As obscure and strange as some anomaly abilities were, there was a level logic that could be followed, even if it was misguided or unethical. Hugh Normanson did not make any sense. He presented a similar ability to his distant cousin. But Arthur’s ability to generate detailed artistic paintings was secondary to his photographic memory, and he contributed to society in a myriad of ways. Hugh, on the other hand, could only manipulate paint. Though the Triplets were considered to be the weakest anomalies in terms of fortitude, if amplified, their abilities could be extremely powerful. This was proven when someone who could absorb other people’s abilities used one of their abilities to put out a building fire. Hugh had full control over his power, but it was all but useless. He could channel paint from anywhere in the world, bring it forth instantaneously using the indigo simplex dimension, and then apply it to a surface. Basically, he could paint the room at a fraction of the time, and without the need for brushes or rollers. The question that arose from this is why? Why would the ancient rogue scientists want someone to be able to do this? Though certain dyes and other chemicals existed naturally, commercially manufactured paint did not exist until the modern day. Everyone else’s ability could have hypothetically been used in prehistory, which is why no one had the ability to manipulate electronics, for example. The answer to this question was never paired with an answer, but Hugh didn’t seem to mind. He experienced an unexceptional early life, and didn’t bother telling anyone what he could do. His father, Norman, passed when he was in high school, prompting him to change his last name, even though that was traditionally not done after childhood. He was one of the last anomalies to join Bellevue, and seemed to do so mostly out of boredom. They assigned him to the construction department where he did his thing whenever it was needed. He spent the rest of his time watching television and playing video games. He died never having accomplished much. It happens.
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My name is Nick Fisherman III. It's not my real name, but that's not because I'm trying to hide from my former agency, or something. I named myself after someone I've known for most of my life, and he chose it in honor of his late best friend. I took up writing when I found myself failing 8th grade science, and realized I might never reach my dream of becoming a biochemist, a meteorologist, and a quantum physicist. I started developing my canon after a scouting trip to an island inspired what I thought would be my first novel. I founded this website upon the advice of many people, who told me I needed to get my work out there, and not wait for an agent to accept my manuscript. You can expect one new story every day. Weekdays are for microstories, which are one or two paragraphs long. They're usually only thematically linked, so you won't have to read one to understand another, but they do sometimes tell a combined story. Sundays are for my continuous longer story, The Advancement of Mateo Matic, which I started in the beginning, and won't end until 2066. Saturdays are for long series, most of which take place in the same universe as Mateo, and add to the larger mythology.

Thursday, August 6, 2015
Microstory 119: Hugh Normanson
Labels:
ability
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anomalies
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Bellevue
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Bellevue Profiles
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building
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construction
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dimensions
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memory
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microfiction
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microstory
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paint
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painting
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recursiverse
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simplex dimension
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television
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video games
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