Microstory 2499: Outer System

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This is it, baby! This is what we’ve been waiting for! This is why people are colonizing worlds outside of the Stellar Neighborhood. We still have rules, but you could never do what we’re doing. This is decidedly not a dome. It’s the furthest and farthest you can be from a dome while still being in the star system. When I was a kid, there were so many space operas, and regardless of their premise—no matter how peaceful the protagonists wanted to be—space fighting was always, always a thing. Then reality set in. The only way that our civilization was able to develop enough to build the kinds of ships that they use in science fiction is by working together. Well, perhaps the construction of them itself wouldn’t have been slowed down, but the scale of them, and the speed at which we have expanded into the galaxy...that would have been virtually impossible. We had to put our petty conflicts to the side, and move on as a united front. Almost zero ships these days are built with weapons. Eight-year-old me would not have believed it, but really, what the hell do you need a gun for? Everyone around you is a friend. Even Teagarden, which is literally the military capital of the neighborhood, doesn’t make all that many ships. They focus on research and development, and distribution and management of orbital defense systems. I’m not saying that I wish we were at war, but I did kind of hope that I would one day be in a space battle, fighting for justice, and protecting the innocent. Since then, I’ve been getting my kicks through VR, and that’s been great; you can do anything there. But now we have something real. It took years for them to establish a presence in the outer system, but we’re here now, and holy shit, is it fun. You choose your side, and fight in battles, and the best part about it is that you can’t die! Sure, you can blow up, or get shot, but you’ll just come back to life in the nearest respawn station. That is a big rule, by the way; don’t forget it. You are not allowed to damage a respawn station. Fortunately, because space battles are chaotic, and people make mistakes, these things have incredible defensive capabilities. If you even point your weapon towards one, that weapon will just seize up. You won’t get in trouble as long as there is no reason to suspect that you were doing it on purpose. Besides, those are really far away, mostly planetside, so I don’t want to worry you, or nothin’. As far as the fighting itself, I’ve never felt so alive. It’s so immersive, and the story is so believable. They basically came up with a new history, since humanity’s real history never led to any real space wars, and if they did, it would probably be distasteful to trivialize it here. That’s why it works, because unlike games centered on war in the past, we feel so distant from it, since people are no longer dying from genuine conflict. The best part about this scenario is that space is mind-bogglingly big, and even though I’m certain they’ll want to keep the activities in-system, there’s more than enough room to have multiple battles simultaneously, perhaps originating from entirely unrelated backstories. If you’ve ever wanted to fight in base reality without any real consequence—for you, or your opponents—here’s your chance. Don’t waste it. Which side will you choose?

Microstory 2421: The Wasteland

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This place sucks. I get what they were going for here, but it’s lacking that authenticity that a real post-apocalyptic wasteland would have. Or maybe there’s just no way of making this exciting and interesting. The name says it’s all. It’s just miles and miles of desert, it’s so boring. There are a few burnt out cars strewn about, and some random collapsed structure, but not much else. You’re supposed to take your cues from science fiction from days past, and make your own adventure, but I don’t think it really works all that well. I mean, since it’s not real, there’s no desperation. You can always find an exit, and just leave. I really don’t see this one sticking around. Yeah, it’s all right to watch a two-hour movie about this, but I don’t know that anyone wants to spend any substantial amount of time in this environment. Thinking on it, though, it has to exist. This guy’s got 83,000 domes, and had to come up with almost as many ideas. I don’t think he made it, he doesn’t have quite as much—which is fine, I’m not criticizing; I’m just saying that wasteland is certainly a theme that exists. There are tons of examples in media. It would be kind of weird, actually, if they didn’t use it. There seems to only be one like this, which is probably a good thing. Many domes are based on particular franchises, but in the end, all wastelands are about the same, so you probably shouldn’t make more than one. I doubt most people would be interested in even seeing it once. I can’t recommend coming here at all. Maybe they’ll add more intrigue later, with robots that have their own programmed motivations, but if they’re expecting us to do all of the heavy lifting, I just don’t see enough people getting into it. There’s another desert dome where your only goal is surviving long enough to make it clear across to the other side. Try that one instead. At least the incentive is clear. My recommendation to the builders is that they should put the ruins of more buildings here. If the world were to end in such a scenario, it’s not like everything would be flattened and buried, ya know? There would still be stuff here to show that a human civilization once thrived. Just a thought, you don’t have to change anything if you don’t want to.

Microstory 2403: Mêléedome

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There are lots of domes dedicated to war, according to the literature. Name a major war from history, there’s probably a dome that recreates the conditions that you can participate in. Some are entirely fiction, and it’s more about the kinds of weapons it features, and the kind of restrictions they have in place. For instance, since humanity progressed beyond most need for war, we never really got space battles. Did anyone else notice that? Fiction is riddled with examples of space wars, and they just don’t happen in real life, even though we’re fully in space now. It’s good, I know, it’s good, but it would be kind of nice to be able to experience what it would have been like, especially free from all real consequences of such war, like death. Sorry, I’m digressing. Castlebourne is rumored to be preparing a fake space war, though it would be several AU from the planet, and as I said, they’re just rumors. Right now, I wanna talk about Mêléedome. I was immediately drawn to the concept. What’s the plan here? What is the structure? There is none. It’s a complete and total free-for-all. You go out there with whatever weapons you managed to get your hands on, and you fight whoever you want. Right now, most of the fighters are NPCs. I mean, with such a low visitor population at this point, it would be boring if they had to rely entirely on us. It can be a little awkward for some, intentionally harming others, even though they don’t feel pain, and you barely do. That’s what’s cool about it; it can hurt a little bit, if that’s what you select in the options. You can’t really die, of course—not for real, anyway—and the pain can’t be agonizing, and you can choose to switch it off in the middle of it, but it’s there. And you can die, in a certain way. How does this work? Well, when you first come to the planet in The Terminal, you’re given a primary substrate, but you can switch to other bodies later. In particular, you can control surrogates. It still feels like you’re there, but these are cheaper and meant to be temporary. You go out there and fight, and if you’re “killed” then your mind just jumps to a new body, and you respawn. It’s a lot of fun. So essentially, you can do whatever you want with no consequences. Even if you do kill another real life visitor, they’ll be fine. I can only speak to my personal experience, but if you’re a fan of chaos, confusion, and utter carnage, this is the dome for you.

Microstory 2400: Introduction to Castlebourne Reviews

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I feel like it’s been a long time since I’ve addressed you, my imaginary audience. Sometimes I like to introduce new microfiction series as one of the characters, or the in-universe narrator, or someone else involved in the canon. Sometimes, however, it’s best if I just come at it as myself. In the end, I decided to do it this way, because there’s no good way for a character to prepare their readers for what they’re going to write. These are going to be formatted as customer reviews, and people don’t typically plan such writings. They have the experiences, and write how they feel in that moment. I know that there are going to be 99 of these in total, but the narrating reviewer wouldn’t really know that. In fact, I’m still not sure if the reviews are going to be from the perspective of one person who visited multiple domes, or if each one will be from a different person. I may leave it up in the air, because when it comes to real reviews, most people don’t have reviewers that they follow. I mean, I think it happens, but there’s often that trope with a prolific business reviewer who believes that their thoughts are important to other customers, and the joke is that no one really cares that much about any single review, and they probably don’t pay much attention to a reviewer’s history. Anyway, here’s the story. About 108 light years from Earth, there’s a planet called Castlebourne. It falls into the category of a Charter World. Now, what is that? Well, the closest neighboring star systems to Earth are known as the Core Worlds. We’re a tight-knit group. They were colonized through state-sponsored missions, they belong to a uniform, cohesive government, and they follow all the rules. In return, they get military protection, and resource exchanges without question. Stellar Neighborhood systems also receive military protection and aid, but at a lower priority to the Core. They don’t have to be post-scarcity societies, but their government can’t be oppressive, violent, or unfair. Civilizations in the Charter Cloud are expected to get there on their own, and for the most part, handle their own needs. They can’t take military action against a Core or Neighborhood system, but they’re not entitled to military protection from the Core. They can execute trade negotiations, but nothing is guaranteed. Any colony beyond this range is totally out of the Core’s control, and can do whatever they want, but the downside is they get nothing.

Castlebourne enjoys really strong ties to the Sol System. Despite being as far out into the galaxy as they are, they’ve been granted a number of charters. They’ve been afforded technology, power allotments, and additional ships in order to accomplish their goals. This is because Castlebourne offers a lot to all citizens of the inner colony bands. Almost the entire surface is littered with tens of thousands of geodesic domes. Most of these will be pressurized, and become habitable eventually, but it takes a lot of work, and a ton of resources. That’s why these charters are so important. These domes offer visitors all sorts of entertainment and amusement potential. Some are recreational, some of relaxational, some are for exploration, some are wildlife preserves. Many of them are just for the permanent inhabitants to live, and cultivate their independent society. There are two gargantuan oceans at the poles. This planet boasts having everything you could ever want. You can travel there using a fractional ship, but it’s going to take you over a hundred years to reach it. If you’re lucky, you might be able to get on a ship with a reframe engine, which will take around two months. But most people don’t see any point in this. They instead transfer their consciousnesses across the interstellar void via advanced quantum tunneling, and download into new substrates. It takes about an hour, and that’s it. Not every dome is available. There are just so many of them, and only so many sufficiently original ideas. But believe me, there are plenty of them. There is more than enough to see to occupy your time for decades. It would be pretty tough to get bored on Castlebourne. Like I said, the next 99 stories will be in the form of customer reviews, told from a person (or people) who had some meaningful visit there, and they barely scratch the surface. I could write a fictional review every weekday for the next forty years, and still not even come close to covering them all. Hopefully, these are the most interesting, at least out of the domes that were ready at the purported time of writing according to the set time period around the Grand Opening in the year 2500. Read them all, and decide for yourselves if Castlebourne is a place that you would like to travel to some day.

Microstory 2379: Vacuus, October 28, 2179

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Dear Condor,

I saw the letter that Velia sent you, and the photograph that she sent along with it. I knew that she was curious about you, I just didn’t realize how attached she had become to the idea of getting to know you more personally. She’s been very lonely here. As you can see, she’s quite good-looking, but she has a little trouble communicating with others. I think she jumped at the chance to correspond with you, because the medium allows her to rethink and revise her thoughts before they ever reach you. Just be careful with how you approach the situation. A long-distance love story is romantic, but not very practical. You and she will never meet in person, and even if you can accept that, it will probably eat at her over time. Be nice, and don’t just ignore her, but really try not to lead her on. She deserves to be happy with someone who is living on the same planet, and she doesn’t deserve to be distracted from such fulfillment and contentment. Okay, that’s enough of me scolding you for something that may never be a problem. That’s exciting news about your nurse, please let me know how that goes when she gets back to you. It reminds me of that book two development where Roscoe tracks down his estranged grandfather, and learns that he’s the one who protected Audie’s grandmother from that storm when they were young. It was a cool symmetrical twist, and the writer handled it well. Though, I admit, the adaptation could have done it better. I don’t like when the leads are double cast into entirely different characters for flashbacks. It’s a little cute, but mostly annoying. That’s just my opinion, I guess. Anyway, it would be great to reunite with someone who was so important in your past. I hope it goes well. She sounds lovely. I’m worried about Pascal and his trip, though. I don’t like it when you have to breach the safe confines of your floating platform at all, but I’m more worried than I was before; probably because I know you two better now than when you were first telling me your whole situation. I know he’ll have already left, but remember to tell dad to be careful. I’m sure you always say something to that effect, but a lot has changed since he last saw your neighbor. He could be dangerous, even if he had nothing to do with our separation. A part of me hopes that he’s dead, or simply can’t be found, just to avoid the risk of an encounter that does not go well. Just be safe, and get him back home quickly.

Lounging on an imaginary beach,

Corinthia

Microstory 2378: Earth, October 21, 2179

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Dear Velia,

I know what it’s like to feel a connection to a place or event that I’ve never actually been a part of. That’s what happens when I’m reading a good book. Corinthia and I have been reading The Winfield Files, and watching the corresponding seasons of the adaptation. Even though the stories are very personal and intimate for the characters that we’re following, the writer manages to do a great job of going into great detail with everything that’s happening around them. It’s set in a fictional universe, but it almost plays like historical fiction, because the background is so rich and intricate. It might as well be a version of Earth that really does exist somewhere out there. I sometimes feel more attached to it than my own world, probably because of all the darkness and sadness that has defined our past down here. I also know what it’s like to have a job that makes sense for you, but isn’t necessarily something you would have chosen if you had had every option. My dad was good at what he did, and it was more practical for us to stick together, which meant me finding my own way to contribute by becoming a sort of flight attendant. I don’t know what I would have done if I lived in the kind of world that I read about in some of the classics. The tales are fascinating, but they take place in mundane settings. If you were privileged, you got an education, and pursued your dreams. Not everyone was able to do what they wished, of course, but it was at least there in front of them. We lost so many options when society fell apart. I think maybe, if I were one of the lucky ones, I might have become a scholar. I could have dedicated my life to learning, and possibly become a teacher. I appreciate the characters who wear nice but not overly fancy clothing, and spend their days indoors, reading books of their own, and searching for answers. In the real world, it’s always been about survival, but in a more perfect world, we would mostly have everything that we needed, and could focus on things that aren’t absolutely vital. What would you do if you were born on Earth, and the poisonous gases never befell the lands? Do you think you would have gone into fashion anyway, or is there anything else you find yourself daydreaming about. I must say, you’re not bad at what you do, if the outfit you’re wearing in your photo is any indication. In my opinion, it’s not too much cleavage, though I admit to being a bit biased. I hope it’s not too forward to say that you’ve a very beautiful woman.

Warmly,

Condor

Microstory 2292: Laws of Life and Death

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I still can’t let my emotions get the best of me. I have to plan Nick’s memorial service. I know it sounds like something that can wait, and maybe it can, but I’ve got it in my head that we have to do something special for him. Weeks ago, I remember him telling me about his stories. He had all sorts of aliens and “supernatural” creatures (who weren’t really supernatural, just higher level science). You know his fascination with immortality, right? Well, the pseudomortals were his very first attempt at that kind of plot device. Or no, it might have been his second, because Gavix may predate them. Anyway, pseudomortals could die, but after four days, they would come back to life in new bodies. The exact mechanics of this would not be apparent when you start reading, but over the pages, you would learn more about why this is. It isn’t random. Evidently, while the pseudomortals were a relatively short-lived subspecies of humans, they sort of opened the world up to the idea of the four day gap. It became a key tenet of multiple fictional religions—which we now know actually weren’t fictional at all, but his Earth believed them to be. The pseudomortals merely tapped into the laws of life and death; they didn’t create them. The basic idea is that after you die, you stay in a parallel dimension for four days before moving on to the true afterlife, and these religions formed rituals and conventions based on this concept. So even though Nick never lived in a world that had these religions, or even had the four day rule, I thought it would be nice to honor him by laying him to rest on the fourth day after his death. The problem is, none of his writings came with him on his multiversal adventures. Everything he was ever able to tell us had to come from his memory. So even if I’m remembering everything he said correctly, he might not have been remembering it exactly how he wrote it years ago. He admitted that he couldn’t recall what the religious rituals were like, but he knew that they were more involved than just having a funeral after four days, and then going home. There’s a part where you’re supposed to enjoy the deceased’s favorite activity? And he thought that the memorial and burial were on different days?

I’m freaking out about this, and I keep forgetting for a fraction of second that he’s gone, so for those brief moments, I think that I can just ask him to try to remember, because he’s the expert, but of course, that won’t work, because the whole reason we’re doing this is because he’s the one who’s gone, and I’ll never see him again, and I’ll never find out if Dimitri Orion ever gets his job back, or how the crew of the Atom Ship escapes the supervoid. And I know none of this means anything to you, but I think my emotions are breaking free, and I don’t know if I’ll ever get them back in the bottle. They’re still searching for Dutch, but I can tell that their hearts aren’t in it anymore. At this point, they’re looking for a body, not a person. So actually, I have two memorials to plan, but I don’t have any clue what Dutch would have wanted. We didn’t talk about this stuff, because we’re all so young, so why would that have come up? Because our lives have been in danger all year, that’s why. We were so naïve. We thought it would be some psycho who wanted to test their immortality or portal opening powers, not just an icy road. The edge of a mountain switchback? After all this, how is that what finally took him out? He would be so disappointed if he were here to find out about his death. Okay, I’m getting too morbid. I gotta go. Talk to you tomorrow. Or not. I promise you nothing.

Microstory 2290: Speak of it No Further

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In movies, when someone writes a great book, or is expected to write one, they’ll usually just go straight to the publisher. In fact, publishers are usually asking them to write something for them, generally if the person is already famous, and they think they can make some serious money off of a book deal about their experiences. In the real world, you really need to get an agent first. Sure, publishers have contacted me, but not under the assumption that they’ll be dealing with me directly. They’re all asking who my agent is, so they can negotiate with them instead, just as they’re used to. I’ve not been thinking about it too much, so I don’t have one of those. That’s what I need to do now. But when I say I, I mean Dutch, because I’ve placed him in charge of all that stuff. He’ll talk to the agents, and find the right fit for me, and once he does, the two of them will coordinate with the publishers, and go through that whole process, if anything comes to fruition anyway. Either way, I’m not going to worry myself about it, because it’s not really my goal. Not only do I not have time, and because it distracts me from the art itself, but because I am not doing this for anyone else. I am writing this for me. I can always throw it up on a new website, and let anyone read it. I don’t need it to be published. So other people can go ahead and deal with it on my behalf. If nothing comes of it, or I end up with a bad deal, then whatever. It’s not like I need the money, or more fame. I just need to focus on my work, and let it speak for itself. No matter what, you will have the opportunity to experience it, one way or another, and I’m not a hundred percent convinced that that should come at a cost. Again, I’m not concerning myself with any of it, so I shall speak of it no further.

Microstory 2289: I Can Fill in Any Gaps

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I’m gonna make this short, because I really want to get back to my work. I’ve been furiously typing, and not having to spend so much time doing research. That’s what has traditionally been the biggest time suck. Maybe I shouldn’t phrase it like that, because that makes it sound like I hate it. I actually love doing research. It’s like learning, except I care about it, so I write it down to reference the information later. I like my stories to be as plausible as possible without sacrificing adventure and intrigue. Of course, as we all know, all of my stories were proven true the moment my alternate self conjured me in another universe. So as it turns out, even the most fantastical of narrative liberties wouldn’t be a problem for any scientist with sufficient data and understanding. What I’m really trying to say is that I don’t have to do much research this time, I only have to recall my own past. That sounds easier than it is. I have a notoriously bad memory, which is just one more reason why I was never built for an autobiography. But the great part about it is that I can fill in any gaps in memory with made-up plot points. The heart of the story will be my own, but so much more. Okay, I gotta get back to it. Kelly is yelling at me about my work-life balance, but when you’re an artist, work is your life, so there’s no reason not to be working at all waking hours of the day.

Microstory 2288: Lets Me Skip the Line

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I’ve made some decisions about what I’m going to focus my pursuits on moving forward. I’m still writing. In fact, I’m going harder than ever. But instead of trying to develop two different books at once, I’ve opted to combine them into one. I think I’ve told you how much I hate biographies, especially the auto kind, or memoirs; whatever the difference may be. Don’t @ me, I don’t care. The more I researched how to write an autobiography, the more I hated them, which I didn’t think was possible. They’re so boring. Here’s how they all go: this happened, then that happened, and before this other thing happened, some different thing occurred, and after all of that, we get to the part where something else went down. I can’t stand it, how can anyone? Biopics are okay. You can tell it nonlinearly, if you need to, without it being confusing, and the visuals can accent some of the more boring bits, as can montages. I know you have a lot of those in the world. I can’t watch them, because I’m not familiar with your world’s history, but whatever. The point is I’m not doing any of that. I’m going to tell my story, but in a fictional setting. Not only will names be changed to protect the innocent, but it will be framed as a narrative story, rather than just an overblown sequence of events. I’ll be taking liberties with some plot points, so don’t think that you’ll end up knowing everything about me if you ever get to read it one day, but I hope you find it interesting. It’s actually going pretty fast. Back when I was writing purely fictional stories, I had to start from scratch, and come up with the whole thing myself. Having a basis of my own life really lets me skip the line, and just type it up. Honestly, as long as I keep going at this pace, I should be finished with the first draft by the end of next week. Then I’ll probably revise it, then I’ll rewrite it, then I’ll revise that, and then I’ll send it to an editor. Boom, just wrote a mini-autobiography for you, except it’s about the future. I hope you enjoyed it. Anyway, I still need a title. I’m leaning toward finding an idiom with the word bulk in it, like Bulk Billing. But not that, because that sounds stupid. What do you think?

Microstory 2286: Cathartic to Go Out Alone

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I did a bad thing yesterday; I escaped. I left a note, and my phone was on my person at all times, but everyone was still worried about me. I knew they would be, but I wasn’t thinking about that at the time. I know it’s not the same thing, but my life has felt so stifling these days, like I’m on house arrest. I wanted to be free, so I took the car for a drive. I found a small cemetery pretty far outside of town, and just sat there on one of the stone benches in the freezing cold. I’ve always felt rather comfortable in cemeteries, probably because there usually aren’t very many other people around. They make most people sad at best, and uncomfortable at worst. I go there to think, but also to peruse the headstones. I like to see all the different designs that they carve into them, and to note how many are grouped in families. I have an obsession with time, as you know, so I also look for the oldest grave, and do mental math on people’s lifetimes. Sometimes it really is sad, like when the year of death is the same as the year of birth. It was cathartic to go out alone, even though I really wasn’t supposed to. I was feeling so trapped, but it was still wrong of me, and I received a proper scolding from my security firm. I’m just still not used to being so attached and dependent on others. I mean, that’s not really true, is it? My life has always been a mess. I’ve always relied on others. Too much, truthfully. Money was meant to change that about me, but it’s only made it worse. Man, if I can’t ever go back home, it might be worth it just to escape this world, and start over fresh somewhere else. What’s that, you say? My writing? How’s my writing going? Does it help? No. It’s a nothing burger, as the saying goes. I’m feeling very unmotivated to write anything; fact or fiction. I think I’m probably gonna give up again.

Microstory 2285: How Unproductive

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I know that I’ve said this a few times before, but I really mean it this time. I’m getting back into writing. I spent all day writing a fictional story. I won’t tell you what it’s about yet, but I’ll keep you in the loop in the future. Inspired by myself (lol), I started working on a real schedule for my daily life moving forward. After calculating out my physical therapy, eating, spending time with my friends, and all that, I determined how much free time I would have to dedicate to my work. I know, I make it sound like it’s not that much, but of course, since I don’t have a real job, it’s quite a bit. I’m not gonna lie to you, and try to make it seem like I just can’t do all the things that I want to do with my life. I’m the type of person who needs to know what his schedule is going to be, or I’ll waste away the day on nothing, so it was really important for me to really do the math. That’s actually what I realized, how unproductive I’ve been since I got out of surgery. I have to find something to pass the time. If I were back on my home world, I could watch TV and movies all day, but you don’t produce enough interesting stuff to keep me occupied for an extended period of time. But don’t fret—I still love ya, Boreverse. I’ve completely given up on trying to find a way home; that should tell you enough about my perspective and priorities, right? Anyway, it’s the end of the week, so you’ll have to wait until I make another exciting addition to my life story. If you can’t tell, I’m being sarcastic. This is only interesting when something bad is happening to me, so because of how terrible that sounds, I’m seriously considering letting this site go. Let me know what you think.

Microstory 2160: Trust the Wizard

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I don’t have anything to say today. Stuff did happen, but I can’t tell you about it. I’m pretty honest with this blog, but I don’t reveal everything to you. For instance, I’ve never gotten graphic with all of my many illnesses. I don’t talk about what kind of porn I watch either. Lol, I’m kidding, I don’t watch porn, I’m celibate. Sexuality has no place in any universe. Gross, stop thinking about that, you heathens. Anyway, I’m still depressed, but I’m working on it, with my therapist, and my parole officer, and by occupying my time with work and community service. I still don’t think that I’ll ever be happy, but things have been much worse for me in the past, and are presently worse for others in the world. The point is that I have little to complain about. I still miss Cricket and Claire, but when you add it up, it hasn’t been that long. Anniversaries are significant in the bulkverse. I’m sure something good will happen exactly one year after my arrival. Oo, if this were a fictional story, we would call that foreshadowing, but this is all real, so what could I possibly know about the future? I’m not a wizard. Well, I do know some things about the future. I know that I’m going to go to jail tonight. That’s the future, maybe I am a wizard. Trust the wizard. Ugh, I need a break from this site. I’ll be back to you Monday. In the meantime, enjoy a couple of daily social media posts, and whatever else you have going on in your life besides me. I’m assuming that you have other interests, but I guess it’s possible that your entire existence revolves around me, and my life. There is a theory that only one person exists in the universe, and everyone else is just a figment of their imagination, or some kind of extension of their subconscious. I shudder to think. If that were true, every time I picked my nose in private, or watched porn, all of you have been aware of it. I guess in that case, you wouldn’t be real anyway, but it would still be weird. Stay out of my private life!

Microstory 2115: One Story at a Time

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In the year 2014, I started publishing my stories for all to see. Well, all on Facebook, anyway. And publish is a strong word. I was posting them at least. I wrote the first one on my phone, using a notes app. It was rather poetic, and not very much like my usual style. I don’t recall now what prompted me to start doing this. I suppose that I was tired of being rejected by literary agents, and ready for people to see my work, whether I was getting paid for it or not. Months later, I started working on my Blogger website, and ported all of the content from Facebook over. It wasn’t that much at the time, but it would become a lot soon. By then, I had come up with a long-term plan, instead of just writing something up day by day, and sending it off. I made a master list, and a rigid schedule. Sundays would be for my continuous main story, Saturdays for longer stories, and weekdays for really short bits. Then I had to start devising narrative ideas. The Advancement of Mateo Matic was already there. I thought of the idea of a character unwillingly being sent forward in time probably a year or two prior, but didn’t know what I would do with it, since it was before the site. I merged it with a preexisting title that was for a completely different series, and really started to focus on that. I had a couple ideas for the Saturday mezzofiction, but they wouldn’t last long, so that was a constantly evolving situation. The microfiction stories were the wild west in the beginning. I was still just coming up with one story at a time, which didn’t have anything to do with each other. It wasn’t until Bellevue Profiles later in 2015 that I started to see potential for complete series.

Okay, this has all taken me longer than I thought it would, particularly the post that I wrote for what will be yesterday for you, and I really feel like I just need to turn myself in to the police. I’m just procrastinating, and for what? I only have a few hundred followers at this point. I guess I’m only going to be scheduling two days out. That gets me through Friday, and I don’t post these on weekends anyway, so that’s practically four days. Maybe they’ll stick me in one of those jail cells with a computer and an internet connection. They have those, right? I dunno, this universe is unfamiliar to me. There’s more to get into about how my blog operates, so maybe I’ll get around to it later. When I finally do get internet access back—if ever—I’m sure I will have so much to catch you up on. I might have joined a prison gang, and gotten a tattoo. Or not. Wish me luck, or to break a leg, or whatever you people say around here.

Microstory 2114: Dream to Fiction

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Let’s set aside for the moment the fact that I’m a traveler from another universe, and that all of the characters that I’ve written about are real people, living somewhere out there in the bulk. Let’s suggest that I’m just a normal creative storyteller whose stories come out of his mindbrain, just as they would for anyone else. Let’s talk about how this process began and developed over the course of more than two decades, and let’s pretend that I never left my world of origin. I was thirteen years old when I officially became a writer. My local radio personality would say that I shouldn’t be allowed to call myself that because I’ve not published any books. But that’s not the definition of a writer. That’s the definition of an author, numbnuts. I was struggling in eighth grade science class, specifically the chemistry portion, which was particularly disheartening, because I wanted to grow up to be a biochemist. Seeing that letter F on my report card told me that I would never realize my dream. It was unrealistic, and I would have wasted a lot of time, energy, and money on the fruitless pursuit. Fortunately, I had this other idea of telling stories, so I started really leaning into that. About two years later, I started work on my canon. I didn’t understand that I was doing that, but the story I came up with in the summer of 2002 has survived today, so I ended up retroactively marking this period in my life as the beginning of my franchise. It was about a boy who was on a boating trip with his fellow scouts. He gets separated from them after the tragic deaths of all of the parents on board, as well as the crew, and ends up on an island full of mythical beings, like elves, dwarves, and mermen. It was quite derivative in the beginning. I’ve rewritten the majority of this book at least four times, and revised it any number of times in between. It’s taken as long as it has to finish because I have never stopped growing as a writer, and perfecting my skills, technique, and personal voice.

As I was saying, I wasn’t familiar with the concept of a canon in the early years of my work, but I did have this compulsion to tell stories that exist within some kind of established continuity. They might be thousands of years apart, or even in different dimensions, but the potential for crossover had to be there, whether it ever actually happened at all or not. I came up with the premise for dozens of stories over the course of the next several years, nearly none of which remain today. The ones that have survived have transformed so much that they would be unrecognizable to anyone who happened to hack into my computer to read the originals. I never published a word, of course. In 2004 or 2005, I came up with a book and its television follow-up that I don’t even want to talk about, because they were rooted in my anger and violent tendencies. I wouldn’t even mention it, but I feel that I have to, because that was my first TV show, even though I wish it wasn’t. My second show, which I conceived of in 2007, was about a group of people with special powers, and from there, the universe expanded. By then, I had already decided that the dimensions from my original concept would be temporal, instead of spatial. That is, they just happened at different points in the long history of a single world. I came up with several other shows that fit within the timeline on the one planet, and then I came up with several more which took place on nearby star systems, and in other galaxies. It was 2012 when I came up with The Verge Saga, which took place billions of years ago in another galaxy. The number of TV shows that I had created effectively doubled overnight to around 60.

For a couple of years in my adult life, I had a recurring dream. Well, maybe that’s not the right word to use. Continuous would be a better choice, because I wasn’t just reliving the same thing every night. The story kept going. I could wake up, go about my day, and then go back to sleep to revisit the characters right where we last left off. I don’t know about you, but I’m only in about half of my dreams. A lot of the time, I’m observing other people’s lives, and this particular one felt very much like something that could be adapted to fiction for public consumption. I even had the perfect title for it, but the problem with it was that it inherently took place on Earth, where that established continuity I’ve been talking about bars such world-changing events from occurring. Basically, if I wanted it to take place on Earth, it had to be a different Earth. This was when my canon exploded. I suddenly had access to a dozen new universes, which could have their own independent histories that I didn’t have to worry about conflicting with each other. My list of TV shows approached 80, and I was unstoppable. That’s when Salmonverse was created, but that’s not when I thought of my first story for it.

On December 27, 2012, my first dog, Sophie Love was put to rest at a 24-hour animal hospital after a short but brutal and cruel battle with liver disease. Shortly thereafter, I had a dream (not again; this one came first). I woke up to find my dog alive downstairs, where she should have been all along, and then I realized that I had traveled through time to before her death. Of course, my dream turned into a nightmare when I jumped back in time again to not only before my dog was born, but also before we lived in that house. Someone else was living there, so I had to escape without disrupting their lives too much. Samuel Bellamy took over this role when I converted this dream to fiction, making him the first ever resident of Salmonverse, but like I said, I didn’t come up with that until 2015. Everything I wrote until I built my website just sat there in my files, never to be seen by anyone but me. That’s why these things have weird temporal values, because I regularly come up with a story, or only a premise, or even just one character, without having any place for it yet. I guess normal writers conceive an idea, and then just with it until it’s done. I often develop all aspects of a new story all at once before I so much as write the first word of the actual text. This process might inspire sequels, prequels, multimedia follow-ups, and crossovers that I will also work on without necessarily having written anything substantial. I dunno, maybe I’m doing it wrong, which is why I’m over here with a personal website that no one reads, and George R.R. Martin is a millionaire. He too has taken forever to write his latest book, but people are actually waiting for it. Hopefully I’ll finish the new edition soon, but I’m pretty busy. Unlike how it is for Martin, this isn’t my only job, and as aforesaid, I don’t make a dime off of it.

Tomorrow, I’ll get more into the details of my website; how it got started, and how I prepare for upcoming stories. There’s a lot. It takes a lot to keep this thing running. Like, you don’t even know. Slipping back into character, I’m surely in jail now, awaiting trial, or whatever step comes next. I scheduled this to come out just so I don’t leave you with nothing, but I’ll eventually run out of these too.

Microstory 2070: Godlings All The Way Down

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I’m sorry about bummin’ you all out yesterday. I’ve just been thinking a lot about my past, and my life. Why don’t I tell you a little bit about it? ‘Kay? You can read it or not. Like Superman, I grew up in Kansas. And like Superman, I had superpowers. But unlike Superman, these powers weren’t useful for flying around, rescuing people. They gave me glimpses into other worlds, which allowed me to write their stories down, and pass them off as fiction. I eventually realized that some of these stories were taking place in a universe that was located inside of my very soul. You see, that’s what all inhabited universes are; the complex development of a person’s soul, who you might call a god. We are all gods with godlings, and all godlings are gods. It’s godlings all the way down. No one knows where it ends, and no one knows where it begins. Some may want to answer such profound philosophical questions, but I am not one of them, because it would not change the way I live my life, which has always been a little less than the best I can. I’m not what you would call responsible or productive. I’ve not written any stories for a long time, because that’s not me anymore. I no longer have access to those worlds. If I did, I would be able to find Cricket and Claire. My alternate self could. He probably knows exactly where they are, and I bet he’s telling their continued story without me. He used to be able to send me messages, which we called updates, but your boring planet locks all those out. My own story is still getting out to him, but I’m lost. Alone. With all of you.

Microstory 2066: Just Backpedal a Little

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Had a good meeting with my social worker today. I was coughing a lot, but we were both wearing masks, and he apparently always walks around with this foldable clear plastic partition. I’m not the only client of his who has health issues. I just hope I get over mine soon, and adapt better to this world. I didn’t tell him any of this, but I’m just now realizing that I told him that I’ve been keeping a blog, and gave him a link, so he’ll be able to read all of this. I’ve already talked a lot about how I believe I’m from a different universe. Maybe I could just backpedal a little, and tell him that it’s fiction, and this is all nothing more than a creative outlet. But he would be able to read this installment too, which apparently negates that explanation. Maybe I’ll just schedule this to post near the end of the evening. I don’t expect he’ll read this far anyway. It’s not like this is brilliant writing. Then again, the newest post will always be at the top, and I’ve spoken to people back when I was writing my fictional stories who just read that most recent one, and then stopped. So the newest one always has to be the best. But even then, it’s often taken completely out of context. I am trying to paint you a picture here. You can’t start in the middle, and expect to form a reasonable opinion on my skill, can you? No, that would be unfair. Start at the beginning, or don’t start at all. No, don’t do that. That’s what most people do. Five billion people in the world, and the number of people who actually read my ish adds up to a rounding error. Just kidding, it’s zero, with a margin of error of zero also. Yay, me! Whatever. Anyway, I got a second hit on my ad. She doesn’t claim to be an alien, but she hasn’t said she isn’t yet. I’m calling her tonight. Audio only.

Microstory 2063: It Was Murder

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I’ve been thinking a lot about my friends, Cricket and Claire. If I never see them again, I would at least like to know that they’re safe and still together. I placed a not-so-cryptic ad in the newspaper, asking if anyone else happens to be from another universe. Now, I know what you’re thinking. Nick Fisherman IV, you’re going to get a lot of crazies who never actually traveled the bulkverse. But here’s the thing, I don’t care. If they’re not lying, then maybe we can figure something out, or maybe we’ll just commiserate together. If they are lying, who cares? I’ve told you how boring this world is. It would be a nice change of pace to meet someone who doesn’t think like everyone else. Hell, they could be a dangerous psychopath, and that would still be better than all this tedium. Welp, that’s all I got for ya today. I’ll let you know if anyone responds to my ad. Just as a little disclaimer, no matter what the autopsy says...it was murder.

Microstory 2062: From Womb to Tomb

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Right. I was going to tell you how I got my name. I might as well. Nothing is happening today. My symptoms are about as bad as they were yesterday. I told you that I have a bad memory, though, so maybe I’m wrong about that. I tried looking for a website or app that helps you keep track of your health and mood, but it doesn’t exist. You’re so uncreative here. I want to call you small-minded, but that’s usually reserved for people who don’t like things like diversity, or can’t see the forest through the trees. It’s more like you don’t do anything that isn’t absolutely necessary. Could a health tracker app save lives? Maybe. But also maybe not, and it hasn’t occurred to you to try. Anyway, I’m rambling again. My name. Nick Fisherman IV. Why that number? Well, I can’t give you too many details, but the original Nick Fisherman never called himself the first. He just was the first. I don’t know much about him, but in the universe he lived in, he was being monitored by what you could think of as a guardian angel. Except that these angels didn’t guard anything. They only served as observers. They watched your whole life from womb to tomb, and never interfered. These never-called angels had no emotions, nor personal motivations. Or rather, they weren’t supposed to. The one responsible for the first Nick Fisherman developed feelings for his subject, and ultimately decided to adopt the name for himself. Thus was birthed Nick Fisherman II. This story was passed onto me after he accidentally became my observer. I wasn’t meant to ever be assigned one of them, but it happened, and since that was an interesting development, the leadership just let it keep going. Fast forward to my adulthood, I ended up going back in time, and creating a new timeline. I’ve let my other self go by Nick Fisherman III, which leaves me as the fourth. So there you go. There’s the story, as vague as is needed under the circumstances. Keep reading III’s “fictional” stories, and you may learn a little more about it.

Microstory 2058: Off Another Cliff

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My worst fears have come to life. Fiction is as bad here as I was worried it would be. That goes for print media as well as film and television. You make up stories, of course, but there’s no beauty in it, no thrill. When I was first starting out as a writer, I was accused of always getting right to the point. The tales themselves were interesting, but I wasn’t telling them in interesting ways. I wasn’t keeping the audience engaged. That’s how it is here, but with everything. I started to read a book that was narratively similar to The Grapes of Wrath, but it played more like a list of things that happened. John drove himself and his daughter to the abandoned shack in the middle of woods where he recalled hiding when he was a young boy. It was dirty, but still standing, so they cleaned it up, and stayed the night. They ate blueberries for dinner, and also for breakfast the next morning. In my world, that excerpt would be expanded across two or more pages. What were they feeling during the drive? What were they thinking? They were running from the anti-authorities, so were they scared? The book made me feel nothing. I don’t know, I just can’t get into anything. Everything I’ve tried has been so boring, it makes me want to jump off another cliff on the off-chance that it sends me to another universe. That’s not exactly how I ended up here in the first place, but it was what ultimately led me here. My landlord doesn’t own a computer, and since I don’t have a job yet, I can’t afford one of my own. I’ve been using an old phone of hers that still works with DataWave. For any possible readers from any other universe, that is what they call WiFi here. Anyway, writing these little posts is hard enough on the little screen, I wouldn’t be able to create an entire story with it. Maybe when I get a job, I’ll buy a real machine, and start making up my own stories. I’ve not been a writer since I lived on my Earth, but maybe it’s time. I think y’all need to understand what true creativity looks like.