as big. They’re like giant catwalks, criss-crossing each other in random configurations, looping around, and dipping down. It’s all very chaotic, and hard to track. Here’s the most mysterious—and I think, best—part of this whole place, there is a layer near the top of the dome which no one has been able to figure out how to reach. There doesn’t seem to be any path leading to it, but we can clearly see it. At the right angles—and with good enough vision—you can even make out a dune buggy parked on the edge. It’s gotta be some kind of prize, but as I said, no one has managed to reach it thus far. Even if you found some roundabout way, like with an extremely long grappling hook, how would you drive it down? It’s about a kilometer higher than the next highest layer. Maybe it’s a joke, or the creators are taunting us. Or it’s just straight up unfinished, who knows? Another special thing about the way this place is designed is what happens when sand from one layer falls over the edge. Well, it doesn’t. It can slip over, but then fly back up to where it belongs. You don’t have to worry about sand falling on your head all the time like rain thanks to people on the higher layers. It’s not just regular sand that they harvested from the surface of this planet. It’s smartdust. It’s all smartdust. I hear tales of people claiming that it has flown around in other instances, and formed ominous shapes, which they interpret as the dust trying to communicate with them. It could be true, though I’ve not seen it for myself, but even if it were, there’s a scientific explanation for it. Smartdust is fully capable of moving around, and forming larger shapes, like tiny artificial starlings. Overall, this is a pretty nifty place. It could be pretty boring, with its one niche being hardly distinct from other domes. There are other deserts, and at least one other racing dome, but combining them here is more than just the sum of its parts. I think it’s worth the trip. You don’t have to race if you don’t want to. You can just drive around, people are pretty respectful about boundaries.

Microstory 2444: The Sandbox

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This dome isn’t for everyone, but it’s available to anyone. Do you have an idea for a new dome, or an improvement on a preexisting dome? You can come here to conceptualize, pitch, and even engineer these designs. Not everyone here has the educational or working background to translate their thoughts into functioning prototypes, but that doesn’t mean they shouldn’t have their voices heard. I’m not either of these people. I don’t have any ideas, or the means to implement them. But I did want to hear from other people, and they were totally cool with this. Some meetings have closed doors, but it was always very clear. They have a constantly updating map on their prospectus, which shows you when and where the next meetings will be, and whether you’re allowed to just show up to watch and listen. It’s not even always about some crazy and unique concept that’s meant to blow people’s minds. I was at this one pitch from someone from a planet that I had never heard of because it was mostly just a number. She was asking whether they might consider building smaller domes for smaller communities. I can’t tell you whether they’re going to do that, but it’s not a bad suggestion. I’ve always wondered why every dome has the exact same dimensions regardless of the theme. My gut tells me that they constructed all the domes in one go, pressurized them, and only decided afterwards what the purpose of each one was going to be. That would be an all right excuse, but there’s still a lot of land out there that hasn’t been domed over, mostly because the terrain doesn’t allow it, but again, if it’s going to be smaller, that might be okay. Or, instead of that, you could have one large dome with lots of smaller domes inside of it, which might be good enough for what that woman was looking for. Anyway, the Sandbox is for ideas. If you have even only one suggestion, you can send this dome a message, or take the vactrain to it. They seem to be really considering the feedback that they receive. If an idea grows from there, it looks like they sometimes begin building models or prototypes here before making an investment at full scale. A lot of those were kept secret, though, and even the ones I did see, I don’t feel comfortable reporting. You’ll just have to come see for yourself, and find out what they’re willing to show you.

Microstory 2442: Recursiverse Immersive Experience

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That’s a mouthful, isn’t it? If you don’t know, Recursiverse is one of the most popular franchises in history, spanning several books, dozens of TV series, and hundreds of movies (depending on your definition). It follows thousands of characters living fantastical lives in two parallel universes. In the modern age, the fantastical elements that they explore in the stories can be recreated using real technologies, but back when they were first being written and distributed, they were exciting to a huge audience. There’s still some soft scifi in there that we can’t do for real in this dome network. That’s right, it’s not just one dome. You couldn’t fit all this in the area covered by a single dome, so it has to spread out. I don’t even know how many domes there are, because you don’t always know when you’ve moved. You can travel to other planets with vastly different geographies, and you do this using faster-than-light technology that doesn’t allow you to see exactly how you’re moving in realspace. I think you’re sometimes moving along the z-axis, onto upper levels hidden behind the holographic sky on the ceiling of the layer below, which isn’t as high as it looks. I’m not going to go into any specifics, because it won’t mean anything to you if you’re unfamiliar with the canon. But there are alien races, and they’re perfectly recreated by the androids. You can also choose your own substrate, and it doesn’t have to look like you, or even human at all. Other domes do that, but this was once protected intellectual property. The creator gradually began to release his rights to the public, so others could explore the stories and themes that he conceived. The law didn’t require that he do that. He’s still alive today. By current laws, he could still retain the rights. That’s assuming he continued to make new contributions, or he would have lost them eventually. Some of them would be under the public domain regardless, though, as he shared his rights to them with a corporation, such as a movie studio. They never retain their power for long, especially not since all those financial-based companies are now dead. I know it sounds like I’m getting off topic, but it explains why this is such a big franchise on this planet. By the time the creator published a single word of his work, Recursiverse was a well defined universe—or biverse, as it were—full of a solid foundation of rules, conventions, and histories, and even contingencies. The creator could have made every decision, but he chose to let them be free, first by collaborating directly with others, then by deliberately relinquishing his control. If you want to enjoy this dome network in full, you’re gonna wanna catch up with what has come before, but I promise that it’s worth it. I don’t ever want to leave.

Microstory 2441: Power Crystal Factory (PCF)

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Not to be confused with scifi examples of power crystals, or examples in fantasy where crystals have magical properties. Disclaimer over. For the most part, ships and orbiting stations in the system fleet are manufactured in outer space. The only reason we ever did it on Earth was because we were not capable of space manufacturing in the early days. Once we built up some infrastructure, and bolstered the industry overall, we were able to free ourselves from the gravity well. We still needed ways to actually get up to these vessels, but that was easy after everything. There doesn’t seem to be a name for the host star, or the star system as a whole, so we’ll just call it a Castlebourne thing. They build their ships on a secret moon base, which is easier for them to take off from. I caught a peek from a telescope once, and saw the mass driver that they use for launching. That’s all I know about that, and the crystal regulators. Every ship, no matter how big or small, or what powers it, or what it’s used for, has a need to distribute its power. Our ancestors used to use various technologies, like adapters, to control the flow of electrical power. These were crude by today’s standards, but the principle remains vital to the safe and efficient operation of a moving vehicle. Crystals have a variety of uses in this regard. I won’t bore you with the details, but some of them serve as conditioners, which maintain the smooth transference of power, where it’s needed. It makes sure that everything, no matter how remote, is powered at all times. But sometimes it’s too much power, so you also need crystal capacitors, which can buffer the power temporarily, and release it more gradually. If it’s buffered too much, then they can also redistribute it safely, if only to a waste heat ventilation system. Crystals are also used as nodes, redirecting or splitting the power when powering multiple independent systems at once. I say all this so you understand why this dome has to exist. So now you know why the crystals themselves are important, but that doesn’t explain why they need to be manufactured here, instead of the moon, where nearly everything else is made. It has to do with gravity. Crystals aren’t made, they’re grown. They start small, and build themselves from there, almost like a plant. For some types, this process requires 1G surface gravity, or close to it. There’s some evidence that Castlebourne’s slightly lower gravity is beneficial to the process, but they’ve not completed enough studies on this phenomenon, and there are a lot of other variables to account for. What we do know is that Castlebourne-grown power crystals are at least as good as any others. You may be asking, why don’t you just grow them in a cylindrical habitat? And I’ll tell you, that’s not real gravity. It’s only simulating gravity. For everyday living, if the spin is programmed correctly, everything feels normal. But crystals are more finicky. They also need to be still, and they can tell when they’re in motion, which is presently the only way to fake gravity. So for now, they’re grown on the surface of a full-sized planet. That’s what we do here in this dome, and we do it well. Most of this is automated, as one would expect, but I still have an important job to do here. They still like to have humans inspect the merchandise. If you ever ride in a ship that uses my power crystals, you can rest, assured that it’s been created using the highest of standards, and you’re safe. At least from crystals. Any other components, I don’t know...that’s not my department.

Microstory 2438: Raindome

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Oh, this one is interesting. There are two lakes, one of which is higher than the other. They are appropriately named Upper Lake and Lower Lake. I’m a little disappointed at the lack of creativity, but there’s no mistaking it, and it’s not that big of a deal. The water flows from Upper Lake, into a river. Can you guess what it’s called? You’re close, it’s not just River, but Spiral River. This river flows all along the entire perimeter of the dome, and then some. There are bridges all over, so you can step out to your left any time you need, and head for the nearest exit. They’re hidden behind the dome’s immersive hologram, but will illuminate once you get close enough to the wall, so if you get lost, just find the border. You won’t get trapped, I promise you. I say this because someone on my boat did have an issue, and they were struggling to get out. They probably should give you the instructions ahead of time, so that’s a bit of constructive feedback. Let’s get back to the river. You can take all sorts of leisure boats on this thing. Canoes, kayaks, riverboats. You choose whatever you want. You may be with a group, and they may be humans, or NPCs. It really just depends. The river flows out of Upper Lake, and down a steady slope in a spiral. It isn’t perfectly circular, it still meanders a little bit, but if you look at the drone feed above, it still doesn’t look natural. It’s often raining, which is why this isn’t called Lake-Spiral River-Lake Dome. These aren’t the sprinklers that I think they use in Nordome. This is real rain, powered by the process of evaporation and cloud formation above, supplied by all the water that’s around. Since there’s no sun inside the dome, they use extremely precise heating lamps to trigger this evaporation, but they try to keep visitors from seeing it. I suggested to our captain that they should heat the water from below, but he says the physics doesn’t work out all that well, and they would like to put fish in there at some point. That would be cool, I wish they were already there. I hope they don’t have to transport them all from Earth, or we could be waiting for over a hundred years. Here’s what’s amazing about this. You can request a boat that’s completely sealed up, which has its own holographic display. You collectively decide on the apparent environment. You can make it look like it’s raining when it’s not, or not when it is. That was such a great idea. I never would have thought of it myself. And it really works. Anyway, I think you can guess the rest. The river keeps going down the spiral until it reaches Lower Lake in the very center. Keep in mind that while I said there were all sorts of boats, that doesn’t include all boats, full stop. There are no motorboats or personal watercraft. This is meant to be a relaxing environment, not an invigorating adventure. There are plenty of other places for that. Have you tried Polar Tropica? Like, stop complaining. Sorry, it was annoying that our boat ride was delayed because of a belligerent visitor who was demanding them to give him a water jetpack. They literally didn’t have them. Again, that’s not what this is. This is an amazing feat of engineering, and nothing you could get on Earth. It’s against the law to rupture land like that these days. One last thing so you don’t wonder, but you don’t have to be in a boat, or be on it the whole time. You can just get out and relax, maybe have a picnic under a mini-dome where it’s not raining. Don’t be rowdy, though. Just sit back and enjoy it.

Microstory 2437: Warehouse Dome

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This is a big planet, and it needs a lot of stuff. But you don’t just make all the stuff you need, put it where you need it, and walk away. Some stuff gets consumed, while others get worn out. Plus, they’re always expanding, so stuff needs to be added to these new environments. They build the stuff ahead of time, and store it away. I don’t know how many warehouses there are, but there are at least thirteen, and this is one of them. Picture a warehouse with concrete floors, tall shelves, and a bunch of random artifacts. Now multiply that by who knows how much. That’s Warehouse Dome. I have no idea what all these things are for. I’m guessing that there were more appropriate goods in a section that I didn’t see, like dayfruit growers and vactrain seat upholstery. In the area where I was, I saw a set of humming golf clubs, a whole shelf of glass insulators, and a giant vat of purple goo. Tell me what that’s all about. The people I saw there sure wouldn’t. I immediately felt totally accosted by them, like I wasn’t doing my job, or something. I was apparently in the wrong place, and was supposed to be in a different aisle doing inventory? Those idiots thought that I worked there. It didn’t even seem like they expected any visitors in the first place. Like, there was no tour or orientation, not even anyone who seemed to be in charge. They were just really secretive and weird. I was probably not meant to be there at all, but if that’s the case, why did they even let me in in the first place? Can you just go anywhere? Can you go to any dome you want, no matter how much of a threat you are? I heard of one where they keep all the water. Can you just pour some poison into it without even sneaking around, or breaking in? Whatever, it was boring. I perused the objects—like the self-typing old-timey typewriter, and a mirror that had some creepy little girl in it—for a little bit, but then I left. Lock your doors, or put up a sign, or something. Don’t just leave me hanging like that. I don’t see this as my fault. By the way, the above is my name for it. They just called it Warehouse 13. I didn’t bother finding out if the first twelve were just as weird. Then again, maybe the prospectus is broken. It was listed as an adventure dome, despite clearly being logistical, so I don’t even know.

Microstory 2434: Canopydome

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Around the turn of the 22nd century, a major effort began to rewild Earth. Most of the population were moving to megastructure arcologies, seasteads, and space habitats. The cities of old were taking up space where life could be thriving instead. By now, the amount of horizontal space that humans take up is practically negligible. But these endeavors weren’t the very beginning of it. Closer to the middle of the 21st century, people were fed up with how their ancestors had treated the planet. They hadn’t even considered bulldozing entire cities yet, but they still knew that more needed to be done to recover the ecosystems that had already been destroyed. In particular, they were worried about the Amazon rainforest. So many trees had been taken down, and with them, the little critters that used that region as a home. They fought back against corporate greed, and began to restore what was lost. This was during the beginnings of worldwide universal basic income programs, so it was easier to push back against certain institutions. Four hundred years later, not only can we restore whole ecosystems, but create them from scratch. That is what they’ve done here under Canopydome. While nowhere near as large as the one in South America, or other parts of Earth, it’s still nice. When an individual is standing there, under the canopy, it’s not like they can tell how expansive it is. That’s the thing about a rainforest, which sets it apart from other forested environments; you’re wrapped up in the foliage, and can’t see very far. When you’re in it, it feels like this is all there is, and if you’re alone, you feel that too. At the moment, there isn’t much fauna in Canopydome, so the animal calls you hear are from hidden speakers, but I was promised that this will change in the future as more organisms are bioengineered to sustainable levels. They explained how there is actually another rainforest dome, but it’s not at all accessible to the public. It only exists to introduce various species to a comparable environment, and let them figure out how to survive on Castlebourne, before anyone shows up to gawk at them. Apparently, there are a lot of domes like this which serve this purpose. That makes sense. Regenesis is a delicate process, and slow if you wanna do it right. They could make them as realistic automatons instead, but I think they want to be as authentic as possible. One of the reasons they’re doing this is to preserve life, not just so it appears that life exists here. If you’re afraid of large animals, my advice is to come here now before they show up. In contrast, if you want to see those animals, then I advise you to wait. We’re probably talking about five or ten years depending on your definition of the climax community—or more appropriately their definition of it.

Microstory 2433: Tokyo 2077

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Did you ever go to Tokyo, Japan in the year 2077? Well...welcome back! I don’t know exactly why they chose this year for their recreation. I looked it up, there’s no Tokyo 2042, or Tokyo-Yokohama 2115. Maybe it’s random, or maybe the creator has some particular affinity for this city in this time period. They may have just as easily chosen 2075 or 2078; I dunno. I did find something when I searched for answers in the central archives that the year 2077 was used in a surprisingly great number of media, but they were all set in the future, because they were created before this. So maybe it’s just a nod to that, because the robot staff aren’t telling me anything. They just say, this is Tokyo 2077, have at it. I think I may know why Tokyo was chosen, though. At the turn of the 22nd century, there was a huge push towards population overcentralization. They figured out how to create megastructures that could fit hundreds of thousands of people each. They were nicer, newer, and allowed the rest of the land below to be returned to the plants and animals. They built these things several miles away from the population centers of the time, so people didn’t have to move very far, and once the old cities were emptied out, they could start to bulldoze them over. Tokyo was one of the last holdouts, and not because they hated pandas. There were a number of reasons, but the main one was that they were already so densely packed. There was no room to build the damn thing nearby, especially when competing against other priorities, like preexisting wildlife preserves, and historically protected settlements. They also wanted to build it near the ocean, because people love the water, and all that space was taken up, because like I literally just said, people love the water. Plus, the population by then in the Tokyo Metropolis was already so huge, one of these arcologies barely made a dent anyway. They needed a lot more to make any bit of difference. As I mentioned, it eventually merged with Yokohama, forming one gigantic city that wasn’t going anywhere soon. People eventually did move out, to seasteads, orbitals, interplanetary and interstellar colonies, and to just other parts of the world, but it took longer than anywhere else to find room to construct the megastructures. Anyway, if you have some particular interest in seeing what Tokyo looked like a few decades before this great transition—or in reminiscing—come check it out. There’s plenty to do here, but the theme isn’t any narrower than the city as a whole. It’s only a replica with robots simulating people living their everyday lives, so no one’s going to give you anything specific to do. People are starting to treat it like a violent video game, and destroying the androids like criminal thugs. I don’t know why it’s a growing trend in this particular dome, because the planet is riddled with non-self-aware droids, but you can try that if you have a lot of pent-up aggression. Be yourself, I guess.

Microstory 2432: Infinity Suite

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Oh, I’ve just discovered that, not only can you review an entire dome, but also individual parts of that dome. So here I am, talking about the Infinity Suite in the Palacium Hotel. If there’s one thing this planet does well, it’s not worrying about how much space people take up. The Infinity Suite is the best example of this. I have no clue how it works, but that’s the right word for it. No matter how far I walk, or how many doors I step through, there’s always somewhere new to be. There’s always a new room to explore. Yet, I can’t get lost in it either. Each room, with no exception, has at least three doors. You can go back the way you came, press forward to explore more, or exit to the hallway. And when you do exit—again, no matter how deep you’ve gone—you’re back where you started. But here’s the thing. Your suite has two entrances from the main hallway. One goes back to the beginning, and the other returns to where you last were. So it’s not just some kind of trick of the mind, or an illusion. Or maybe it still is. It boggles my mind, I can’t figure out how the crazy Escher configurations work. Your last known location is somehow being stored in memory. And don’t you think that I’m just in a new hallway that was designed to look exactly like the original one. I’ve made changes, both inside and out, and tracked my progress. I’ve left little numbered pieces of paper on counters, chairs, and couches to create a map. I’ve matched each number with a photo of the room where I put it in. It matches afterwards. I can go back in through the second door, and retrace my steps, and nothing will have shifted. Those rooms are all in there where they’re supposed to be. That still doesn’t rule out some kind of advanced holographic illusion, but I suppose it doesn’t matter, does it? It’s still the craziest place I’ve ever been. They let me stay here for two nights, but then I had to give it up, so someone else could try it. There were presumably an infinite number of bedrooms, but I barely slept, because I was too busy trying to figure out how it works. If you manage to secure a booking, please write your own review, and provide any answers that you may have. Or, if you have any explanations, or ideas of what other tests that we could possibly run, comment below. I’m so confused and curious. I won’t ever stop thinking about it.

Microstory 2431: Melodome

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Don’t let the name fool ya if you’re interpreting the pun to be mellow + dome. It’s not about melodrama either. It’s the first part of the word melody + dome. This is all about music. Recording studios, concert halls, smaller stages, other interesting venues, and even sports stadiums where no one ever actually plays sports. This dome has it all. You can make music, listen to music, watch music. Every genre, every level of interaction; everything. No place like this exists on Earth. Even the cities known for music, like Havana and New Orleans, still had to leave space for regular living. This is the Music City, no matter what Nashville tries to tell you. There are some things that I’m not entirely sure about, unfortunately. When my great great grandparents were younger, they remember a trend where dead musicians were starting to be resurrected through holograms. This isn’t the kind of volumetric immersion that you’re used to in the present-day. It was very crude, and very obviously fake, even if you didn’t know that the subject wasn’t alive anymore. They recall being quite upset by this, not because it was macabre—which it is—but because it was disrespectful. These were real people who lived their lives, and then those lives ended. Before virtual immortality was invented, that was just what happened. These musical artists were immortal because of their legacy. That was what they were striving for, because they probably didn’t even guess at the future of life extension research. Their flame burned bright, but it was short, and that’s what was special about it. If you missed it, that was sad, but it was sad in a good way. The holograms robbed the industry of these artists’ authenticity, and sadly, that never went away. The technology kept improving, and the industry kept embracing it, despite pushback from the audience. There was evidently enough money in it, probably because of people’s morbid curiosity. Melodome has not shied away from this concept. They’ve brought the dead back to life using realistic androids. Not all of them are even dead, but living performers who just aren’t freaking on Castlebourne. I guess they signed away the rights to their likeness, but that doesn’t make it okay. I’m not going to name real names, but if John Doe can’t be here, then I shouldn’t be able to go to one of his concerts, and watch a convincing facsimile reenact his set from X number of years ago. I get that these are at least historically accurate shows, so they’re not merely contriving something entirely out of thin air. They justify it by saying that it’s like watching a recording, but I don’t consider that the same thing. There’s a lot of great things to see here. If you’re an artist, and you want a venue, they will find you one. I doubt the demand would ever surpass the supply. So if you’re a music fan who wants to discover someone new, you can do that. There’s always something going on, and it’s easy to find new acts on the dome’s prospectus, but there’s also this other side of it. They should really lean into the aspect of originality, because the reenactments are unethical at best. But maybe that’s just my point of view. You have to decide for yourself where your line is.

Microstory 2430: Advanced Research Dome (ARD)

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In the early days of interstellar colonization, they largely expected you to start from scratch, though the definition of this term is a little loose. I mean, they had domes too, because almost none of them had an atmosphere that was breathable by organic Earthans. So there was some technology right from the start, and they were making scientific advances on their own, but Earth remained front and center in the industry. You just can’t beat that kind of established infrastructure and strong, lasting institutions. I’m not sure that’s true anymore. While Teagarden took over the majority of the military needs of the Core Worlds, that was mostly for political reasons. They wanted to erase any sense that it favored the nations of Old Earth. Physics research didn’t have to switch homes, but it has. These new reframe engines people are using to travel at faster-than-light speeds? Those were apparently invented here. Developments in anti-gravity; induced stasis; transhumanistic enhancement, including bioforming; terraforming; power generation and distribution...it’s all here. Dare I say, we’re now more advanced than Earth is, even with all of its advantages? I’m sorry to tell you that that is my conclusion. If you’re interested in furthering our understanding of physics, biology, chemistry, or any other scientific field, your best bet is to come here. Earth’s programs are nothing to scoff at, and I don’t think they’re doing anything wrong, but at some point, the brightest minds in the galaxy evidently decided to move, and before anyone realized what was happening, the power shifted here. Good or bad, that’s what happened. This power may shift once more, back to Earth, or perhaps some third star system, but for now, this is the nexus of scientific exploration. The silver lining is that they’re not hoarding it any more than Earth did. They’re sharing what they’ve learned with others, so we’re at least safe from the privatization threats that we’ve faced in days past. Word of warning: this dome is not for visitors, really. You can come, and they’ll let you walk around, but we’re dealing with a lot of dangerous things here, so the majority of the sectors are off-limits without proper authorization. People keep randomly showing up, believing that we have something to show off, but that’s not what we’re doing here. This is just for us. If you want to join, fill out the right application. If you don’t yet qualify, find a learning platform, and catch up. There are no limits to who can help humanity and its offshoots achieve everything we ever dreamed of.

Microstory 2429: Capital

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This is the Capital City of Castlebourne. It doesn’t have any other name besides that, which is unusual, since they seem to have an appreciation for word puns in their other names. I suppose they just wanted to be real serious here, which is probably a good thing. Where I’m from in the Goldilocks Corridor, our planet didn’t have a capital. It was just a village where we made soap. That’s really it. Several years back, we were visited by the resistance to the Exin Empire. They wanted to know if any of us were willing to join the movement, and fight alongside them. We didn’t understand why we would even consider that, because for the most part, the empire left us alone. They asked us for soap, we gave them the soap, and they left. They never abused us, or attacked us, or anything. The resistance started educating us, though. They taught us about the other worlds, which were being forced to do other things to serve the Emperor. They showed us images of these other places, involving big machines that could produce their own wares in a fraction of the time. We were stunned. Some of us didn’t believe it. Some of us still don’t, and presumably still live on our home planet. We were making soap by hand. It was hard work, and the only reason we didn’t complain before was because we literally didn’t know that there was any better way. We were intentionally kept in the dark. Well, anyway, no, none of us joined the resistance. We were soap makers, we didn’t know how to fight! But then a few years later, another new ship showed up, and promised to take us somewhere where we wouldn’t have to make soap anymore. We asked them what work we would be doing, and they kind of laughed. No work, they said; we wouldn’t have to work at all. This was another concept that we didn’t have any frame of reference for. You work, it’s what you do. Not even the war-fighting people said anything about a life where we wouldn’t have to work. After some further education, most of us agreed to go with these other people. We flew away, and landed on Castlebourne. They didn’t lie to us, we don’t have to work. It’s taken some adjusting, but we’ve gotten used to just being alive and happy. I still wanna work, though. It still feels like the right thing to do. So I came to Capital to see how I could contribute to the governing body of our new society. I don’t have much experience, but they were all so welcoming to me. I’ve not been assigned anything yet, but they’re working on finding a place. I’m sure it’s difficult since I don’t have any skills. As for the dome itself, it’s gorgeous. Our village was dull and lifeless. I didn’t realize how much of a struggle it was for us just to survive. In contrast, this place has trees and other plant life. Tall buildings with hundreds of people work to make the world a better place for us refugees. For whatever reason, we were allowed to know how to read, but not everyone here had that luxury, yet the government is helping, and they’re doing it in style. I can’t wait to get my new job, and get to come to this beautiful dome every single day for the rest of my life.

Microstory 2428: Escape Dome

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I’m a little bit biased here, because I’m obsessed with escape rooms. I’m old enough to remember when that was a fitting name for them, because they were mostly only one room. Some of them had different sections, but you didn’t unlock a door, go through it, and start on an entirely different set of puzzles. I watched as they grew and grew, both in popularity, and in scope. Escape rooms became escape buildings, which became escape districts, which have now become escape cities. I always loved puzzles, even as a kid, so this became my thing. I didn’t have a whole lot of friends, and that was on me, but I still wanted to do this. I remember regularly going in alone, and them having to group me with strangers. They were sometimes annoyed by this, but for the most part, they were welcoming, and they quickly realized either way that I was more of an asset than a burden, even though we didn’t have a preexisting rapport. Eventually, I wasn’t going in alone anymore. I finally found my community. The most passionate of us started a little club. The reason I’m giving you all this background is that every single member of this club is still alive, and still together. I don’t know how rare that is, to have eleven friends stay connected after all this time. None of us wanted to move to another planet without the others. No one’s marriages and families broke us apart—though, the rest of us would have understood if they had, and been happy for them. The point is that we’ve been doing escape zones for nearly 500 years, so we know what we’re talking about. I doubt we managed to try them all, but we certainly did the majority. It’s our passion, and I don’t think that’s going away anytime soon. Escape Dome is the largest adventure we’ve ever played. Of course, it’s not just one game that goes across the entire area, but each game is still immersive and impressive. I think I saw that they did have the traditional kinds, which were just the one little room each, and we might do that when three or four of us have an hour to kill. I should clarify, we started out with a club of eleven people, but over time, it’s nearly doubled, thanks to those marriages and families. Not everyone wants to be a part of it, which is fine, but the cool thing about some of these games under the dome is that all twenty-four members can play at the same time. We’ve never been able to do that before, even with the escape districts. Twenty has always been the absolute max until now. Our first two adventures were extraordinary. We kind of thought we had seen everything, but even beyond the larger scale, there were puzzles that blew our mind. The great thing about this concept is that anyone can have fun with it. I’ve heard people say, “oh, I’m just not a puzzle person” but we put them in one of those rooms, and they have a blast. Don’t count yourself out until you give it a try. If you end up not enjoying it at all, hey, you don’t have to do it again. Some of the adventures are designed to potentially take weeks, so don’t start with one of those. Be smart about your choice—which the staff will gladly help you make—and I’m sure you won’t regret it.

Microstory 2427: Great Depression Dome

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Not everything on this planet has to be fun. Some of it should be a somber reflection of real life, and in this case, the inspiration is depressing. I don’t use that as a pun, but it’s a really good word to describe the nature of the source for the dome’s theme. The Great Depression was a period of worldwide economic turmoil that began in October of 1929, and continued on into the 1940s for some regions. It is defined by a global high of unemployment, institutional financial failure, and trade conflicts, among other things. I’m not here to give you a history lesson, though; that’s the dome’s job. This is a recreation of the conditions that a lot of people lived in during this time. There’s a swath of land representing the dust bowl, there’s a seemingly endless unemployment line, situated not too far from the soup kitchen line. They make excellent use of the entire area of the dome, exhibiting the various negative impacts of life on Earth in this time period. I’m glad that they put this dome here, because it happened 550 years ago. So many people alive today don’t even know what you’re talking about. There is so much to learn in your education that things fall through the cracks, and one of the biggest sacrifices we make is history. Science and math is always changing, and while it might be interesting to know how things used to be, it’s not vital. It’s more important to understand the present day concepts. History, on the other hand, never stops coming. Students today have more background to draw from than the students of yesterday, and the students of tomorrow will have even more. That is why it is so important to keep building places like this. People need to see how things were like in the past, especially in times before they were born. No one still alive right now was around to witness the Great Depression. The oldest in our population wasn’t even born yet, and that’s really sad. I don’t even know how many people can’t even grasp the very concept of a monetary-based economy. That’s where you have to start. You have to know what money is before you can comprehend what it meant to not have any of it. To not have everything you need just to survive as a living organism. Water, food, shelter. These are fundamental rights that we take for granted, but for most of human history, none of these things was guaranteed. The people who lived during the Depression understood that. I won’t lie to you, if you come here, you’re not going to “enjoy” it, but unless you’ve been studying this stuff in particular already, you are going to learn something. They do a really great job of framing the curriculum through the present-day lens, recognizing the shortcomings of conventional contemporary education, which again, must prioritize more “relevant” topics. I implore you to give it a try. Even though it’s not an adventure, and it may not be your cup of tea, it will be good for you. It would be good for everyone.